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<title>Interview with <hi rend="bold">Muriel Feelings</hi></title>
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<p>Material is free to use for research purposes only. If researcher intends to use transcripts for publication, please contact Washington University’s Film and Media Archive for permission to republish. Please use preferred citation given in the transcript.</p>
<p>© Copyright Washington University Libraries 2018</p>
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<persName n="" key="">Muriel Feelings</persName>
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<series>Interview gathered as part of Malcolm X.</series>
<note>This interview recorded as formal filmed interview.</note>
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<front>
<titlePage>
<docTitle>
<titlePart type="main">Interview with <hi rend="bold"><name>Muriel Feelings</name></hi></titlePart>
</docTitle>
<byline>
Interviewer:</byline>
<docImprint>
<docDate>
Interview Date: <date when="1992-07-01">July 1, 1992</date>
</docDate>
<pubPlace/>
<rs type="media">Camera Rolls: </rs>
<rs type="media">Sound Rolls: </rs>
</docImprint>
<imprimatur>
Interview gathered as part of <hi rend="italics-bold">Malcolm X</hi>. 
<lb/>Produced by Blackside, Inc. 
<lb/>Housed at the Washington University Film and Media Archive, Henry Hampton Collection. 
</imprimatur>
</titlePage>
<div1 type="editorial">
<head>Editorial Notes:</head>
<p><hi rend="bold">Preferred citation:</hi>
<lb/>Interview with <hi rend="bold"><name>Muriel Feelings</name></hi>, conducted by Blackside, Inc. on <date when="1992-07-01">July 1, 1992</date>, for <hi rend="italics">Malxolm X</hi>. Washington University Libraries, Film and Media Archive, Henry Hampton Collection.</p>
</div1>
</front>
<body>
<div1 type="interview">
<div2 type="page">
<pb n="1" facs="feelings-muriel_0001.tif"/>
<note type="handwritten">DATE: 07/01/92</note>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 1
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 
<note type="handwritten">BOX #86 CODE:2993-3976</note>

<incident><desc>BEEP.</desc></incident>
<sp>
<speaker n="cameracrew"/> 
<p>THIS WILL BE UH MURIEL FEELING’S INTERVIEW ON 
CAMERA ROLL ONE EIGHTY-THREE, SOUND ROLL 
NINETY. </p>
</sp>

<incident><desc>BEEP.</desc></incident>

<incident><desc>MISC.</desc></incident>

<sp>
<speaker n="unknown"/> 
<p>READY WHEN YOU ARE.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Ready? </p>
</sp>

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Mm hm.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Oh, you rolling? OK.</p>
</sp>
<note type="handwritten">TK1 CR 183 SR90</note>
<sp>
<speaker n="cameracrew"/> 
<p>MARKER - ONE.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  So when are you first aware of Malcolm, 
where are you and what do you think.</p>
</sp>

<note type="handwritten">DA 3012</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>I was in LA, I was in college in LA, 
and um at that time that a lot of the civil</p>
</sp>
</div2>

<div2 type="page">
<pb n="2" facs="feelings-muriel_0002.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 2
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 

<note type="handwritten">DA 3022</note>
<sp>
<speaker n="interviewee"/> 
<p>rights activity that was going on was kind of 
sit-in kind of demonstrations and much of it 
did not seem to be ah as serious as I thought 
it should have been. It seems as though 
there are a lot of excuses for interracial 
uhm, uh activities, um and but I think it was 
the seriousness of what I heard in Malcolm's 
voice I I was not exactly um inclined to feel 
motivated to be involved in something about 
the passivity of it seemed, you know, I 
clearly know now, looking back upon the civil 
<note type="handwritten">DA 3071</note> rights movement, that it was not a passive 
movement altogether. Uh, I was not drawn to 
that type of passive activity in me, 
something in the words of self assertion, and 
taking charge uhm of our own destiny, seemed 
to appeal to me very much. And it was 
through the the I guess the speakers that 
used to come to the campuses and um I think 
one of the people that was a close friend of 
<note type="handwritten">DA 3106</note> mine, this Ethiopian student, was one of the 
people that really was very much taken up 
with the idea messages of the Nation of 
Islam, and particularly Malcolm, and so that 
was when my interest got sparked, and 
something just said, "Yes, that's it!" I was</p>
</sp>
</div2>

<div2 type="page">
<pb n="3" facs="feelings-muriel_0003.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 3
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 

<note type="handwritten">DA 3127</note>
<sp>
<speaker n="interviewee"/> 
<p>you know, I really needed to to be a feel a 
part of what was going on in a real way, and 
I could identify with some of the things he 
was saying, which were not about violence, 
they were about ah self assertion, and 
protecting family and self, and taking uh an, 
an active role um in ah shaping up our own 
destiny and putting things back into proper 
perspectives. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  And do you see at this point Malcolm 
separately from the Nation? </p>
</sp>

<note type="handwritten">DA 3170</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Um, not at that time. I guess I saw 
him as a real able spokesperson, um, yes, I 
saw Malcolm as um a spokesperson, a very uhm 
motivating spokesperson at that time. I 
didn't see him as separ I don't know if I saw 
him as separate, I saw him certainly as a 
spokesperson. Um, it was later that I begin 
<note type="handwritten">DA 3204</note> to I think identify Malcolm as a person who 
brought some other things to the basic 
doctrines of the Nation of Islam.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  How did you see the Nation of Islam at 
 this point? </p>
</sp>
</div2>

<div2 type="page">
<pb n="4" facs="feelings-muriel_0004.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 4
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Oh, I thought they were wonderful, 
ah, I I ah liked their self, yes. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  I'm sorry, can you start again and 
mention?</p>
</sp>

<note type="handwritten">DA 3234</note> 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Yes, um hum, I I thought they were 
wonderful, I thought that their uhm...</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  I'm sorry they won't know who they are. 
Start again.</p>
</sp>

<note type="handwritten">DA 3250</note>  
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Um <note type="handwritten">[[DA 3251</note> I thought the Nation of Islam
was ah I I was very proud of them. Um, they 
had their own businesses, they were talking 
about independent ah establishments, they 
were talking about how we needed to improve 
our diet, our nutrition, and ah they were 
addressing those things, they were writing 
books, they were pub1ishing newspapers, they 
<note type="handwritten">DA 3279</note> were organized<note type="handwritten">]</note>  and um <note type="handwritten">]3281</note> and I think the level 
of organization I had not seen in in in in 
terms of uhm that type of activity, that kind 
of Nationalistic activity since the Garvey 
movement it seemed, I had not heard about</p>
</sp> 
</div2>

<div2 type="page">
<pb n="5" facs="feelings-muriel_0005.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 5
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 

<note type="handwritten">DA 3299</note>  
<sp>
<speaker n="interviewee"/> 
<p>anything that was quite so magnetizing. And 
then also I was impressed with the 
testimonies of those persons who came on 
campus and the like who spoke about their 
transformation, um from people who had been 
hoodlums and actually murderers and the like 
to people who have been transformed, their 
lives are turned around. Also kind of like 
the idea, the way the male role of taking 
assertive attitude in terms of his family and 
<note type="handwritten">DA 3339</note> uh the protection. <note type="handwritten">3342[</note>And <note type="handwritten">[</note>I know lot of women 
who were drawn to the movement because of 
some of the philosophy more than the 
religion. And I think I was more taken with 
the philosophies that they had of uh self 
determination more than the you know the
religious aspect.<note type="handwritten">]]364</note> Um...</p> 
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Why do you not join the group ok.</p>
</sp>
 
<incident><desc>BEEP.</desc></incident>

<incident><desc>MISC. </desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>SPEEDING. MARKER. UM - TWO. </p>
</sp>
</div2>

<div2 type="page">
<pb n="6" facs="feelings-muriel_0006.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 6
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 

<note type="handwritten">TK2 CR183 SR90</note>
<sp>
<speaker n="interviewer"/> 
<p>Q:  So why don't you join the Nation of 
Islam? </p>
</sp>

<note type="handwritten">DA 3379</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>I didn't join the Nation of Islam 
because at that I guess at that time I was 
more looking to be a part of um the the uhm 
those things I was more concerned with Africa 
at that time and I wasn't looking for a 
religious organization I guess I was looking 
to be a part of something that was really 
dealing with more of the human and civil 
<note type="handwritten">DA 3407</note> rights kind of things. And you know uhum a a 
movement that was not po, not so much 
religious, I wasn't looking for that type, 
type of thing at that time. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Yes, Um, so when you come to New York do
you have sense though that the Nation is 
different in New York than what you had 
mentioned after the bazaars? </p>
</sp>

<note type="handwritten">DA 3433</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Umhum, yes, um I was um I remember 
how it changed, things changed it seemed uh 
when I was in New York. when I came to New 
York in sixty-four, there were uhm bazaars, I 
remember Abby Lincoln and Max Roache </p>
</sp>
</div2>

<div2 type="page">
<pb n="7" facs="feelings-muriel_0007.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 7
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 

<note type="handwritten">DA 3456</note>
<sp>
<speaker n="interviewee"/> 
<p>performing and many of the Muslims were 
wearing African dress and things of that sort 
and um there was a more of a black 
nationalistic um environment then da the 
religious aspect of it was there but it 
wasn't as ah seemingly as overpowering as it 
was later on where the mode of dress and all 
those things seemed to be so different. Um, 
<note type="handwritten">DA 3494</note> with the you know the clean haired Paris hair 
does dudes in the ties and the um and the uh 
more western type dress was such a part of it 
um, yeah I and then I began to ah become more 
conscious of um the the actual being in the 
city where they were actually the restaurants 
and the this businesses and other like that 
were ah that we frequented.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  (unintel).</p>
</sp>
 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>OK. All right. Start again? </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Uh, yeah. </p>
</sp>

<note type="handwritten">DA 3543</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>OK, OK. Where shall I start again? 
ok, alright. <note type="handwritten">3550[</note>Ah, <note type="handwritten">[</note>In New York I was more 
<note type="handwritten">1964</note> aware of a kind of a African influence more</p> 
</sp>
</div2>

<div2 type="page">
<pb n="8" facs="feelings-muriel_0008.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 8
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 

<sp>
<speaker n="interviewee"/> 
<p>of a cultural and nationalism seemed to be 
<note type="handwritten">DA 3561</note> evident in New York, um there was the I 
remember Muslim bazaar where Max Roache and 
Abby Lincoln uhm were performing aah for a 
benefit and ah Muslims wearing African dress 
and things of that nature. <note type="handwritten">]]3583</note> And um I also had 
a chance to go into some of the 
establishments that were run by Muslims, 
restaurants and the like, um and it felt 
really good to go in a place and see a place 
where nutritious food was being served, 
<note type="handwritten">DA 3605</note> clean, excellent service and the like, so uh 
those are some of the impressions that I 
have. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Talk about the restaurant a little bit, 
what was it, some did people talk about it as 
as an oasis almost?</p>
</sp> 

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>What the restaurant?</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Yeah.</p>
</sp>

<note type="handwritten">DA 3623</note> 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Oh, I just remember the the whole 
wheat rolls and the food where the you know 
vegetables and the and everything were </p>
</sp>
</div2>

<div2 type="page">
<pb n="9" facs="feelings-muriel_0009.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 9
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 

<sp>
<speaker n="interviewee"/> 
<p>prepared very well and um just spaciousness 
<note type="handwritten">DA 3643</note> and light I just seem to remember these are 
just some impressions that I have from 
something that um they're talking about 
something thirty years ago almost almost. 
Almost.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Um, let's go to the first OOAU meeting, 
um, talk about going to that, coming to New 
York to participate and then what it's like 
when Malcolm comes in on it. </p>
</sp>

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>OK, um </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  And some of the qualities you see.</p>
</sp> 

<note type="handwritten">DA 3679</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Mm hm. Mm hm. Um, I guess I was 
very awed initially at the first assembly of 
people who were meeting um, I can't remember 
the place, but it was it was like a meeting 
room.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Sorry, if you could please start over and 
just mention OAA meeting.</p>
</sp> 

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Umhum umhum ok alright. </p>
</sp>
</div2>

<div2 type="page">
<pb n="10" facs="feelings-muriel_0010.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 10
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  You were awed.</p>
</sp>

<note type="handwritten">DA 3710</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Yeah, I remember being rather awed 
at the first meeting of Malcolm and also some 
of the people who were assembled there, this 
was before the OAU publicly uh was founded 
and um there was a meeting gathering of minds 
of people who were some of the writers and 
some are historians and um many people who 
just had an interest in working with him in a 
<note type="handwritten">DA 3745</note> secular organization that was the base ah 
that he had ah advocated was a human rights 
platform and with um the variety of of of 
types of people who were there in terms of 
their backgrounds and interest, I I came to 
see um ah I saw Malcolm, and Malcolm came 
<note type="handwritten">DA 3777</note> into this assembly I saw a different person 
than I had remembered from the media and the 
other kinds of impressions um, a person who 
is very um well liked.</p>
</sp>

<incident><desc>WHISPERING IN BACKGROUND</desc></incident>

<sp>
<speaker n="unknown"/>
<p>IS THERE A PROBLEM?</p> 
</sp>
</div2>

<div2 type="page">
<pb n="11" facs="feelings-muriel_0011.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 11
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Yeah. Why don't we cut?</p>
</sp> 

<incident><desc>BEEP.</desc></incident>

<incident><desc>MISC.</desc></incident>
<note type="handwritten">TK3 CR183 SR90</note>

<sp>
<speaker n="cameracrew"/> 
<p>SPEEDING. MARK. THREE.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  So a sense of what happens when Malcolm 
comes in.</p>
</sp>

<note type="handwritten">DA 3818</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>OK, this first meeting of ah that I 
attended the/re’ s several meetings had gone on
well before I ever came to New York, um <note type="handwritten">[[3830</note> there
was assembled a lot of people who I later 
came to know as um well respected people, 
historians and writers and ah people involved 
in in their community of affairs, people from 
all different backgrounds and all assembled
<note type="handwritten">DA 3857</note> here because they all wanted to do something 
to help ah with to bring about what Malcolm 
was trying to to establish which was a human 
rights organization<note type="handwritten">]</note> and one which when braced 
people black people of all persuasions <note type="handwritten">]3880</note> um and 
across any religious or other lines, ah 
social economic lines, and ah when he came in</p> 
</sp>
</div2>

<div2 type="page">
<pb n="12" facs="feelings-muriel_0012.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 12
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 

<note type="handwritten">DA 3893</note>
<sp>
<speaker n="interviewee"/> 
<p>I saw this person in this setting which was 
entirely different than anything else and I 
guess Peter and others can tell you about 
their impressions you know, uh also that were 
very different <note type="handwritten">3909[</note> and <note type="handwritten">[</note>it was at this point 
that I I began to see um just ah the 
magnitude of the vision of this man and the 
his ability to bring people together uh of 
various backgrounds it gave him that kind of
<note type="handwritten">DA 3932</note> support and to um was was a powerful tool<note type="handwritten">]]3939</note> and
ah I suppose this is why he's not with us 
anymore because I think there was no one else 
around that really could draw that range of 
people, um and later even north and south. 
Now we saw ah ah the same phenomenon. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Well how does he react... OK, right. My 
next question is going to be how does he um 
first how, yes. </p>
</sp>

<incident><desc>BEEP.</desc></incident> 

<incident><desc>MISC. </desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>UH THIS WILL BE CAMERA ROLL ONE EIGHTY-FOUR 
ON SOUND ROLL ONE, OH, SOUND ROLL NINETY.</p> 
</sp>

<note type="handwritten">L# 3976</note>
</div2>

<div2 type="page">
<pb n="14" facs="feelings-muriel_0013.tif"/>
<note type="handwritten">DATE: 07/01/92</note>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 14
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 

<note type="handwritten">BOX #87 DA 5000-7020</note>

<sp>
<speaker n="cameracrew"/> 
<p>BEGINNING OF SIDE TWO.</p>
</sp>
 
<incident><desc>MISC. </desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>THIS IS UH BLACKSIDE'S PRODUCTION OF MALCOLM 
X ON SOUND ROLL NINETY-ONE, CAMERA ROLL ONE 
EIGHTY-FOUR IS UP.CONTINUATION OF INTERVIEW 
WITH UH MURIEL FEELING.</p>
</sp> 

<incident><desc>BEEP. BEEP.</desc></incident>

<incident><desc>MISC.</desc></incident>
<note type="handwritten">TK4 CR184 SR91</note>

<sp>
<speaker n="cameracrew"/> 
<p>SPEEDING. MARK. FOUR.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Ok, so how was what is it about Malcolm 
that that he is able to attract this kind of 
diverse circle of people?</p>
</sp> 

<note type="handwritten">DA 5028</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>One of the, I think some of the 
qualities that enabled him to a attract so 
many uh...</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Sorry, start again</p> 
</sp>
</div2>

<div2 type="page">
<pb n="15" facs="feelings-muriel_0014.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 15
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<note type="handwritten">DA 5040</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>OK. OK. Um, Malcolm's attraction 
to people of this diverse backgrounds I think 
were one um his his character, um one being 
serious and his his intelligence um his um 
charisma but the fact that he was able and he 
was he was studious and yet at the same time 
he could take conc’-, he could take abstract 
ideas and make them understood by anyone, 
even a child and um so he really ah also he 
also demonstrated that he was concerned about 
meeting the needs of all black people, that 
<note type="handwritten">DA 5110</note> he had a perspective that went beyond class, 
religion all those things and uh many people 
always felt that he did, even before he left 
the Nation, and desired to have ah base 
involvement with something that was broader 
that just one particular group of African 
Americans. So I think these are the things, 
yeah.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Wha'-, some people say that Malcolm 
wasn't analytical, how would you respond to 
that?</p>
</sp> 

<note type="handwritten">DA 5149</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Well, I guess not too many people 
saw him in these ah discussions, TV </p>
</sp>
</div2>

<div2 type="page">
<pb n="16" facs="feelings-muriel_0015.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 16
FEELS-6.DOC 
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<sp>
<speaker n="interviewee"/> 
<p>interviews of, of those those there are some 
people who have said I've heard that he was 
<note type="handwritten">DA 5165</note> not a critical thinker, um, or that only a 
attributed the his critical thinking ability 
to those people he was associated with at 
this time and when he was about to establish 
this new organization, but, if people would 
remember the ah the thinking on his feet that 
he did in these television interviews with 
with ah newscasters and the like and then the 
debates that he ah wa participated in with ah 
<note type="handwritten">DA 5208</note> people like Jensen and many others who were 
scholars I think they would have to think 
again, because in those kinds of situations 
of debates ah and the like ah you have to be 
a critical thinker, and um it it makes me 
think about his ambitions as a child when he 
wanted to be a lawyer and was told he should 
<note type="handwritten">DA 5236</note> be a janitor. I think about that those 
qualities are the qualities that make for a 
lawyer who who can do that kind of uh that 
kind of thinking on your feet.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:And what does Malcolm like in this kind 
of meeting, how is he reacting to all this 
diversity. </p>
</sp>
</div2>

<div2 type="page">
<pb n="17" facs="feelings-muriel_0016.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 17
FEELS-6.DOC 
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<note type="handwritten">DA 5257</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Oh, I I somewhat I think that was 
<note type="handwritten">5261[[</note> I’d only seen um and heard about Malcolm um 
as an orator, you know um as a very tell it 
like it is person who is very bold and um, I 
thought very courageous to say some of the 
things he said, um but this uh in this 
context ah there was a kind of um a 
listening, you know this is a man who seemed 
I said "my goodness this is a case where he 
is um he's quiet, he's listening and taking 
<note type="handwritten">DA 5305</note> in things and you know discerning you know 
um, what is something what what are the 
things that he can use that that are coming 
out of the various recommendations and 
discussions among these people ah who are 
coming together to help provide some kind of 
a um political social economic um advise to 
ah what this organization the OAAU should be<note type="handwritten">]</note> 
1i'-, should be.<note type="handwritten">]5345</note> Um...</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  And you didn't expect him to listen quite 
the way he did?</p>
</sp>

<note type="handwritten">DA 5350</note> 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Well, I didn't know what to expect, 
but I had never seen him in a meeting kind of</p> 
</sp>
</div2>

<div2 type="page">
<pb n="18" facs="feelings-muriel_0017.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 18
FEELS-6.DOC 
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<sp>
<speaker n="interviewee"/> 
<p>a situation before it and I'd only really 
just heard him more through the media than, 
<note type="handwritten">DA 5364</note> than, than anything else, ah up at that 
point, cause I had not been in New York very 
long, but I'd heard alot about him and I was 
when I came to New York it was I I expected 
to to to be coming in contact with those 
people who were involved with um forming what 
was to be a human rights organization, so um 
that was ah another side of I saw initially 
<note type="handwritten">DA 5400</note> right at the beginning. And there were among 
that group women and men who were inputting 
and that was another thing that um the media 
you know, um, and I guess the philosophy of 
the Nation of Islam um one did not encounter 
that kind of thing, um, publicly, publicly 
anyway.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Let me just mention, in terms of the 
women's thing, you mentioned that women's 
voices were respected by him as much as men, 
could you just talk about that for a minute.</p>
</sp> 

<note type="handwritten">DA 5441</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>OK, <note type="handwritten">5443[[</note>among those people who were a 
part of the OAAU were some women who were 
also thinkers, ah political scientists ah</p> 
</sp>
</div2>

<div2 type="page">
<pb n="19" facs="feelings-muriel_0018.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 19
FEELS-6.DOC 
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<sp>
<speaker n="interviewee"/> 
<p>there people who had various knowledge 
education and um, these people were a part of 
<note type="handwritten">DA 5466</note> the people that were part the group that he 
listened to and helped to provide some of the 
foundation of the um various structures of 
the OAAU<note type="handwritten">]]</note> some of the philosophy and a 
bylaws and the like. Um, <note type="handwritten">[</note>Malcolm was a 
person I think that was uE'§E3 who was bigger 
than any personal issue or anything else I 
think he basically saw people, black people 
who had abilities that everybody ’s abilities 
<note type="handwritten">DA 5505</note> needed to be brought together and used and so 
the sex didn’t seem to matter too much at 
that point,<note type="handwritten">]]5514</note> um a lot of people...</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  If you can just say the gender.</p>
</sp> 

<note type="handwritten">DA 5521</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Yes, yes ok um for so to him the ah 
gender of the per of the person who was 
bringing this uh knowledge and and skill did 
not matter it seemed.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Well, give me a sense when you're in the 
OAAU of the sense of the double life you're 
working um, at the publishing company.</p>
</sp>
</div2>

<div2 type="page">
<pb n="20" facs="feelings-muriel_0019.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 20
FEELS-6.DOC 
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<note type="handwritten">DA 5549</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Oh yes! I mean there were some of 
us I guess um who had never been involved in 
anything as would have been considered 
radical as this at that time and um of course 
you know um many of us had to live double
lives we had um the worth, I was working on 
Lexington Avenue in this advertising agency 
and um thinking I was going to be able to get 
into writing in some kind of way, and ah 
leaving there you know it was you know suited 
and heeled and coming up to to Theresa Hotel 
<note type="handwritten">DA 5598</note> to work in the off OAAU office after work and 
um, one day I remember um it got to be too 
much I was finding the work ungratifying 
because it wasn't involving any human service 
and I wasn't getting into writing so there 
was no excuse for me to be there and I guess 
the crowning blow was during the Harlem riots 
when I came in there and the editor that sat 
next to me um, young man, started talking 
about the the black people who were rioting 
<note type="handwritten">DA 5643</note> in you know kind of castigating them and 
before I realized it I showed my I showed my 
true colors and next thing is we're in each 
others faces and I said "Uh oh.", and then ah 
0 his whole attitude changed, the relationship</p> 
</sp>
</div2>

<div2 type="page">
<pb n="21" facs="feelings-muriel_0020.tif"/>
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<note type="handwritten">DA 5663</note>
<sp>
<speaker n="interviewee"/> 
<p>changed between he and I because you know he 
knew just wa how I felt and I could bare it 
no longer so I had left at that point I left 
and uh went to the school system because I 
needed to be involved with something that was 
I was trained to be a teacher anyway, and I 
went to teaching a school in Harlem, and ah</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  What were you doing at night, how do when 
you come off work, what</p>
</sp> 

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Yes, Oh and Oh yes, and during that 
<note type="handwritten">DA 5696</note> time working working downtown um, and our 
evenings were coming home ah coming home, 
changing clothes, going to the OAAU office at 
the Theresa Hotel staying there sometimes 
eleven or twelve o'clock at night and uh then 
going home and then going back to the 
straight laced jobs we had. And there were 
there were there were few of us in the OAAU 
like that, um and so um those were those the 
<note type="handwritten">DA 5739</note> kinds of contradictions were reconciled a lot 
more when I was able to move into the school 
and teaching in Harlem, and ah not to mention 
that it was a lot closer ah I was teaching at 
a Hundred and twenty—seventh Street, and so</p> 
</sp>
</div2>

<div2 type="page">
<pb n="22" facs="feelings-muriel_0021.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 22
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<sp>
<speaker n="interviewee"/> 
<p>um, the there there that was at a time when I 
<note type="handwritten">DA 5765</note> really began to have be able to have some 
kind of impact with children as well um, so.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Let me shift from that, in terms of uhm, 
when when Malcolm goes to Africa, why does he 
go? Why does Malcolm go? </p>
</sp>

<note type="handwritten">DA 5784</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>All right, um as I recall he was 
invited to speak at the OAAU, OAU, which was 
the organi’-, Organization of African Unity, 
was the reason that put Malcolm.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Let me just rephrase that. What is the 
goal of the OAU that Malcolm fulfills when he 
goes to Africa?</p>
</sp> 

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Was it called the OAU? <note type="handwritten">[5815</note> Mal Malcolm 
<note type="handwritten">DA 5816[</note> when Malcolm went to speak at at Addis ababa 
at the Organization of African Unity in 1964, 
um, it was um, it was he was the first 
African American ever to be invited to speak 
to this ah organization and his purposes were to hear
what the what his request was of them, of the
African Nations, which was basically to bring</p> 
</sp>
</div2>

<div2 type="page">
<pb n="23" facs="feelings-muriel_0022.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 23
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<note type="handwritten">DA 5858</note>
<sp>
<speaker n="interviewee"/> 
<p>the case of the African American's <subst><del>impression</del><add><note type="handwritten">oppression</note></add></subst>
in this country out of the context of just 
United States and the civil rights context 
into a human race context, by bringing the 
case before the UN,<note type="handwritten">]</note> and ah so that was the 
goal, <note type="handwritten">[</note>his goal there was to gain the support 
of African Nations to bring these case before 
the UN and ab there were some African Nations 
<note type="handwritten">DA 5893</note> there that had supported that<note type="handwritten">]5895</note> and it was 
tabled to have been there for that next 
general assembly, which somehow was aborted.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Can you give me a sense of somebody who's 
connected with Africa even here, of the sense 
of excitement that you have at these newly 
independent African Nations.</p>
</sp> 

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Say that again? </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, of somebody who feels a connection 
with Africa, are you excited by these newly 
independent African Nations?</p>
</sp>

<note type="handwritten">DA 5928</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Oh, very much so, before I left ah 
before I left college, uh my fr’-, another 
friend and myself we had plans to go to</p> 
</sp>
</div2>

<div2 type="page">
<pb n="24" facs="feelings-muriel_0023.tif"/>
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<sp>
<speaker n="interviewee"/> 
<p>Africa, we had even considered the Peace 
<note type="handwritten">DA 5943</note> Corps before we later realized their 
reputation as a junior CIA agents uh agency 
was um was something we didn't want to be 
identified with, but we had I had planned to 
go to Africa before I left college and then a 
number of African students in college and 
began to learn a lot and began to read alot 
and so <note type="handwritten">5969[[</note> Malcolm's involvement with <subst><del>us</del><add><note type="handwritten">this</note></add></subst> we
really made a lot of us very proud, I mean 
this was a landmark in going there it was ah 
it was a landmark in being received all over 
<note type="handwritten">DA 5485</note> those various countries and the ah the 
universities where they he spoke, ah I I was 
told that one of the campuses in I think it 
was in Nairobi, Kenya the students after a 
debate carried him across the campus<note type="handwritten">]out 6005</note> and my 
my maybe the, the location I may be a little 
rusty about but a yeah, ok.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  You know about it, great, great, yeah.</p>
</sp>
 
<incident><desc>BEEP.</desc></incident>

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>I wanted to say that Nigeria was 
even the name on the . . . . .</p> 
</sp>
</div2>

<div2 type="page">
<pb n="25" facs="feelings-muriel_0024.tif"/>
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<sp>
<speaker n="cameracrew"/> 
<p>ONE EIGHTY-FOUR ON SOUND ROLL NINETY-ONE.</p>
</sp> 

<incident><desc>BEEP.</desc></incident> 

<sp>
<speaker n="cameracrew"/> 
<p>THIS WILL BE CAMERA ONE EIGHTY-FIVE ON SOUND 
ROLL NINETY-ONE CONTINUATION OF INTERVIEW 
WITH MS. FEELINGS.</p>
</sp> 

<incident><desc>BEEP.</desc></incident> 
<note type="handwritten">TK5 CR181 SR91</note>
<sp>
<speaker n="cameracrew"/> 
<p>SPEEDING. MARK. FIVE.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  So, the story you heard about being his 
being carried ..</p>
</sp>

<note type="handwritten">DA 6038</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Oh yes, ah I <note type="handwritten">6041[</note> even he <note type="handwritten">[</note>he was so 
popular even on the campuses where he spoke 
in African countries the universities, I I 
even heard about him being carried across 
campus by the students after a a a speech 
there, and um, there was he was also given 
the name in Nigeria Amawli, which means the 
<note type="handwritten">DA 6067</note> son returns.<note type="handwritten">]]6068</note> So, then he was several nations 
that had supported the idea of bringing 
tabling this matter of African Americans at</p> 
</sp>
</div2>

<div2 type="page">
<pb n="26" facs="feelings-muriel_0025.tif"/>
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<sp>
<speaker n="interviewee"/> 
<p>the human rights effort, before the UN, and 
um these are countries that I remember 
<note type="handwritten">DA 6089</note> Malcolm saying something about them the 
countries that are considered conservative 
behind closed doors uh are often different 
and some of those that were considered well 
that Liberia and Senegal were two of the 
nations that supported this and they also 
supported the Pan African Pan Africanist 
movement um also so I don't recall all the 
other nations that had given support but it 
<note type="handwritten">DA 6125</note> was tabled by Alex Quaisansaki was the 
President of that General Assembly that was 
supposed to have been held where that actual 
that motion was actually served and brought 
forward.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  In, let me ask you about Malcolm at this 
point, I mean do you see him growing during 
this last year that you've know him?</p>
</sp>

<note type="handwritten">DA 6148</note> 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Tremendously, I guess a person who 
um, ah ah some of these ideas, ok, I saw a 
tremendous amount of growth in um in ah 
Malcolm, um’s sophistication that happens 
when you travel, I I it was when I began to</p> 
</sp>
</div2>

<div2 type="page">
<pb n="27" facs="feelings-muriel_0026.tif"/>
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<note type="handwritten">DA 6169</note>
<sp>
<speaker n="interviewee"/> 
<p>travel myself, and live in other countries t
hat I began and to really understand what 
happens, quickly, it can happen quickly too, 
but he already ah ah a propensity for this, 
he was already a Pan Africanist in his 
spirit, and many people who knew him when he 
was in the Nation talked about how he 
addressed Puerto Ricans in Spanish and all 
the likes, so he already had a this of a 
larger global, a global more global 
perspective. I think even then um and a it 
<note type="handwritten">DA 6212</note> just had an opportunity to express itself and 
his vision got a chance to be enacted and 
that year um I saw a bigger world view about 
political um ah positions and the like, um, I 
think his black nationalism became Pan 
Africanism ah when he began to see that our 
struggles were all the same, whether it was 
in Africa, whether it was in the Caribbean or 
whether its in North America, and um, I think 
he he he had really a basis for trying to 
<note type="handwritten">DA 6268</note> bring together the differences between the 
various kind of political movements in the 
United States among the African American 
community and um, was even ah disposed to 
trying to le’-, gi’-, I think he gave more</p>
</sp> 
</div2>

<div2 type="page">
<pb n="28" facs="feelings-muriel_0027.tif"/>
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<sp>
<speaker n="interviewee"/> 
<p>credence to the civil rights movement too, 
<note type="handwritten">DA 6292</note> but he saw that there was a need for 
everybody to get together and I think it 
would have happened at had he lived longer.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  And how does he seem to you after the 
house bombing the week before?</p>
</sp>
 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Oh, um </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  I'm sorry, how does Malcolm seem after 
the house bombing?</p>
</sp>

<note type="handwritten">DA 6321</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>I think Malcolm, uh after the time 
this house was bombed and he had initially 
made some remarks about the Nation of Islam 
and it's involvement <note type="handwritten">6337[</note>I think <note type="handwritten">[</note>later he begin 
to see that there was something bigger
involved in this than that and that and that 
um he had said he was going to discuss this 
at at at a later meeting ah, which never took 
<note type="handwritten">DA 6357</note> place.<note type="handwritten">]]6357</note> But that he realized that there was 
there was some other forces involved in this 
that it and it that it was not possibly not 
even the Nation of Islam involvement at all. 
And I think many of us suspected that anyway.</p>
</sp>
</div2>

<div2 type="page">
<pb n="29" facs="feelings-muriel_0028.tif"/>
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<sp>
<speaker n="interviewer"/> 
<p>Q:  And how does after the bombing, how does 
Malcolm seem personally to you?</p>
</sp>

<note type="handwritten">DA 6389</note> 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Hum, well for his family was 
displaced and um, you know, that was 
something that um you know I remember him 
seeming you know like really concerned, I 
mean a man who has been who has come to think 
of himself as someone who's protects his 
family, um having to go and get his wife out 
the house and pass the children to him to 
I them he said in his underwear as he said it 
at that meeting, um then to find them 
<note type="handwritten">DA 6430</note> displaced and family one place and him having 
to be some where else, I think it began to 
interfere with um with you know th the the
they become a distraction for him at that 
time quite naturally, um <note type="handwritten">[6452</note> and I think he he
also he's always neg <note type="handwritten">[</note>he always used to say 
"I’m a dead man." and I don't remember what 
point he began to say that um, but he always 
<note type="handwritten">DA 6467</note> knew that there were a lot of forces that cou 
that were out there that were opposed to him 
from the times he went to Europe and to Paris 
an you know the first time getting a a good</p>
</sp>
</div2>

<div2 type="page">
<pb n="30" facs="feelings-muriel_0039.tif"/>
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<sp>
<speaker n="interviewee"/> 
<p>reception from the African American community 
<note type="handwritten">DA 6485</note> there to a closed door the next time he went 
to Paris.<note type="handwritten">]</note> There are a lot forces both 
nationally and internationally that I think 
he became aware of that were out to crush 
what he wanted to do, and I think he began to 
try to accelerate his activity<note type="handwritten">]</note> and to stay 
home, I mean to stay home, meaning stay in 
the States because he'd been travelling a 
great deal that year,<note type="handwritten">]6516</note> um, to try to 
<note type="handwritten">DA 6520</note> consolidate some things. I think he saw 
urgency and ah when he brought a meeting I 
I last remembered attending ah public that the 
big public meeting was when he brought Leon 
Amir, and introduced him as someone who's 
going to help to put the structure and put 
that get things rolling in terms of the OAAU, 
he was I believe Mohammed Ali's formerly 
<note type="handwritten">DA 6554</note> Mohammed Ali's press secretary, um, I really 
thought something was really going you know 
get nailed down, things were really going to 
get nailed down there.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  How did their problem keeping the OAAU 
going with Malcolm away so much?</p>
</sp>
</div2>

<div2 type="page">
<pb n="31" facs="feelings-muriel_0030.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 31
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<note type="handwritten">DA 6572</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>There'd been some struggles yes, but 
I think um, yes <note type="handwritten">6578[</note> um while <note type="handwritten">[</note>keeping things 
together while Malcolm was travelling a lot 
was a challenge for many of those who were, 
who had um some of the administrative av ab 
you know responsibilities,<note type="handwritten">]</note> um, my role was 
not I did not see myself as a key player, <note type="handwritten">[</note>I 
was largely involved with kind of giving 
helping the helping to um the community to 
have some kind of perspective on African 
Nationhood and what was going on and ah,<note type="handwritten">]]6620</note>
those meetings we used to have at Garvey Hall 
<note type="handwritten">DA 6625</note> where we showed some of the films we got from 
the Ghana and the different um ah high 
commissions, I mean not the high commissions 
the um, the ah huh, the consulates there um 
at were an opportunity for people to bring 
news about what Malcolm was doing there what 
we what was going on in Africa, <note type="handwritten">[6655</note> and a so that
they would know that he wasn't just over 
there forgetting about us when he was working<note type="handwritten">]</note>
<note type="handwritten">DA 6662</note> to um he was as an advocate and um as a 
lobbyist for the African American struggle 
uh, and the support of African countries.<note type="handwritten">]6676</note> 
And there was also an opportunity for help 
people to gain a bet better consciousness </p>
</sp>
</div2>

<div2 type="page">
<pb n="32" facs="feelings-muriel_0031.tif"/>
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<note type="handwritten">DA 6682</note>
<sp>
<speaker n="interviewee"/> 
<p>about Africa and about new nationhood and 
some of the struggles that were common uh to 
our own and ah those unique and um to help to 
get them gain gain a greater broadening of 
their world view, which was one of our 
purposes in in doing this, so these things 
helped. Umhum Umhum.</p>
</sp> 

<sp>
<speaker n="cameracrew"/> 
<p>WE HAVE ABOUT THREE MINUTES LEFT.</p>
</sp>
 
<incident><desc>BEEP.</desc></incident>

<note type="handwritten">TK6 CR185 SR91</note>
<sp>
<speaker n="cameracrew"/> 
<p>SPEEDING. MARK. SIX.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  What qualities about Malcolm do you most 
remember and most affected you?</p>
</sp>

<note type="handwritten">DA 6727</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p><note type="handwritten">6727[[</note> The qualities that most affected me
about Malcolm were um one his teaching 
ability um at thesis would know when I first 
heard him I said "That's it!" When I first 
heard him as a student, and then his ability 
to be able to um it's it's excellent 
qualities of a teacher ah that you repetition 
<note type="handwritten">DA 6759</note> with variation. He could have showed this 
could bring about the same principle but</p>
</sp>
</div2>

<div2 type="page">
<pb n="33" facs="feelings-muriel_0032.tif"/>
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<sp>
<speaker n="interviewee"/> 
<p>saying it in different ways, um, his emphasis 
on teaching people and teaching them to be
<note type="handwritten">DA 6777</note> about teaching them not only but giving them 
knowledge but also attitudes and values.<note type="handwritten">]]6784</note>
About being broad minded that he really 
wanted to bring people to a higher level of 
awareness of themselves, as not a minority in 
this country but a part of a world population 
of people of color and um his integrity, I 
think um you know there was so many times 
when we heard disappointing stories about 
<note type="handwritten">DA 6815</note> people we kind of saw as our heroes and 
loved, um, who you know had little 
transgressions I always thought moral, <note type="handwritten">[[6828</note>his 
moral principles were very much very 
admirable to me, uhm you never heard anything 
Malcolm being anything but someone who loved 
his wife and his children and I don't think 
anyone ever could put a story out about him 
having extra marital affairs. That was very 
<note type="handwritten">DA 6850</note> important to me because it meant a 
consistency in a persons principles and that 
meant privately and publicly that meant he 
was you know holistically principled, <note type="handwritten">]</note>and um 
that this man was a seemed to thrive on a
knowledge. <note type="handwritten">[</note>He listened to people and ah</p>
</sp>
</div2>

<div2 type="page">
<pb n="34" facs="feelings-muriel_0033.tif"/>
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<sp>
<speaker n="interviewee"/> 
<p><note type="handwritten">DA 6880</note> could a eat the fish and leave the bones, he 
didn't indiscriminately just take peoples 
ideas but he and he didn't let other people 
determine who were his friends and who his 
enemies, he said he used to say I remember 
"The enemy of my enemy is my friend."<note type="handwritten">]]6901</note> It
could be and in in a case where it was useful 
that particular aspect of that persons or 
that that source's philosophy was useful, he 
would use it and um, um, and he um talked 
about bringing I guess his positivities when 
not anti white were pro black he used to say, 
<note type="handwritten">DA 6931</note> and that was important to be proactive um and 
a the fact that um he could respect ah people 
across gender lines was something I felt was 
the making of a great ah great leader, 
because we have to pool all our resources and 
its ah it should be no divisions on any 
lines, and the fact that he was seeking to 
bring about a movement that was going to 
embrace the concerns of people across um ah 
<note type="handwritten">DA 6975</note> various social economic and religious lines, 
I thought were very important strengths and 
um, so these were some of the things that I I 
remember and I that he his ideas that he 
promoted of self determination, of finding</p> 
</sp>
</div2>

<div2 type="page">
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<note type="handwritten">DA 7001</note>
<sp>
<speaker n="interviewee"/> 
<p>Out knowing who we are, knowing about our 
history, um were things that have been a part 
of of this the founding of institutions 
today, were based on those principles <note type="handwritten">out</note> of self 
determination.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. We're gonna go back and we're just 
gonna.</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>WE'RE OUT. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Yeah.</p>
</sp>
 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Mm hm. Mm hm.</p>
</sp>
 
<incident><desc>BEEP.</desc></incident> 
<incident><desc>MISC.</desc></incident> 
<sp>
<speaker n="cameracrew"/> 
<p>END OF SIDE TWO.</p>
</sp>
<note type="handwritten">L# 7020</note> 
</div2>

<div2 type="page">
<pb n="36" facs="feelings-muriel_0035.tif"/>
<note type="handwritten">DATE: 07/01/92</note>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 36
FEELS-6.DOC 
CR 183 SR 90, CR 184 SR_91, CR 185 SR 91 CR 186 SR 92, CR 187 SR 92</head> 
<note type="handwritten">BOX #88 CODE: DA 7500-9059</note>

<incident><desc>[MISC. MULTIPLE VOICES]</desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>THIS’LL BE SOUND ROLL NINETY-TWO ON CAMERA
ROLL ONE-EIGHTY-SIX, CONTINUATION OF 
INTERVIEW WITH MISS FEELINGS. THIS IS 
BLACKSIDE’S PRODUCTION, MALCOLM X, SHOW 
NUMBER EIGHT HUNDRED. </p>
</sp>

<incident><desc>[MISC] </desc></incident>
<note type="handwritten">TK 7 CR 186 SR 92</note>
<incident><desc>SEVEN.</desc></incident>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  If you can go back to the um rally, the 
assassination, um, if you can talk about 
going there that day, and also include 
Benjamin's [MURIEL INTERRUPTS]—-</p>
</sp>

<note type="handwritten">DA 7549</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Mmm—hmm. Mmm-hmm. Yeah, I remember 
that um that morning, um well, something 
strange, just something strange and different 
about everything. There were no other people 
on the platform with him, um except I 
remember Brother Benjamin (things get a 
litt1e fuzzy, you know, but...) <note type="handwritten">7576[[</note> I just</p> 
</sp>
</div2>

<div2 type="page">
<pb n="37" facs="feelings-muriel_0036.tif"/>
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<note type="handwritten">DA 7576</note>
<sp>
<speaker n="interviewee"/> 
<p>remember, um Benjamin's remarks when he 
introduced Malcolm. He even concluded with 
saying that this man would die for you.<note type="handwritten">]</note> And 
then I re-, I was sitting on the side, and 
there were chairs across the facing the stage 
on that side, and there were booths on the 
side of the Audubon, <note type="handwritten">/</note>I was sitting in the 
booth with some other people, and um I 
remember hearing up from toward the front 
some kind of altercation; some guy saying, 
"Man, get get your hand outta my pocket, man. 
Get outta my pocket." And um, then Malcolm 
<note type="handwritten">DA 7635</note> trying to, you know, quell this, and he said, 
"Uh, cool it, brothers. Brothers..." And 
then a hail of bullets. That's all I 
remember. Um, and I, ironically, his last 
words were, "Brother?”<note type="handwritten">]</note> And uh, these were, 
you know, later realized, uh, just attempt 
to, what I later learned was just an attempt 
to um distract the audience from where the, 
<note type="handwritten">DA 7672</note> from the rear, where the assassins were 
coming. Uh, um, I just remember shouts and 
screams, and people clamoring that someone 
had apprehended one of the assassins. And 
that some of the elders I remember from 
the Garvey movement, who had given us a hall,</p>
</sp>
</div2>

<div2 type="page">
<pb n="38" facs="feelings-muriel_0037.tif"/>
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<note type="handwritten">DA 7701</note>
<sp>
<speaker n="interviewee"/> 
<p>were just hysterical, saying..[MURIEL STOPS 
TALKING SOUNDS To BE STRUGGLING AGAINST
TEARS.<note type="handwritten">]</note> Excuse me, (unintel). Excuse me.<note type="handwritten">]7740</note>
I'll have to get myself together. Um, I'll 
have to start all over again, I guess. </p>
</sp>
<note type="handwritten">CRYING</note>
<sp>
<speaker n="interviewer"/> 
<p>Q:  (unintel)</p>
</sp>
 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Um, am I on, are we still on the 
<note type="handwritten">DA 7783</note> camera now? OK. <note type="handwritten">[7782</note>Um, I just remember the, 
um, <note type="handwritten">[</note>the older people who had lent us the use 
of the hall for meetings, um, during the time 
Malcolm was in Africa, the film showings, and 
I remember some of them um, you know, saying, 
"They killed Malcolm! They killed Malcolm!" 
And some young men just kind of broken, um 
and uh, you know, um, I guess it was like a 
<note type="handwritten">DA 7818</note> state of shock for many of us.<note type="handwritten">]</note> Um, and later
um, you know, they, you know, just some of us 
had gone up to the stage, and I remember 
Betty um getting Malcolm, attempting to give 
him uh mouth-to-mouth resuscitation, and um 
she just said, "Oh, Muriel, he's gone, and 
I'm pregnant." And um...[Muriel takes a 
skaky breath].<note type="handwritten">]</note> Excuse me, I wish you would,</p> 
</sp>
</div2>

<div2 type="page">
<pb n="39" facs="feelings-muriel_0038.tif"/>
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<sp>
<speaker n="interviewee"/> 
<p>would not tape this.<note type="handwritten">]7869</note> Excuse me. [audio cuts
out here]. </p>
</sp>

<note type="handwritten">7870</note>
<note type="handwritten">Pull for Jean</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>--do it any other way, though, you
Know what I’m talking about? Well.<note type="handwritten">7886</note></p>
</sp>

<note type="handwritten">TK8 CR186 SR92</note>

<incident><desc>EIGHT.</desc></incident>

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Mmm. Where do I have to leave off? 
I'm not repeating all that again.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  --with uh Betty coming onstage.</p>
</sp>
 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Yes. Um, <note type="handwritten">7903[</note>and um <note type="handwritten">[</note>several of us ran
<note type="handwritten">DA 7905</note> up to the stage, and I rememher Betty 
attempting to give him, you know, she was a 
nurse, trained nurse, and she was attempting 
to give him artificial respiration, and uh I 
could see she was just pumping his arms, and 
I could see it was futile, and then she just 
said, "oh, no, he's gone, and I'm pregnant." 
<note type="handwritten">DA 7936</note> You know, and I just, oh, I never felt so 
bad. And I saw, I remember Attila's face, 
red, blood red, crying and screaming down 
there in the seats where she's sitting.<note type="handwritten">]</note> Um, 
and <note type="handwritten">[</note>I just remember, too, how long it took </p>
</sp>
</div2>

<div2 type="page">
<pb n="40" facs="feelings-muriel_0039.tif"/>
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<note type="handwritten">DA 7961</note>
<sp>
<speaker n="interviewee"/> 
<p>the police um the ambulance to get there, um 
and the hospital was just across the street 
from the Audubon.<note type="handwritten">]7978</note> So I heard other stories, 
I guess, about people who saw one of the 
assassins jump into a police car, um and 
those kind of things which, uh, I was told. 
And <note type="handwritten">/</note>I remember, <note type="handwritten">[[8002</note>I went I went went went with 
Betty across the street to the hospital, and 
uh they got there before I did, before I did 
came up on the elevator behind them later on. 
And I just remember um, that when I got 
<note type="handwritten">DA 8023</note> there, they just had pronounced him dead,<note type="handwritten">]</note> you
know? And uh… <note type="handwritten">]8029</note> so, I guess, you know, I 
really just, I just saw Betty's position 
being such a, you know, really, it was just 
a, it was just nightmare. It was like it 
didn't really happen. When I left the ho- 
hospital, um, I remember <note type="handwritten">seeing</note> Ola Tunjee, and he 
I was saying that he had, that's on his way 
<note type="handwritten">DA 8065</note> there because he had had a bad dream and was 
going to tell Malcolm not to speak. I just 
remember him saying that afterwards, and 
um…</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  What do you [Muriel interrupts here]? </p>
</sp>
</div2>

<div2 type="page">
<pb n="41" facs="feelings-muriel_0040.tif"/>
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<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>He was popular.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: What do you think at the moment when you 
see this person who has been so alive and 
energetic—-</p>
</sp>

<note type="handwritten">DA 8093</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Mmm-hmm.Mmm-hmm. Dead? You mean. 
I mean, it just, it just it was just too 
much of. <note type="handwritten">8100[[</note> The trauma, that having never seen 
anyone shot in my life, at that time, and
then to see someone of that magnitude shot,
and publicly, um it really was uh, you felf
almost numb, because it didn’t seem real.
and I remember seeing all those bullet holes,
you know, all over, you know his clothing
<note type="handwritten">DA 8130</note> and everything. Um, it was just so unreal.
It just seemed very unreal. And I just kind
of felt as though the, because the 
organization had just got off the ground,
that it wasn’t gonna go, wasn’t going to
survive uh without him, because people had
been so much focused upon him, he hadn’t had
<note type="handwritten">DA 8165</note> a opportunity to groom the person who was
going to be um his assistant.<note type="handwritten">]]8175</note> And then some
weeks later, I hear about Almira’s death,
which was strange, and uh which was the</p>
</sp>
</div2>

<div2 type="page">
<pb n="42" facs="feelings-muriel_0041.tif"/>
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<note type="handwritten">DA 8186</note>
<sp>
<speaker n="interviewee"/> 
<p>person who I we expected was going to help 
him implement some of the plans and um move 
the organization, get the organization 
moving.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Do you go to the funeral?</p>
</sp>
 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>No, I didn't.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Why didn't you go to the funeral?</p>
</sp>
 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>I didn't go to the funeral. Um, I 
<note type="handwritten">DA 8209</note> just, I just could not, yeah, I just could 
not, I just could not deal with that trauma. 
Um, I guess I've never been one to like going 
to funerals if I didn't have to um, <note type="handwritten">8231[</note> so...but 
<note type="handwritten">[</note>I do remember the viewing, that they was body 
was on lying in state, you might say, in 
Harlem, and some of the children from the 
school where I was teaching saying, "Oh, Miss 
<note type="handwritten">DA 8251</note> Gray, I went around and I saw Malcolm X." 
Thousands and thousands of people came and 
saw him, um uh the viewing, viewed his body
um, during that week before his formal Muslim 
burial.<note type="handwritten">]</note> He was lying as it if, you know, 
home in Harlem.<note type="handwritten">]8281</note> Um, so it was really, it was </p>
</sp>
</div2>

<div2 type="page">
<pb n="43" facs="feelings-muriel_0042.tif"/>
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<note type="handwritten">DA 8285</note>
<sp>
<speaker n="interviewee"/> 
<p>kind of, I guess, is one of the most 
tramatic things, u and um, I guess Betty, I 
guess, <note type="handwritten">8298[</note> there were, <note type="handwritten">[</note>I guess, Peter and I, were 
um closer to Betty at that time than we'd 
ever been. And um, the you know, I felt so 
much for her. Um, four girls and two more on 
the way.<note type="handwritten">]8327</note> And uh, so I guess at that point in 
time, I was really clear that I was going to 
Africa. I'd been thinking about it and 
making some provisional plans, and did, at 
<note type="handwritten">DA 8346</note> the end of that year, go to East Africa. Uh, 
and a lot of the the ideas that I had uh 
developed about what I wanted, to do in my 
life came from influences <subst><del>they</del><add><note type="handwritten">that he</note></add></subst>they gave us, that 
our struggle was bigger than United States, 
and that we needed to do things on on on 
different, on all those environments that 
were part of our our people. So uh...Mmm- 
hmm? </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  (unintel) about the personal qualities—-</p>
</sp>

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Mmm-hmm.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  --that you would like to remember him 
for, what would [Muriel interrupts]—— </p>
</sp>
</div2>

<div2 type="page">
<pb n="44" facs="feelings-muriel_0043.tif"/>
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<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Yes.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  You mentioned the ego (unintel).</p>
</sp>

<note type="handwritten">DA 8397</note> 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Yeah. Oh, I think that if I were to 
remember, want people to remember the 
qualities that he possessed that were 
important, I think it would be his uh, <note type="handwritten">[8414</note>his 
approachability, which was something that um 
surprised a lot of people. <note type="handwritten">[</note>I remember at 
some of the rallies, even a white student . 
came up to him and said, came to stage, some 
people come to the foot of the stage and he 
would answer people's personal questions 
<note type="handwritten">DA 8435</note> right from the stage, and and she said, well, 
"What can I do. Uh, would like to be a part 
of something, just to to be a part of 
something to help, do something to help the 
black struggle," and how she said, he said, 
"Young lady, that that's wonderful," he says, 
"The most important thing you could do is to 
go back into your own community and work to 
<note type="handwritten">DA 8464</note> change your own people.“ And I saw this look
of chagrin come over her face, because she 
knew that was a formidable task.<note type="handwritten">]8474</note> And I </p>
</sp>
</div2>

<div2 type="page">
<pb n="45" facs="feelings-muriel_0044.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 45
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<note type="handwritten">DA 8475</note> 
<sp>
<speaker n="interviewee"/> 
<p>remember another occasion where Malcolm had 
some of us who were um uh members of the OAAU 
come with him to a reception at the UN, uh 
the Tanzania Embassy's ce1e- independence 
celebration. And uh, I don't know, Peter and 
I were, were just watching this very middle- 
class black woman who was, you know, never 
expected to see Malcolm X in the context of a 
United Nations reception. And we said, 
(unintel) just watch, watch, and she inched
<note type="handwritten">DA 8519</note> and inched and inched, and then she came over
to almost to where he was, and he turned <note type="handwritten">out</note> 
around and smiled. And I just watched her 
whole demeanor change. Uh, you know, like I 
I remember occasions where he said, "See, I 
have no horns," you know. And people would 
just nod. I think his qua1— warmth, warmth, 
yes. Mmm-hmm.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  --run out.</p>
</sp>
 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>OK. Yeah, OK.</p>
</sp>
 
<incident><desc>BEEP</desc></incident> 

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>OK, yeah. </p>
</sp>
</div2>

<div2 type="page">
<pb n="46" facs="feelings-muriel_0045.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 46
FEELS-6.DOC 
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<sp>
<speaker n="cameracrew"/> 
<p>THIS IS UH, CAMERA ROLL ONE-EIGHTY-SEVEN ON 
SOUND ROLL NINETY-TWO, CONTINUATION OF 
INTERVIEW WITH MURIEL FEELINGS. </p>
</sp>

<incident><desc>(UNINTEL).</desc></incident>
 
<incident><desc>MARK.</desc></incident>
<note type="handwritten">TK9 CR187 SR 92</note>
<incident><desc>NINE.</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q: Uh, (unintel).</p>
</sp>

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>OK.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  How uh--</p>
</sp>
 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Mmm-hmm. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Tell me how you see him.</p>
</sp>
 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Starting again, from the beginning 
again?</p>
</sp>

 <sp>
<speaker n="interviewer"/> 
<p>Q:  Just uh, just that one question.</p> 
 </sp>
</div2>

<div2 type="page">
<pb n="47" facs="feelings-muriel_0046.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 47
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<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>In that particular-- </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  No, actually, just tell me how you, if 
you had this image right now of Malcolm, 
describe him. Personally... </p>
</sp>

<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>Mmm-hmm, mmm-hmm, mmm—hmm. Tall, 
bearded, um... </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  So you can start with that one. </p>
</sp>

<note type="handwritten">DA 8628</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>OK. Uh, if I were to picture 
Malcolm now, I'd picture somebody who's tall, 
bearded, um serious, um who um, serious, you 
know, um those are some of the things I think 
about, I remember him. And uh, wizened by uh 
exposure to uh travel and reflection on um 
where he had come from and where he had 
<note type="handwritten">DA 8678</note> grown, from all the experiences over, 
particularly, those last two years. Um, and 
I also remember um places whgre he surprised 
people by his appearance. <note type="handwritten">8701[[</note> At the United 
Nations, I remember a reception where he 
asked a number of us to come to a Tanzania 
Independence Celebration, and there were a 
couple of very middle-class kind of ladies,</p> 
</sp>
</div2>

<div2 type="page">
<pb n="48" facs="feelings-muriel_0047.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 48
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<note type="handwritten">DA 8722</note>
<sp>
<speaker n="interviewee"/> 
<p>um African-American, who were surprised at 
him, to see him there, and another one of the 
members and I were watching as they inched 
their way over, you know, reluctantly, toward 
him. And when he turned around and smiled, 
then they just melted, and their whole 
attitude was just so different than...There 
were other occasions where um, you know, 
people um tried to, or kind of gingerly 
<note type="handwritten">DA 8759</note> approached him, and he just said, "See, I 
don't have any horns," you know. So he 
disarmed people, and I remember this, that he 
disarmed people, and you saw that he's jus-, 
he was just a human being,<note type="handwritten">]</note> you know? A lot 
of warmth,<note type="handwritten">]8774</note> and uh no-nonsense when it came to 
doing serious business. Very no-nonsense. 
And uh, but he was very human. And um, did I 
mention to you about the student, this white 
student with the, one of the rallies?</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Yeah. You mentioned...Let me just ask 
you, ‘cause you talked about how his lack of 
ego. </p>
</sp>

<note type="handwritten">DA 8803</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker>
<p>Yeah Um you know, um, I guess one 
of the things, other things, I remember about </p>
</sp>
</div2>

<div2 type="page">
<pb n="49" facs="feelings-muriel_0048.tif"/>
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<sp>
<speaker n="interviewee"/>
<p>him, too, is that uh he would accept ideas 
<note type="handwritten">DA 8816</note> from people, wherever they came from. He 
didn't seem to have a ego about uh being the 
originator or something. He would absorb 
those things. It was kind of a pragmatism, 
that uh real concern for uh the usefulness of 
the individual, rather than the agenda, or 
their their uh what their backgrounds were. 
Uh, you know, there was a time in the Sixties 
when even people had a middle-class 
<note type="handwritten">DA 8856</note> background were being put down for it, when 
he saw anybody could be, that whatever 
qualities and knowledge they have is the uh 
essence of who, what they were, rather than 
um other things, external things. Um, so 
these are the kind of things. Really to 
embrace uh uh people of various backgrounds, 
<note type="handwritten">DA 8888</note> and bring them together and utilize them. He 
was a good organizer, I guess, and um he was 
able to...There was a potential there for a 
lot of things that I think we could, we 
would've been miles ahead of where we are 
today. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  What is Malcolm's legacy? </p>
</sp>
</div2>

<div2 type="page">
<pb n="50" facs="feelings-muriel_0049.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- MURIEL FEELINGS 50
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<note type="handwritten">DA 8912</note>
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>I think Malcolm's legacy today, uh 
we see it in the evolution of uh a lot of 
literature, 'cause he taught us to look to 
our past, and uh people that don't know who 
they were can't know where they're going, to 
look into our history. <note type="handwritten">/</note>He um taught us to 
look to those who came before us. He he said 
he learned from Garvey and DuBois and uh 
Martin Delaney and all those others, and uh 
he taught us to look to the examples of those 
who'd given us the legacy. Um, and he also, 
I think, is responsible uh for, I think he is 
<note type="handwritten">DA 8967</note> probably the one person in the latter half of 
this twentieth century who had more impact on 
the development of institutions, I think, 
about uh even uh the bookstores, and the the 
independent school movement, and the among 
the African—American community, and the the 
travel to Africa, those people going and and 
working, African-Americans that that, a lot 
of the efforts and the internationalization 
of our struggle had their roots in that. 
<note type="handwritten">DA 9008</note> Even the concern with the Caribbean, as our 
awareness of the Caribbean and Africa has 
come from his influence. And those who 
influenced him. He always gave credit to </p>
</sp>
</div2>

<div2 type="page">
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<note type="handwritten">DA 9024</note>
<sp>
<speaker n="interviewee"/> 
<p>those who he learned from. And uh the 
independent uh economic development efforts 
that have also uh evolved. I think the whole 
thing's that, everything's developed out of a 
sense of self-determination.</p>
</sp>
 
<incident><desc>MISC.</desc></incident>
 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>OK, OK, OK.</p>
</sp>

<incident><desc>BEEP</desc></incident>

<incident><desc>BEEP</desc></incident> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  (unintel)...</p>
</sp>
 
<sp>
<speaker n="interviewee">MURIEL:</speaker> 
<p>OK. OK.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  He has to get the tone of the room.</p>
</sp>
 
<vocal><desc>[laughter]</desc></vocal> 

<sp>
<speaker n="cameracrew"/> 
<p>UH, THIS’ LL BE ROOM TONE FOR-- </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>ROOM TONE! STAY OUT. </p>
</sp>
</div2>
</div1>
</body>
</text>
</TEI>