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<title>Interview with <hi rend="bold">Dr. Maya Angelou</hi></title>
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<date when="1992-06-23">June 23, 1992</date>
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<title>Interview with <hi rend="bold">Dr. Maya Angelou</hi></title>
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<persName n="Dr. Maya Angelou" key="">Dr. Maya Angelou</persName>
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<series>Interview gathered as part of Malcolm X.</series>
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<front>
<titlePage>
<docTitle>
<titlePart type="main">Interview with  <hi rend="bold"><name>Dr. Maya Angelou</name></hi>
</titlePart>
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<byline>
Interviewer: 
</byline>
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Interview Date: <date when="1992-06-23">June 23, 1992</date>
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<pubPlace/>
<rs type="media">Camera Rolls: </rs>
<rs type="media">Sound Rolls: </rs>
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<imprimatur>Interview gathered as part of <hi rend="italics-bold">Malcolm X</hi>. 
<lb/> Produced by Blackside, Inc. 
<lb/> Housed at the Washington University Film and Media Archive, Henry Hampton Collection. 
</imprimatur>
</titlePage>
<div1 type="editorial">
<head>Editorial Notes:</head>
<p><hi rend="bold">Preferred citation:</hi>
<lb/> Interview with <hi rend="bold"><name>Dr. Maya Angelou</name></hi>, conducted by Blackside, Inc. on <date when="1992-06-23">June 23, 1992</date>, for <hi rend="italics">Malcolm X</hi>. Washington University Libraries, Film and Media Archive, Henry Hampton Collection. </p>
</div1>
</front>
<body>
<div1 type="interview">
<div2 type="page">
<pb n="npn" facs="angelou-maya_0001.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 1 

CR 81 SR 41; CR 82, CR 83, 84 SR42</head>

<note rend="handwritten">Date 06/23/92</note>

<note rend="handwritten">Box 36 BB8522 - 9528</note>

<note rend="handwritten">CR 81 SR 41 TK1</note>

<incident><desc>BEEP</desc></incident>

<sp>
<speaker n="cameracrew"/><p>THIS IS A ONE K REFERENCE TONE RECORDED AT
MINUS EIGHT DB. RUNNING SPEED, SEVEN AND A
HALF IPS. SIXTY HERTZ, FM, NEOPILOT TONE,
AND UH THIS BLACKSIDE’S PRODUCTION OF MALCOLM 
X. WE ARE IN CAMERA ROLL EIGHTY-ONE, SOUND 
ROLL FORTY-ONE. INTERVIEW WITH DR. MAYA
ANGELOU.</p>
</sp>

<incident><desc>BEEP</desc></incident>

<sp>
<speaker n="cameracrew"/><p>AND UH PITCHING FOR US TODAY WILL BE MICHAEL
CHIN BROUGHT TO US FROM THE TOKYO KINGS.</p>
</sp>

<sp>
<speaker n="cameracrew"/><p>TAKE ONE</p>
</sp>

<sp>
<speaker n="interviewer"></speaker> 
<p>Q:Uhm, I'd like to start by asking you to
remember your earliest memory of Malcolm, no
matter how you first encountered him or saw 
him or experienced him and how it made you
feel?</p>
</sp>

<note rend="handwritten">[8557</note> 
<note rend="handwritten">use for Beginning</note>
<note rend="handwritten">BB 8557</note>
<note rend="handwritten">8565</note>

<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>When I first heard about Malcolm, I thought he was uh, a pigment of somebody</p>
</sp> 
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0002.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 2

CR 81 SR 41; CR 82, CR 83, 84 SR42</head>
 
<sp>
<speaker n="interviewee"/><p>else's imagination. He sounded so mean and
so tough and so cruel. I thought the white
<note rend="handwritten">BB8593</note>people, they made him up.<note rend="handwritten">]</note> And I came to find 
that that was true. The Malcolm they were
showing and talking about was a fictitious
character. <note rend="handwritten">[</note> The real Malcolm, as I began to
hear him speak, was a man of great profundity 
and great humor. Now I know often when
people talk about Malcolm X, they make him 
seem larger than life, and that's dangerous.
Because young people, hearing about him, this
<note rend="handwritten">BB8659</note> larger than life person, are, will be led to 
think they could never be like him, you see. 
He's not then accessible. The truth is the 
man was as large as life, with a wonderful
sense of a humor, and a loving sense of his
<note rend="handwritten">8695</note>
people.<note rend="handwritten">]</note> ‘So, I made uh, made it my business
to hear him as often as possible on the
streets of New York, and uhm to read
everything I could find about him. And then 
when I finally met him, I was, it was under
<note rend="handwritten">BB8731</note>stress and he was very calming. So, I loved
Malcolm. I love him still. And we had a
wonderful brother—sister relationship.<note rend="handwritten">} not pulled</note>
</p>
</sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0003.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 3

CR 81 SR 41; CR 82, CR 83, 84 SR42</head>

 <sp>
<speaker n="interviewer"></speaker> 
<p>Q:Tell me, tell me about that. Seeing him 
 for the first time on the street corner.
 Talk ab’-, describe a street realm before and
 what that would be like. There are a lot of 
 people would, have, would never exper’-, have
 never experienced that.</p>
 </sp> 

<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Uhm,<note rend="handwritten">[</note>the New York that is visible
 <note rend="handwritten">not pulled</note>today is not the same New York of Malcolm's
<note rend="handwritten">BB 8803</note> time.<note rend="handwritten">]</note> And the Harlem of Malcolm's time uh is
 not the Harlem a young person sees today.
 The streets were clean in the sixties. I
 mean, of debris and uhm scattered uh papers
 and garbage. Black people wouldn't live like
 that then. Uhm, the street corner of one
 hundred and twenty-fifth and say Lenox uhm
<note rend="handwritten">BB 8872</note>would look like a market town in West Africa
 or in the Caribbean with black, brown, beige,
 red, and yellowed people looking like hands
 fulled of strong or thrown eh precious
 <note rend="handwritten">8909</note>
 stones.<note rend="handwritten">[</note> The air would be crackling with
 excitement. The Ethiopians, the African 
 Americans who belonged to a group which
 called themselves, which was called the
<note rend="handwritten">BB8934</note>Ethiopians, would be out. The Black Jews
<note rend="handwritten">8940</note> would be out. The Nation of Islam would be
</p>
</sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0004.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 4

CR 81 SR 41; CR 82, CR 83, 84 SR42</head>
 <sp>
<speaker n="interviewee"/><p><note rend="handwritten">8955</note>out. Baptists, Methodists, uh Holy Rollers,
uhm Seventh Day Adventists, all the religious 
<note rend="handwritten">BB8966</note>groups would be out and the two black
atheists in the world would be there. There 
would be likely uh to be music. Somebody 
would ha’-, with a congo drum or with bongo
drums would be pa pa ta ka ta ta ka pa ta ka 
and then languages. Your ears would be uh
filled with the different languages: 
Spanish, English. Then English, American
English, Southern American English, very
heavy English from Mississippi where people 
just talk all back in their throat like that.
And then there’d be that English which, which 
 <note rend="handwritten">BB 9027</note>just comes from Mexico, eh rather from Texas,
where it's all, "Hey baby, whatchya doin’?
And what's up that?" Wh’-, there’d be that,
the sounds, then there would be aromas.<note rend="handwritten">]9043</note>
There would be eh the people who sold tamales
in pushcarts and hotdogs so there, and
barbecue. so there would be these aromas and 
these sounds, and the air would pop like
chewing gum. <note rend="handwritten">9074[</note>And when Malcolm would ascend 
<note rend="handwritten">9074BB9081</note> the little platform, he didn't, he couldn't
talk for the first four or five minutes, the
people would be making such a praise shout to
</p>
 </sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0005.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 5

CR 81 SR 41; CR 82, CR 83, 84 SR42</head>

 <sp>
<speaker n="interviewee"/><p>him. And he would stand there uh not uh
impatient. He would stand there taking his
due. And then he would open his mouth. And
after every sentence almost, there was a
 <note rend="handwritten">BB 9134</note>praise shout.<note rend="handwritten">]</note> And so this is, is so
typically African American, the melody of the
preacher and the rhythm of the preacher and
whether we think about it or not, Malcolm X 
was a preacher andhad all that built-in,
endemic, natural to the species rhythm. So
he would say, "Rlamme something, something, 
something, something." People would say,
"Yeah!" You know, "Roll in, and so in, so
in, so in, and so." They say, "Whammo! Go
on!" It was the most amazing, amazing, 
<note rend="handwritten">BB9201</note>uplifting experience because the people 
participated with him and he knew they would <note rend="handwritten">]9213</note>
 </p> 
</sp>

<sp>
<speaker n="interviewer"></speaker> 
<p>Q:Talk to me about you. You're, you're
young, you're, you're experiencing this.
Think, what is he doing to you at that
moment? What does the moment doing to you?</p>
</sp>
 
 <sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Uh,<note rend="handwritten">[BB9226</note> I was lifted up. Also, it 
<note rend="handwritten">BB 9237</note>cinched for me, as it had done all my life
and has done ever since, uhm, it cinched for
</p>
 </sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0006.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 6
CR 81 SR 41; CR 82, CR 83, 84 SR42</head>

<sp>
<speaker n="interviewee"/><p>me my place. I belong in my people's world.
<note rend="handwritten">BB 9272</note> It cinched for me that I belong here. I have
 a place.<note rend="handwritten">]</note> It's very important. This is what
 I sense when I go into a black church. Tha’-
 , I don't care where it is. It can be
 Dallas, it can be San Francisco, New York,
 Raleigh, Winston, Salem, North Carolina. 
 Once I enter the building and begin to hear
 the melody and the rhythm, whatever the 
<note rend="handwritten">BB 9317</note>preacher is going to preach about, it's
 almost incidental. Almost, not really, but 
 almost. But, <note rend="handwritten">[</note> I am confirmed that I am a 
 black American lady with a place. So that's
 what hearing Malcolm on one hundred and
 twenty—fifth Street would do for me. Because
 his connection with the people, and our
<note rend="handwritten">BB 9362</note>connection with him confirmed us all. Not
 validated, but confirmed.<note rend="handwritten">]9374</note>
</p>
 </sp>

<sp>
<speaker n="interviewer"></speaker> 
<p>Q:So, uhm, you, you experienced him in, on,
 on the street corner and Lemumba is 
 assassinated and you lead a demonstration and
 you we’—, and you co’-, you have to meet
 Malcolm at this point. Talk to me about 
 meeting him that time and how he responded to
 your request at, at that moment.
</p>
</sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0007.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 7
CR 81 SR 41; CR 82, CR 83, 84 SR42</head>

<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Well, Rosa Guy, Abbey Lincoln, and 
 <note rend="handwritten">BB 9410</note>I were young and uh passionate and we had 
listened to Malcolm and we had listened to 
the great leaders of our time, Reverend King.
Uh, so we went on the street corner and we
thought we would ask some people to come down 
to United Nations. We had heard that Lemumb
a was dead, but there had been no, uh notice,
<note rend="handwritten">BB 9458</note>no admission, no announcement of his death.
We expected maybe forty or fifty people to 
come. We sat up all night ti’-, uh cutting
uh black armbands. We were going to give
them out to the men so that they would put
them on the moment uh Mr. Adelaide Stevenson 
announced that Lemumba was dead. And we cut
out squares of tool, black tool, and put
out
bobby pins in them so that they, women would
 <note rend="handwritten">BB 9515</note> pin them <note rend="handwritten">[out</note>in their hair at them moment Mr.
Stevenson made the announcement of Lemumba's
death.
</p>
</sp> 
 
<sp>
<speaker n="interviewer"></speaker> 
<p>Q:Stop. ’Cause we're out of film. 
</p>
</sp> 

<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Sorry.</p>
</sp>

</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0008.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 8
CR 81 SR 41; CR 82, CR 83, 84 SR42</head>

<note rend="handwritten">Box 37 CR 82 SR 41 TK2</note>

<incident><desc>BEEP.</desc></incident><note rend="handwritten">BC - 0000 -&gt; 2035</note>
 
<sp>
<speaker n="interviewer"></speaker> 
<p>Q:We'll be out of here at eleven with the
 rest.
</p>
</sp>
 <sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Oh no. I have to be, oh no, I 
 have, don't know, I think my car comes at ten 
 thirty.
</p>
 </sp>

 <sp>
<speaker n="interviewer"></speaker> 
<p>Q:Ten thirty?</p>
 </sp>
 
 <sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Yeah. Well, there now, you don't 
 need our piece. ’Cause you, I'm just a, I'll
 end up being about five, three minutes or
 something. Uh, don't, don't...</p>
 </sp>


<sp>
<speaker n="interviewer"></speaker> 
<p>Q: I want, want to pace myself so I'm
 getting through this if you really don't want
 to talk.</p>
</sp>
 
<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>OK. OK. You're messing around
there in the ground now. Let me, you're
ready. I think I need to call my assistant.
Thank you. Yes, please dear.</p>
</sp>
 
 
<sp>
<speaker n="interviewer"></speaker> 
<p>Q:I uh, it's unplugged right now.</p>
</sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0009.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 9
CR 81 SR 41; CR 82, CR 83, 84 SR42</head>


 
<incident><desc>MSC</desc></incident> 
 
 <sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Yeah? Oh, thank you. That's a
 wonderful darling, thanks.
</p>
 </sp>
 
<incident><desc>MISC -- MAYA TALKING ON THE PHONE. AUDIO
 CUT.</desc></incident>
 
<incident><desc>MOVING ON TO CAMERA ROLL EIGHTY-TWO. ANY
 TIME. TAKE TWO.</desc></incident>
 
<sp>
<speaker n="interviewer"></speaker> 
<p>Q:Uhm, let's pick up the story.</p>
 </sp>
 
 
 <note rend="handwritten">BC 0025 </note>
<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Yes. Uhm...Abbey Lincoln, Rosa
 Guy, and I uh expected maybe fifty, maybe
 sixty people to come down to United Nations
 at our bequest to protest what we knew was
 going to be an announcement of Lemumba’s 
 death. We had found out from a Congolese
 diplomat that Mr. Lemumba had been killed
 many days before but there had been no, no,
 no, no announcement. We went to United
 <note rend="handwritten">BC 0092 </note>Nations on the morning. There were thousands
 of black people. Thousands. We didn't know
 what to do. Uh, the presence of that many</p>
</sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0010.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 10
CR 81 SR 41; CR 82, CR 83, 84 SR42</head>

 <sp>
<speaker n="interviewee"/><p>blacks downtown upset everybody. So, the
 <note rend="handwritten">BC 0134</note>police were out in force. There were black
people down there who had never left Harlem.
Uh, we managed somehow to get a number of the
people into the general vicinity. We got 
like ten tickets and one of our people would
go in with nine other persons, collect those
tickets and come back and get ten more. We
filled the place. Uhm, there was Carlos
Moore who was a wonderful young brother and
very active. In the end when Lemumba was
mentioned,when his very name was mentioned,
 <note rend="handwritten">BC 2017 </note> Adelaide Stevenson said, "I make this
announcement and that Patrice Lemumba has
been killed. Rosa Guy's sister screamed.
And when she screamed, Pandemonium set in.
People screamed, "You murderer!" And uh,
"Brute and colonial pigsl", and so forth and
so on.One woman who, whose name uh doesn't
matter, I mean, one woman, a black lady, got
out into the aisle and one of the guards was
there. The guard sent, the United Nations at
that time had no, no guns or anything, but
<note rend="handwritten">BC 0303</note> this woman got out into the aisle and grabbed
the guard right by his tie and Bam! she hit
him. She said, "That’ll teach you to kill
</p>
 </sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0011.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 11
CR 81 SR 41; CR 82, CR 83, 84 SR42</head>

<sp>
<speaker n="interviewee"/><p><note rend="handwritten">BC 0327</note>Lemumba!" So, I mean, it was just out. Uhm,
it, the protest went on all day around the
Belgian embassy uhm, uh or rather counsellor.
So that evening we heard people uh put us
down. Some black leaders said, "This is
<note rend="handwritten">0370</note>unheard of. This is terrible. Uh, we are
not a part of that." Some suggested we were
communists. So, Rosa and I and Abbey we
talked and we thought what can we do with
this energy. So we thought we'd go up and
<note rend="handwritten">BC 0389</note>see Mr. Malcolm X. We called uh one of the
restaurants, and we called the, the office
and we were told that Mr. Malcolm X would
meet us at a restaurant, a Muslim restaurant,
so we went. And he was there in his dark
suit and, and he stood, he greeted us with
all the honor he always thought black ladies
deserved. And that made us feel wonderful, I
mean, suddenly we felt, I felt, I was under
his umbrella, you see? Because he did stand
for me, and I was young, and uh he had his
friends and, and his guards with him. Uh, he
<note rend="handwritten">BC 0475</note>dismissed them and said that they may sit at
another table, and he said, "Yes, ladies, now
what is it you want?" So we told him that
this thing had, we had thought that we would</p>
</sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0012.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 12
CR 81 SR 41; CR 82, CR 83, 84 SR42</head>
 
 <sp>
<speaker n="interviewee"/><p>have something which could be held in a
 handkerchief and it turned out that we had
<note rend="handwritten">BC 0504</note> <note rend="handwritten">0500</note> something that a sheet couldn't hold and what
 could we do with it? Uhm, not that we wanted
 uhm to turn that energy into the Nation of
 Islam, we didn't know that. Or, we just
 wanted his advice, what could we do. So he
 said that the New York Times had called him
 and asked if uh the Muslims had led the
 protest. He said,"No. They had, did not.
 They didn't participate. That Muslims do not
<note rend="handwritten">BC 0554</note>do that sort of thing." Uhm, he was asked,
 "Well, do you think it was a communist or 
 some outside agitators?" And he said, "No.
 I do not." Uhm, he said that it was typical
 and, he said, "It was typical and to be 
 expected that uh some of the conservative
 leadership in the black community would
 <note rend="handwritten">0590</note>denounce us." That he had expected that from
 the first he heard of the protest. But he
 would not denounce us. He said there is a 
 legitimate anger, a legitimate uhm rage in
<note rend="handwritten">BC0624</note> the black community, and these women and men
 and were acting out of their legitimate rage. 
 Uhm, we were, well first we were honored that
 he would see us. Uh, Abbey was known as a
</p>
 </sp>
</div2>
 
<div2 type="page">
<pb n="npn" facs="angelou-maya_0013.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 13
CR 81 SR 41; CR 82, CR 83, 84 SR42</head>

<sp>
<speaker n="interviewee"/><p><note rend="handwritten">0651</note>
singer with her work with, with Max Rose, and
I had some little name, very little, and Rosa
hadn't published her book yet, so that he 
would take his time to see three uh black
<note rend="handwritten">BC0681</note>ladies who were not Muslims and who were not
famous. That was first a part of his grace.
And then he talked to us, very, very honestly
uhm giving us advice, and very seriously. He
took us serious, which was very important to
us at the time.</p>
</sp>
 
<sp>
<speaker n="interviewer"></speaker> 
<p>Q:You, you decided to go to Africa.</p>
</sp>


<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Yes.</p>
</sp>


<sp>
<speaker n="interviewer"></speaker> 
<p>Q:Uhm, why, why move down because uh, as an
African American, why did you decide at that
point? Did you want him to...?</p>
</sp>

<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Well, I was married to a South
African Freedom Fighter, who assumes the name
Lemike, who's a closer man, and uh we moved,
<note rend="handwritten">0759</note><note rend="handwritten">0775</note>he was a representative of the Pan-African
Congress, and so he uhm was assigned uh, uh a
station at uhm, in Egypt. And so there, a’—,
there was, at that time, an organization</p>
</sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0014.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU14
CR 81 SR 41; CR 82, CR 83, 84 SR42</head>

<sp>
<speaker n="interviewee"/><p><note rend="handwritten">0792</note>called Swa’-, uh South Africa United Front or
 uh, uh yes. And under that agency there was
<note rend="handwritten">BC 0808</note>the ANC, the PAC, and the Indian Af’-, South
 African Indian Congress. Uhm, so he was a
 representative of the PACN, we moved to
 Cairo. And I had uhm young teenager, I think
 my son was maybe fourteen, and I just really
 didn't want to see my son grow up in the
 United States. I was afraid uhm I was, until
 of course I married Phys, I was a single 
<note rend="handwritten">BC 0862</note>woman raising a black boy, and I was afraid
 his rage would either endanger his life or
 that I might lose him in any of the other
 traps there were. So I wanted to go to
 Africa, and I wanted to take him so as to
 remove the chance that he could say, "Well, I
 didn't do well ’cause I'm black.", you know?
 Or uh, uh which, in this country is about
<note rend="handwritten">BC 0911</note>ninety-eight percent true. So uhm, we lived
<note rend="handwritten">0916</note> in Egypt and then went to Ghana.</p>
</sp>

<sp>
<speaker n="interviewer"></speaker> 
<p>Q:Now, that, that's also a time when there,
 there are uhm uh new, independent African
 nations and I was wondering how, what is the, 
 the feeling among the, the African American
 community and the African, and, and on the</p>
 </sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0015.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 15 
CR 81 SR 41; CR 82, CR 83, 84 SR42</head>

<sp>
<speaker n="interviewer"/><p>continent what is, what, what is the feeling
that your people have?</p>
 </sp>

<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Well, in Egypt, Egypt had uhm won
 <note rend="handwritten">BC0952</note>it's independence, I think in 1952, I
believe. And when I arrived there in 1960,
uh David DuBois was working as a journalist.
And he was able to get me a job as a 
journalist. So we were the only two
Americans in the whole Middle East who were
in communications. Uhm, the few black
Americans, African Americans who came through
Egypt were so welcome, I mean, we'd gland
out
 <note rend="handwritten">BC 1006</note><note rend="handwritten">[out</note>onto them as if they were chocolate cake, you
know, we were so glad to see somebody from
home.</p>
</sp>

 <sp>
<speaker n="cameracrew"></speaker><p>WE'RE OUT OF FILM AGAIN, I'M SORRY.</p>
 </sp>

<incident><desc>BEEP.</desc></incident>

<incident><desc>END OF SIDE A.</desc></incident>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0016.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU16

CR 81 SR 417 CR 82, CR 83, 84 SR42</head>

<incident><desc> BEGINNING OF SIDE B</desc></incident>

 <sp>
<speaker n="cameracrew"></speaker><p>UHM, BEING RECORDED AT MINUS EIGHT.
CONTINUATION OF INTERVIEW WITH MAYA ANGELOU
ON CAMERA ROLL EIGHTY-THREE.</p>
 </sp>

<note rend="handwritten"> CR 83 SR 42 TK 3</note>

<incident><desc>BEEP.</desc></incident>


 <sp>
<speaker n="cameracrew"></speaker><p>TAKE THREE.</p>
 </sp>

<sp>
<speaker n="interviewer"></speaker> 
<p>Q:Talking about the passion, talking about
the passion in ya’-, in Ghana at the time and
uh give me an idea what that felt like. </p>
</sp>


<note rend="handwritten">BC 1042</note> 
<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Well, Ghana in the early sixties
was a living uhm condition. I, I can't
really quite describe it, I'd almost have to
be writing it to describe it. Uhm, because
of Clemon Kruma there was hope because Dr.
DuBois was there, there was profundity, there
was depth, there was vision. One had to
consider that Dr. DuBois in 1919 at the 
League of Nations in Paris had talked about
 <note rend="handwritten">BC 1135</note>Pan-Africanism. [ Dr. DuBois had talked about
Pan-Africanism in 1919 in Paris at the League
of Nations. Dr. DuBois, along with William</p>
</sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0017.tif"/>
<head>BLACKSIDE -- "MALCOLM X“ -- 800 -- DR. MAYA ANGELOU l7
CR 81 SR 41; CR 82, CR 83, 84 SR42</head>

<sp>
<speaker n="interviewee"/><p>Padmore, Kenyata, Jimo Kenyata, uhm Mr., Dr.
Maconin in the West Indies uh had met to talk
 <note rend="handwritten">BC 1187</note>about Pan-Africanism in the forties. So now
here, and of course there was Tom Menbouya,
as well,<note rend="handwritten">[so 1205</note> now <note rend="handwritten">[</note>here in 1960, Pan-Africanism
is blooming. The seeds had been planted.
So, maybe five, s’—, five decades earlier and
now they were, they, they were growing. So
<note rend="handwritten">1232</note>Africans from all over the continent were to
be found in Ghana. African Americans were to
<note rend="handwritten">BC1243</note>be found in Ghana. West Indians came to
Ghana and we learned to, to feel that here we
ge’-, upon this rock we can build a nation, a
Pan-Africanist nation. I mean, the whole
continent and Africans anywhere in the
Diaspora. <note rend="handwritten">[</note>It was heady, intoxicating, and
into this boiling brew came Malcolm. Well,
he was the man for the time. He was as large
as, as the time. So I was one of a group of
African Americans who came under his umbrella. 
and then put him under our umbrella.<note rend="handwritten">]]1340</note> So
between us there was Sylvia Arden Boon and
<note rend="handwritten">BC1352</note>Alice R’-, Alice uh Win’—, Windham. There
was Julian Mayfield and an Olivia Cudero
Mayfield, and later there would be uh Tom
Fieldings, Max Bond, and Max and Jean Bond.</p>
</sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0018.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU18

CR 81 SR 41; CR 82, CR 83, 84 SR42</head>
 
 <sp>
<speaker n="interviewee"/><p><note rend="handwritten">1384 [</note> And we wrapped him up, carefully, as if he
was the last raw egg in the world.
Protecting him, and we took him around to
venues where he could speak at the University
<note rend="handwritten">BC 1420</note>and at this gathering and at that gathering 
and he wove such magic and dressed, not only 
all of us African Americans, but all the
Africans in this rich fabric of his
intelligence and insight? <note rend="handwritten">] 1444</note></p>
</sp>

<sp>
<speaker n="interviewer"></speaker> 
<p>Q:Talk about that, did they, how he, his,
his, his real use that he had this ability to
speak to so many different groups.</p>
</sp>


<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Yes.</p>
</sp>


<sp>
<speaker n="interviewer"></speaker> 
<p>Q:And, and this incredible uh, uh mastery
of just language, even when he's speaking in
a foreign country.</p>
</sp>


<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Yes.</p>
</sp>


<sp>
<speaker n="interviewer"></speaker> 
<p>Q:Talk about that and the, and, and maybe
the seeing of the University of Ghana when he
speaks at large audiences.</p>
</sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0019.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 19
CR 81 SR 41; CR 82, CR 83,84 SR42</head>

 
 
 <sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Oh, let somebody else do that,
 brother. Let somebody else do that. Uhm,
<note rend="handwritten">BC1486</note> let me tell you about Malcolm, uh the
 brother.</p>
 </sp>
 
 <sp>
<speaker n="interviewer"></speaker> 
<p>Q:OK.</p>
 </sp>
 
 
<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Uhm, I s’pose this is true for all 
 women, but I know poignantly that this is
<note rend="handwritten">BC 1508</note>true for African American women.<note rend="handwritten">[1512</note> African
 American women need brothers. We can find
 lovers and maybe even husbands on street
 corners, in churches, in schools, but we need
 brothers most of all. We need men who are
 big enough to be able to call us aside and
 say, "Sister, that won't do. Sister, let me
 advise you please. That won't do." Or to
 call us aside and say, "sister, that was 
 brilliant. You are the best." I have long
 be in, aware that... That's all right. 
 That's OK.... I have long been aware that I
 needed brothers. And Malcolm offered himself
<note rend="handwritten">BC 1600</note>to me as a brother. He knew the situation I
 was in in Ghana, and he advised me. He spoke
 to me softly, but directly. I don't think he
 knew how to equivocate. I have, know every</p>
 </sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0020.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU 20
CR 81 SR 41; CR 82, CR 83, 84 SR42</head>
 
<sp>
<speaker n="interviewee"/><p>human being knows how to lie, but I don't
 <note rend="handwritten">BC 1639</note> think Malcolmskne how to be ambiguous. He
 said it.<note rend="handwritten">]1647</note> He advised me on my love affairs.
 He advised me on my career. Uh, I would have
 a drink, he would have a cup of tea with
 lemon. And he would advise me on the raising
 of my son. Finally, <note rend="handwritten">[1686</note> in Ghana, on his last
 day, I had become very angry with uh an
 African American woman, and he talked to me
 and reminded me that we were a people in
<note rend="handwritten">BC 1718</note>process and that we needed to be able to
 accept each other on whatever level we met
 each other. Not to be ready to criticize,
 rather to be ready to help the other person
 to grow. I took that into myself, not just
 into my mind, I believe I have ingested that
 and it is a part of the muscle and the marrow
 in my bones. / One of the reasons I have
 access to the young people who seem to love
 me and to the old people who say, who show
 they love me, and to rich and poor blacks,
 and to literate and illiterate blacks, one of
 <note rend="handwritten">BC 1793</note> the reasons I have access to their hearts, is
 I listened to Malcolm X when he taught me 
 that my people need everybody. We cannot
 lose, we cannot afford to lose one person. I</p>
</sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0021.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR.MAYA ANGELOU 21

CR 81 SR 417 CR 82, CR 83, 84 SR42</head>

<sp><speaker n="interviewee"/><p>thank him for that<note rend="handwritten">]1826</note> And I thank you sir. I
must, darling, I must.</p>
 </sp>

<sp>
<speaker n="interviewer"></speaker> 
<p>Q:You won't give me a little bit more?</p>
</sp>


<incident><desc>BEEP.</desc></incident>


 <incident><desc> MISC</desc></incident>

 <sp>
<speaker n="interviewer"></speaker> 
<p>Q:Uhm, give me one, one thing, just talk to
me about how Africans re’—, responding to, to
Malcolm uhm and that, that would help me out
a lot. </p>
</sp>

<note rend="handwritten">CR 83 SR 42 TK 4</note>

<sp>
<speaker n="cameracrew"></speaker><p>TAKE FOUR. TAKE FOUR.</p>
</sp>
 

 <note rend="handwritten">BC 1853</note> <note rend="handwritten">1853</note>
<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Uhm, <note rend="handwritten">[1854</note> the Africans were of many
different minds about Malcolm. At once, they
couldn't quite believe that uh this Muslim uh
was also not a brute. You see, the American
media had gone before Malcolm to say this 
hater of white folks and this violent man was
there loose on the African continent spouting 
<note rend="handwritten">BC 1922</note> hate, people uh are always influenced by
propaganda, positive and negative. That is
true uh truth and uh artificial uh truth.</p>
</sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0022.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU22 
CR 81 SR 41: CR 82, CR 83, 84 SR42</head>
 
<sp>
<speaker n="interviewee"/> <p>Uhm, so many of the uh African students would
 ask Malcolm questions. Uhm, "Why can't you
 <note rend="handwritten">BC 1963</note> live in the United States? Why do you have
 to come to Africa?" And so forth, and "Do
 you really think old white people are
 devils?" Malcolm had made a change of course
 uh when he came. And he said, "I no longer
 believe that." He was big enough to say,
 "Hey, everybody, you remember what I said, I
 said that because I believed that then. I do
 not believe that now." He was that, had that
<note rend="handwritten">BC 2005</note>much courage.<note rend="handwritten">]2006</note> Uhm, the Ghana Press Club, uh 
 was one of the scenes of Malcolm's uh,<note rend="handwritten">[out</note> uh
 magic, it's too late. OK.</p>
</sp>

 <incident><desc>BEEP.</desc></incident>

 <sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Please put it on. Change it and
 I'll, I'll wait.</p>
 </sp>

<note rend="handwritten">L# BC 2035</note>

 <incident><desc>MISC</desc></incident>

<sp>
<speaker n="cameracrew"></speaker><p>EIGHTY-FIVE AND FORTY-TWO.TAKE FIVE.</p>
</sp>

 
 <sp>
<speaker n="interviewer"></speaker> 
<p>Q:You were talking...</p>
 </sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0023.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR. MAYA ANGELOU23

CR 81 SR 41; CR 82, CR 83, 84 SR42</head>
<note rend="handwritten">BC</note>
<note rend="handwritten">Box 38 CR 85 SR 42 
 TK 5 BC 2500-- 2759</note>

<note rend="handwritten"> BC 2526 </note> <note rend="handwritten">2535</note> 

<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Yes. <note rend="handwritten">[2527</note> Uhm, Julian Mayfield and I
 were members of the Ghana Press Club and we
 asked if Malcolm could speak there. Uh, he
 came. It was a wonderful evening at the, the
 air of the night of the African night, soft 
 as melting butter. And the music played and 
 we danced the high life. And then Malcolm 
 was asked to speak, and he said if, he said,
 "I, I appreciate the music. I appreciate the
 joy and the levity. But I have no heart to
<note rend="handwritten">BC 2605</note>dance. I cannot dance when South Africa is
 still in the grip of apartheid. I cannot
 dance when Kenya and Basuttuland and Rhodesia
 are still in the grip of the colonial powers.
 I cannot dance, he, I cannot!" He was
 brilliant. He said, "And particularly, I
 cannot dance in Ghana, in this beautiful
 place, on a night when my people in the
 United States have still the foot of their
 oppressor on their necks. I cannot dance!"
 He was brilliant. And the Ghanians, who are
<note rend="handwritten">BC 2677</note>uh, uh lively people, looked at this man and
 realized his sincerity. They were not happy
 that he had put a, kind of a pall over the
 evening levity and revelry. But they
 recognized his sincerity. So the Ghanian and</p>
</sp>
</div2>

<div2 type="page">
<pb n="npn" facs="angelou-maya_0024.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- DR.MAYA ANGELOU 24
CR 81 SR 41; CR 82, CR 83, 84 SR42</head>


<sp>
<speaker n="interviewee"/><p>other African uh journalist began from that
night on, to give Malcolm X more attention, 
<note rend="handwritten">BC 2726</note> more credit, more respect because he spoke to 
their own sensibility. He was able to speak
to anybody on any level.<note rend="handwritten">]2745</note> All right.</p>
</sp>

<sp>
<speaker n="interviewer"></speaker> 
<p>Q:One more question?</p>
</sp>


<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>Darling, you see now. </p>
</sp>


<sp>
<speaker n="interviewer"></speaker> 
<p>Q:OK. I won't ask. </p>
</sp>


<sp>
<speaker n="interviewee">ANGELOU:</speaker> 
<p>That's good.</p>
</sp>

<incident><desc>MISC</desc></incident>

<incident><desc>BEEP.</desc></incident>

<incident><desc>MISC. AUDIO CUT.</desc></incident>


<incident><desc>END OF SIDE B. </desc></incident>


<note rend="handwritten">L # 2749</note>

</div2>
</div1>
</body>
</text>
</TEI>