<?xml version="1.0" encoding="UTF-8"?>
<TEI xml:id="sha.0000.0028" xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title>Interview with <hi rend="bold">Attallah Shabazz</hi>
</title>
<title type="gmd">[electronic resource]</title>
<respStmt>
<resp>
Creation of machine-readable version (transcriptions of formal taped interviews): 
<date/>
</resp>
<name>The Film and Media Archive at Washington University Libraries</name>
</respStmt>
<respStmt>
<resp>
Conversion to TEI-conformant markup: 
<date>2018</date>
</resp>
<name>Digital Library Services at Washington University Libraries</name>
</respStmt>
</titleStmt>
<extent/>
<publicationStmt>

<publisher>Washington University in St. Louis</publisher>
<distributor>Washington University Libraries</distributor>
<authority>Special Collections and Archives, Film and Media Archive</authority>
<pubPlace>St. Louis, Missouri</pubPlace>
<address>
<addrLine>One Brookings Drive</addrLine>
<addrLine>Campus Box 1061</addrLine>
<addrLine>St. Louis MO 63130</addrLine>
</address>
    <idno type="DLS">sha.0000.0028</idno>
<idno type="MAVIS Interview Record"/>
<availability>
<p>
<ref target="http://rightsstatements.org/page/InC/1.0/">http://rightsstatements.org/page/InC/1.0/</ref>
</p>
</availability>
<availability>
<p>Material is free to use for research purposes only. If researcher intends to use transcripts for publication, please contact Washington University’s Film and Media Archive for permission to republish. Please use preferred citation given in the transcript.</p>
<p>© Copyright Washington University Libraries 2018</p>
</availability>
<date when="2018">2018</date>
</publicationStmt>
<sourceDesc>
<recordingStmt>
<recording type="video" dur="TIME_process">
<respStmt>
<resp>Recording by</resp>
<name>Blackside, Inc.</name>
</respStmt>
<respStmt>
<resp>Production Team</resp>
<name/>
</respStmt>
<equipment>
<p/>
</equipment>
<date/>
<broadcast>
<bibl>
<title>
Interview with 
<hi rend="bold">Attallah Shabazz</hi>
</title>
<editor/>
<respStmt>
<resp>Interviewer:</resp>
<persName n="" key="n"/>
</respStmt>
<respStmt>
<resp>Interviewee</resp>
<persName n="" key="">Attallah Shabazz</persName>
</respStmt>
<series>Interview gathered as part of Malcolm X.</series>
<note>This interview recorded as formal filmed interview.</note>
</bibl>
</broadcast>
</recording>
</recordingStmt>
</sourceDesc>
</fileDesc>
<encodingDesc>
<projectDesc>
<p/>
</projectDesc>
<editorialDecl n="3">
<p>Preservation and Digitization supervised XML encoding using oXygen XML Editor. Grammatical errors made by speaker were left alone.</p>
<p>Although these files represent transcriptions of speech, they have been encoded with the Tag Set for Drama, instead of Transcriptions of Speech.</p>
<p>The rationale for this decision was that the more formal character of the interview had a structure closer to the drama than the speech tag set, and for ease of delivery of XML.</p>
</editorialDecl>
<classDecl>
<taxonomy xml:id="lcsh">
<bibl>
<title>Library of Congress Subject Headings,</title>
<edition>21st edition, 1998</edition>
</bibl>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<creation>
<date/>
</creation>
<langUsage>
<language ident="eng">English</language>
</langUsage>
<textDesc n="formal interview">
<channel mode="s"/>
<constitution type="single"/>
<derivation type="traditional"/>
<domain type="public"/>
<factuality type="mixed"/>
<interaction type="complete" active="plural" passive="world"/>
<preparedness type="none"/>
<purpose type="inform"/>
</textDesc>
<particDesc>
<listPerson>
<person sex="2" xml:id="p" n="Attallah Shabazz"/>
</listPerson>
</particDesc>
<textClass>
<keywords scheme="fma">
<term/>
</keywords>
<keywords scheme="lcsh">
<term/>
</keywords>
</textClass>
</profileDesc>
<revisionDesc>
<change when="2018-06-25" who="SSD">created TEI transcript</change>
</revisionDesc>
</teiHeader>
<text xml:id="sha.0000.0028T">
<front>
<titlePage>
<docTitle>
<titlePart type="main">
Interview with <hi rend="bold"><name>Attallah Shabazz</name></hi>
</titlePart>
</docTitle>
<byline>
Interviewer: 
</byline>
<docImprint>
<docDate>
Interview Date: <date when="1992-09-21">September 21, 1992</date>
</docDate>
<pubPlace/>
<rs type="media">Camera Rolls: </rs>
<rs type="media">Sound Rolls: </rs>
</docImprint>
<imprimatur>
Interview gathered as part of <hi rend="italics-bold">Malcolm X</hi>. 
<lb/>Produced by Blackside, Inc. 
<lb/>Housed at the Washington University Film and Media Archive, Henry Hampton Collection. 
</imprimatur>
</titlePage>
<div1 type="editorial">
<head>Editorial Notes:</head>
<p>
<hi rend="bold">Preferred citation:</hi>
<lb/>Interview with <hi rend="bold"><name>Attallah Shabazz</name></hi>, conducted by Blackside, Inc. on <date when="1992-09-21">September 21, 1992</date>, for <hi rend="italics">Malxolm X</hi>. Washington University Libraries, Film and Media Archive, Henry Hampton Collection. </p>
</div1>
</front>
<body>
<div1 type="interview">
<div2 type="page">
<pb n="1" facs="shabazz-attallah_0001.tif"/>
<head>MALCOLM X 1
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<incident><desc>BEGINNING OF TAPE SIDE A.</desc></incident>

<incident><desc>BEEP.</desc></incident>
<note type="handwritten">TK5 CR:203 SR:99</note>
<sp>
<speaker n="cameracrew"/> 
<p>AND MARKER. FIVE.</p>
</sp>

<note type="handwritten">DC 8510</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: OK. Uh, let's start with uh, let's
start with your, your early memory, and
paint a portrait of him for us if uh, for
people who are uhm, who don't know him,
wouldn't know him as you knew him. So
tell, paint of a portrait of Mohammed and
what he was like as, when you were a
child.</p>
</sp>

<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> (TAPE IS UNINTEL.--
FUZZY TO CLICK 340.)</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>SPEED. FIVE.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Talk to me basically about uh how you,
ah, respond to this, to that incident, to
the, what he's saying to you.</p>
</sp>
</div2>

<div2 type="page">
<pb n="2" facs="shabazz-attallah_0002.tif"/>
<head>MALCOLM X 2
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DC 8529</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> I was a very quiet, ah,
young lady as a child and very observant.
Ah, there were a lot of things that were
progressively altering, yet it didn't
change the mood of my parents and the
safety that I felt. <note type="handwritten">[8565</note> My security had not
been altered. It's just the rhythms, the
pictures ha'-, were changing. I must say
in place of the initial presence of the
congregation that would come to our house
on a Sunday after a meeting which would,
<note type="handwritten">DC 8589</note> ah, segregate my household; children in -
in the back, and the brothers and my
father here whereas when the Africans and
Middle Easterners would come in, felt the
family union, the unit. So as one left,
the change always presented a growth. So
I never challenged or questioned it. I
preferred it. Ah, I was never favorable
of the other energy. I just went along
with it because it was my household. Ah,
<note type="handwritten">DC 8646</note> the smiles and the brotherhood, the uncle,
grandpa relationships established or
acquired between the foreign brothers that
would come and share our household. A</p>
</sp>
</div2>

<div2 type="page">
<pb n="3" facs="shabazz-attallah_0003.tif"/>
<head>MALCOLM X 3
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DC 8662</note>
<sp>
<speaker n="interviewee"/> 
<p>Sheik Hassoon which was my father's
spiritual adviser at the time, was
wonderful. I did not have a grandfather
in the house, and he certainly was like
one.<note type="handwritten">]]8679</note> Ahm, following the bombing we moved
in with uh family and friends, and shortly
thereafter my father was killed, ahm, at
which I was present; and the changes
continued for another three or four years
in terms of the stalking and the
challenges, moving out of New York City
<note type="handwritten">DC 8724</note> into Westchester County and coming across
other members of the organization. The
case not being settled, yet it left a
continued haunt so that as we were in
school and in this very small town in
Westchester, or passing a neighborhood
store, the presence would, ah, appear and
challenge and stalk us. So I knew where
to put those energies; and because I - my
<note type="handwritten">DC 8773</note> - the first part of my life with both of
my parents in my life, ah, gave me such
strength, I continued in spite of being
teased and stalked by adult members of
that organization.</p>
</sp>
</div2>

<div2 type="page">
<pb n="4" facs="shabazz-attallah_0004.tif"/>
<head>MALCOLM X 4
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<sp>
<speaker n="interviewer"/> 
<p>Q: Ahm, when your father would come back
from his trips to Africa? Do you have any
quick stories to tell; do you remember
those - that they must have been wonderful
moments for you. Talk, talk about them?
Or were they wond'-, wonderful moments?</p>
</sp>

<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p><note type="handwritten">[8826</note> Oh, <note type="handwritten">[</note>it was always a -
<note type="handwritten">DC 8828</note> it was always wonderful. When I look back
in reflection, what was most wonderful
about my father's returns from abroad is
he looked different. He looked freer,
brand new. Ahm, not just physical
changes, you know, like a beard and I
recall my sister who was a baby when he
first went away, trying to look past that
<note type="handwritten">DC 8865</note> beard and that mustache and see if it was
the same man. She knew. But the more he
travelled, the more that he acquired, the
freer he became, the freer we became;<note type="handwritten">]]8882</note> and
I think it was because that was what he
left us with as a family, the adjustments
to all of the adversity that followed his
assassination. It was all right for me as</p>
</sp>
</div2>

<div2 type="page">
<pb n="5" facs="shabazz-attallah_0005.tif"/>
<head>MALCOLM X 5
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DC 8901</note>
<sp>
<speaker n="interviewee"/> 
<p>a, ah, young person in school in the
sixties, in the seventies, in the
eighties, until last year. You know that,
my pride, was always there. My comfort
with myself being different, having a
father that people questioned, ah, even
people that looked like me questioned him.
Made it difficult in school, not for me,
but for them, working, you know, ahm,
<note type="handwritten">DC 8939</note> black people, white people, not knowing
what to do with me. Yet I was fine. And
it had a lot to do with the ease and the
development and that freedom that I
watched my parents possess.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Do you have uhm, were there wonderful
adventures that he would share with you
when he came back that you - that - that
stuck with you, that you, you remember,
ah, that you still carry with you that you
might?</p>
</sp>

<note type="handwritten">DC 8983</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> I don't - I don't
recall them as adventures as - as opposed
to moments because <note type="handwritten">8990[</note> my father was there</p>
</sp>
</div2>

<div2 type="page">
<pb n="6" facs="shabazz-attallah_0006.tif"/>
<head>MALCOLM X 6
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<sp>
<speaker n="interviewee"/> 
<p>like a - like a boy reborn; and the names
<note type="handwritten">DC 8997</note> of people, Gamal Abdul Nassar stayed with
me because of the impression he left with
my father. I had now have a sister who's
named after Gamal Abdul Nassar; <subst><del>(audio</del> <add><note type="handwritten">what</note></add></subst>
<del>cuts momentarily)</del> Patrice Lumumba went
through there; another sister named after
him, so those were the kinds of, ahm,
lessons I received.<note type="handwritten">] [</note>When my father was
abroad, we had a road map on the living
room wall, and anytime you got a little
<note type="handwritten">DC 9043</note> lonesome and wondered where daddy was,
we'd run over to that map -- and where is
he now? And he's in Cairo, which is the
capital of Egypt, and he's over here with
Necruma, and he's ov -- so there was a
different kind of passage that we
maintained when he was abroad and far
away, so that when he came back, we were
connecting the dots,<note type="handwritten">]]9074</note> you know. Ahm...</p>
</sp>

<incident><desc>END OF TAPE SIDE A.</desc></incident>
</div2>

<div2 type="page">
<pb n="7" facs="shabazz-attallah_0007.tif"/>
<head>MALCOLM X 7
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<incident><desc>BEGINNING OF SIDE B.</desc></incident>

<note type="handwritten">DC 9099</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> It wasn't something 
special, it was out of the ordinary. <note type="handwritten">[9104</note> Uh,
<note type="handwritten">[</note>when my mother received the call for -
from my father, for us to all get together
and come down to the Audubon. I knew that
was different. That was a rhythm change
by that time with all of the things that
were going on; and all the while it was
still an exciting adventure to get ready
<note type="handwritten">DC 9143</note> and go see daddy cause we were living in a
house with another family.<note type="handwritten">]</note> My father had
spent the night at the - at his office in
the Hotel Theresa the night before; and,
ahm, <note type="handwritten">[</note>we got there, he was late and we sat
at a booth, ah stage right, down stage
right, and I did notice a tension and a -
and a difference, a hesitancy in the
presentation of it, the moderator who was
<note type="handwritten">DC 9194</note> Brother Benjamin who would go to the Green
Room offstage in preparation to check on
my father and would change the agenda,
give another announcement or something;</p>
</sp>
</div2>

<div2 type="page">
<pb n="8" facs="shabazz-attallah_0008.tif"/>
<head>MALCOLM X 8
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DC 9216</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p>and when he finally went back and got my
father, my father came out. Life changed
for the rest of us. <note type="handwritten">]]9239</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Let's stop for a second.</p>
</sp>
<note type="handwritten">BOX #97 DD0000-1944</note> 
<incident><desc>MISC.</desc></incident>
<note type="handwritten">TK6 CR204 SR:100</note>
<sp>
<speaker n="cameracrew"/> 
<p>MARK. SIX.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q: So, ahm, you, you got there earlier
and talk about, ah, the place, what - what
- what you remember seeing in place and
how you...</p>
</sp>

<note type="handwritten">DD 0040</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> Well the Audubon
Ballroom was a, ah, a room with oh some
two hundred to three hundred chairs sat
up, ah set up with uh Harlem's finest, uh
meaning it's people, and variety, and a
lot of warmth then, energy and excitement
about whatever our, ah, 'join the future'
uh was going to be. It was an atmosphere
of people who, ahm, had like interests.
It wasn't specifically any particular</p>
</sp>
</div2>

<div2 type="page">
<pb n="9" facs="shabazz-attallah_0009.tif"/>
<head>MALCOLM X 9
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DD 0090</note>
<sp>
<speaker n="interviewee"/> 
<p>religion or anything as organizations that
my father was involved in before had been.
So there was a warmth certainly there; and
<note type="handwritten">[[0108</note> it was odd that my f ather wasn't there.
My father was known to be a stickler on
time; and there was some question uhm from
his comrades what had happened;<note type="handwritten">]]0123</note> and I had
learned letter, about a decade ago, that,
ahm, my father had a sense that things
were drawing nigh, errr, and had parked
some distance from the Audubon, uhm,
preferring that if he was going to be
<note type="handwritten">DD 0160</note> gotten that it would not be around a crowd
of people for others to be hurt. <note type="handwritten">[[0170</note> So he
was forty-five minutes late; and I do
recall when he finally came in, the
excitement of seeing daddy because prior
to that it was the anticipation, "where is
he?" Ahm, so he took his place in the
Green Room, and as I had stated earlier,
the hesitation and the order of which
<note type="handwritten">DD 0201</note> Brother Benjamin was presenting the day's
agenda, ah, was apparent even to me.<note type="handwritten">]]0210</note> Uhm
I just think it was in the tension, in the
air, or the truth forthcoming in the air</p>
</sp>
</div2>

<div2 type="page">
<pb n="10" facs="shabazz-attallah_0010.tif"/>
<head>MALCOLM X 10
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DD 0226</note>
<sp>
<speaker n="interviewee"/> 
<p>that one's antenna picks up; and certainly
as a child, it was clear that life, again,
was taking another turn. <note type="handwritten">[[0244</note> I was facing the
assassins so I saw them stand up and take
my father's life; an image that, through
Junior High School, I wondered if I could
have prevented it. You know that kind of
feeling, not responsible but could I have
saved my father.<note type="handwritten">]]0278</note> It's amazing listening
to panels of survivors in various uh
topics and how many children ah, or
<note type="handwritten">DD 0295</note> survivors, adult survivors think that they
could have changed it if they had moved
left or right. <note type="handwritten">[[0308</note> And, as a young person,
seeing those men beforehand, seeing them
do it, it was as if everything was moving
in slow motion; and as slowly as it was
moving, you almost feel like if you could
have put a stop to it.<note type="handwritten">]</note> I know... I was,
I was not bothered by my thought. I knew
it wasn't uhm something I could have done,
<note type="handwritten">DD 0341</note> but watching that take place, <note type="handwritten">[</note>it moved in
slow motion, and, ah, watching my mother
ache, suffer, uh see the look on her face
knowing, ah, prevented me from my anxiety</p>
</sp>
</div2>

<div2 type="page">
<pb n="11" facs="shabazz-attallah_0011.tif"/>
<head>MALCOLM X 11
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DD 0373</note>
<sp>
<speaker n="interviewee"/> 
<p>because I was watching hers, so as a
child, it's amazing how protective you are
- are of your parents without them even
knowing it, you know; and it meant more to
me to comfort my mother, uhm to at least
hope that she was all right. So after he
was indeed shot, we were moved back behind
the stage, and my mother went onto the
<note type="handwritten">DD 0416</note> stage with her husband: and, a lot of
mayhem and confusion and, ah, things took
place, and I felt old from that point on.
Something else had changed.<note type="handwritten">]0441</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: At that uh, did it register fully for
you at that moment?</p>
</sp>

<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> Sure. <note type="handwritten">[[0448</note> However one can
<note type="handwritten">DD 0453</note> accept that a pulse you once touched is no
longer there to touch, it was clear that
in fact he had been uh killed, that he was
dead. The adjustments to what all that
meant was soon to come, but I at that
moment, I was sitting on a woman's lap who
was, you know, nurturing me, and suddenly
I just felt too old to sit on a lap. Too</p>
</sp>
</div2>

<div2 type="page">
<pb n="12" facs="shabazz-attallah_0012.tif"/>
<head>MALCOLM X 12
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DD 0495</note>
<sp>
<speaker n="interviewee"/> 
<p>old, something else had just come into me,
and, ah, kept me company. It kept me
afloat.<note type="handwritten">]]0524</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Uh, when you, af-af-af-after that you
go back to the home and, ah, ah, and
that's ah, I guess that - that's when
things really begin to start registering,
for everyone uh together, ahm, and you be
- you're going to have to confront, deal
with it on television; and again there's
your - there's your father on television.
Uhm do you remember that?</p>
</sp>

<note type="handwritten">DD 0560</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> I didn't see any, ahm,
recountings of the assassination on
television, but once we got back to the
house, my second family with whom we were
living after the bombing, they were
absolutely hysterical so that as we had
gotten over our hump of it while at the
<note type="handwritten">DD 0582</note> Audubon, we were now entering a household
and starting again. People who loved him
like a brother and father; and feeling
their pain again, I think from a child's</p>
</sp>
</div2>

<div2 type="page">
<pb n="13" facs="shabazz-attallah_0013.tif"/>
<head>MALCOLM X 13
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DD 0599</note>
<sp>
<speaker n="interviewee"/> 
<p>perspective, watching people they love,
adult people they love cry, something
holds you up. It did - it did for me, ah,
to watch people who were strong people,
vulnerable uh like that. Ahm, it was a
different kind of feeling. I didn't
collapse behind it. Ahm, we actually
managed to move on; and it's something
when I look back, I think I was nineteen
before I realized I was one of those
<note type="handwritten">DD 0646</note> statistics that grew up in a single-parent
household; and that amazed me because
though I knew in fact that my father was
gone, my mother did a heck of a job making
us feel like he was ever present because I
did not know I would be considered amongst
those statistics of a broken home or
single-parent household; and the household
got its laughter back; cause my - my
<note type="handwritten">DD 0687</note> parents are very funny people; and my
mother would continuously tell daddy
stories that would have us laugh and, and
keep his chuckle in the house, and I
recall when the twins, who were not born
when my father died, saying things like,</p>
</sp>
</div2>

<div2 type="page">
<pb n="14" facs="shabazz-attallah_0014.tif"/>
<head>MALCOLM X 14
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DD 0709</note>
<sp>
<speaker n="interviewee"/> 
<p>"You remember the time when daddy, ha, ha,
ha..." And you'd wonder how they would
come to that -- they weren't there, but
this is how the stories had been told; and
this is what kept us uhm bonded and, and
strong in spite of what was going on and
the impressions of my father outside of
the threshold of our Shabazz Ponderosa.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Were you as - as - as a child were you
s'-, s'-, how did you - how'd you feel
about the way Harlem responded, you know,
ah - ah after your father's death, ah, the
funeral, the uhm, the people coming to
view, ahm, the community, itself, just a
general tone.</p>
</sp>

<note type="handwritten">DD 0771</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> There was such an
overwhelming warmth expressed. All kinds
of people, uhm heads of state from foreign
countries, and the bag lady; and because
my whole life had been, ah, surrounded
with humility and, and pride and shared
pride and camaraderie, it was just putting
me out there with a bigger world family.</p>
</sp>
</div2>

<div2 type="page">
<pb n="15" facs="shabazz-attallah_0015.tif"/>
<head>MALCOLM X 15
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DD 0822</note>
<sp>
<speaker n="interviewee"/> 
<p>Uhm, we became pretty much, ah, private
after that, as we were when my father was
alive and we moved up to Westchester
County, a house that he and my mother had
bought in lieu of the house that was being
taken; and, ah, attempted to blend in and
join the world there; and there were some
adversities. They did not want us to move
in. A petition was signed for us not to
<note type="handwritten">DD 0859</note> move in. Ahm, whether that storm and my
mother became an admired uhm community
leader, a spokesperson, just simply as a
mother, uhm as an educator, and all of
those things, uhm those animosities had
actually left after about three years,
when they realized who she was and learned
more about Malcolm Shabazz.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Did you, ahm, as your grew older, did
- were there times when you decided that-
that you wanted to know your, your father
better? There, there were things that you
needed to reconcile and know about him;
and, and what would - what were those - if</p>
</sp>
</div2>

<div2 type="page">
<pb n="16" facs="shabazz-attallah_0016.tif"/>
<head>MALCOLM X 16
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<sp>
<speaker n="interviewer"/> 
<p>there, it was, what were those things and
how'd you go about it?</p>
</sp>

<note type="handwritten">DD 0939</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p><note type="handwritten">[[0940</note> I think reading the
<note type="handwritten">dirty negative</note> autobiography which when it first came out
was in hard cover and had pictures that my
mother really did not want us to see, so
we were like archaeologists trying to find
<note type="handwritten">xm69</note> the autobiography in the house; and I
<note type="handwritten">0398</note> loved reading it, and I could handle the
<note type="handwritten">6691</note>
<note type="handwritten">+1</note>pictures. It was my reality; as tragic as
<note type="handwritten">DD 0981</note> some of those pictures were, it was my
reality, so you couldn't sweep my reality
under the carpet under the guise of
protecting me because it's here; <note type="handwritten">out</note> and upon
reading the autobiography and...<note type="handwritten">]]1007</note></p>
</sp>

<incident><desc>MISC.</desc></incident>
<note type="handwritten">TK 7 CR 205 SR:100</note>
<incident><desc>SEVEN.</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q: OK. Let's pick up where you were
talking about the, ah, reading of the
biography, and uhm your own effort to</p>
</sp>
</div2>

<div2 type="page">
<pb n="17" facs="shabazz-attallah_0017.tif"/>
<head>MALCOLM X 17
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<sp>
<speaker n="interviewer"/> 
<p>learn about uh Malcolm, that half of the
process.</p>
</sp>

<note type="handwritten">DD 1058</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p><note type="handwritten">[[1058</note> I don't know if I
picked up the autobiography with a
conscious intention to learn about my
father, other than just curiosity because
it was - there was so much that was being
quiet because of the court case, because
of the political current, uhm wanting
people around you to be safe; and as my
parents' daughter, which I am, I don't 
<note type="handwritten">DD 1103</note> mind uncovering and facing things; and I
picked up the autobiography with the
photos intact and lived with them and
started to read; and the names of the
characters in the beginning, early part of
the book were not fictional characters.
Some names that I knew. My grandmother
who I wanted to be around in spite of how
<note type="handwritten">DD 1153</note> the image of her had been portrayed, and
it was because I wanted to get to know my
grandmother that I started to write
letters and find them. I wanted to know
who brought her - who brought him in the</p>
</sp>
</div2>

<div2 type="page">
<pb n="18" facs="shabazz-attallah_0018.tif"/>
<head>MALCOLM X 18
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">pulled page</note>

<note type="handwritten">DD 1174</note>
<sp>
<speaker n="interviewee"/> 
<p>world; and upon learning my grandmother, I
learned more of myself, my father, his
origins, the pains indeed of his, he and
his siblings; ah, information not
discussed much, ahm, hence I spilled over
to my generation of siblings and cousins
and our children, uhm things that we need
to heal. And my grandmother, I fell in
love with. Uh the more time I spent
around her, I met myself; and prior to her
dying uh two Christmas' ago, we spent time
<note type="handwritten">DD 1254</note> together, and I knew when she left here
that my quest had indeed been met; that
not only did I get to know my grandmother,
but she knew me. When she picked up the
phone, and heard my voice, she knew it was
me. She knew enough about me to inquire
what city am I in now as I called, 'am I
home in New York or Los Angeles?' And we
talked about Grenade a bit, and her
favorite things, the smells, the scent,
<note type="handwritten">DD 1307</note> the flowers, her desires as a young woman;
things that made her giggle; and when I
returned home after seeing her the last
time alive - I have a wall-size portrait</p>
</sp>
</div2>

<div2 type="page">
<pb n="19" facs="shabazz-attallah_0019.tif"/>
<head>MALCOLM X 19
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DD 1331</note>
<sp>
<speaker n="interviewee"/> 
<p>of my father - who I knew and knew the
boy's side of. Suddenly I saw my father
in pampers. I got to see it from another
whole perspective and as his mother, I got
that through her. So in that oh more than
twenty-year quest, I got to know my
grandmother, ahm, who I'm in love with
even as she's gone; and also got to know
<note type="handwritten">DD 1379</note> characteristics that are innate evidently
because my family did not grow up around
my father's family; and yet there are
mannerisms and quirks and characteristics
that are definitely there in my sisters,
in myself. Ah, and I like that.<note type="handwritten">]]1414</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Do you remember when your father and
his brothers and sisters were able to get
your grandmother out the, out in the
hospital. Uhm is that become, is that a,
an important moment for him, something
that you remember as a child?</p>
</sp>

<note type="handwritten">DD 1435</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> That's something that I
think my mother can answer because,
ah, ... you turned it off?</p>
</sp>
</div2>

<div2 type="page">
<pb n="20" facs="shabazz-attallah_0020.tif"/>
<head>MALCOLM X 20
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<sp>
<speaker n="interviewer"/> 
<p>Q: It's turned on again.</p>
</sp>

<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> That was a, ah, not a
nice situation.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Not a nice situation?</p>
</sp>

<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> No. that would - that
would contribute for me to talk about that
in truth, but would point fingers, and I
don't ah...</p>
</sp>
<note type="handwritten">TK8 CR:205 SR:100</note>
<sp>
<speaker n="cameracrew"/> 
<p>SPEEDING. MARK. EIGHT.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Tell me what uh, what - what you've
uh, what do you carry from your father.
What have you got? What do you feel is
part (unintel)?</p>
</sp>

<note type="handwritten">DD 1473</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> I think along with
indeed being the King in my household, the
fact that my father was my friend allowed
me to grow up in spite of any changes or
questions or mistakes, feeling special,</p>
</sp>
</div2>

<div2 type="page">
<pb n="21" facs="shabazz-attallah_0021.tif"/>
<head>MALCOLM X 21
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DD 1507</note>
<sp>
<speaker n="interviewee"/> 
<p>regardless; uh feeling entitled to start
again. Ah, regardless of shortcomings,
ill choices, I have never felt haunted by
them because he gave me a sense of self-
worth; and that we're all entitled to
trial and error, him having been uh an ex-
con and yet make choices in his life
continuously to grow on and on; uhm and as
he presented that to a general audience --
when I speak to audiences now who are in 
<note type="handwritten">DD 1569</note> college and they don't think there's a
future, I have to remind them my father
was doing time at the very age that they
are, you know, and bring that reality
there and hence you can be, do, have
anything that you desire. For some of us,
it's a - it's a steeper hill, but not,
that might be destiny's challenge for you
to accomplish, and that's what my father's
given me. <note type="handwritten">[[1606</note> My father was always very
<note type="handwritten">DD 1607</note> honest, very clear, and when his opinions
or learnings changed, he took
responsibility for the old thought and
explained to you the transition for the
new thought. That is a freedom for me. <note type="handwritten">]]1628</note></p>
</sp>
</div2>

<div2 type="page">
<pb n="22" facs="shabazz-attallah_0022.tif"/>
<head>MALCOLM X 22
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DD 1629</note>
<sp>
<speaker n="interviewee"/> 
<p><note type="handwritten">[1629</note> Ahm, <note type="handwritten">[</note>it was as a young woman at a time
where people would have said I had three
strikes against me, being black, female,
and Islamic and - and a minority and all
aspects of those things mentioned. And in
spite of those things I felt, instead of
them being a burden, it was a birthmark.
Ah, that's what I have from my father,
and, a smile. He smiled often. <note type="handwritten">]]1676</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Ahm, if you were -- there is kind of,
and I don't to - I don't like to say this,
but there - there, but there's a new,
there's this renewed popularity. And, ah,
as I use the word popularity because uhm,
it, it is bordering on popular, ah,
attraction and interest in your father.
Ahm, how - how do you uhm, how do you feel
about that on it? And what do you --
where - where do you want to see him --
how would you like to see your father
remembered?</p>
</sp>

<note type="handwritten">DD 1734</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> Everything happens in
time, I guess for those of us who knew my</p>
</sp>
</div2>

<div2 type="page">
<pb n="23" facs="shabazz-attallah_0023.tif"/>
<head>MALCOLM X 23
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DD 1741</note>
<sp>
<speaker n="interviewee"/> 
<p>father as Malcolm X Shabazz would have
loved for people to have had a sense of
what they're coming to now much sooner.
Yet, all the while I'm glad that there's a
public comfort that enables young people
and - and ah others to learn about Malcolm
Shabazz. <note type="handwritten">[[1781</note> Five years ago, you could not
have gone to school with a Malcolm X T-
Shirt without being suspect. You could
<note type="handwritten">DD 1792</note> not at an office read the autobiography on
your lunch hour without being suspect; so
at a time where the mention of his name is
- is comfortable and palatable, I hope
that more and more people utilize this
period, this era, this resurgence to
indeed learn who he is before that climate
changes again. <note type="handwritten">]]1831</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Who is he?</p>
</sp>

<note type="handwritten">DD 1840</note>
<sp>
<speaker n="interviewee">ATTALLAH <note type="handwritten">[</note>SHABAZZ:</speaker> 
<p><note type="handwritten">1839[</note> Full human being, my
father. And the laughter and the pain of
it, and the weakness and the strength of
it for me was very much three-hundred and
sixty degrees because there are stages in</p>
</sp>
</div2>

<div2 type="page">
<pb n="24" facs="shabazz-attallah_0024.tif"/>
<head>MALCOLM X 24
ATTALLAH SHABAZZ
RECORDED BY R.WILLIAM II
CAMERA ROLL #2011 202,203
204, 205</head>

<note type="handwritten">DD 1873</note>
<sp>
<speaker n="interviewee"/> 
<p>is life that he lived to the fullest,
each one was, it could have been his last
job, his final statement. He was
committed.<note type="handwritten">]]1898</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Are you, are you comfortable or uhm
does it matter to you that you know who is
responsible for killing your father?</p>
</sp>

<note type="handwritten">DD 1917</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> Ask me that again. Am
I comfortable? Or does it matter?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: No, does it matter uhm and for what
reasons?</p>
</sp>

<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> I don't understand the
question.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: There are some people who say, "Well
we - we can tell you who pulled the
trigger. But we can't tell you for what
reason, or who might have been behind
it...</p>
</sp>

<incident><desc>END OF TAPE SIDE B.</desc></incident>

<note type="handwritten">L# 1944</note>
</div2>

<div2 type="page">
<pb n="1" facs="shabazz-attallah_0025.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DATE:09/21/92</note>
<note type="handwritten">BOX #95 DC5975-6980</note>

<sp>
<speaker n="interviewer"/> 
<p>Q: Okay, let's start with, ah, your - your
early memory of your father, ahm; and - and
paint a portrait of him for us if, if ahm,
for people who are, ahm, that don't know him;
wouldn't know him as you knew him as a child.
Paint a portrait of your father and what he
was like as a -- when you were a child...</p>
</sp>
<note type="handwritten">TK1 CR:201 SR:99</note>
<note type="handwritten">DC 6027</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> Well when I look back from,
when I look back to my father in my household
as a child, from the perspective as an adult
now, he was certainly a boy. You know, the
older you get, the more you realize how young
your parents are; and so that the
vulnerability and the carefreeness and the
<note type="handwritten">DC 6055</note> openness that both of my parents exhibited
with each other; the romance, the
attentiveness, the questions, ah, and the
warmth, is something that I'm glad I have in
my reflection because it has assisted me in
my adulthood in not having all the answers
while the world sees ah, a person grandeur
<note type="handwritten">DC 6090</note> behind a podium -- in both parents' cases for
me, I got to see the human side and the right</p>
</sp>
</div2>

<div2 type="page">
<pb n="2" facs="shabazz-attallah_0026.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 6100</note>
<sp>
<speaker n="interviewee"/> 
<p>to the human side very early; and, there was
a lot of laughter in my household contrary to
the image that people imagined. Ah, the
household of a black nationalist's, mine
having been, ah, what people don't realize is
that we come from a line of, you know, ah,
public servants in my household; and it was a
natural thing. It was not a career goal or
an in------ intention -- just think that for
my father growing up with parents who were
very active in the Garvey movement and
nurturing and motivating people of color, and
<note type="handwritten">DC 6161</note> reinstating their self-worth, not in
comparison to a - another being, but simply
as a fact - data; that, that was passed on
with or without, regardless of my father's,
ahm, early involvement with any organization.
Because while he was a loyal member of the
organization, I simultaneous to that same
period of time was not indoctrinated in that
organization. So I was simply raised as he
<note type="handwritten">DC 6207</note> was raised in his first decade of his life.
That is often left out. People talk about my
father's life from fifteen years old; but</p>
</sp>
</div2>

<div2 type="page">
<pb n="3" facs="shabazz-attallah_0027.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 6219</note>
<sp>
<speaker n="interviewee"/> 
<p>nobody asks about that decade where every
member of his family was intact, mother and
father was there. The period that matters;
the period that left something with my life;
the first, you know, decade or so of my life
with my family intact; and how important it
is to make sure that you are open and fair
and honest and clear, ah, in the images that
you give your children, ahm, are positive
<note type="handwritten">DC 6262</note> ones because no one knew when he was going to
leave; but my memories can get me through a
day, you know.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Mm mmm. Talk to me about that, ahm,
(unintel/noise) early years as a child, and
what his family and what his family was to
him and whether he talked to you, ahm, about
his mother and his father, his family, and,
ahm, if there was a story that he would tell
you about his youth? What do you know about
that?</p>
</sp>

<note type="handwritten">DC 6303</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> Ahm, there are actually
composites of stories that I've been</p>
</sp>
</div2>

<div2 type="page">
<pb n="4" facs="shabazz-attallah_0028.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 6310</note>
<sp>
<speaker n="interviewee"/> 
<p>synonymous to other members of my father's
sibling line, ah, sharing in terms of this
sense of internationalism early as first-
generation West Indians as opposed to, ah,
black Americans as a whole other, ah,
rearing, and - and - ah, explanation to the
plight of the slave trade. And for them to
be involved, my grandmother -- people simply
think of her as, -- ahm, the limited <subst><del>offers - </del> <add><note type="handwritten">information</note></add></subst>
<note type="handwritten">offers</note> - a woman who went insane. Ahm, mm,
people don't know or realize that my
grandmother, ah, authored a lot of the text
for the paper, the newspaper, the Universal
<note type="handwritten">DC 6378</note> Negro Improvement Association; that she spoke
more than one language; that she kept her
children abreast; that she nurtured and - and
assisted her husband. My grandfather was the
soft-spoken one. My grandmother was the
quick-witted one; so it is that fire and, ah,
fervor that people see in my father - he got
from his mother. Ah, and a 1--, quite a bit
<note type="handwritten">DC 6414</note> from his own father. But the images that
existed in the early part of their life,
passing the newspaper from place to place;</p>
</sp>
</div2>

<div2 type="page">
<pb n="5" facs="shabazz-attallah_0029.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 6428</note>
<sp>
<speaker n="interviewee"/> 
<p>listening to their parents speak, recognizing
early their role and their comfort with being
black and brown children in a time when it
was a curse, a burden. I think that
following my grandfather's, ahm, death, and
my grandmother being taken away and the
children being separated, you now have what
you have in a lot of urban communities --
<note type="handwritten">DC 6460</note> children trying to survive -- and too many
times we, even as black people, don't tell
their early story to know that there was a
beginning, that there was a root. We just
sensationalise and, ahm, Malcolm's life in
the street as a hustler. But, there's so
much to who he became after his pilgrimage
had a lot to do with who he was in the first
decade of his life.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Talk to me -- what in - in terms of your
own family life and the things that your
father grew up to learn, ah, that were
important to his youth, you know, like
passing the paper, like sitting around the
dinner table, and everyone had to be at</p>
</sp>
</div2>

<div2 type="page">
<pb n="6" facs="shabazz-attallah_0030.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<sp>
<speaker n="interviewer"/> 
<p>dinner and talk of things --- Are these
things that he --- that - that were part of
your life as well?</p>
</sp>

<note type="handwritten">DC 6524</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p>It wasn't-- sitting around
the table and talking about things, that kind
of ah, format, wasn't as rigid a structure in
my household. <note type="handwritten">[6537</note> There certainly was a rhythm. 
<note type="handwritten">[</note>My mother set the rhythm in our household,
and, at least from the perspective of the
child, my father was certainly a supporter
and a contributor to what the energies were
in my household; but since it was my mother
<note type="handwritten">DC 6561</note> who was the housewife and - and round-the-
clock, ahm, role model for me, my mother was
my first love. My father was my first buddy;
and that's what I grew up in that household.<note type="handwritten">]]6591</note>
Meals were something that we enjoyed. You
didn't feel the rigidity of having to be in
your seat at a certain time, but we looked
forward to it; and you said the prayer, and
<note type="handwritten">DC 6608</note> you got into the food and watched my father
hum and moan and do all those little things
in complement of my mother's cuisine; and</p>
</sp>
</div2>

<div2 type="page">
<pb n="7" facs="shabazz-attallah_0031.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 6622</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p>watching my father, ahm, my father's
'enamoration' of my mother does something to
children, you know. You fall in love through
their falling love: and you watch the
responses back and forth and you --- as
confusing as it might be, it is everlasting
because I feel it now. It - it tickles me,
and I - when I look back I realize, sure,
they were in their twenties and thirties, you
know. I'm already passed that. (Chuckle)
And, <note type="handwritten">[[6663</note> so many times we rob ourselves of the
opportunity to explore and learn and be wrong
<note type="handwritten">DC 6670</note> and - and - and - and find the answer; and as
people attempt to make my father the image
that they need, I'm grateful in my own life
to know such a human being so that as other
people are questing to understand Malcolm per
their own description, I've relieved that my
birth order allows me, ah, the freedom and
the comfort of knowing a man-boy warrior,<note type="handwritten">]]6718</note>
ahm, that I can't imagine being born second
<note type="handwritten">DC 6725</note> and not having a clear understanding of who
he was or third or fourth or fifth or sixty
as it goes.</p>
</sp>
</div2>

<div2 type="page">
<pb n="8" facs="shabazz-attallah_0032.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<sp>
<speaker n="interviewer"/> 
<p>Q: Do you remember as a child growing up
within the organization of the Nation of
Islam, was that a part of your life, the
community that was the Nation of Islam?</p>
</sp>

<note type="handwritten">DC 6748</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p>Certainly, ahm, in the
fifties and sixties because of my father's
involvement and the - and very loyal
attentiveness to the Nation of Islam, it was
around my life. What I look back and I find
interesting, and he's not here for me to ask,
ahm, but perhaps it could be a discussion
with my mother, is why I was never really
indoctrinated into the Nation. I don't know
<note type="handwritten">DC 6785</note> the line that separated bis own, ahm, ah,
feelings and loyalties and my involvement
just as a youngster, but I didn't have --
when I've talked to my cousins and other
people who are no longer in the Nation, they
really grew up in really strict, rigid
households. Ahm, I did not know that f---,
<note type="handwritten">DC 6815</note> the enemy was a specific person. Ah, I just
think the wonders and the beauties of being</p>
</sp>
</div2>

<div2 type="page">
<pb n="9" facs="shabazz-attallah_0033.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 6825</note>
<sp>
<speaker n="interviewee"/> 
<p>brown, black, the history, the lineage ahm,
not in comparison to another group of people,
not less than, not better than, not superior.
inferi--, inferior. I did not know those,
ahm, terminologies so that I had a healthy
dose of learning, ah, human relationships;
and when I was growing up and started to hear
other people's assessments of my father,
could they possibly be talking about the same
man? You know ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Did you - wh--, as a child do you
remember seeing him on TV or seeing this -
this man outside the house who was on TV,
and, and ah, and ah, was this - this ah, kind
of public person, and how it - it ah,
affected you? What did you see; what did you
feel?</p>
</sp>

<note type="handwritten">DC 6898</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p><note type="handwritten">[[6898</note> Whenever I saw my father
out publicly, you know from a child's
perspective, you know, at an airport, it was
an invasion. You know you're going to pick
up daddy from the airport, and there's a slew</p>
</sp>
</div2>

<div2 type="page">
<pb n="10" facs="shabazz-attallah_0034.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 6915</note>
<sp>
<speaker n="interviewee"/> 
<p>of photographers and other people, and you
haven't seen him in two or three weeks, and
all you want is that hug. So, ahm, we have, 
we have always been a very private family.<note type="handwritten">]]6931</note> I
think a lot of people whose parents have been
as noted as mine have been -- they have been
acclimated to the public eye, ah, much more
than now. I guess if it wasn't for a
<note type="handwritten">"X" cap</note> (unintel) or the resurgence, if I may use
that terminology, I wouldn't have as many
people talking to me right now; but I'm glad
for other <note type="handwritten">out</note> people's interests because I
already know who they're learning.</p>
</sp>
<note type="handwritten">L# 6980</note>
<sp>
<speaker n="cameracrew"/> 
<p>MISC:
TWO <note type="handwritten">BOX # 96 CODE:DC 7500-9250</note></p>
</sp>
<note type="handwritten">TK 2 CR:202 SR:99</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: Let's talk a - a little more about the,
ahm, public image that - that you -- you see
as a child, and how you - you then translate
that into the person that you know; or - or
how you're affected by it.</p>
</sp>
</div2>

<div2 type="page">
<pb n="11" facs="shabazz-attallah_0035.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 7544</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> I don't have a pub---,
public image so I don't mean to cut your...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Oh, okay, well did you - did your father
ever take you to events, and did you attend
them with him? Or, or you say you would meet
him - meet him sometime at the airport?</p>
</sp>

<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> There are a few times we,
<note type="handwritten">7566[</note> you know, <note type="handwritten">[</note>we each would have, ahm, our night
to be with daddy when he would, ah, be
<note type="handwritten">DC 7577</note> ministering, ahm, from lack of a better term;
and, but as a youngster, you know you had
your book, your - and you would sit in the
back of the congregation and be a good girl
and let daddy... So he was baby sitting and
that was his setting. And atmospherically,
to me it was a -- you know watching daddy do
his work, so I did not know the impression
being made on other people. I did not know
the interpretation; ahm, because for -- from 
<note type="handwritten">DC 7621</note> a child's perspective, youre parent is a
hundred percent whole, as it.<note type="handwritten">]]7628</note> Ahm, I don't
know if that's even clear so that as a person</p>
</sp>
</div2>

<div2 type="page">
<pb n="12" facs="shabazz-attallah_0036.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 7635</note>
<sp>
<speaker n="interviewee"/> 
<p>who is learning Malcolm now as an adult, is
trying to fill in the blanks and - and figure
out and delve all of the, ahm, perspectives
that he had -- from a child's perspective,
and God is your parent, ahm... I don't know 
if that's clear. Ahm, <note type="handwritten">[[7669</note> I know that when
things started to change as much as they --
my parents were, of course very protective,
and no, ahm, tense in how they handled the
household. Indeed there was a change. Ahm,
the people that were around us once, we
<note type="handwritten">DC 7710</note> couldn't go around again, at all! Not just
'not today, not tomorrow', it was a banning,
so that those were the things that were
different for me. My parents weren't
different. It was the things that were going
on in our lives that me -- with a --- a child
with rhythm, with the continuity of certain
things, was not in place.<note type="handwritten">]]7748</note> Ah, simultaneous
to that rhythm changing, <note type="handwritten">[[7755</note> a new (unintel/nth)
<note type="handwritten">DC 7757</note> rhythm was introduced such as my father's
international correspondence, and the people
of the foreign world being a part of my
household; hence the learning continues, and</p>
</sp>
</div2>

<div2 type="page">
<pb n="13" facs="shabazz-attallah_0037.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<sp>
<speaker n="interviewee"/> 
<p>for(or from) a child, as long as this
learning of the -- whatever the change -- is
<note type="handwritten">DC 7777</note> a positive one, and it seems comfortable with
the parents, the old one is all right where
it is. So I continued along with my sisters,
mother, family, ah, friends, to move on in
that direction. It was a very natural, ahm,
ah, change.<note type="handwritten">]]7803</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Did you father know or your mother -- or
did they both talk to you about the changes
that were taking place at that time?</p>
</sp>

<note type="handwritten">DC 7810</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> No</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: And what you could possibly expect to
(unintel/noise)...?</p>
</sp>

<note type="handwritten">DC 7814</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> No, no - no just that we
won't be going there anymore; things will be
changing; schools are changing, but it seemed
normal. I mean when you go from five to six
and schools change; and seven to - to twelve
and thirteen, so no, not to cut you off</p>
</sp>
</div2>

<div2 type="page">
<pb n="14" facs="shabazz-attallah_0038.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 7838</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p>because I'm going to mess this up, because I
didn't like that answer.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Okay. Well ... (chuckle) Well I didn't
like it either.</p>
</sp>

<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> What - did you use this
one?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: No. I didn't like that either, so ...</p>
</sp>

<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> I didn't, you know, some of 
<note type="handwritten">DC 7853</note> - understand that - some of the questions
that you ask I don't know him from an inside
perspective. It - some of the questions come
from a ...
Some of the questions that one asks comes
from the outside so I don't even...</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>MISC: THREE</p>
</sp>
<note type="handwritten">TK3 CR202 SR:99</note>
<sp>
<speaker n="interviewer"/> 
<p>Q: Tell me about the trip to Florida and
your memories of that and what it meant to
you as a - as a young girl?</p>
</sp>
</div2>

<div2 type="page">
<pb n="15" facs="shabazz-attallah_0039.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 7887</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p><note type="handwritten">7887[</note> We're <note type="handwritten">[</note> going to Florida for
my family was a honeymoon. My parents
referred to it as a honeymoon. Of course the
significance of us going as a family was a
much stronger and meaningful, for them. For
us it was just an opportunity to be with each
other on a plane and the adventures of that.
But as my mother talked about it; as my
father talked about it, it was the first time
in their real life as a marital union that
they had time for themselves where he was not 
<note type="handwritten">DC 7939</note> being, ah, twenty-four/seven a public
servant.<note type="handwritten">]]7946</note> Ahm, and I must say that the
brotherhood and the hospitality extended to
us by Mohammed Ali and his camp is an
everlasting feeling. He, for me, growing up
was like a big brother; and whenever we're in
each other's presence, it's a 'siblinghood',
you know, renewed. Ah, there was quite a bit
of abandon, I think, part---, more so on my
<note type="handwritten">DC 7988</note> parents side; you know that kind of freedom.
Again, for us as children, we always felt
that freedom. We always felt that</p>
</sp>
</div2>

<div2 type="page">
<pb n="16" facs="shabazz-attallah_0040.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 8003</note>
<sp>
<speaker n="interviewee"/> 
<p>companionship. Ahm, <note type="handwritten">[8032</note> and Mohammed Ali made it
easy. He was great with youngsters as was my
father; very easy going, buddy/pal kind of
parent, and with whom you can - you could
share a secret and feel like it was really
just between the two of you,<note type="handwritten">8033]</note> and, ah...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Ah, so when, ah, when you returned, ah,
were you ever aware that - that there was
this - this - th--, th--, a struggle going on
around the house about the possibility of
staying there; and, ah, as a child...</p>
</sp>

<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> Oh about whether or not we
would keep the house?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Whether you would keep the house?</p>
</sp>

<note type="handwritten">DC 8075</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> Ah, trying now -- oh we're
rolling. Oh, oh I'm sorry.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: if you want to stop, we can stop. Want
to stop for a second?</p>
</sp>
</div2>

<div2 type="page">
<pb n="17" facs="shabazz-attallah_0041.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> Yes, I was trying to recall
some of the things that...</p>
</sp>
<note type="handwritten">TK4 CR202 SR:99</note>
<sp>
<speaker n="cameracrew"/> 
<p>MISC; FOUR</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Talking about the house, ahm, ahm, were
you aware of there being ahm, ah, concern
about keeping the house?</p>
</sp>

<note type="handwritten">DC 8111</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p><note type="handwritten">[[8111</note> During the time when my
father was about to lose the house; when my
parents were about to lose the house, I was
not privy to that. I was certainly privy to
the fact that we were being stalked as a
family; that the atmosphere surrounding the
house; that cars that would be parked; faces 
<note type="handwritten">DC 8135</note> that were familiar to me once upon a time --
ahm, their attitudes had changed, you know;
so at this point, as children, there's a
fast-forward of learning experience; not that
really needed to be discussed. Truth was
truth in my house. Everything was clear. If
things were foggy, you could ask a question,
but I think I was one of those youngsters</p>
</sp>
</div2>

<div2 type="page">
<pb n="18" facs="shabazz-attallah_0042.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 8169</note>
<sp>
<speaker n="interviewee"/> 
<p>that came to an assessment very easily; and
when I look back, most of my assessments
weren't wrong. That's why you can't misjudge
a young person. Ahm, but the atmosphere
surrounding my household had changed. People
who were once a friend or comrade no longer
were; so it was their colors that had
changed. For me the continuity and the image
and the energy in my house was very much the
same; and those ill energies had been
replaced by more positive people; so in terms
of the losing of the house, once it was
bombed, we knew it wasn't our house anymore.<note type="handwritten">]]8233</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Talk to me about that bombing. I mean,
can you give me - give me your - your memory
of that night and...</p>
</sp>

<note type="handwritten">DC 8242</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> Well, <note type="handwritten">[[8246</note> it was the middle of
the night and the bedroom where my mother was
shaking us awake from was smoke filled. Ah,
I remember my eyes burning. There were four
children. At this point I was considered a
big girl so you're assisting, you know, if</p>
</sp>
</div2>

<div2 type="page">
<pb n="19" facs="shabazz-attallah_0043.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 8280</note>
<sp>
<speaker n="interviewee"/> 
<p>not in the scurry of your siblings, in the
awareness that, you know you panned the room
hoping that everybody is out. Ah, and we
were fortunate enough to have exits out the
back door, ah, because a Molotov cocktail had
not gone off. It was freezing in terms of
the textures that I recalled and very
uncomfortable in that respect, but my parents
<note type="handwritten">DC 8325</note> did not seem to show a panic. A concern, a
focus, but again, because they were handling
things, and they were both there very
present, I didn't feel the fear that, in
another circumstance, a child might. I had
felt since when, ah, people talk about
circumstances in a household that could cause
a fire, but at the time there was great
safety, ahm, and we moved on.<note type="handwritten">]]8374</note></p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q: ... did it register for you as a - as a -
- you were about six years old?</p>
</sp>

<note type="handwritten">DC 8379</note>

<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> No I was older.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: You were older? How old are you?</p>
</sp>
</div2>

<div2 type="page">
<pb n="20" facs="shabazz-attallah_0044.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 8383</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> I don't tell, but it - it's
a misconception that I was six.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Okay. Ahm, as a ahm, ahm, as a young
girl, something like this happened -- did it
register for you that - that - that - the
level of seriousness about what was going on
in your house? Did it change for you? Did
it change...</p>
</sp>

<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p>There is some--- <note type="handwritten">[[8411</note> I think
some things get clearer and clearer. I think
<note type="handwritten">DC 8416</note> in the last year of my father's life, change,
evolution was much more rapid than in the
previous years of my life, and; but we kept
moving and adjusting to the change.<note type="handwritten">]]8438</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: You've gotta' tell me -- when you say
change, what do you mean by that? What - are
you talking about your own change and
revolution? Are you talking about evolution
for your family or...?</p>
</sp>
</div2>

<div2 type="page">
<pb n="21" facs="shabazz-attallah_0045.tif"/>
<head>BLACKSIDE, INC.
INTERVIEW WITH
ATALLAH SHABAZZ
TAKES 1-4</head>

<note type="handwritten">DC 8447</note>
<sp>
<speaker n="interviewee">ATTALLAH SHABAZZ:</speaker> 
<p> Well, my - my evolution was
as a result of my family's. I was too young
to have my own independent of -- and with the
friends changing, the surroundings changing;
with the brotherhood changing, with the
congregation changing -- who was in the
house, who was not; who surrounded the house
and was not a friend? That, again is a
change; but again watching my parents...</p>
</sp>

<incident><desc>MISC:</desc></incident>

<incident><desc>END OF SIDE A</desc></incident>

<incident><desc>BEGIN SIDE B</desc></incident>
</div2>
</div1>
</body>
</text>
</TEI>
