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<title>Interview with <hi rend="bold">Cyril McGuire</hi>
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<title type="gmd">[electronic resource]</title>
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Creation of machine-readable version (transcriptions of formal taped interviews): 
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Conversion to TEI-conformant markup: 
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<pubPlace>St. Louis, Missouri</pubPlace>
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<p>Material is free to use for research purposes only. If researcher intends to use transcripts for publication, please contact Washington University’s Film and Media Archive for permission to republish. Please use preferred citation given in the transcript.</p>
<p>© Copyright Washington University Libraries 2018</p>
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<title>
Interview with 
<hi rend="bold">Cyril McGuire</hi>
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<persName n="" key="">Cyril McGuire</persName>
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<series>Interview gathered as part of Malcolm X.</series>
<note>This interview recorded as formal filmed interview.</note>
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<front>
<titlePage>
<docTitle>
<titlePart type="main">
Interview with <hi rend="bold">
<name>Cyril McGuire</name>
</hi>
</titlePart>
</docTitle>
<byline>
Interviewer: 
</byline>
<docImprint>
<docDate>
Interview Date: <date when="1992-02-18">February 18, 1992</date>
</docDate>
<pubPlace/>
<rs type="media">Camera Rolls: </rs>
<rs type="media">Sound Rolls: </rs>
</docImprint>
<imprimatur>
Interview gathered as part of <hi rend="italics-bold">Malcolm X</hi>. 
<lb/>Produced by Blackside, Inc. 
<lb/>Housed at the Washington University Film and Media Archive, Henry Hampton Collection. 
</imprimatur>
</titlePage>
<div1 type="editorial">
<head>Editorial Notes:</head>
<p>
<hi rend="bold">Preferred citation:</hi>
<lb/>Interview with <hi rend="bold"><name>Cyril McGuire</name></hi>, conducted by Blackside, Inc. on <date when="1992-02-18">February 18, 1992</date>, for <hi rend="italics">Malxolm X</hi>. Washington University Libraries, Film and Media Archive, Henry Hampton Collection. </p>
</div1>
</front>
<body>
<div1 type="interview">
<div2 type="page">
<pb n="1" facs="mcguire-cyril_0001.tif"/>
<head>BLACKSIDE -- MALCOLM X1
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>
<note type="handwritten">DATE 2/18/92</note>

<sp>
<speaker n="cameracrew"/>
<p>1-2-3-4, THIS IS BLACKSIDE'S PRODUCTION OF
MALCOLM X. THIS IS CASSETT #1 OF INTERVIEW
WITH MCGUIRE. IT'LL BE CAMERA ROLL 15 AND
SOUND ROLL 6.</p>
</sp>
<incident><desc>(Misc)</desc></incident>
<note type="handwritten">BOX #6 AB 2500-4549</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> ... restaurant where uh, Hoffa had
his last meal ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: No kiddin.</p>
</sp>
<note type="handwritten">TK1</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> .. And he said that's it.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Oh, boy.</p>
</sp>

<note type="handwritten">AB 2577</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> ... in the 60's, small city ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Let me start you again. We're talking, ~
at this point we're talking in the uh ... ,
yes.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> OK ..... late 20's because I was 
born in the 20's uh, ... <note type="handwritten">[2602</note> Lancing was uh, a
small town, and uh, the west side was
<note type="handwritten">Lancing</note> principally uh, the side of town that uh,
blacks lived on, although there was a fringe
a, on the North Side. And very few people
who lived on the East Side, uh, uh, Malcolm
for example, uh, in his family the little
family, lived uh, uh, on the extreme South
End outside of the city, uh and they had a 4
<note type="handwritten">AB 2656</note> acre uh, parcel with a small house on it.</p>
</sp>
</div2>

<div2 type="page">
<pb n="2" facs="mcguire-cyril_0002.tif"/>
<head>BLACKSIDE -- MALCOLM X2
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>Uh, so they were sort of uh, considered as
uh, farmers in a sense because they did not
<note type="handwritten">AB 2670</note> live in the areas where uh, most of us lived
at that time.<note type="handwritten">]2677</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Was um, the fact that they had land out
on the South Side, (unintell), was that
unusual for black people in town? </p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> It was in a sense because <note type="handwritten">[2691</note> there
were not that many uh, uh, black people who
migrated to the city who then found land to
farm on uh, or to build their own places.
Usually, they located wherever the Realtors
pointed them, and generally, they pointed 
<note type="handwritten">2719</note> them to the West Side of the City.<note type="handwritten">]2721</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: People hav .. , have talked about Lansing
and uh, the opportunities that were available
to, to black people d .., during that time,
and they say that uh, ... an idea of what
kinds of job opportunities were avail ... ,
what kind of jobs were available to blacks
during ... , what did they do in town?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Uh, there were many janitors. Uh,
there were people who uh, worked in hotels
<note type="handwritten">AB 2759</note> who did the uh, w... , were waiters, uh, at any
of the nightclubs uh, they waited tables.
They were in mostly menial type jobs, uh,</p>
</sp>
</div2>

<div2 type="page">
<pb n="3" facs="mcguire-cyril_0003.tif"/>
<head>BLACKSIDE -- MALCOLM X3
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>probably a uh, uh, one of the better
positions probably would a been the Post
Office uh, that type of thing.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: OK, I'm gone ask ya to tell me this
again, just mention to me that poor black
<note type="handwritten">AB 2798</note> people in Lansing (unintell) jobs, that's
what they did. So.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p><note type="handwritten">[2808</note> Black people usually were limited
uh, in the type of jobs that were offered to
them. Uh, mostly janitorial type work, uh,
and as waiters and sometimes um, uh, f .. , the
more fortunate uh, worked in uh, the Post
Office, uh, as clerks, uh I don't recall any
mail carriers, but uh, most of the work was
<note type="handwritten">2850</note> menial. There weren't too many opportunities
in those days.<note type="handwritten">2855]</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: How unusual was it, or wa ..., was it
unusual for a person like uh, Earl Little to
be a, a kind of visiting preacher, uh, a uh,
part time mason, or um, the kind of jobs that
he would, he would pick up, and to have his
farm, to build own house, to, to live kind of
independently out there?</p>
</sp>

<note type="handwritten">AB 2887</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Er, um, Malcolm's father uh, Earl
Little, uh, er, was sort of a, uh, novice
type of a person at the time because there</p>
</sp>
</div2>

<div2 type="page">
<pb n="4" facs="mcguire-cyril_0004.tif"/>
<head>BLACKSIDE -- MALCOLM X4
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>weren't too many blacks who really had any
trades, or that new how ta', to do carpenter
<note type="handwritten">AB 2912</note> work, or things of that nature. Uh, to build
his own house, I'd have to say that he was
somewhat unique in that sense, uh, uh, there
were a lot of blacks I think that had uh, a
lot of experience on farms. But when they
left their farms in the South or wherever,
uh, they were lookin' for a city type jobs,
and places to raise their families where
there were schools close. And, also, looking
for uh, the comfort of being around other
blacks, as opposed to being isolated
<note type="handwritten">2965</note> someplace in the country.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Were you uh, aware as a child uh, I know
this is in 1929, uh you were quite young
then, di .. , where you aware a .. , at all when
their house burned down?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> No, 1929, I was uh, not quite 3 and
uh, uh, I don't really have any recollection
of, of that uh, process in 1929, uh, about a
fire. I do remember hearing about it uh,
<note type="handwritten">AB 3011</note> after that. Probably within 3 or 4 years uh,
after that. Uh, my mother and my father used
to talk to them about it, but at the time I</p>
</sp>
</div2>

<div2 type="page">
<pb n="5" facs="mcguire-cyril_0005.tif"/>
<head>BLACKSIDE -- MALCOLM X5
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>was not old enough to really understand what
had happened.</p>
</sp>

<note type="handwritten">AB 3031</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: What, what do you remember hearing about
the fire when you were at ..., later years?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> That there had been some ..., <note type="handwritten">[3039</note> I
remember my mother and father uh, listening
to uh, Malcolm's mother speaking er,
suspiciously about uh, thinking that someone
might have set the fire. Uh, because er, I
always got the impression that a, Earl Little
was just a step ahead of, uh, the law, or
some other element, uh, that he was not
<note type="handwritten">3078</note> really that popular, er, with the
establishment. And by establishment I guess
I'm talkin' about the city fathers.<note type="handwritten">]</note> So uh,<note type="handwritten">3091]</note> I
do remember some conversations uh, about the
suspicions uh, that surrounded that fire.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Was that same kind of level of suspicion,
did that same kind of suspicion surround his
death? </p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p><note type="handwritten">[3112</note> When uh, uh, Earl Little was
killed, uh, uh, or whatever, the accident or
whatever it was uh, because we were never
<note type="handwritten">AB 3126</note> sure, but there was suspicion that uh, he had
been pushed under a streetcar uh, as opposed
to er, having fallen or whatever the problem</p>
</sp>
</div2>

<div2 type="page">
<pb n="6" facs="mcguire-cyril_0006.tif"/>
<head>BLACKSIDE -- MALCOLM X6
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>was. But that suspicion was er, was there I
think for a long, long time, and probably
<note type="handwritten">AB 3157</note> still exists uh, with uh Wilfred and some of _
the other members of Malcolm's family. <note type="handwritten">]3166</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Was there something that is um, is, is
not special to that family, but growing up
and being uh, uh, uh, a black person say in
the 30's and being somewhat independent um,
or not falling in the line as they say in
terms of what he should or shouldn't do, um,
was there, (unintell) a level of concern and
suspicion about um, safety, and, and any kind
of unusual kind of act, or what have you?</p>
</sp>

<note type="handwritten">3209</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p><note type="handwritten">[3208</note> Growing up uh, in the 30's uh, I
think uh most families prepared their
children uh, how to react, how to act, and
how to conduct themselves<note type="handwritten">]</note> uh, and I think it
started in school and, and, and, uh, moved
right along into life that uh, you had to
sort of uh be an actor. And <note type="handwritten">[</note>regardless of
how you felt, you had to portray uh, a
certain, uh, uh, image uh, so that there was
<note type="handwritten">AB 3261</note> not necessarily that suspicion out there.
And uh, the image that it was better to go
along and get along, rather than to try to</p>
</sp>
</div2>

<div2 type="page">
<pb n="7" facs="mcguire-cyril_0007.tif"/>
<head>BLACKSIDE -- MALCOLM X 7
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>swim upstream. And uh, ultimately uh, have
somebody uh, hold ya under water.<note type="handwritten">]3287</note></p>
</sp>

<note type="handwritten">AB 3286</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: How, how did th .., say the black
community as well as the white community
respond to those who tried to move upstream?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Generally, um, er, they were
(unintell) in their perspective of their own,
and uh, uh, usually er, someone tried to put
something in their way. Uh,...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: ... when you say they .. ?</p>
</sp>

<note type="handwritten">3320</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> In this particular case, uh, for 
example, uh <note type="handwritten">[3326</note> the city fathers uh, from a
political standpoint. If um, uh, if a person
uh, wanted to uh, insist on rights for blacks
uh, uh, within the structure of the city,
within the political structure uh, there was
always uh, there was always uh, certain
resistances and uh, uh, things that uh, would
happen that would sort of er, indicate that
<note type="handwritten">AB 3373</note> you should stay in your place.<note type="handwritten">]</note> Uh, that er,
we all became used to that I think uh, uh as
we uh, progressed in, in Lansing.<note type="handwritten">]</note> And the
size of the city was typical for that type of
thing.<note type="handwritten">3395]</note> But there were some good things about
it too. It was a good place to raise a
family because the crime rate was not uh,</p>
</sp>
</div2>

<div2 type="page">
<pb n="8" facs="mcguire-cyril_0008.tif"/>
<head>BLACKSIDE -- MALCOLM X 8
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>really high. And uh, for years we didn't
<note type="handwritten">AB 3411</note> have to lock our doors. Uh, so there were
some advantages as well as the uh,
disadvantages.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Um, let's cut second.</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>A MINUTE AND A HALF.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: OK, um, I'd like to, to uh, pick up on
the uh, (unintell) ... , tell a story.</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>THIS'LL BE TAKE 2.</p>
</sp>

<incident><desc>(Misc)</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q: OK, tell me that story that sticks in
your mind with the ...</p>
</sp>

<note type="handwritten">3439</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Uh, the story that sticks in my
mind was the ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Start it so I know what we're talking
about, say this is the one about the Earl
Little funeral.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> The story that sticks in my mind I
think, uh, an I really don't know why, uh,
was the Earl Little funeral, which I attended
as a, a little tot. I probably couldn't of
been over 3 1/2 uh at the time, uh, but uh, I
<note type="handwritten">AB 3479</note> remembered uh sitting very close to the
casket, and I remember uh, uh, Malcolm's
mother going up to the casket, to brush away
flies. Uh, she did that 2 or 3 times within</p>
</sp>
</div2>

<div2 type="page">
<pb n="9" facs="mcguire-cyril_0009.tif"/>
<head>BLACKSIDE -- MALCOLM X 9
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>a 10 minute period, and uh, for some unusual
<note type="handwritten">AB 3514</note> reason I can still tell you that that casket
was grey.I It looked to be made from felt.</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>GOTTA STOP.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Let's pick it up, I'm sorry.</p>
</sp>

<incident><desc>(Misc)</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q: Again, we, we just ran out of film.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Oh, did we?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Yeah, ..the, the uh camera holds 10
minute rolls ...</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> OK.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: ... so we have to um, keep changing after
every 10 minutes.</p>
</sp>

<incident><desc>(Misc).</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q: Your easy to talk to. You do this a lot.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Huh?</p>
</sp>

<incident><desc>(Misc).</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q: You've done this many times before.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Well, it's been quite a lil' while
but I used to do it, Yeah. Who's the
Washington Redskin fan?</p>
</sp>

<incident><desc>(Misc).</desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>JUDY COULD YOU DO THE SLATE FOR ME?</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>YEAH.</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>THIS IS SOUND ROLL 7, CAMERA ROLL 17, MALCOLM
-- BLACKSlDE.</p>
</sp>
</div2>

<div2 type="page">
<pb n="10" facs="mcguire-cyril_0010.tif"/>
<head>BLACKSIDE -- MALCOLM X 10
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewer"/> 
<p>Q: ...um, what I'd like to do is pick up and
um, start ith the uh, story again.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Start from the beginning.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: start he beginning, ... this should
be take 2 on that.</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>GOT IT.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: It'd be very good to help me, to help,
because peop' e won't what we're talking
about, the audience would like to know that
we're talking about Earl.</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>OK MARKER</p>
</sp>

<note type="handwritten">TK 3</note>
<note type="handwritten">AB 3524</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p><note type="handwritten">[3534</note> ...I remember attending Earl
Little's funeral, uh, I probably wasn't over
3 1/2 at the time, but for some odd reason I
remember some vivid things about that funeral
and one of them for example I remember, uh,
uh, Malcolm's mother er, walking up to the
casket on several occasions to uh swat flies
away. And, uh, of all things I remember the
color of the casket which looked to be made
of uh felt material which was grey, dull
grey. And uh, unlike most caskets uh, or all
I assume which have a, the tops that raise
<note type="handwritten">AB 3603</note> and lower, this one looked to have a sliding
door on it, or a partition on it which slid
closed rather than closed. Um, and I, I've</p>
</sp>
</div2>

<div2 type="page">
<pb n="11" facs="mcguire-cyril_0011.tif"/>
<head>BLACKSIDE -- MALCOLM X 11
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>often thought as to why uh, that funeral
stuck in my mind. Probably it was the first
<note type="handwritten">AB 3633</note> one I'd ever attended, that I was old enough
to remember anything about, and uh, I for
some reason or other, never forgot that. Uh,
I remember all of the, the family being there
and my family being there, and uh, I couldn't
tell you who the minister was, but uh,
there's just something vivid about that
memory of that funeral,<note type="handwritten">3669]</note> and uh ..</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: (unintel) since you're there right now,
try and, and, and, and, and tell me what you
um, what was the general feeling in the
place. What wer .., what was the tone of the
....</p>
</sp>

<note type="handwritten">3687</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> And, I, I, have to assume that um,
there, there were a number of people there
uh, and one of the reasons I'm guessing is
that <note type="handwritten">[3702</note> there was uh, a cloud over that whole
issue, uh because at the time, uh, it was
perceived that uh, rather than a, an accident
with a streetcar, that uh, Earl Little had
uh, really been pushed under the wheels of
<note type="handwritten">AB 3729</note> the streetcar. As a matter of fact, I
remember hearing just that language. That he
was probably pushed under the wheels of that</p>
</sp>
</div2>

<div2 type="page">
<pb n="12" facs="mcguire-cyril_0012.tif"/>
<head>BLACKSIDE -- MALCOLM X 12
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>street car.<note type="handwritten">3743]</note> Uh, and uh, I'm not sure but it
just seemed to me like at the time, or at the
<note type="handwritten">AB 3753</note> night that that happened, that it had been
raining that night uh, these are just some
bits and pieces of things that I remember,
and uh, uh, <note type="handwritten">[3769</note> it was a rather large funeral.
And I think that probably there were a lot of
people there based on curiosity. Um, because
I myself, as a little tot, found myself
wondering whether or not uh, how his body
looked uh, if he had been run over by a
streetcar.<note type="handwritten">3806]</note> An, maybe that's one of the
reason why I, it stuck with me. But uh, I
<note type="handwritten">3815</note> don't know whether that's unusual or not, but
I just remember that as being something
significant at that time.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: While I have you um, basically kind of
back there with the ... , describe Louise
Little to me. What is she like as a person,
what does she look like?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p><note type="handwritten">[3840</note> Louise Little uh, or <note type="handwritten">[</note>Malcolm's
mother uh, I thought that she was a, a very
attractive, very attractive, pleasant lady.
<note type="handwritten">AB 3855</note> Uh, who had a, a clear voice that was very
pleasant, and uh, she appeared to be very
intelligent.<note type="handwritten">]3868</note> Um, and uh, having known her in</p>
</sp>
</div2>

<div2 type="page">
<pb n="13" facs="mcguire-cyril_0013.tif"/>
<head>BLACKSIDE -- MALCOLM X 13
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>later years, uh, she never really changed
<note type="handwritten">AB 3891</note> that much. Uh, the lady was in her 90's uh,
when she passed, but uh, was still with that
pleasant, uh, image about her. And
attractive image about her. Uh, she aged
but, aged very pleasantly, uh, that was my
impression of her uh, uh, that I thought she
was a very uh, attractive woman at the time.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: What ..., talk to me about after you know,
Earl Little dies and the family is holding
itself together, this is during the 30's as
well, which is a difficult time for anyone
to, to manage, but here's a woman managing
with 7 children. What begins to happen to
the family, what do you as a kid going out
there begin to see happening.</p>
</sp>

<note type="handwritten">3973</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Wel I , uh, I th.. , I remember at the
time uh, uh, as I was growing up and Malcolm,
Filbert, Wilfred, they were all uh, growing
up, 7 of them there at the house. Um, I
think uh, each uh, sort of needed a father
image, uh, it's pretty difficult for a
individual, single person to, to handle 7
<note type="handwritten">AB 4020</note> children, and I don't remember her working.
Uh, I don't really remember whether or not
she ever had a job. I often wondered how</p>
</sp>
</div2>

<div2 type="page">
<pb n="14" facs="mcguire-cyril_0014.tif"/>
<head>BLACKSIDE -- MALCOLM X 14
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>they uh, were able to pay their bills. Now
they uh, grew their own uh, food, and they
<note type="handwritten">AB 4046</note> had uh some farm animals. But I really
wondered how they did pay their bills. I
think Wilfred being the oldest uh, uh,
brought in some money. And, and probably
some of the others, but uh, uh, <note type="handwritten">[4069</note> I just
gradually saw, for example, uh, Malcolm,
Filbert sort of wanting to stretch out an'
kinda do their own thing, and uh, I sensed
that it would probably be difficult to keep
<note type="handwritten">4094</note> the family together, uh, without having the
strong influence there of a male.<note type="handwritten">4102]</note> But uh, I
think they did real well ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Desc ..</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> ... considering.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Describe for me uh, going out there and
working in the garden, this garden that they
had seems to be quite, had quite a
reputation. </p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p>Well, uh, uh, <note type="handwritten">[4123</note> 4 acres of ground
seemed like 40 acres of ground, uh to me uh,
<note type="handwritten">AB 4137</note> being a uh city person. And um, uh, we used
to out, my brother and I used to go out uh,
and uh, I can remember having corn roasts.
Uh, big feed where uh, we would have to help</p>
</sp>
</div2>

<div2 type="page">
<pb n="15" facs="mcguire-cyril_0015.tif"/>
<head>BLACKSIDE -- MALCOLM X 15
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>chop wood because the uh cookstove was a
<note type="handwritten">AB 4173</note> wooden stove, and uh, it was really exciting
to have one of these little poker type
things, that you could pick up the tops and
shove the wood in, and I used to wonder how
that could break, how that could bake bread
and, and rolls, in an oven where you were
puttin' fire into this thing. Um, and I
remember the house never appeared to be
finished to me. That uh, there were some
petitions yet to go in. Uh, and uh, the
basement uh, was never finished in the house,
<note type="handwritten">4224</note> which, you know, he had died I guess during
the building process and uh, it never really
got completed during that period of time.
But we used to have some real festivities <note type="handwritten">4241]</note> uh,
out there uh, and once again as a city boy, I
used to be afraid to go to the outhouse. Uh,
but uh, uh, the times were pleasant and uh,
the McGuire family, the Lyons family from
Mason, uh used to join in, in those uh,
festivities that we sh .., that we used to
have there. But it was, those were good days
<note type="handwritten">AB 4282</note> uh, before they started to then split up.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: You used to work in the garden yourself,
too.</p>
</sp>
</div2>

<div2 type="page">
<pb n="16" facs="mcguire-cyril_0016.tif"/>
<head>BLACKSIDE -- MALCOLM X 16
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> My brother and I worked in the
garden. Uh, mostly though after my Dad had
<note type="handwritten">AB 4302</note> started to do the planting. And uh, I
remember taking uh, breaks and sitting on top
of a well house, uh, I listened to uh
Wilfred, uh the oldest brother talk about
they never did get the electricity to the
well. That you had to use a hand pump. And
my brother and I used hand pump that water
which was ice cold. An' after going down 4
or 5 rows of corn, with a hand cultivator, an
you drink a quart of that well water, you're
<note type="handwritten">4354</note> out of business for a while. So, we used to
sit around for a half an hour just to try
ta', to get ourself back together. To get up
to do some more roeing, uh, or we call it
cultivating. You ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Where was Malcolm during all this?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Uh, <note type="handwritten">[4377</note> Malcolm uh, uh, was one who
could tell us stories and laugh with us, but
I think we did most of the cultivating. Uh,
he was not uh, uh, so inclined to really wear
<note type="handwritten">AB 4400</note> himself out. Uh, I never, really have a
picture of Malcolm uh, sweating in that
garden. Uh, he would make it comfortable for
us to do so, but uh, I never uh, I don't have</p>
</sp>
</div2>

<div2 type="page">
<pb n="17" facs="mcguire-cyril_0017.tif"/>
<head>BLACKSIDE -- MALCOLM X 17
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>any images of Malcolm really working that
hard uh, in the garden. <note type="handwritten">]4430</note></p>
</sp>

<note type="handwritten">AB 4433</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: People for so ... um, have said that,
that they felt that uh, after Earl Little
died an' the family was living out there
trying to make it on their own, that in a
certain sense that, th .. , that they uh, that
they were harassed a bit, they were tar ....
Do you know anything about this, do you ever
have any sense of that?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Um, I'm not really uh, certain uh,
<note type="handwritten">4467</note> about any harassment, uh, particularly from
uh, they might have been harassed uh, by some
of the people that lived around uh the
Little's. Uh, <note type="handwritten">[4487</note> that as I recall was a choice
piece of land, and uh, uh, to have one black
family isolated in that area, uh, people
might not have, as they moved in, might have
wanted them out. Uh, which is typical uh, 
situation. It was typical of these times.<note type="handwritten">4525]</note> Uh, <note type="handwritten">out</note>
but uh, I don't know of any personal
incidents that, that took place. Uh, I can
<note type="handwritten">AB 4541</note> remember uh ....</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: We just rolled out, so ...</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> OK. I was gone say I can remember
a time when they used to do some things uh.</p>
</sp>
<note type="handwritten">L# AB 4549</note>
</div2>

<div2 type="page">
<pb n="18" facs="mcguire-cyril_0018.tif"/>
<head>BLACKSIDE -- MALCOLM X 18
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>One of the things that used to do in those
days is move the outhouses. Other peop....</p>
</sp>
<note type="handwritten">BOX #7 AB 5000-7099</note>

<sp>
<speaker n="cameracrew"/>
<p>WE'RE ON CAMERA ROLL 17. CAMERA ROLL 17, ON
SOUND ROLL 7.</p>
</sp>

<incident><desc>(Misc)</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q: You have pic.., you have some pictures
downstairs though, right?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Mmmhmmm</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Well we should..., remember, we'd like
ta', ta' take a photo of them.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Yeah, OK.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Before we leave, wh .. , want you to do
that for me.</p>
</sp>

<incident><desc>(Misc)</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q: It is uh, quarter to five.</p>
</sp>

<incident><desc>(Misc)</desc></incident>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Are you going to have to go uh,
North to Yvonne?</p>
</sp>

<incident><desc>(Misc)</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q: ... We can bring Yvonne South.</p>
</sp>
<note type="handwritten">AB 5044</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Cow ... , cowards .</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: What I want to get back to is, we were
talking about Malcolm, and Filbert and you
had a story that helped illustrate their own
independence.</p>
</sp>
</div2>

<div2 type="page">
<pb n="19" facs="mcguire-cyril_0019.tif"/>
<head>BLACKSIDE -- MALCOLM X 19
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<note type="handwritten">AB 5056</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p><note type="handwritten">[5057</note> Speaking of growing up, uh, talking
about Malcolm and Filbert, uh, a story comes
to mind uh, about how, as my father would put
it, mystevious they were, uh, they were uh,
always lookin' for tricks to play on
somebody, including me, if they ever had
chance, but I can remember one of their
neighbors, who was sort a fighsty, and that
used to give them a bad time every now and
then. And uh, at Halloween, they uh, decided
to play this trick on him. And uh, they went
out and moved his outhouse. As you know,
everybody had outhouses then. They moved his
<note type="handwritten">5113</note> just strategically, and then stayed around <note type="handwritten">good</note>
long enough for him to know that they were
out there doing something. So uh, uh, as
they were explaining how it happened to me,
that uh, when he came out to chase them, all
of a sudden he just dropped out of sight with
a scream and fell into the hole that they had
prepared as they moved the outhouse. And
that they had avoided him, I think, for
months. Uh, they had to stay away from him,
<note type="handwritten">AB 5159</note> uh, based on that. But that's an example, I
guess, of uh, the kinds of things uh, that
they used to do. Uh, they were just normal I</p>
</sp>
</div2>

<div2 type="page">
<pb n="20" facs="mcguire-cyril_0020.tif"/>
<head>BLACKSIDE -- MALCOLM X 20
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>guess, everyday farm <subst><del>kinds</del> <add><note type="handwritten">kids</note></add></subst>uh, uh, of the
time. But a lot of fun.<note type="handwritten">5180]</note> But always, always,
<note type="handwritten">AB 5184</note> thinking of tricks to play on ya.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: W .. , with that in mind, um, the, the
family's having a more difficult time staying
together, holding it all together as the
years move on, and they move through the
decade. Um, what kinds of pressures is, are,
are they encounter .., what kinds of pressures
is uh, is their mother Louise Little
encountering, and how is that, the boys
growing up become a part of that?</p>
</sp>

<note type="handwritten">5226</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> The uh, <note type="handwritten">[5229</note> the years, I think, started
to take a toll on Malcolm's mother uh, in
trying to provide uh for all of them, and
then trying to be the mother/father
influence, uh, and uh, I think uh, she
probably started to have uh, a nervous
condition, uh, which deteriorated and uh, I
think uh, probably Hilda, who was the oldest
daughter, uh, in the household, uh, was sort
of playing mother. Wilfred was playing the
father role to the other boys and uh, I think
<note type="handwritten">AB 5293</note> this sort of uh, got to be a problem, and,
and at the same time uh, the uh, city fathers
again, uh, being aware of this because of the</p>
</sp>
</div2>

<div2 type="page">
<pb n="21" facs="mcguire-cyril_0021.tif"/>
<head>BLACKSIDE -- MALCOLM X 21
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>school system, uh started to interfere in
<note type="handwritten">AB 5316</note> that process and uh, started putting pressure
on to be uh, to have the kids uh, uh,
properly cared for.<note type="handwritten">5330]</note> I can recall uh, my
Malcolm's mother uh. we didn't have a car in
those days and uh, every chance we got that
we could get neighbors uh to drive us out
there, my mother was right there uh, uh, to
help her, to help clean and, and to help take
care of those children uh, or, have the
children brought in uh, to Birch St. uh,
where we lived um, but uh, <note type="handwritten">[5381</note> finally uh, as she
<note type="handwritten">5385</note> became ill, uh, the city fathers stepped in
and uh, my mother I think was already taking
care of uh, 2 or 3 at the time and we ended
up taking the youngest uh, and uh, the uh,
youngest girl, whose name was Yvonne. Uh,
Yvonne I think was 5 years old and uh,
Robert, who we called Butch, uh, was 5
months, so uh, uh, they really uh, lived with
<note type="handwritten">AB 5440</note> us uh, through most of their growing up
years.<note type="handwritten">]5446</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: How ... , do you remember when Robert was
born? How .., what was that ...</p>
</sp>
</div2>

<div2 type="page">
<pb n="22" facs="mcguire-cyril_0022.tif"/>
<head>BLACKSIDE -- MALCOLM X 22
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<note type="handwritten">AB 5451</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> I don't really remember uh, uh,
anything about that other than the fact that
uh, uh, when my mother brought him to the
house. Uh, and it became knowledgeable that
we were going to ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: You have to tell me who we're talking
about.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p>When my, <note type="handwritten">[5483</note> when my mother brought
Robert to the house, uh, Malcolm's brother,
youngest brother, uh, that was my first
knowledge of, uh, really meeting him, and uh,
at 5 months uh, that was to me a baby
brother. And uh, I guess I probably remember
more details about changing Robert's diapers
<note type="handwritten">5519</note> than I do about any circumstances that
brought him there. Uh, but uh, Yvonne was
there at the same time. And uh, my mother
just became their mother, and uh, outside of
special occasions when we might have had
Wesley, and Reginald, uh, and any oth .. , and
Filbert as well as Malcolm. Uh, there was
one common understanding er, in Lansing, and
<note type="handwritten">AB 5564</note> that was that they all, uh, that is all of
the. Little's were welcome uh at our dining
room table, be it breakfast uh, noon, or</p>
</sp>
</div2>

<div2 type="page">
<pb n="23" facs="mcguire-cyril_0023.tif"/>
<head>BLACKSIDE -- MALCOLM X 23
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>supper. And uh, uh we were just that sort of
<note type="handwritten">AB 5591</note> a support role to them. <note type="handwritten">]5594</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: What um, Malcolm was one of the first
t.., to leave the house, he went to live in a
foster home. Why .., why did he, uh, leave
first, or ...</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Well, I think uh, there's a,
there's a lot I've heard about Malcolm in a
foster home, uh, I've never felt that Malcolm
1.. , entering that foster home uh, did that
through anyone else's suggestion. I think
uh, that Malcolm wanted to do exactly what he
did. And I think Malcolm picked that
particular home to move into. And the home
I'm talking about is the home of uh, uh, the
<note type="handwritten">5665</note> Lyons family. The Lyons family was the only
black family that resided in Mason, Michigan.
Uh, Mason is the county seat for Ingam
County, and um, uh, there was this black
family there. I think he worked at the Pet
Milk factory, um and the uniqueness of that
process was that where in a family, a farm
community, a small community, there is a
<note type="handwritten">AB 5714</note> black family, they generally are accepted uh,
as saints. They, the, the Lyons family was
idolized in Mason, Michigan. And uh, there</p>
</sp>
</div2>

<div2 type="page">
<pb n="24" facs="mcguire-cyril_0024.tif"/>
<head>BLACKSIDE -- MALCOLM X 24
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>were some brothers and one sister. And uh,
<note type="handwritten">AB 5740</note> the mother was a West Indian, like Malcolm's
mother, and they were friendly. Uh, and uh,
that's, I think Malcolm thought that that
would be a good homestead for him to join,
because as I recall, he went to Mason High
School and did well when he was there. Uh,
he might have even held an office, as a class
officer, as I recall, I'm not sure, but I
thought that uh, he might have. But I know
he was happy uh, whilst he was there. I had
even, in my young years, contemplated going
<note type="handwritten">5799</note> to Mason, uh, to spend some time with that
family. I just thought that would be a kind
of interesting thing to do. Uh, ....</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Wha .. , what changes in Malcolm, cause he
is doi.. , he does so well in Mason, and
sud .. , and then he wants to leave. Do you
have any idea what's ... , what happened to
him? Why, why the change suddenly?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Uh, no, uh because there in Mason,
he seemed to, to fit the mold and sort of, I
would say go along with the process. As I
<note type="handwritten">AB 5848</note> recall him uh, later years in Lansing, in
High School, Jr. High School as a matter of
fact, uh, he seemed to be more in a</p>
</sp>
</div2>

<div2 type="page">
<pb n="25" facs="mcguire-cyril_0025.tif"/>
<head>BLACKSIDE -- MALCOLM X 25
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>belligerent mole, or an angry mole. Uh,
defiant mole. Um, seeking attention
<note type="handwritten">AB 5877</note> probably. Uh, seeking some justifications,
uh, I really can't pretend that I understand
what motivated him to do what he did. Uh,
all I know is that I had to be somewhat
careful in that process because uh, my
parents were such that, uh, I just couldn't
afford to be uh, in trouble in school. And
uh, so I, I hung with Malcolm from a distance
and uh, even though we knew each other and
respected each other, uh, I could not play
<note type="handwritten">5944</note> the same role that he played during those
times.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: When he went off .. , when he f .. , when he
did go off to Boston, he would come back to
Lansing, um, do you have any mem ...</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> He would come back, that is, prior
to his going to prison. Uh, he would come
back from time to time and when he did ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: S .., you gotta let me know who we're
talking about here. </p>
</sp>

<note type="handwritten">AB 5972</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> When, <note type="handwritten">[5975</note> when Malcolm would come back
uh, from Boston, on the times that he did
come back, he would come back with stories
about uh, uh, what he was doing uh, the</p>
</sp>
</div2>

<div2 type="page">
<pb n="26" facs="mcguire-cyril_0026.tif"/>
<head>BLACKSIDE -- MALCOLM X 26
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>people that he was running with um, he knew
Billy Holliday for example. Uh, and uh, he
<note type="handwritten">AB 6004</note> sought to impressk any of us with the idea 
that, that he uh, <note type="handwritten">pix out</note> sort of rubbed shoulders
with uh, the key <note type="handwritten">out</note> musicians of the time.<note type="handwritten">6019]</note> And
uh, ...</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>IT JUST ROLLED OUT.</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>PICK THIS UP.</p>
</sp>

<incident><desc>(Misc)</desc></incident>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p>How do you know it rolled out.</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>I HEAR IT.</p>
</sp>

<incident><desc>(Misc)</desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>THIS IS SOUND ROLL 8, CAMERA ROLL 18, MALCOLM
X PROJECT, UH, CONTINUATION WITH MCGUIRE.</p>
</sp>

<incident><desc>(Misc)</desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>AND THERE'S A MARK</p>
</sp>

<note type="handwritten">TK5</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: OK. What I want to do is pick up what we
were talking about before you, you were
beginning to tell me about uh, about coming
to Lansing, coming back to Lansing, you're
talking about his, his uh, friendships in
Boston, and um, we .. , who he'd met and ...</p>
</sp>

<note type="handwritten">AB 6078</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p><note type="handwritten">[6076</note> When Malcolm um, used to come back
from Boston uh, I remember uh, certain times
uh, he would come back uh, and he would speak
proudly, or braggerdly, whichever way you'd</p>
</sp>
</div2>

<div2 type="page">
<pb n="27" facs="mcguire-cyril_0027.tif"/>
<head>BLACKSIDE -- MALCOLM X 27
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>want ta' put it about uh, the kind of times
he was having uh, that he was hobnobbing with
<note type="handwritten">AB 6108</note> uh, uh, some of the top musicians. I
remember uh, uh, his talking about uh,
meeting Billy Holliday. Not only meeting
Billy Holliday, but associating with her on a
casual and friendly basis, uh and with some
of the uh, top musicians of the day. Uh, and
uh, I think I saw somewhere uh, some pictures
at the time where he was seated, a table in a
night club, next to uh Billy Holiday.<note type="handwritten">]</note> Uh,
and he used to talk about the
things that uh, uh he was involved with
<note type="handwritten">6167</note> there. Mostly uh, uh, street hustling type
things uh, is a gambler, a hustler. Uh, and
that uh, he was makin' some money doing some
of those things. And uh, as I remember uh,
he had the nickname of uh, of Big Red,
because uh, his hair was red.<note type="handwritten">]6232</note> And, uh, uh,
the uh, clothing was somewhat uh, of the
times, I guess I could say uh, Zoot suit, uh,
uh, type of thing. Uh, uh, and his hair was
processed uh, through some of those er,
<note type="handwritten">AB 6241</note> periods of time. Because I uh, looked at him
in later years and made the comparisons
myself uh, as to how he had uh, really</p>
</sp>
</div2>

<div2 type="page">
<pb n="28" facs="mcguire-cyril_0028.tif"/>
<head>BLACKSIDE -- MALCOLM X 28
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>miraculously turned himself around and went
<note type="handwritten">AB 6262</note>from uh, uh a man of the streets to a
worldly, intelligent serious person, uh, who,
and I never dreamed uh, that he would have
that kind of profound effect on so many
people as he did in later years.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: What was um, what did the Zoot suit mean.
I mean you, you talked to me about this once
before. What is that?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Well, Zoot suits, uh, you know,
you're talking about uh, uh, you hear in the
Navy where people where bell-bottoms uh, uh,
<note type="handwritten">6312</note> which means that the bottom of their pants
are wide, uh, uh, as I recall the Zoot suit
days, uh, your pants were wide starting at
the hip. Uh, but when it got to the ankle,
uh, we used to use the expression, ya have to
grease your ankles to get those on. I see
women now wearing jeans that have the zipper,
uh, at the ankle. This is the way the Zoot
suits uh, were of those days, and then the
coats were long, and the pockets were slashed
like they are on jackets today, uh, with big
<note type="handwritten">AB 6362</note>wide lapels and the ties were wide, and wide
brim hats, uh, those were the Zoot suit days.
Uh, if you could uh, er, I, I could never get</p>
</sp>
</div2>

<div2 type="page">
<pb n="29" facs="mcguire-cyril_0029.tif"/>
<head>BLACKSIDE -- MALCOLM X 29
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>by my parents uh, after having purchased one.
<note type="handwritten">AB 6392</note> Uh, I got as far as the foot of the stairs
going to a dance, and my mother stopped me at
the foot a the stairs and uh, suggested that
I go up and redress. And uh, I had to give
that Zoot suit to someone whose parents would
let him wear it. Uh, but that was the day,
uh, for that sort of thing.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: So what did it mean, I mean, wha .., what
did flasher, and wha .., what did this
(unintel)...</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> That was a status. It meant that
uh, that you were, <note type="handwritten">[6442</note> eh, <note type="handwritten">[</note>for lack of a better
<note type="handwritten">6444</note> word, I think uh, to wear a Zoot suit, eh,
you were hip. You uh, supposedly knew what
was going on. You knew where it was at, that
type of expression.<note type="handwritten">]</note> Uh, um, that's all it
meant.<note type="handwritten">6469]</note> As I look back, it meant that I knew
very little, but that uh, you were doing what
others were doing that thought that that was
the thing that, that made you fashionable at
the time. Uh, I think the manufacturers
<note type="handwritten">AB 6497</note> probably saw a lot of us comin'. And uh,
made a killing based on a, that type of
thing.</p>
</sp>
</div2>

<div2 type="page">
<pb n="30" facs="mcguire-cyril_0030.tif"/>
<head>BLACKSIDE -- MALCOLM X 30
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewer"/> 
<p>Q: For, for, for a young um, teenager,
growing up in a town like Lansing, what, what
was the big city. What did you uh ... ,
<note type="handwritten">AB 6526</note> Malcolm coming back from the city, captivate
you know a, you know, your, your interest.
What was it .. , wha .. , what did you expect it
to be and, did he tell you stories that
confirmed a lot of that?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> The big city, er, the big city was
to me the Detroits, uh, the New Yorks, the
Bostons, uh, where people had places to go
things to do, uh, famous people to rub elbows
with, uh, my, I guess I always thought that,
that was what big city life was all, all
<note type="handwritten">6579</note> about. There was however, a strange
phenomenon about Lansing, being a small town.
The saying was, and probably still exists, I
don't care where you came from, and how large
that city was, if you stayed in Lansing long
enough, it would grow on you, and you always
came back. The .. , perhaps it was the, the
circumstance that at one time, everybody knew
everybody. Uh, there was, as I said the
<note type="handwritten">AB 6639</note> North, the East, the South side. But
everyone knew everyone else. Today, uh,
there are very few people that live in</p>
</sp>
</div2>

<div2 type="page">
<pb n="31" facs="mcguire-cyril_0031.tif"/>
<head>BLACKSIDE -- MALCOLM X 31
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>Lansing that were born in Lansing. Everybody
is from somewhere else. And uh, of course I
<note type="handwritten">AB 6664</note> found out later that if I went to Cleveland
everybody was from somewhere else. or if I
went to New York, many people are from
somewhere else. But Lansing's no different.
But uh, the big city to me was that type of
excitement. I thought.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Where ... , where did you feel, or how did
you feel when uh, you had heard that uh,
Malcolm had been arrested, he was going to
prison?</p>
</sp>

<note type="handwritten">6709</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> When I heard that uh, Malcolm uh, 
had been arrested uh, or was then, that he
was going to go to prison, because I think I
had heard, he had been arrested uh, on other
occasions where it did not result in uh,
prison. But, <note type="handwritten">[6739</note> when I heard that he had gone
to prison, uh, I felt sorry about it, but I
was not really surprised. Uh, because uh,
even locally, uh, as I recall, uh, people who
were involved in street games eventually got
caught. And I was always certaGn that at
<note type="handwritten">AB 6778</note> some point this would happen.<note type="handwritten">]</note> <note type="handwritten">[6781</note> Um, the
process with Malcolm however wa .. , I was
closer to his situation, simply because he</p>
</sp>
</div2>

<div2 type="page">
<pb n="32" facs="mcguire-cyril_0032.tif"/>
<head>BLACKSIDE -- MALCOLM X 32
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>uh, wrote to me when he was uh, uh, in jail.
<note type="handwritten">AB 6806</note> Uh, and uh, he wrote on a regular basis. I
um, have ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: (unintell)</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> ... He would talk to me about, he
would, he, <note type="handwritten">[[6821</note> Malcolm described vividly prison
l ife, uh, hat he was in effect, lonely, and
l imited, uh, but had plans for uh, uh, he was
going to do a lot of uh, reading. And he
certainly did a lot of writing, because I
think there wereLtimes when he probably wrote
to me uh, every week.<note type="handwritten">6861]]</note> I wonder uh, uh,
wha .. , I don't know what I could have done
<note type="handwritten">6874</note> with all of those letters, uh, uh, some I
read, er, er, seriously, and some I, I
didn't, but I think if there was a pattern
that I got from them, it was that he became
uh, more serious about, what was going to
happen to him uh, in future years.<note type="handwritten">]</note> Um, on
the streets it was sort of a day to day
thing. But he then did turn serious. And he
was concerned about uh, what he was going to
do uh, as he put it, when he got out of
<note type="handwritten">AB 6931</note> prison. And uh, ultimately, what a lot a,
what, er, what was gone effect the lives of a
lot a people. I just think he'd just gotten</p>
</sp>
</div2>

<div2 type="page">
<pb n="33" facs="mcguire-cyril_0033.tif"/>
<head>BLACKSIDE -- MALCOLM X 33
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>more serious, uh, and um, <note type="handwritten">[[6952</note> there was a
<note type="handwritten">AB 6953</note> transformation there from uh, an individual
who didn't really care about anything, to an
individual who cared about himself. And
those around him.<note type="handwritten">6970]]</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Was he still touch with his brothers
and sisters then. Were you aware of Wilfred
and then, at this point (unintell) joins the
nation, and ...</p>
</sp>

<note type="handwritten">6986</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Yes, we were all, I was always uh,
uh, f .. fairly cl .. close or in touch with
uh, Filbert, uh, Wilfred. Uh, Filbert too,
so f .. , but Wilfred being the older uh, came
to my parents quite a bit. Uh, for some
counseling and he kept uh, my parents
informed as to what was going on, uh, what he
was doing uh, and uh, so, we were fairly
close all through that entire process.
Filbert was in and out, uh, as I ... , Filbert
<note type="handwritten">AB 7057</note> was a boxer. <note type="handwritten">out</note> Uh, and a, was .., his interests
uh, varied. Uh, he was in .. , whatever it
was that he was interested in, it was 100%,
go, go, go, in that process, and then he
would d.. , get something else that he was
interested in and uh, and that changed. Uh,
as I recall, he was .. , he had a ...</p>
</sp>
<note type="handwritten">L# AB 7099</note>
</div2>

<div2 type="page">
<pb n="34" facs="mcguire-cyril_0034.tif"/>
<head>BLACKSIDE -- MALCOLM X 34
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="cameracrew"/> 
<p>WE JUST RAN OUT OF FILM.</p>
</sp>

<incident><desc>(Misc)</desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>IS A CAMERA ROLL 19 ON UH, SOUND ROLL 8 AND
TAKE 6 WILL BE UP.</p>
</sp>
<note type="handwritten">TK6</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: .... pick up, um, We're talking about
Malcolm in prison, I really want to get
again to uh, explore when we, when you notice
a change in, in Malcolm and um, in the, in
the family in general, in terms of the Nation
of Islam, when did they start coming into
their life, and you become aware of it ..</p>
</sp>

<note type="handwritten">AB 7537</note>
<note type="handwritten">NO PIX</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> OK. Because I think Malcolm was ..</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Malcolm doesn't really join until he
comes out of prison.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Yeah _he was one of the latter.
But he was reading about it in ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Are you seeing it in his letters?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Uh, because I'm sure that there was
some mention of it in his letters, but I
think ...</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>... AND IS MARK.</p>
</sp>

<note type="handwritten">AB 7573</note>
<note type="handwritten">PIX</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> I remember uh, uh, when Wilfred
left Lansing and uh, moved to Detroit and was
working in Detroit. Uh, uh, he first</p>
</sp>
</div2>

<div2 type="page">
<pb n="35" facs="mcguire-cyril_0035.tif"/>
<head>BLACKSIDE -- MALCOLM X 35
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>belonged to an organization, I can't think of
the name of it, uh, it was not uh, the
<note type="handwritten">AB 7605</note> movement that uh, uh, later he uh, joined and
then got Malcolm involved in, but uh, um,
i .. , he, although had not talked about it
that much, was the first person to embrace
uh, the Muslim faith. And uh, it's .. , uh,
it's my understanding that later on, uh, he
got first I think Filbert, and then uh,
Reginald, uh, and whilst uh, Malcolm was
incarcerated in Boston er, uh, I think he
used to go see him, and he probably then got
<note type="handwritten">7670</note> 'im involved at that point, got him
interested or introduced him to the, the 
faith, because uh, <note type="handwritten">[[7685</note> I vaguely recall in some
of the letters that I was getting from uh
Malcolm, that he was talking about Elijah,
Mohammad, uh, which really didn't mean that
much to me. Uh, but I did detect the
seriousness uh, with which eh, he was writing
that.<note type="handwritten">]</note> Uh, uh, <note type="handwritten">[</note>he started to talk about the
business of uh, race and the injustices uh,
or the effects of prejudice uh, and I got
<note type="handwritten">AB 7741</note> this in his letters whilst he was in prison
uh, uh, and these were things that he might
have been aware of prior to that time, but he</p>
</sp>
</div2>

<div2 type="page">
<pb n="36" facs="mcguire-cyril_0036.tif"/>
<head>BLACKSIDE -- MALCOLM X36
CYRIL KCGUIRB
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>didn't really talk about them. Eh, and if he
had, it would not have been in a serious
<note type="handwritten">AB 7762</note> vein, as it was in the, in the letters.<note type="handwritten">7768]]</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: So um, uh, when he comes out of jail, he
comes back to Lansing. Uh, are you in
Lansing at the time?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Uh, yes.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: OK, describe for me the Malcolm you
encounter when he comes out of prison, just
talk about what change you see in this
person.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> When Malcolm uh, came back uh,
after his stint in prison, uh, I, if I was to
document any changes, first, uh, I guess I
would have to say his appearance had changed.
<note type="handwritten">7818[[</note> He <note type="handwritten">7818</note> was uh, no longer the, the Zoot suiter,
uh, and uh, no longer the processed hair. No
longer the Big Red. He now er, impressed me
as being uh, Malcolm the individual. Uh, who
was conventionally dressed and uh, appeared
to be somewhat serious, and somewhat with his
act together, or in the process of putting
his act together. Uh, this is the way I
perceive the uh, Malcolm uh, after prison.<note type="handwritten">7879]]</note>
<note type="handwritten">AB 7881</note> Um, and then uh, for a while uh, I think we
lost track of each other because he, he left</p>
</sp>
</div2>

<div2 type="page">
<pb n="37" facs="mcguire-cyril_0037.tif"/>
<head>BLACKSIDE -- MALCOLM X37
CYRIL KCGUIRB
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>Lansing, uh, went I think first to Detroit,
I'm not sure. Uh, and then later <note type="handwritten">[[7904</note> as he grew
<note type="handwritten">AB 7906</note> in the, in the uh, religion, uh, uh, I heard
no more then about Wilfred. Uh, but
everything became Malcolm, uh, and then in
the Lansing area uh, Malcolm's brother
Filbert, uh, uh, began to take a leadership 
role in the religion.<note type="handwritten">7944]]</note> And uh, I remember
Filbert making his transformation, uh, into
that process. Then by that time, Malcolm as
I recall, uh, uh, was in New York, and uh,
really on the, on the rise. But he used to
<note type="handwritten">7976</note> come back, uh, <note type="handwritten">[7980</note> I remember in, I th .. , uh,
the .., h .. , in .. , Malcolm and Filbert both
coming to my house together. Uh, we sat in
the car and talked probably for an hour. Uh,
'bout the religion. About things that
Malcolm was doing. Uh, in the car, he had a
picture, uh, a magazine, I think it was a
Look magazine, with his picture on the cover
uh, so he had er, that degree of prominence
at the time.<note type="handwritten">8034]</note> And um, uh, he uh, I think they
<note type="handwritten">AB 8047</note> would have really been pleased had I opted to
get involved uh, in the, in that movement.
But uh, never for a moment uh, had I
considered it.<note type="handwritten">8069]</note></p>
</sp>
</div2>

<div2 type="page">
<pb n="38" facs="mcguire-cyril_0038.tif"/>
<head>BLACKSIDE -- MALCOLM X38
CYRIL KCGUIRB
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewer"/> 
<p>Q: Why?</p>
</sp>
<note type="handwritten">AB 8073</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Um, I really never considered uh,
embracing the faith that they (unintel) .. ,
even though there were things about it that 
appealed to me. For example, uh, <note type="handwritten">[[8097</note> the self-
help doctrines, uh, was one that uh, I
thought was positive. Uh, there were s ... ,
examples in the city of Lansing where
individuals who had been, uh, as I would for
a lack of a better word, I'd call them winos
or people who uh, had little respect for
their, for themselves, who uh, once they
embraced the religion, uh, cleaned themselves
<note type="handwritten">8148</note> up. And they became productive.<note type="handwritten">]</note> And <note type="handwritten">[</note>the
idea that there was a uh, positive approach
to ownership, education, uh, to health habits
as far as eating the right foods and things
of that nature.<note type="handwritten">]</note> There were some positive
things.<note type="handwritten">8178]</note> But uh, George Harrington McGuire,
my father, the devout Christian, uh, set the
standard er, that if I did not follow it to
his code, at least I had enough respect that
I was not going to join something that was in
direct opposition to what he was preaching.
<note type="handwritten">AB 8216</note> And uh, uh, my, my parents were, they set the
kind of example that er, uh, was one that</p>
</sp>
</div2>

<div2 type="page">
<pb n="39" facs="mcguire-cyril_0039.tif"/>
<head>BLACKSIDE -- MALCOLM X39
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<note type="handwritten">AB 8232</note>
<sp>
<speaker n="interviewee"/>
<p>stayed with us, uh, and I think that was
pretty valuable.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Did you ever see um, um, you talk about
the, the Look magazine incident with Malcolm.
Was uh, was Malcolm any different to you
then, or was he the same Malcolm to you?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> To m... , eh, eh, the magazines or
fame, er, uh, I sometimes, I'm still in awe
of the amount of uh, attention and notariety
uh, that Malcolm was able to stimulate in his 
lifetime. <note type="handwritten">[[8287</note> When you grow up with an
individual, play with 'im, run with im, fight
with 'im, eat, sleep, it's difficult to look
<note type="handwritten">8305</note> upon them in awe. And, even though I sat in
the car with an individual who's picture was
on a magazine, that was a national magazine,
I thought nothing of it. Uh, other than that
uh, uh, do they really know you? Uh,
what'll, will they take that picture off when
they find out that you're just a guy like I
am,<note type="handwritten">]</note> uh, uh,<note type="handwritten">8351]</note> that's probably uh, an' I'm sorry
that I, i... , in one sense that I felt that
way because, I have often wished that I had
kept the letters, uh, that uh, that I went
<note type="handwritten">AB 8376</note> back to our homestead and searched the attic,
and everywhere else tryin' to find them, uh,</p>
</sp>
</div2>

<div2 type="page">
<pb n="40" facs="mcguire-cyril_0040.tif"/>
<head>BLACKSIDE -- MALCOLM X40
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>before that house was torn down. Uh, the .. ,
<note type="handwritten">AB 8390</note> matter of fact, my sisters and my brother
went over too, because uh, er, we thought
that that was something that would uh, uh, be
of value as far as history was concerned. If
we could find them, but uh, as fate would
have it, they went out with the trash.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: What um, uh, did you ever have chance to
see Malcolm speak as the min .. , minister with
the Nation of Islam?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Um, d .., d .., uh, just rarely. I
think one time, uh, he came to Lansing, uh,
because Filbert had brought him here, uh, and
<note type="handwritten">8454</note> I uh, went to listen to him. Uh, and they
had as .. , both asked me to, but once he went
to New York and became a resident of New York
and, and in that process at that level I
never heard him uh, in the flesh. Now, I'd,
you know, I'd s .. , I'd heard him uh, if there
was anything on radio that I could hear, uh,
I wouldn't miss it, but uh, I never visited
him there in New York. And I didn't attend
<note type="handwritten">AB 8502</note> his funeral, so, uh ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: What did you feel about his, his, his,
his position say around .., in regards to say</p>
</sp>
</div2>

<div2 type="page">
<pb n="41" facs="mcguire-cyril_0041.tif"/>
<head>BLACKSIDE -- MALCOLM X41
CYRIL KCGUIRB
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewer"/> 
<p>integration and separation? Um, um,
nonviolence, uh, self-defense, um ...</p>
</sp>

<note type="handwritten">AB 8522</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> I uh, I have not, I'm not familiar
with anything that Malcolm has said that I
could say was a falsehood. Malcolm probably
said a lot of things in a way that alienated
a lot of people. But uh, ...</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>WE JUST ROLLED OUT.</p>
</sp>

<incident><desc>(Misc)</desc></incident>

<note type="handwritten">8561</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> You know, I think he's the kind a
person, we have uh, people in Union movement,
or in the polit ...</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>THIS IS UH SOUND ROLL 9, CAMERA ROLL 20.
MALCOLM, UH, BLACKSIDES MALCOLM X.</p>
</sp>

<note type="handwritten">TK7</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: Back to where we were, we were talking
about um, um, ...his uh, ideas and uh, I think
I'd asked you... </p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> His ideas? What were talkin'
about?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: About whether they would, they uh,
alienated people, uh, I started asking a
question about uh, his, you know, whether you
agree with his ideas about integration or
separation, um, um, his ideas uh,violence</p>
</sp>
</div2>

<div2 type="page">
<pb n="42" facs="mcguire-cyril_0042.tif"/>
<head>BLACKSIDE -- MALCOLM X42
CYRIL KCGUIRB
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewer"/> 
<p>vs nonviolence, and you were saying his ideas
were necessary.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Yeah. Um ..</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: .. so, you know where we are?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Yeah, I think so.</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>v... SPEED, AND UH MARK</p>
</sp>

<note type="handwritten">AB 8563</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Uh, Malcolm had uh, uh, a lot of
different concepts that some people probably
thought were somewhat extreme. Uh, i ... , if
we would be talking about separation of
races, uh, I never quite agreed that, that
was a way to go, but I've always felt that
it's necessary to have all kinds of thoughts
out there, uh, and I say that because I can
<note type="handwritten">8609</note> remember in this very city where there was a
direct confrontation on an integration
situation. And we had a person who was black
who was the superintendent of, of public
instruction. That's a state highest held
education post, who was valiantly laying out
a program as the way he thought the city
fathers should go and the board of education
people. Uh, and they let that go in one ear
and out the other, but on the other side of
<note type="handwritten">AB 8657</note> the table at that same meeting that I
attended was the town militant, and he</p>
</sp>
</div2>

<div2 type="page">
<pb n="43" facs="mcguire-cyril_0043.tif"/>
<head>BLACKSIDE -- MALCOLM X43
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p><subst><del>flagrantly</del> <add><note type="handwritten">fragrantly</note></add></subst> threatened everyone that was
<note type="handwritten">AB 8672</note> sitting at that table who held a responsible
position. And uh, amazingly enough, he got
their attention, and uh, so there is some
justification in having all these various uh,
approaches, and Malcolms was uh, if not
always one that I could adopt, it was one
that I always was necessary. Uh, because he
was never too far off the course. There were
injustices and um, you know, different people
arrive at the target in different ways.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: ... let's, it's, it's important to take
ourselves back to, to the time that Malcolm
was alive. Um, the early 60 .. , when, when,
<note type="handwritten">8742</note> when he was really a strong national figure.
Uh, the early 60's, the late 50's, talk about
where we were as a people then, I mean uh,
Malcolm, was he saying things that were
really challenging us, in terms of how we saw
ourselves?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> I would have to think that uh, that
<note type="handwritten">[[8768</note> Malcolm, uh was an individual who uh, could
have been a spokesperson for many of us. Uh,
I would have to say that <note type="handwritten">[[8785</note> he said things, that
<note type="handwritten">AB 8791</note> many of us should have been saying or could
have been saying, or wanted to say, uh, that</p>
</sp>
</div2>

<div2 type="page">
<pb n="44" facs="mcguire-cyril_0044.tif"/>
<head>BLACKSIDE -- MALCOLM X44
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>uh, for the lack of uh, any other
<note type="handwritten">AB 8809</note> explanation, in some instances we did not
have the platform to say it. Uh, or, nor the
courage to really stand up and fire those big
guns.<note type="handwritten">8827]</note> Uh, and uh, there's always that sort 
of a person, thank goodness, uh, that comes
along that says, what we mean, and says it in
a way that it should be said, uh, when some
of us, uh, lack the wherewithal, to get it
done. I perceive him as being that kind of a
person. Uh, he was pretty much at home in
all circles. And for someone who uh, did not
<note type="handwritten">8878</note> have that formal education, uh, he certainly
had one from the school of hard knocks and uh
became somewhat brilliant, as you know.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Tell me, um, uh, did you have contact
with him in his, during his last year, were
you guys in touch at all during his last
year?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> No, uh, I didn't have any contac'
uh, with Malcolm for probably uh, uh, maybe,
2 maybe 3 years. Uh, when he really became
uh, uh, busy and traveling er, you know, he
went to Mecca, and he was, uh, going through
<note type="handwritten">AB 8939</note> this process. Uh, I followed his career
during that break uh, because I worried about</p>
</sp>
</div2>

<div2 type="page">
<pb n="45" facs="mcguire-cyril_0045.tif"/>
<head>BLACKSIDE -- MALCOLM X45
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>him. And uh, <note type="handwritten">[[8955</note> the very thing that happened,
<note type="handwritten">AB 8959</note> uh, where he was assassinated, uh was not
really a surprise to anyone because it was
something that was really anticipated.<note type="handwritten">]8922</note> But
uh, I would say in the last 2 1/2 to 3 years,
we did not have any direct contact with each
other. We didn't talk to each other during
that period of time.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Were you in touch with his, his, his
brothers and sisters, Yvonne, and ...</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> I've always, uh, however, been in
touch with uh, uh, the brothers and sisters
uh, uh, regularly. We were in touch during
that period of time, and we are in touch now.
<note type="handwritten">9016</note> Uh, uh, probably every 2 or 3 months I see
uh, his oldest brother, I have a cottage uh,
on the same location as Filbert, recently
just purchased uh, a place, and Filbert lives
in Detroit. I know his former wife, and all
of his children, and his current wife, and
naturally, Yvonne, who is my sister, uh, we
uh, see her regularly. We don't go there,
<note type="handwritten">AB 9070</note> she comes here, so ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: How, how was, how, how, how were they
doing this last year, this last year was very</p>
</sp>
</div2>

<div2 type="page">
<pb n="46" facs="mcguire-cyril_0046.tif"/>
<head>BLACKSIDE -- MALCOLM X46
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewer"/> 
<p>difficult for the changes that were going on
for Malcolm, (unintell)?</p>
</sp>

<note type="handwritten">AB 9087</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Th .. , the uh, they I think um,
Yvonne, uh, being one of the younger uh, she
had certain memories about Malcolm, and I'm
not convinced that she was closely, that in
touch with him, uh, right up until his death,
but uh, they were all effected by, by that
process. That's, that's a relative, that's a
brother, that's blood, and uh, for it to
happen in that way, I remember uh, Yvonne,
uh, getting ready to go to the funeral in New
York, and uh, my sister, my younger sister
<note type="handwritten">9150</note> who grew up with Yvonne, and they were like
sisters, uh, went with her uh, and uh, we 
were effected by it, naturally. <note type="handwritten">[9166</note> It was like
losing someone who you had a temendous
investment in. And uh, but um, Wilfred,
Filbert, I was somewhat puzzled by how they
felt, about that process. Particularly,
Filbert, because he was still in the
movement, and uh, uh, whether or not, uh, I
often wondered myself whether or not they
were going to remain involved. Because there
<note type="handwritten">AB 9212</note> was some suspicion at the time as to, uh,
they knew who the assassins were, but uh, who</p>
</sp>
</div2>

<div2 type="page">
<pb n="47" facs="mcguire-cyril_0047.tif"/>
<head>BLACKSIDE -- MALCOLM X47
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>was behind the scenes that plotted for his
<note type="handwritten">AB 9227</note> death.<note type="handwritten">]</note> And there was some suspicion<note type="handwritten">]9230</note> that uh,
had alienated uh, Elijah,
Mohammed, uh, that, uh they had uh, ordered
his execution. But uh, I think I he .. ,
listened to Wilfred say that uh, uh, history
probably hasn't really come up with that
process yet, that we'll sooner or later find
out what really happened and who really was
behind it.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: What were you ... , how did you find out
that uh, that he was assassinated. Where
were you?</p>
</sp>

<note type="handwritten">9285</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Uh, telephone calls from Detroit,
uh, Wilfred. Uh, well, not that he had, we
got the, what details we could get through
Wilfred.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Help me out ..</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> But uh ..</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: ... talking about here, start, start
again, let me know who we're talking about.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Er, the uh, the event of Malcolm's
death uh, uh, was naturally a uh, televised
and on radio, and uh, really it was a, uh,
<note type="handwritten">AB 9335</note> national item but uh, personally I got my
information from uh, Wilfred his brother, who</p>
</sp>
</div2>

<div2 type="page">
<pb n="48" facs="mcguire-cyril_0048.tif"/>
<head>BLACKSIDE -- MALCOLM X 48
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>uh, was in touch with uh, Malcolm's wife. I
think her name's Betty. And uh, so we knew
<note type="handwritten">AB 9362</note> the details from that, but uh, uh, I remember
uh, seeing a, uh, a newspapers account of it.
And uh, it was a traumatic process.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: How did you feel at that point?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Somewhat bitter, but somewhat
confused, uh, <note type="handwritten">[</note>I, <note type="handwritten">[9392</note>I felt bitter, and <note type="handwritten">[</note>I felt
confused on the basis that uh, I uh, thought
that uh, if this is a religion, and uh, when
one disagrees uh, and comes to this untimely
type of death, uh, where are we, are we
talking out of both sides of our mouth. I
was con .. , confused about uh, why such a
<note type="handwritten">9438</note> thing should happen. And uh, whether or not
this was a struggle for power, uh, or control
of black peo le. Or, what really was the
motivation behind it.<note type="handwritten">9456]]</note> This probably was a
big concern of mine.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: You once talked to me a bit about uh, the
idea of finding out ... , that .. , when you found
out that black people had killed Malcolm,
this shook you. Talk to me about that, what
<note type="handwritten">AB 9477</note> about that, and, and, make sure you tell me
what we talked about?</p>
</sp>
</div2>

<div2 type="page">
<pb n="49" facs="mcguire-cyril_0049.tif"/>
<head>BLACKSIDE -- MALCOLM X49
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p>To have an individual who was black
and who was uh, famous, who was influential,
<note type="handwritten">AB 9502</note> who motivated others and who positively
motivated others to lift themselves up uh, to
do those things that were gone be positive.
Uh, to preach family, uh, to preach
wholesomeness, all of the things that Malcolm
uh, later became to preach. And then to have
someone strike him down, and someone of
color, to do that, uh, that was somewhat
demoralizing to me uh, because I found myself
wondering <note type="handwritten">out</note> uh, did they do this in and of
themselves, or ...</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>SORRY, WE JUST ROLLED OUT OF FILM.</p>
</sp>
<note type="handwritten">L# AB 9571</note>
<incident><desc>(Misc)</desc></incident> <note type="handwritten">BOX #9 AC 0000-1689</note>
<note type="handwritten">TK 8</note>
<note type="handwritten">AC 0050</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: OK, let me um, pick up with, with um, how
you were talkin. , talking to me about how ....</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p><note type="handwritten">[0074</note> I remember hearing uh, about the
uh, tragic death of uh, Malcolm, and that,
uh, 2 uh, black males, uh, armed with uh,
machine guns uh, or automatic weapons, uh,
whatever, had uh, shot him down, and uh, I
remember some description of how many times
he had been shot, the number of bullets that
his body was riddled, and that uh, there was
<note type="handwritten">AC 0124</note> just a little hope of his ever, that he might</p>
</sp>
</div2>

<div2 type="page">
<pb n="50" facs="mcguire-cyril_0050.tif"/>
<head>BLACKSIDE -- MALCOLM X50
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>have been dead before they even gotten to
him. And I thought to myself, you know, this
<note type="handwritten">AC 0135</note> is a horrendous thing for a, uh, black people
to do this to another black person, uh, who
had that kind of a stature uh, in a
commununity.<note type="handwritten">0157]</note> And uh, it .., it's a
demoralizing thing to have that kind of
feeling, uh, because I didn't know, who was
behind it. And uh, if for example, uh, other
forces had hired them to do this, that was
horrendous. Or <note type="handwritten">[0196</note> if they had so little respect
for Malcolm and what Malcolm stood for, uh,
or the idealisms, uh, that he was expounding
on, then uh, it was, it was just totally
<note type="handwritten">0224</note> demoralizing to me. I just could not find
any justification in why something like that 
would happen.<note type="handwritten">0235]]</note> Uh, and in the prime of his
life, in a sense, uh, he .. , I don't know, he
probably could've done a lot a good, for a
lot a people. Many who had little, or no
real motivation to do anything. I looked at
some pictures, uh, I'm going to do a black
history thing, next, this Saturday, for one
of the unions here, and I have some materials
<note type="handwritten">AC 0286</note> on Malcolm, and uh, one of the pictures, uh,
where he's giving a uh, speech, in New York,</p>
</sp>
</div2>

<div2 type="page">
<pb n="51" facs="mcguire-cyril_0051.tif"/>
<head>BLACKSIDE -- MALCOLM X51
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>pro .. , probably in Harlem. And the
<note type="handwritten">AC 0305</note> expressions on the people, that the camera
caught, as they were leaning on rails,
looking up at him, uh, he wa .... ,<note type="handwritten">[0323</note> he
represented their hope, <note type="handwritten">0328]</note> uh, and the right 
thing to do. This is what he meant <note type="handwritten">[[0339</note> to
thousands, thousands, of blacks, uh, he was
their source of pride, um, and he stood for,
you can't get away with that. You know,
you're not going to do that to us. Uh, he
was the epitomy of black is beautiful in a
sense. Uh, and have 2 people strike that
<note type="handwritten">0382</note> person down, uh, that just ha .. , that was
demoralizing.<note type="handwritten">0392]]</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: What wo .. , what would you like people, if
you wanted them to remember, to take
something from Malcolm, what would you want
people to remember or take from him into
their life?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Well, I, <note type="handwritten">[0414</note> if I wanted uh,
Malcolm's life to be meaningful to anyone, I
probably would want them to learn from it
that regardless of how rough it is when you
<note type="handwritten">AC 0446</note> start, the possibility is always there for
you to get on top of things. And uh, you can
make something from nothing.<note type="handwritten">0463]</note> Uh, because I</p>
</sp>
</div2>

<div2 type="page">
<pb n="52" facs="mcguire-cyril_0052.tif"/>
<head>BLACKSIDE -- MALCOLM X52
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>think uh, he drove home the idea that you
have to have self-pride. You have to have
<note type="handwritten">AC 0479</note> self-knowledge, and then you have to have
courage. And uh, not only do for yourself
but uh, even if you're successful, look back
and do something, even if it's just to
stimulate someone to do something for
themselves. I think he taught that you owe
that. Uh, you don't just, you're not just
born, and ya live, and you make it, and go
your way. That ya owe something. Uh, this
at least is what I thing that uh, I could get
<note type="handwritten">0550</note> from his life because, like Martin Luther
King, uh, uh, Malcolm stimulated people to do
things.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: I'm gone ask you a series of questions
about events. Um, let's cut for one second .
... Talk about the, the renegade qualities and
at the same time how that transformed into a
(unintell)</p>
</sp>

<sp>
<speaker n="cameracrew"/>
<p>TAKE 9</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Malcolm uh, uh, as I recall him, if
I was to compare father and son, I, I would
have to say that, that both were against the
<note type="handwritten">AC 0611</note> grain people, or renegades so to speak. But
uh, Malcolm to a degree was uh, the more</p>
</sp>
</div2>

<div2 type="page">
<pb n="53" facs="mcguire-cyril_0053.tif"/>
<head>BLACKSIDE -- MALCOLM X53
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>fiery, and uh, naturally he came along at a
<note type="handwritten">AC 0631</note> different time, but uh, I considered him to
be brilliant in his approach, and he was ever
confident, and uh, er, <note type="handwritten">[[0650</note> I recall that in some
of the speeches that he was making in his
last year. Uh, he had that same force about
him, that same smile about him, that same
cockiness that he had as he sat around that
dining room table at 614 Birch st. Uh, and
uh, to follow him, or to do as he directed,
took some courage, because he was a
<note type="handwritten">0697</note> courageous, nervy person.<note type="handwritten">]</note> And <note type="handwritten">[</note>all of us
didn't have uh, that kind of guts if you
will, to stand up and say it. Most of us
believed it. But not all of us had the
courage to uh, as they say, courage of your
convictions ta', to follow through, and if
necessary, to have that kind of person. And
Malcolm, as I see it was that kind of person.<note type="handwritten">0738]]</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: You were ..., in 54 um, a boy's killed in
Mississippi, caught in a till, do you
remember that moment?</p>
</sp>

<note type="handwritten">AC 0753</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Uh, you had cut, cause I didn't .. ,
I didn't hear the question.</p>
</sp>
</div2>

<div2 type="page">
<pb n="54" facs="mcguire-cyril_0054.tif"/>
<head>BLACKSIDE -- MALCOLM X54
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewer"/> 
<p>Q: I'm sorry, I was saying, in 1954, uh,
Emmett Till was killed in Mississippi
(unintel).</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> OK.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: I was wondering if you remember that, if
that made an impression on you?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> I do. Uh, yeah OK.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: What I'm gone do, is I'm gone go through
a series of uh ...</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> All right.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: ... moments.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> All right.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: ... and, moments in history. And I'll ask
you their impression on you.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> OK.</p>
</sp>

<incident><desc>(Misc)</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q: ... and um, the more concise your, your
answer will be the better</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Yeah.</p>
</sp>

<sp>
<speaker n="unknown"/> 
<p>TIME IS OF AN ESSENCE, HUH?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: OK, let's roll sound.</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>MARK, 10</p>
</sp>
<note type="handwritten">TK 10</note>
<note type="handwritten">AC 0763</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: Tell me the um, how, your impressed by
Emmett Till?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> When Emmett Till was murdered uh,
I, I was ...</p>
</sp>
</div2>

<div2 type="page">
<pb n="55" facs="mcguire-cyril_0055.tif"/>
<head>BLACKSIDE -- MALCOLM X55
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewer"/> 
<p>Q: Why don't you sit back ...</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> I, I was incensed ....</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Start again.</p>
</sp>

<note type="handwritten">AC 0784</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Er, uh, I, when Emmett Till was
murdered uh, I was incensed and hurt and
mostly angry.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: OK, How 'bout um, uh, did it say anything
to you tha .., that this boy coming from
Chicago being in a place close to where you
might have lived, it .., was there any sort of
closeness, or similarity that you felt,
relationship to him, that you were, that you
felt about at all?</p>
</sp>

<note type="handwritten">0827</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Cut.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: I'm sorry.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Cause I'm, I'm not...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: ... catching what I'm trying to...</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> No. This boy, you talkin' about
Emmett...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:...Emmett..</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> ... coming from...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Chicago.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> OK. and...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: ...and you living, he uh,</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>11
MARK</p>
</sp>
</div2>

<div2 type="page">
<pb n="56" facs="mcguire-cyril_0056.tif"/>
<head>BLACKSIDE -- MALCOLM X56
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<note type="handwritten">AC 0834</note>
<note type="handwritten">TK 11</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> You know, here's a fella from a
large city, that's going to head to a small
community, where he knew that he was gone run
against some problems, but he had the guts
and the courage to do it. Uh, that's just a
courageous thing that a lot of us didn't have
nerve to do.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: How 'bout, um, Montgomery, Alabama. Uh,
Montgomery, (unintell), uh, Dr. King shows up
on the scene ... , (unintell) is down. What
does that moment say to you?</p>
</sp>

<note type="handwritten">0881</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> I remember uh, Rosa Parks uh, and
that pronouncement, and uh, Martin Luther
King who I was extremely proud of. Uh, but
always nervous and concerned. Uh, that
something was going to happen there. But uh,
it said to me that, there's courage, and I'm
proud of the people that have the kind of
courage to say finally, they weren't going to
do something.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: How 'bout uh, Birmingham, where you see
us demonstrating the street. You see dogs
<note type="handwritten">AC 0934</note> biting children, you see fire hoses on the
streets, you see, uh, right after that
campaign, the churches bombed and 3 .. , and</p>
</sp>
</div2>

<div2 type="page">
<pb n="57" facs="mcguire-cyril_0057.tif"/>
<head>BLACKSIDE -- MALCOLM X57
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewer"/> 
<p>the 3 girls are killed. How do you, how are
you ....</p>
</sp>

<note type="handwritten">AC 0951</note>
<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> I, I uh, I responded to it, sho ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Tell me what we're talking ...</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p><note type="handwritten">[[0959</note> I remember turning on my television
set with 3 small children of mine, looking at
TV. Watching dogs uh, barking and biting,
it, at uh, young people. Fire hoses, uh,
watching people uh, with that kind of
tremendous force and I remember the
expression on my son's face when he looked at
that and looked at me. And I found i .. , it
<note type="handwritten">1004</note> very difficult that I had to explain to them
and I did it very carefully, <note type="handwritten">pix out</note> because I did
not want my children to be bitter as a result
of seeing what they had to see, but it really
crushed me.<note type="handwritten">1029]]</note></p>
</sp>

<note type="handwritten">AC 1029</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: And spoke out.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> And ironically I do remember
precisely ...</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>UH, FLIP OVER TO THE OTHER SIDE, THIS IS
SOUND ROLL 10, MALCOLMS --- BLACKSIDES.</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>TAKE 12</p>
</sp>
</div2>

<div2 type="page">
<pb n="58" facs="mcguire-cyril_0058.tif"/>
<head>BLACKSIDE -- MALCOLM X58
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<note type="handwritten">AC 1038</note>
<note type="handwritten">TK 12</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: Give me your um, remembrance of the uh,
the church bombing in Birmingham, how you
felt about that?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> I can remember uh, the television
version of uh, uh, showing a church in
Birmingham, Alabama uh, where uh, the bomb
had exploded and uh, some little girls were
killed. Uh, and also there was television as
far as the funerals were concerned. Uh, I
just remember looking and shaking my head and
just had a very, very hopeless feeling on the
basis of a when. How long is it going to be
before we get this thing turned around.
<note type="handwritten">1117</note> That's pretty much what I remember about that
process uh ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Did a voice like Malcolms begin to start
sounding stronger to you than (unintell) ...</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Well, it uh, I guess if, if
Malcolm's pronouncements about uh, our being
nonviolent, turning the other cheek and
things of that basis, uh, uh, if any of that
was going to have any meaning, that we were
going to have to be persistent and act, uh,
that really drove it home. Uh, I was amazed
<note type="handwritten">AC 1177</note> at how the people involved in Montgomery,
could uh, just go on, and, and rise above</p>
</sp>
</div2>

<div2 type="page">
<pb n="59" facs="mcguire-cyril_0059.tif"/>
<head>BLACKSIDE -- MALCOLM X59
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>that, and continue to do what they had to do.
<note type="handwritten">AC 1196</note> It's, that's the kind of courage that uh,
it's amazing, but people have it.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: And um, how 'bout the march on
Washington? What did that say to you?</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p><note type="handwritten">[[1215</note> The march on Washington uh, uh, was
an event, it was tremendous, that uh, that
many people were assembled and uh, the kinds
of people, er, that were involved uh, there
were labor union people, uh, uh, the Walter
Ruthers who walked side by side, there were
A. Philip Randolph with one of the planners,
and uh, uh, the various races that came
together uh, all different backgrounds and
<note type="handwritten">1276</note> uh, uh, that was probably one of the
encouraging events that said there is hope.
Uh, there is a force in this country that
wants to do right, and more importantly there
are people who do listen to reason. And
there are people who have conscience.<note type="handwritten">1313]]</note> That
really put that together, and uh, uh, that
was the beginning of the real civil rights
culmination. As far passage of civil rights
bill. Of course, as far as the civil rights
<note type="handwritten">AC 1345</note> movement is concerned, I guess for every step
you take forward you have to be ever mindful</p>
</sp>
</div2>

<div2 type="page">
<pb n="60" facs="mcguire-cyril_0060.tif"/>
<head>BLACKSIDE -- MALCOLM X60
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>of sliding backwards. And uh, uh, so, it
really is just the beginning. We still have
<note type="handwritten">AC 1366</note> to, as someone said, keep on keep in on.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: My, my last one would be, how, how, how
were you responding when the riots started to
break out in the cities. Detroit had one of
the worst uh, in the country as well.</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> Again, uh, I remember the Detroit
riot situation and uh, uh, I had friends in
Detroit and I was concerned about uh, uh, an'
it was hard for me really conceive that
people could just turn on each other like
that, but uh, er, it was a terrifying thing
<note type="handwritten">1426</note> as far as I'm concerned, uh, I don't really
thing I looked at it from a standpoint of
being angry. I looked at it more from a
standpoint of being shocked and concerned
that uh, that kind of thing could happen and
hopeful that from a law enforcement
standpoint ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: ... you're saying that (unintell) the
riots ...</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> That the riot situation uh, uh, not
only in Detroit, but uh, uh, they were up,
<note type="handwritten">AC 1472</note> they were in Chicago, they were riots
everywhere, um, uh, but I was just, appalled</p>
</sp>
</div2>

<div2 type="page">
<pb n="61" facs="mcguire-cyril_0061.tif"/>
<head>BLACKSIDE -- MALCOLM X61
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>but at the same time, uh, not really angry.
I was more concerned uh, for fear of people
<note type="handwritten">AC 1505</note> being hurt and that we would be able to get
through 'em.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Uh, the violence that, that, that begins
to start taking place ar..., around this
town ... , we have in '63 there's .. , Kennedy's
killed, Malcolm's killed next year, and
moving, an, and, the riots are being that
same ... How are we feeling about the
violence picking up and, and the country ....</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> The, violence is, uh, is so
<note type="handwritten">1553</note> discouraging and in some instances, a lot of
the violence that we were ensuing in, in the
years uh, around the Kennedy assassination,
uh, the, uh, police forces were uh, under
suspicion in a lot of situations, and uh, uh,
I guess, I felt sort of hopeless in certain
places that those that carried weapons to
protect were really carrying weapons to
enforce the status quo. Um, and uh, I
thought that the riots were destructive in
that they really damaged uh, the communities
that were black, but uh, I guess I felt that
<note type="handwritten">AC 1639</note> uh, if people were that hopelessly incensed,
that that was at least a message, uh that had</p>
</sp>
</div2>

<div2 type="page">
<pb n="62" facs="mcguire-cyril_0062.tif"/>
<head>BLACKSIDE -- MALCOLM X62
CYRIL MCGUIRE
SOUND ROLL 6 - 10</head>

<sp>
<speaker n="interviewee"/>
<p>to be sent, and uh, uh, it was a high cost,
but it had to be, it had to be said. Uh, I
<note type="handwritten">AC 1664</note> don't know as I could sit here and say that I
justified rioting, but I certainly understood
the hopelessness and the futility that brings
riots about.</p>
</sp>

<note type="handwritten">AC 1689</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: OK, LETS CUT.</p>
</sp>

<sp>
<speaker n="cameracrew"/>
<p>JUDY ...</p>
</sp>

<sp>
<speaker n="interviewer"/>
<p>THANK YOU</p>
</sp>

<sp>
<speaker n="interviewee">MCGUIRE:</speaker>
<p> That's it?</p>
</sp>

<incident><desc>(Misc)</desc></incident>

<sp>
<speaker n="cameracrew"/>
<p>THIS'LL BE MCGUIRE INTERVIEW ROOM TONE.</p>
</sp>

<incident><desc>(Misc)</desc></incident>
</div2>
</div1>
</body>
</text>
</TEI>
