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<title>Interview with <hi rend="bold">Frank Tomlinson</hi>
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<p>Material is free to use for research purposes only. If researcher intends to use transcripts for publication, please contact Washington University’s Film and Media Archive for permission to republish. Please use preferred citation given in the transcript.</p>
<p>© Copyright Washington University Libraries 2018</p>
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Interview with 
<hi rend="bold">Frank Tomlinson</hi>
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<persName n="" key="">Frank Tomlinson</persName>
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<series>Interview gathered as part of Malcolm X.</series>
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<front>
<titlePage>
<docTitle>
<titlePart type="main">
Interview with <hi rend="bold"><name>Frank Tomlinson</name></hi>
</titlePart>
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<byline>
Interviewer: 
</byline>
<docImprint>
<docDate>
Interview Date: <date when="1992-09-21">September 21, 1992</date>
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<pubPlace/>
<rs type="media">Camera Rolls: </rs>
<rs type="media">Sound Rolls: </rs>
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<imprimatur>
Interview gathered as part of <hi rend="italics-bold">Malcolm X</hi>. 
<lb/>Produced by Blackside, Inc. 
<lb/>Housed at the Washington University Film and Media Archive, Henry Hampton Collection. 
</imprimatur>
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<div1 type="editorial">
<head>Editorial Notes:</head>
<p>
<hi rend="bold">Preferred citation:</hi>
<lb/>Interview with <hi rend="bold"><name>Frank Tomlinson</name></hi>, conducted by Blackside, Inc. on <date when="1992-09-21">September 21, 1992</date>, for <hi rend="italics">Malxolm X</hi>. Washington University Libraries, Film and Media Archive, Henry Hampton Collection. </p>
</div1>
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<body>
<div1 type="interview">
<div2 type="page">
<pb n="1" facs="tomlinson-frank_0001.tif"/>
<note type="handwritten">09/21/92
BOX #98 DD2500-4441</note>

<head>MALCOLM X1
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<incident><desc>BEGINNING OF SIDE A.</desc></incident>
<note type="handwritten">TK1 CR206 SR101</note>
<sp>
<speaker n="cameracrew"/> 
<p>SPEEDING. MARK. ONE.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Okay, let's start off by, ahm, why
don't you describe for me the conditions,
ah, under which you started working for
the police department, and you went out
that, that night on an Ap'-, on what is
it, April 28th?</p>
</sp>

<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Twenty-seventh.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Twenty-seventh.</p>
</sp>

<note type="handwritten">DD 2542</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Yeah, which was a Friday
night, uh working, I think the morning
watch out of University Division which is
one of the sections of Los Angeles that we
were responsible for; and, ah, I had just
been transferred to that Division from
<note type="handwritten">DD 2573</note> seventy-seventh Division where I had
worked, ah, the WATS beat or the WATS car
for my first year with the Los Angeles</p>
</sp>
</div2>

<div2 type="page">
<pb n="2" facs="tomlinson-frank_0002.tif"/>
<head>MALCOLM X2
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<sp>
<speaker n="interviewee"/> 
<p>Police Department. I don't remember now
<note type="handwritten">DD 2591</note> if that was the first night that I worked
in this new assignment, ah, or not, but it
was one of the very first nights I had
been there, and probably the first night
in this particular part of that, ah, new
assignment.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Ahm, were you, ahm -- there had been -
been, ahm, confrontations with the uh
police and the Nation of Islam before
that. Were you aware of any of that when
you went out that night, and what under --
what kind of prior information did you
have about any of that before you went out
that night?</p>
</sp>

<note type="handwritten">DD 2645</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p><note type="handwritten">[[2645</note> Well I - I had worked in
South Los Angeles uh for my entire first
year with the police department, and I was
not aware of any sort of conflict. <note type="handwritten">]]2666</note> Ahm,
and I was with other patrol officers all
the time that were working the streets in
those neighborhoods, and I never heard -</p>
</sp>
</div2>

<div2 type="page">
<pb n="3" facs="tomlinson-frank_0003.tif"/>
<head>MALCOLM X3
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 2680</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p>heard any conversation about, ah, the
black Muslims.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Ahm, when, ah, you approached the car,
ah, that uhm, uh that night, were you
aware that they were, ahm, members of the
Nation of Islam, or black Muslims uhm when
you approached them, and talk about what
happened when what happened.</p>
</sp>

<note type="handwritten">DD 2716</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> No, we had, ah, just
left the station, I believe. Uh, my
partner was someone that I had gone
through the Police Academy with, and at
that particular time, you had to have, ah,
a year's seniority on the job. You had to
be off probation before you could work
with a classmate. And, ah, so it was the
first time that we had been able to work
<note type="handwritten">DD 2753</note> together, and - and that was an exciting
event for us to be able to work together.
<note type="handwritten">2762[[</note> So, as <note type="handwritten">[</note>I remember it we had just left the
station. I was driving, and we had been
driving south on Broadway, and we were
near 57th Street when we just saw some men</p>
</sp>
</div2>

<div2 type="page">
<pb n="4" facs="tomlinson-frank_0004.tif"/>
<head>MALCOLM X4
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 2781</note>
<sp>
<speaker n="interviewee"/> 
<p>selling what appeared to be new clothes on
hangers out of the trunk of a car, which
made us suspicious.<note type="handwritten">]</note> Ah, we didn't know
the neighborhood -- I'm sorry, the
neighborhood - ah, we didn't know anything
about Muslims. We didn't know that they
had a, a Temple in that block. Ah, as far
as that goes, we didn't know where we
were. Ah, so we were just looking at that
particular indident and stopped to
inquire. <note type="handwritten">]]2822</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Ahm, tell me what happened once, once
you stopped and inquired, just give me a,
ahm, a, ahm, a, ahm, the sequence of
events of that, ah, of that uh time.</p>
</sp>

<note type="handwritten">DD 2835</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> When we stopped, we both
exited the police car. We were in a black
and white patrol car. And, ah, <note type="handwritten">[[2849</note> there were
two men standing at the trunk of that
suspect vehicle where the clothes were.
They had the lid of the trunk open, and,
ah, so we greeted them with some sort of
greeting, "Hi, what's happening" sort of</p>
</sp>
</div2>

<div2 type="page">
<pb n="5" facs="tomlinson-frank_0005.tif"/>
<head>MALCOLM X5
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">pulled page</note>

<sp>
<speaker n="interviewee"/> 
<p>thing; and, ah, my partner took the one 
<note type="handwritten">DD 2877</note> that was nearest the curb and asked him to
step to the front of the suspect vehicle,
uh which was common police work so they
couldn't overhear each other in case they
gave a conflicting story. And I asked the
other gentleman if he would just step up
on the sidewalk so that we could talk.
Ah, as he and I stepped on the sidewalk, I
glanced towards the front of the car that
the suits were in, and I saw my partner
and the person he had taken to the front
<note type="handwritten">DD 2924</note> wrestling on the hood of that car; so I
immediately, I told the man I was with to
stay where he was. I ran to the front of
the car. Uh, by the time I got there, I,
I think I remember that my partner had uh
control of the situation. He had turned
the fellow around on the hood of the car
and was talking to him, and, ah, so when I
arrived there, he said "Okay now, if we
<note type="handwritten">DD 2969</note> let you up, are you going to be okay and
not fight anymore?" and, and the person
said yes. And so my partner stood back,
and as he stood back, the man that I had</p>
</sp>
</div2>

<div2 type="page">
<pb n="6" facs="tomlinson-frank_0006.tif"/>
<head>MALCOLM X6
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 2989</note>
<sp>
<speaker n="interviewee"/> 
<p>been talking to rushed to the front of the 
car and jumped on my partner's back; and,
ah, I ran to try to help my partner, and,
ah, somewhere between trying to grab hold
of the person on his back, ah, and
actually being able to help him, uh I was
thrown to the ground by a group of men
that to this day I don't know where they
came from. <note type="handwritten">]3033</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Ahm, do - do you remember getting shot
or do you remember how that happened?</p>
</sp>

<note type="handwritten">DD 3039</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Yeah, yeah, that's not
hard to remember, getting shot. Uh <note type="handwritten">[3050</note> we
were, were overwhelmed at that particular
moment by numbers. Uh, I - I don't even
know how many men came out and swarmed us,
but it was more than I could keep track
of; and they pinned me to the ground where
they were kicking and - and beating me.
<note type="handwritten">DD 3085</note> Ah, I lost track of my partner at that
point. I don't know where uh he ended up
being taken, but, ah, I was kept on the
ground for a period af time; and then a</p>
</sp>
</div2>

<div2 type="page">
<pb n="7" facs="tomlinson-frank_0007.tif"/>
<head>MALCOLM X7
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">pulled page</note>

<note type="handwritten">DD 3107</note>
<sp>
<speaker n="interviewee"/> 
<p>group of men grabbed me and pulled me
backward and pinned me up against the car
that the clothes had been in, and while I
was there, uh it seemed as if the whole
group of men were trying to punch me at
the same time, which was probably good for
me because - ah - with so many fists
flying, I don't remember a - a lot of - of
ah hits being landed on me. But, ah,
while that was going on, I heard a
gunshot, and everybody froze; and s'-, and
<note type="handwritten">DD 3160</note> it stopped for just a moment there. In
order f--, that enabled me to - to stand
up and look around, and I saw a man in
between the car with the clothes and the
car that was in front of that car with a
gun. He was a security guard, and he was
ordering the men to stop. I don't
remember exactly now how he put it, but he
was telling them to stop; and, ah, as soon
as they stopped attacking me, they started
<note type="handwritten">DD 3211</note> moving towards him, and, ah, they were
backing him out into the street out into
Broadway, and - and one man was moving
toward him from in between those parked</p>
</sp>
</div2>

<div2 type="page">
<pb n="8" facs="tomlinson-frank_0008.tif"/>
<head>MALCOLM X8
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">pulled page</note>

<note type="handwritten">DD 3231</note>
<sp>
<speaker n="interviewee"/> 
<p>cars, and I ran towards that man to try to 
grab him and pull him away before he could
hurt the man who was trying to help us.
And as I approached, ah, I heard the man,
the security guard kept saying, "Stop,
stop or I'll shoot", and as the suspect
kept advancing towards him, I heard him
pulling the trigger on his gun because it
was clicking, and it was not firing; and
he did that once or twice, and so the
suspect kept advancing toward him until I
get right to his back, and then he tried
<note type="handwritten">DD 3291</note> to fire again, and the gun actually fired,
and at the instant that the gun fired,
since we were both directly in front of
him, the suspect that was going towards
him, dove one way, and I dove the other
way to get out of the line of fire, and as
I turned around I had stepped off the
curb, and I tripped over the curb as I
turned back, and I fell onto the sidewalk,
<note type="handwritten">DD 3331</note> and I was on my hands and knees where I
had fallen, and as soon as I fell I looked
around and saw one of the Muslims run up
with a gun and, ah, and it was close to my</p>
</sp>
</div2>

<div2 type="page">
<pb n="9" facs="tomlinson-frank_0009.tif"/>
<head>MALCOLM X9
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 3360</note>
<note type="handwritten">put aside</note>
<sp>
<speaker n="interviewee"/> 
<p>face as I looked around - it seemed close
to my face; and I saw him fire twice, and
~ the second shot hit me in the back, and so
I so was knocked over on the sidewalk. I
heard a third shot uh in rapid succession
and then they were gone. <note type="handwritten">]3397</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: And, and, and the wound - your wound
was what? What did you, how were you
wounded?</p>
</sp>

<note type="handwritten">DD 3405</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Ah, the - the shot
actually went through the left side of my
back into my left arm and exploded my - my
left elbow, so that after I fell, I don't
remember if I lost consciousness or not;
uh but then I tried to get back up, and
every time I would start to stand up, it
felt as if someone was tearing my arm off
<note type="handwritten">DD 3445</note> and I would start to black out so I knew
uh the bullet had gone through my arm; and
ah - and I - I couldn't move. I just laid
back down on the sidewalk.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: OK. That's good.</p>
</sp>
</div2>

<div2 type="page">
<pb n="10" facs="tomlinson-frank_0010.tif"/>
<head>MALCOLM X10
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">TK 2 CR 207 SR 101</note>

<incident><desc>MISC.</desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>OK. ROLL 'EM. MARK. TWO.</p>
</sp>

<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Uh just prior to the
shooting, and it seems as if it was in
really close proximity...</p>
</sp>

<incident><desc>MISC.</desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>SPEED. AND THERE'S A MARK. SECOND
STICKS.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Okay talk to me about, ah, reading
Esquire Mag and the impression that you'd
gotten from that article, the position for
some black Muslims?</p>
</sp>

<note type="handwritten">DD 3500</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p><note type="handwritten">[[3500</note> Well sometime close to
the time of the shooting, <note type="handwritten">[</note>I had been
reading a -- I believe it was an Esquire
Magazine; uh and it had an article about
the Black Muslims. That was the first
time I had read anything about the Black</p>
</sp>
</div2>

<div2 type="page">
<pb n="11" facs="tomlinson-frank_0011.tif"/>
<head>MALCOLM X11
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">pulled page</note>

<note type="handwritten">DD 3530</note>
<sp>
<speaker n="interviewee"/> 
<p>Muslims or become aware of, of them, Uh
the article made an impression on me
because it talked about, ah, how violent
the movement was. It talked about their
uh hatred towards white people; and I
believe it - it made mention in there even
that they were trying to formulate a
belief that if a white person touched you,
the only way you could be purged from the
sin of that would be to kill the person
that touched you; and that they were, ah,
<note type="handwritten">DD 3592</note> ah in the process of gathering weapons and
keeping them in their temples;<note type="handwritten">]</note> uh and also
that they - they were being able to get
monies for their operation by extorting
the black community, the black business
community. Ah, that's going back a long
way in my memory. Some of that may have
come from other sources; but, but for the
most part, it - that's the sort of
<note type="handwritten">DD 3634</note> impression that - that it made on me, Ah,
I was still unaware of Muslims being in
the community or who they were or where
they were; and, and I had worked in black
communities as a police officer for three</p>
</sp>
</div2>

<div2 type="page">
<pb n="12" facs="tomlinson-frank_0012.tif"/>
<head>MALCOLM X12
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 3655</note>
<sp>
<speaker n="interviewee"/> 
<p>years at that time without encountering
any sort of problem like that. <note type="handwritten">]]3664</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Okay, okay.</p>
</sp>

<incident><desc>MISC.</desc></incident>
<note type="handwritten">TK 3 CR 207 SR 101</note>
<sp>
<speaker n="cameracrew"/> 
<p>SPEED. MARK. THREE.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: When - when the, ahm, incident started
to take place that night, when, ah, the,
the fight -- was it at any point during
that fight that you realized you were, for
the first time, confront - in - in contact
with the Nation of Islam?</p>
</sp>

<note type="handwritten">DD 3693</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> I don't remember when,
but, ya, I became aware that this was what
it was all about. And by the - by the
way, in regard to that article, I don't
even remember, ahhh, what locality they
were referring to. I don't connect it to
a Los Angeles problem as much as it seemed
as if it was just generally saying,
"Here's a new movement in the country, and</p>
</sp>
</div2>

<div2 type="page">
<pb n="13" facs="tomlinson-frank_0013.tif"/>
<head>MALCOLM X13
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 3735</note>
<sp>
<speaker n="interviewee"/> 
<p>this is what they're all about." So I
don't remember even relating it to, to the
streets in Los Angeles. But, ah, ah, now
that I think about it, it was probably
when uh the dress, because I think there
was something in the article about the
fact that they, they dressed alike. Ah, I
think they wore black suits, white shirts
and maroon ties. Ah, and the fact that
there was a lot of chanting going on, ah,
<note type="handwritten">DD 3788</note> while the attack was taking place that I
connected it to probably being the Black
Muslims.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Ahm, do you - are you - how did the
oth - the, ah - the police come to your
aid, ah, that night. How did--- anyone,
how did anyone come, know to come to your
aid and did, in fact, people come, someone
come to your aid, the police come to your
aid? How did this ... ?</p>
</sp>

<note type="handwritten">DD 3830</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Well because of the
information in the article, ah, I was
really concerned after I got shot because</p>
</sp>
</div2>

<div2 type="page">
<pb n="14" facs="tomlinson-frank_0014.tif"/>
<head>MALCOLM X14
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 3841</note>
<sp>
<speaker n="interviewee"/> 
<p>it was then that I saw my partner again,
and he was -- actually, would have been in
the intersection of fifty-seventh and
Broadway, and my view was partially
blocked by cars and partially blocked by a
large crowd of people because it was
Friday night, and I think there was a bar
on the corner; so that a lot of people
came out into the street; but I could see
my partner on the ground, and, ah, and the 
<note type="handwritten">DD 3885</note> Black Muslims were around him stomping up
and down on him. I didn't see any
movement from him, and, and, ah, there was
nothing I could do -- I was helpless to,
to help him. I couldn't get up. I
couldn't shoot because of all the people
around, and I still had my gun, but, but
it was useless. Ah, and then I - I
remembered the article saying that weapons
<note type="handwritten">DD 3921</note> were being stored in the temples, and, and
that's when I was really afraid that some,
some bad things were going to happen. Uh
we were unable to get help, obviously, but
we ha'-, but our black and white was still
there on the street; and the story that</p>
</sp>
</div2>

<div2 type="page">
<pb n="15" facs="tomlinson-frank_0015.tif"/>
<head>MALCOLM X15
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 3950</note>
<sp>
<speaker n="interviewee"/> 
<p>was told to me afterwards, was that uh
when the watches changed and, and my
partner and I had gone out on the street,
one of the men who had gotten off duty was
on his way home uh about a half block
south of where we were, and as he drove by
the intersection, he looked down, he saw
the red lights, saw the big crowd in the
street, and decided that he should come
back to take a look and, ah, and when he
did, it was, it was that officer, ahm, who
was the fi'-, the first one to, ah, call
<note type="handwritten">DD 4010</note> for help. He jumped out of his vehicle
and pulled his weapon, but then he was
attacked and so he fled to our black and
white and got in and called for help on
the police radio; uh and that was the
beginning of ... I, I don't know if it
could escalate beyond where it was, but it
was an escalation in terms of numbers
because as officers responded, then they
<note type="handwritten">DD 4050</note> were attacked; and we had not seen
anything like this, so we were rolling up
to the scene, thinking there was time for
us to look and analyze and decide what we</p>
</sp>
</div2>

<div2 type="page">
<pb n="16" facs="tomlinson-frank_0016.tif"/>
<head>MALCOLM X16
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 4066</note>
<sp>
<speaker n="interviewee"/> 
<p>were going to do; and this was not the
case. It was very chaotic, and so as soon
as an officer rolled in, he was dragged
from his car, and uh, or if he got out of
his car, he was mobbed, and there was no
time to respond at that point.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Okay, What, ahm, what uhm, what
happened at this - at - did - you, you -
you appeared at the trial, correct?</p>
</sp>

<note type="handwritten">DD 4105</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Oh yes, at the
preliminary and at the trial.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: And, ah, what, what took place at the
trial in terms of, ah, ah - the - there
were fourteen Muslims brought up for
charges?</p>
</sp>

<note type="handwritten">DD 4124</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Yes.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: OK. And, ahm, how was --- what did
the defense use as a - as a defense for
them? Do you remember?</p>
</sp>
</div2>

<div2 type="page">
<pb n="17" facs="tomlinson-frank_0017.tif"/>
<head>MALCOLM X17
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">4136</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Well we were excluded
from overhearing one another's testimony,
so I was only in the courtroom when I was
testifying; uh and I don't know what
tactics were used for, ahh, the defense in
general or for specifically other
officers. With me it was primarily a
matter of probable cause for us being
there in the first place; and secondly,
identification.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: The, ahm -- I - I was reading through
the defense, the defense, ah, papers, and
they were saying that the - the guys at
the car that they were cleaners. They were
-- Did that ever come out in the? That
was never -- Did you ever hear that that
was ... was that ever discussed on the
street there that, or anyone say anything
like to that - to that nature? Never got
to that?</p>
</sp>

<note type="handwritten">DD 4216</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> This is the first time I
ever heard that story.</p>
</sp>
</div2>

<div2 type="page">
<pb n="18" facs="tomlinson-frank_0018.tif"/>
<head>MALCOLM X18
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<sp>
<speaker n="interviewer"/> 
<p>Q: About that they were cleaners?</p>
</sp>

<note type="handwritten">DD 4224</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Yes. That night there
was no conversation about the clothes in
the car or what the men were doing there.
<note type="handwritten">4234[[</note> We saw them as we approached stopping
people on the street and showing the
suits, so it seemed obvious to us they
were trying to sell them; and we were
curious as to where the suits came from,
obviously, so that was our purpose for
<note type="handwritten">DD 4256</note> stopping,<note type="handwritten">]</note> but, ah, we never hadan op - an
opportunity to talk about it.<note type="handwritten">]4265</note> And the car
and the clothes, I guess, were moved
sometime during the altercation, so I
don't know exactly when it was recovered.
If it was recovered that night or the next
day or even if the clothes were still in
it when it was found.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: What was after, after well ... do you
have a sense of what the, the ahm, the
relationship or the situation within the
community, itself, was like after this
incident? Ahm, ahm, I know you didn't go</p>
</sp>
</div2>

<div2 type="page">
<pb n="19" facs="tomlinson-frank_0019.tif"/>
<head>MALCOLM X19
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<sp>
<speaker n="interviewer"/> 
<p>right back -- you didn't go back on the
streets.</p>
</sp>

<note type="handwritten">DD 4314</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> No, I can only speak to
what it was like prior to the incident,
and, and at that time ---<note type="handwritten">[[4331</note> I mean in three
years in working in black neighborhoods, I
can't ever remember hitting anyone or ever
being hit by anyone. I mean there were
- Police work is a physical job. There
were times when we had to arrest someone
where they had to be wrestled to jail, but
<note type="handwritten">DD 4363</note> those were all isolated incidents; and,
ah, and for the most part, we were very
accepted in the communities. We could
walk into any business establishment; we
could stop on the t - street and talk to
people; we would go to the park and play
ball with the kids in our uniforms; and,
and it was like we just fit in. Ah, so
<note type="handwritten">DD 4401</note> prior to that shooting, we had no idea
that this sort of feeling or violence
existed; and I think that's what stunned
us so much by the incident because I can</p>
</sp>
</div2>

<div2 type="page">
<pb n="20" facs="tomlinson-frank_0020.tif"/>
<head>MALCOLM X20
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 4424</note>
<sp>
<speaker n="interviewee"/> 
<p>remember being put into the arnbulance with
several police officers <note type="handwritten">out</note> who were injured. <note type="handwritten">]]4433</note></p>
</sp>

<incident><desc>MISC></desc></incident>

<incident><desc>END OF TAPE SIDE A.</desc></incident>

<note type="handwritten">L# 4441</note>

</div2>

<div2 type="page">
<pb n="21" facs="tomlinson-frank_0021.tif"/>
<head>MALCOLM X21
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">BOX #99 DD 5000-6250</note>

<incident><desc>BEGINNING OF TAPE SIDE B.</desc></incident>

<incident><desc>MISC.</desc></incident>
<note type="handwritten">TK4 CR:208 SR:101</note>
<sp>
<speaker n="cameracrew"/> 
<p>SPEED. WE'RE ON FOUR. FOUR.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Okay, you were talking about the - 
remembering, if you can remember being in
the police ambulance and how we were 
talk'-,...</p>
</sp>

<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Oh right, ah, and being
placed into the ambulance...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Start - start it - start it all over
again --- "I can't remember being..."</p>
</sp>

<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Okay, how'd I get into
that?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: We were talking about, ah...</p>
</sp>

<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Oh because we, we were
not anticipating...</p>
</sp>
</div2>

<div2 type="page">
<pb n="22" facs="tomlinson-frank_0022.tif"/>
<head>MALCOLM X22
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<sp>
<speaker n="interviewer"/> 
<p>Q: We're going to stop. Do you remember
where we are?</p>
</sp>

<incident><desc>MISC.</desc></incident>

<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Are you ready?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Yes.</p>
</sp>

<note type="handwritten">DD 5021</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> And because we were not
aware of the sort of feelings ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Let's start again because you've got
to give me, 'It struck me..."</p>
</sp>

<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Further back?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:Yeah, further back. Uhm, "I can
remember being in an ambulance..." and,
and you were talk - talking about not
being aware of...</p>
</sp>

<note type="handwritten">DD 5049</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Okay, I got into the
ambulance through talking about the - the
perception we had of the streets not</p>
</sp>
</div2>

<div2 type="page">
<pb n="23" facs="tomlinson-frank_0023.tif"/>
<head>MALCOLM X23
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<sp>
<speaker n="interviewee"/> 
<p>having any tension... Now, you don't need
me to go through that part anymore. Just
go into the ambulance.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: You can give it to me. Give me - give
me - give me that as an introduction, yes.</p>
</sp>

<note type="handwritten">DD 5072</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Okay. The amb - and
<note type="handwritten">5075[</note> because <note type="handwritten">[</note>we were not aware of, of a tension
or animosity that was - that was taking
place in the streets, we were really
stunned at the violence of that night; and
because of that, I can remember being
placed in the ambulance with the other
officers that were injured, and the only
<note type="handwritten">DD 5109</note> thing that we said as we laid in the
ambulance looking at each other was, "They
tried to kill us, and they didn't even
know who we were." It was like something
we could not comprehend. <note type="handwritten">]]5135</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: So, you - you had never encountered
this kind of confrontational, ahm, kind of
personali - person or - or group in - in -</p>
</sp>
</div2>

<div2 type="page">
<pb n="24" facs="tomlinson-frank_0024.tif"/>
<head>MALCOLM X24
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<sp>
<speaker n="interviewer"/> 
<p>in any of the work that you had done
before?</p>
</sp>

<note type="handwritten">DD 5155</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> No, no, nothing with
that kind of rage or hatred.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Now in the uhm -- during the trial,
there was one - there was one Muslim who
was uh charged with attempted uhm murder
or for firing a fire weapon. Ahm, and
there's an interesting story about that
because in fact they did dress alike,
correctly - correct?</p>
</sp>

<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Yes.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: And it was, were you asked to identify
- identify them at the trial?</p>
</sp>

<note type="handwritten">DD 5198</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Well I couldn't identify
the person that shot me. I was able to
identify one of the men who held me
against the car while, during the attack;
and, ah, and to this day, I don't know who
the person was that shot me; but it was</p>
</sp>
</div2>

<div2 type="page">
<pb n="25" facs="tomlinson-frank_0025.tif"/>
<head>MALCOLM X25
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 5226</note>
<sp>
<speaker n="interviewee"/> 
<p>the security guard that was able to
identify one of those men. I don't know
which one it was.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Ahm, what, ahm, had the, had the uhm,
had there been -- were there very many uh,
uh black police officers on the force
during that time; and were they patrolling
in the, in the neighborhood as well?</p>
</sp>

<note type="handwritten">DD 5273</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Mmmm, that's funny.
Uhm, it's funny to reflect back because
black and white didn't seem to be the
issue that it is today; and, ah, I can't
remember the numbers of black officers.
The officer that went out of his way on
his way home to come down and save us was
a black officer, and he was attacked.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: And the security guard?</p>
</sp>

<note type="handwritten">DD 5315</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> The security guard was
black. Ah, I, I was sort of isolated from
where the fight moved to because it moved
towards the temple, and uhm, and so I was</p>
</sp>
</div2>

<div2 type="page">
<pb n="26" facs="tomlinson-frank_0026.tif"/>
<head>MALCOLM X26
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 5338</note>
<sp>
<speaker n="interviewee"/> 
<p>on the sidewalk maybe a half block away;
and there was a black woman who comforted
me while I laid on the sidewalk, but I
never knew who she was.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Okay. Uhm, that's about it. Anything
that we've particularly missed in this
story?</p>
</sp>

<note type="handwritten">DD 5368</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Oh you can make it as
big as a story as you want to. I could
talk all evening about this.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Let's cut for a second.</p>
</sp>

<incident><desc>MISC.</desc></incident>
<note type="handwritten">TK5 CR:208 SR:101</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: Okay. Talk to me about that moment
and being in your - what you were feeling
at the time?</p>
</sp>

<note type="handwritten">DD 5397</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Well I had been a - ah,
a police officer long enough to have been
in all sorts of confrontations, and, ah, I
had never been injured or, or never even</p>
</sp>
</div2>

<div2 type="page">
<pb n="27" facs="tomlinson-frank_0027.tif"/>
<head>MALCOLM X27
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 5420</note>
<sp>
<speaker n="interviewee"/> 
<p>placed in a position where someone else
had control over me the way uh the Black
Muslims had control over me that night;
and, ah, I thought that I was going to
die. There was an incident in my mind
that seemed as if it had just happened
prior to that where uh an officer had been
in an fight and had gotten shot through
the arm and had bled to death before the
<note type="handwritten">DD 5468</note> ambulance could arrive; and as I lay there
and saw my own blood running down the
sidewalk, uh I was really afraid. I would
have never admitted that for years after
that incident occurred; but, ah, it was
being in touch with what powerlessness
must feel like.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Did - were you - did you feel, ahm,
ah, unsure of this relationship with this
community that you'd been working in for a
long time, ahm, and uh as a police officer
and any, ah, confusion about what, you
know, was expected and what your role was,
and what you expected your role to be?</p>
</sp>
</div2>

<div2 type="page">
<pb n="28" facs="tomlinson-frank_0028.tif"/>
<head>MALCOLM X28
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 5540</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> I think I was afraid of,
of that change. <note type="handwritten">[[5546</note> I think I had enjoyed the
black community so much that I was afraid
now the entire community was going to
become hostile uh without ever knowing me
personally or anything about me or the
fact that I had already committed three
years of my life to, to being there and
trying to help victims; uh and now they
<note type="handwritten">DD 5592</note> were being victimized by their own people,
and, and I think I was afraid that maybe
it was over, that I wouldn't fit in
anymore. <note type="handwritten">]]5612</note> And I wasn't allowed to return
to south Los Angeles after I returned to
the police department which was a number
of years and a number of surgeries later.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:Okay, that's it. That's good.</p>
</sp>

<incident><desc>MISC></desc></incident>
<note type="handwritten">TK6 CR:208 SR:101</note>
<sp>
<speaker n="cameracrew"/> 
<p>SPEEDING. MARK. SIX.</p>
</sp>

<note type="handwritten">DD 5647</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> I guess my strongest
personal feeling about what happened, ah,</p>
</sp>
</div2>

<div2 type="page">
<pb n="29" facs="tomlinson-frank_0029.tif"/>
<head>MALCOLM X29
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 5656</note>
<sp>
<speaker n="interviewee"/> 
<p>would be to hope that people might
understand that from the police side uh
and especially from me, personally, there
was, there was no sort of a plan, a
conspiracy, a plot to get out on the
street and go after a certain people. Uh
<note type="handwritten">5696[</note> the truth is <note type="handwritten">[</note>we had received absolutely no
information from the police department in
regard to the Black Muslim movement; and
therefore, the hardest part for me after
<note type="handwritten">DD 5714</note> being shot was to listen to all of the
media interpretations of what happened
which in every case made it a racial
incident; and it had absolutely nothing to
do with race. We didn't even know where
we were when that happened. And had we
been attacked by a group of white
Supremists or terrorists that were out to
<note type="handwritten">DD 5756</note> destroy us, the fight would have taken
place in exactly the same way. So to make
it into a racial incident uh is absolutely
contrary to what really happened that
night. <note type="handwritten">]]5782</note></p>
</sp>
</div2>

<div2 type="page">
<pb n="30" facs="tomlinson-frank_0030.tif"/>
<head>MALCOLM X30
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<sp>
<speaker n="interviewer"/> 
<p>Q: In, in the, in the after, uh have you,
you know, after time and, and, and your
knowing more, do you see the Black Muslims
any different or do you se'-, or any of
that since then?</p>
</sp>

<note type="handwritten">DD 5798</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Since then I haven't - I
haven't kept aware of what was happening
with the Black Muslims. <note type="handwritten">[[5807</note> I remember
Malcolm X coming to Los Angeles and all
the tension that was felt in court, uh as
a matter of fact I had to be uh moved out
of the general population in the courtroom
because my arm was still in a cast from
<note type="handwritten">DD 5835</note> one of the surgeries, and, ah, some of the
Muslims would follow me down the hall and
into the rest room and bump into me <note type="handwritten">5846]</note> <note type="handwritten">[no audio</note> to see
if. ah, if they could get something
stirred up so...<note type="handwritten">]</note></p>
</sp>

<incident><desc>MISC</desc></incident>

<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Ya, that's okay.</p>
</sp>

<incident><desc>MISC</desc></incident>
</div2>

<div2 type="page">
<pb n="31" facs="tomlinson-frank_0031.tif"/>
<head>MALCOLM X31
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">TK 7 CR:209 SR:102</note>

<sp>
<speaker n="cameracrew"/> 
<p>MARK. SEVEN.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: OK. Talk to me about the, the kind of
energy that surrounds the case when
Malcolm shows up in court.</p>
</sp>

<note type="handwritten">DD 5883</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Yes. In regards to
Malcolm X, uh because I was unfamiliar
with the movement, I didn't really know
who he was. <note type="handwritten">5898[</note> Uh <note type="handwritten">[</note> I remember that he came to
Los Angeles, and it seemed as if he was
the Black Muslim movement because all the
attention focused upon his presence; and I
can remember him being in court, and uh
<note type="handwritten">DD 5924</note> the tension that seemed to be present just
by his presence there. Ah, the, the Black
Muslim defendants seemed to be even more
angry, and they, they never smiled anyway,
and they always tried to stare you to
death it seemed as if; but it was like
they had renewed their anger from his
<note type="handwritten">DD 5961</note> presence, and, ah, things were just that
more hostile in the sense of, of the
feeling that was present. And that - that</p>
</sp>
</div2>

<div2 type="page">
<pb n="32" facs="tomlinson-frank_0032.tif"/>
<head>MALCOLM X32
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 5981</note>
<sp>
<speaker n="interviewee"/> 
<p>was the way my time of testimony was for
both the preliminary hearing and the
trial, but it especially escalated in that
sense when he was present there. <note type="handwritten">]]6000</note> And the
only kindness that came out of the court
time for me was when one of their defense
attorneys, ah, Mr. Brody, took me aside
when none of them was present in the
courtroom and apologized to me for what
<note type="handwritten">DD 6029</note> was taking place, and made it clear that
he was only a party to it because he was
getting paid to do that. And I'll always
remember his sensitivity for understanding
what I was going through at that time.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Okay, ahm, now ahm, did you - did you
have a chance to then read more about
Malcolm and, and, ah, who he was after -
after that?</p>
</sp>

<note type="handwritten">DD 6071</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Yes, later, ah, and I
was out of police work later. I was
retired because of my gunshot wounds. I,
I can remember keeping track of the news
accounts of Malcolm X and the movement.</p>
</sp>
</div2>

<div2 type="page">
<pb n="33" facs="tomlinson-frank_0033.tif"/>
<head>MALCOLM X33
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 6095</note>
<sp>
<speaker n="interviewee"/> 
<p>Uh I did a little bit of reading about
their origins beginning as a prison gang
with Cecil Poole and, and, ah; and so I
was a little bit more aware of who they
were, ah, after the fact. But I still
felt, even after the fact, when I would
read of police confrontations where
policemen would be injured or the
situation would be out of control that the
<note type="handwritten">DD 6136</note> police agencies were still not doing their
job in, in being more informed about the
violent intentions of this particular
group.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Okay. Uhm were you aware when
Malcolm, were, when he was assassinated?</p>
</sp>

<note type="handwritten">DD 6163</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Yes I remember reading
that, but today I don't remember hardly
anything about it.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Okay, let's...</p>
</sp>
</div2>

<div2 type="page">
<pb n="34" facs="tomlinson-frank_0034.tif"/>
<head>MALCOLM X34
FRANK TOMLINSON INTERVIEW
SEPT. 21, 1992
CAMERA ROLLS 206, 207,
208, 209</head>

<note type="handwritten">DD 6179</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Didn't he change
somewhere in there? Didn't he move from
the violent posture to one that was ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: He left the Nation of Islam, yes.</p>
</sp>

<note type="handwritten">DD 6195</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> Okay, and so he was
probably assassinated for that, then, huh?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Mmm.</p>
</sp>

<note type="handwritten">DD 6202</note>
<sp>
<speaker n="interviewee">FRANK TOMLINSON:</speaker> 
<p> That was the - that's
the one thing I remember is that he was
probably assassinated because he changed.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Yeah, OK. Good. Thank you.</p>
</sp>

<incident><desc>MISC.</desc></incident>

<incident><desc>END OF TAPE SIDE B.</desc></incident>

<note type="handwritten">L# 6250</note>
</div2>
</div1>
</body>
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</TEI>
