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<series>Interview gathered as part of Malcolm X.</series>
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<front>
<titlePage>
<docTitle>
<titlePart type="main">Interview with <hi rend="bold"><name>Peter Goldman</name></hi></titlePart>
</docTitle>
<byline>
Interviewer:</byline>
<docImprint>
<docDate>
Interview Date: <date when="1992-06-24">June 24, 1992</date>
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<pubPlace/>
<rs type="media">Camera Rolls: </rs>
<rs type="media">Sound Rolls: </rs>
</docImprint>
<imprimatur>
Interview gathered as part of <hi rend="italics-bold">Malcolm X</hi>. 
<lb/>Produced by Blackside, Inc. 
<lb/>Housed at the Washington University Film and Media Archive, Henry Hampton Collection. 
</imprimatur>
</titlePage>
<div1 type="editorial">
<head>Editorial Notes:</head>
<p><hi rend="bold">Preferred citation:</hi>
<lb/>Interview with <hi rend="bold"><name>Peter Goldman</name></hi>, conducted by Blackside, Inc. on <date when="1992-06-24">June 24, 1992</date>, for <hi rend="italics">Malxolm X</hi>. Washington University Libraries, Film and Media Archive, Henry Hampton Collection.</p>
</div1>
</front>
<body>
<div1 type="interview">
<div2 type="page">
<pb n="1" facs="goldman-peter_0001.tif"/>
<note type="handwritten">DATE 06/24/92</note>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	1
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 
<note type="handwritten">BOX #41 BD0000-2022</note>
<note type="handwritten">TK1 CR:92 SR. 45</note>

<sp>
<speaker n="cameracrew"/> 
<p>BEGINNING OF SIDE ONE</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>CONTINUATION OF UH SOUND ROLL FORTY-FIVE ON 
CAMERA ROLL NINETY-TWO AND WE'LL BE DOING 
ROBERT GOODMAN. THIS IS UH BLACKSIDE’S 
PRODUCTION OF UH MALCOLM X, SHOW NUMBER EIGHT 
HUNDRED.</p>
</sp>

<incident><desc>BEEP.</desc></incident> 

<incident><desc>MISC</desc></incident>
 
<sp>
<speaker n="cameracrew"/> 
<p>MARK. ONE. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. If you can talk to me about the 
first time you actually met Malcolm at the 
Cross Decreme and just describe that meeting 
for me.</p>
</sp>

<note type="handwritten">BD 0034</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>I, I met Mal’-, I had written a 
series in the St. Louis Globe Democrat where 
I worked at the time about the uh black
Muslims uhm did it, did it about the local uh 
mosque and had uh, uh written that stuff and 
I got a call one day at my office and the</p>
</sp>
</div2>

<div2 type="page">
<pb n="2" facs="goldman-peter_0002.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	2
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>voice on the other end uh said, "This is 
Malcolm X and uh I'm uh in Chica'-, I'm 
calling from Chicago, I'm going to be in St. 
<note type="handwritten">BD 0013</note> Louis and would you like to meet with me?" 
And I said, "Oh boy, would I!" or something, 
something silly like that. Uh, and uh my
wife who is also a journalist was also 
interested in uh meeting him ’cause she had 
an interest in this too. Uh, so we went to 
the, this sort of luncheonette called the uh 
Shabbaz Frosty Creme. Uh, we arrived before 
Malcolm did. The uh man who owned the . 
Shabbaz Frosty Creme made a plain that we 
<note type="handwritten">BD 0119</note> weren't really welcome there on our own. It 
was a Muslim owned uh, uh business obviously. 
So we waited out on the curb for Malcolm to 
arrive and uh my first view of Malcolm thus 
was him sort of jack knifing out of a car. 
He was a very tall uh man. Very, his, a man 
with very elegant motion, very erect bearing, 
uh, uh in the book I describe him as hav’—, 
having been, having the bearing of a soldier 
or a priest, and I still think of him that 
<note type="handwritten">BD 0166</note> way. Uhm, and we went inside, sat down, 
spent uh, I guess two or three hours, and for 
me it was two or three hours of revelation.</p>
</sp>
</div2>

<div2 type="page">
<pb n="3" facs="goldman-peter_0003.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	3
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>Uh, uhm my uhm, <note type="handwritten">[[0193</note> my head then was in the civil 
<note type="handwritten">BD 0195</note> rights movement and, which was happening in 
the South. It was a source of great 
excitement to me.<note type="handwritten">]</note> This we're, we're talking 
about 1961, now, I think. Uhm, and uhm the, 
the problem quote on quote was framed for me 
in terms of the civil rights movement, which 
was the fight against segregation in the 
South. <note type="handwritten">[</note>There was a guy telling me that 
that was a side show, that that didn't count, uhm 
that the real problem was up north, that the 
<note type="handwritten">BD 0239</note> problem was worse up north because it was
going to be harder to get at, and also 
telling me that white people were the devil, 
in fact the blue-eyed devil and I was 
thinking of my blue eyes.<note type="handwritten">]</note> And uh, uh, and uh 
feeling embarrassed by them. <note type="handwritten">[</note>The thing about 
Malcolm, though, was you could have these 
conversations and you could, you could know 
that you were his enemy in theological terms, 
uh but he was so civil and so magnetic that 
<note type="handwritten">BD 0288</note> you could have a very civil conversation with 
his, and in fact I, uh even at first sight I 
got to like him.<note type="handwritten">]]0296</note></p>
</sp>
</div2>

<div2 type="page">
<pb n="4" facs="goldman-peter_0004.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	4
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Could you talk also about uhm well you 
mentioned that he said something about the 
cream and this is the only integrated.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Yeah, we uh uh, we uh, we all 
<note type="handwritten">BD 0312</note> ordered coffee, coffee all around and uhm 
Malcolm uh put some cream in his and uh I 
said, "It's the only thing I like 
integrated." Uh, uh the notion that the 
addition of whiteness to blackness was 
weakening and uh that was against his 
religion at the time.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  You also mentioned something that you're 
wife had mentioned in terms of uhm, uh a’-, 
at the funny moment, the bourgeois b’-, uhm 
businesses.</p>
</sp>

<note type="handwritten">BD 0351</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Yeah. My wife uh as, as, as we 
were uh getting up to go uh, uh my wife uh 
kind of teasingly said to him uh, "Aren't you 
worried that as the Muslims open these doors 
and go into the, build businesses for 
themselves that they'll uh, they'll become 
bourgeois and they'll uh wind up in the 
NAACP?" And he had a flash where he took it</p>
</sp> 
</div2>

<div2 type="page">
<pb n="5" facs="goldman-peter_0005.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	5
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>seriously and then he laughed and said, "No, 
we're not worried about that."</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Was, was Malcolm unusual, I mean were you 
meeting him as a, what you would consider 
maybe a black leader? Was this an unusual 
person to see as a black person? I mean was 
he putting forth a point of view that you 
really had never heard before? </p>
</sp>

<note type="handwritten">BD 0416</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>He was absolutely uhm...</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Could you mention Malcolm?</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Yeah. Uh Mal, uhm Malcolm was 
absolutely for me a point of view that I had 
not heard before. My, my uh contacts uh both 
with the local black leadership in St. Louis 
and with people in the Civil Rights Movement 
who had come through town and I would 
unfailingly be assigned to interview uh, uh 
had all been as a, a’-, as, as, as I say, and 
<note type="handwritten">BD 0460</note> I, in the setting of this uh struggle uh for 
civil rights, uh against segregation in the 
South, tha’—, that was the real focus of this 
struggle in those days.<note type="handwritten">[0476</note> <note type="handwritten">[</note>Malcolm was a</p>
</sp>
</div2>

<div2 type="page">
<pb n="6" facs="goldman-peter_0006.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	6
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>voice of the Northern, urban, black poor and 
he was saying things that I had never heard 
<note type="handwritten">BD 0489</note> before.<note type="handwritten">]</note> I’-,<note type="handwritten">]0490</note>  including uh what, to me as a 
sort of innocent, white liberal at the time, 
was a sense of the death, the, the depth of 
uh, of uh anger, rage, and even hatred of 
white people that existed in the black com’-, 
in, in the black ghetto} Uh, uh I had never 
heard that before because uh I think probably 
every black kid growing up, growing up had 
<note type="handwritten">BD 0530</note> heard it from uh parents or grandparents who 
had, or a great aunt who had lived in the 
South and ex’-, had experienced uhm the uhm 
white oppression in the South <note type="handwritten">[[0548</note> but white folks 
weren't hearing it because not people were, 
not many people were bold enough to talk to 
us about it. Malcolm was. Malcolm wasn't 
afraid of anything.<note type="handwritten">]]0559</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Can you tell me how uhm the opinion y’-, 
that you had of Malcolm before and then after 
that meeting? </p>
</sp>

<note type="handwritten">BD 0570</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Well, my opinion, my sense of him 
was kind of positive before the meeting 
because <note type="handwritten">[0582</note> uhm, uh my first, m’-, my real first</p>
</sp> 
</div2>

<div2 type="page">
<pb n="7" facs="goldman-peter_0007.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	7
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>exposure to Malcolm uh had been uh at Harvard 
the year before, I was up there on a 
<note type="handwritten">BD 0591</note> fellowship for a year. And uh, I had come 
across Eric Lincoln's book on the black 
Muslims uh and I was reading it and I was 
half way through it when Malcolm appeared to 
do a lecture. Uh, I did not meet him then 
but I saw him do the lecture and I sat there 
thinking, "Well, theologically I probably 
don't agree with this guy but I can't really 
<note type="handwritten">BD 0627</note> quarrel very hard with the indictment. Uhm, 
uh the theology had to do with white folks 
being the devil, uh the indictment had to do 
with four hundred years of uh white 
oppression of blacks, and I think it's very 
hard to loo’-, look at that and say, "No, 
that didn't happen." <note type="handwritten">]</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Do you remember him at that meeting?</p>
</sp>

<note type="handwritten">BD 0653</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>I remember him very vividly at that 
meeting uh as being uh, a uh...</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Uh, I'm sorry if you could mention at the 
Harvard meeting I remember...</p> 
</sp>
</div2>

<div2 type="page">
<pb n="8" facs="goldman-peter_0008.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	8
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>OK .<note type="handwritten">[0667</note> Uh at, when <note type="handwritten">[</note>I saw him Harvard 
I re’—, I remember Malcolm very vividly. 
<note type="handwritten">BD 0674</note> Uhm, uh, uh mainly for his power. This was a 
public performance, I ha’-, as I say, I had 
not met him at the time, uh had not 
encountered him man to man. Uh, but uh he 
held a room full of white people absolutely 
spell bound. It was a stunning, uh, uh it 
was a performance of stunning power and I 
think he probably sent a lot of them uh out 
of the room reeducated.<note type="handwritten">]]0716</note> Uh, had a little 
head start since I was reading Eric Lincoln 
<note type="handwritten">BD 0721</note> at the time, but uh, but uh, I think a a lot 
of heads were turned at that meeting. <note type="handwritten">[[0730</note> But 
was also impressed outside the meeting. Uh, 
the fruit of Islam, which is the uh 
paramilitary group of uh the Nation of Islam, 
uh really all the me’-, all the able bodied 
men uh in the Nation would serve in this, in 
this group. Uh, they had a uhm, uh, they had 
uh security network around the building and 
in the building that would have made the 
<note type="handwritten">BD 0766</note> secret service jealous, I think. Uh, it 
walked, I, I walked across the campus and 
sort of leaning against trees here would be 
these guys straight up, you know, with their</p>
</sp> 
</div2>

<div2 type="page">
<pb n="9" facs="goldman-peter_0009.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	9
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>narrow ties and their ivy cut suits, frozen 
masks of uh vigilance on their faces, and uh, 
<note type="handwritten">BD 0794</note> so you saw their, not only was this a 
powerful man, that he represented something 
powerful, and something transforming, I 
think, for uh, for ghetto black folks.<note type="handwritten">]]0807</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Was there a sense that you had before 
seeing, for example, the fruit there of the 
Nation, I guess changed after seeing, either 
being Har’-, having Harvard meeting or the 
tasty pastry, frosty creamy? </p>
</sp>

<note type="handwritten">BD 0825</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Uh, I think I was prepared for it 
by having read about it beforehand. But 
seeing it was still a very, uh an extremely 
powerful vi’—, uh and vivid experience for 
me. Seeing, seeing the fruit of Islam in 
action, or not in action, but in uh, in a uh, 
uh situation of vigilance and uh, you know, 
they're duty. Uh, when I first met Malcolm, 
for instance, was to uh protect him. Uh, he 
and the St. Louis minister sat a’-, sat by 
<note type="handwritten">BD 0867</note> themselves with my wife and me at the table 
where we were having coffee, where he was 
having integrated coffee. Uh, but at tables</p>
</sp>
</div2>

<div2 type="page">
<pb n="10" facs="goldman-peter_0010.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	10
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>here and there around the room there would be 
these guys uhm, the cap’-, the local captain 
<note type="handwritten">BD 0888</note> of the fruit is’-, of Islam was sitting at a 
table near us, a couple of his guys were 
there. And uh, uh I think it was clear to 
them that we were not a threat to Malcolm, or 
clear to them very quickly that we weren't a 
physical threat to Malcolm, but they were 
there just in case.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Do you think that they got a sense from 
Malcolm, also, that he did not consider you a 
threat? </p>
</sp>

<note type="handwritten">BD 0917</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>I think, I, I think probably so. I 
think they could probably read the signals. 
Malcolm was very much at his ease with uh 
journalists <note type="handwritten">[0927</note> uh,he uh, <note type="handwritten">[</note>Malcolm was at his. 
ease with the journalists in two ways. If 
they were hostile he would fence with them uh 
and would always win. I mean you could not 
beat this man in a debate. Uh, if they 
seemed friendly, even naive friendly, he 
<note type="handwritten">BD 0954</note> would be, he would respond in kind, and his 
tone would change.<note type="handwritten">]0960</note> Uhm, he asked me during
a, uh luncheon uh, uh, "OK. What would you</p> 
</sp>
</div2>

<div2 type="page">
<pb n="11" facs="goldman-peter_0011.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	11
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>do uh about thi’-, this situation of race in 
<note type="handwritten">BD 0977</note> America?" I sa’-, I said, I was under the 
spell of under Dr. King, uh to a degree still 
am, uh and I said, "I, my aspiration would be 
for a color blind society in this country 
where color existed and whe’—, and was an 
affirmative uh part of our lif but was 
<note type="handwritten">BD 1007</note> never a negative for anybody. <note type="handwritten">out</note> That, that we 
would..." </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  All right, we just rolled out.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>All right. OK.</p>
</sp>
 
<incident><desc>BEEP.</desc></incident> 

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>OK. </p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>UH, MOVING ON TO CAMERA ROLL NINETY-THREE ON 
SOUND ROLL FORTY-SIX. THIS IS UHM MALCOLM X, 
BLACKSIDE’S PRODUCTION OF MALCOLM X, SHOW
NUMBER EIGHT HUNDRED. ONE K REFERENCE TONE 
WAS RECORDED AT MINUS EIGHT DB, RUNNING SPEED 
SEVEN AND A HALF IPS. SIXTY HERTZ. CRYSTAL 
SINK. </p>
</sp>
</div2>

<div2 type="page">
<pb n="12" facs="goldman-peter_0012.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	12
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<incident><desc>BEEP. BEEP.</desc></incident> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Uh, one of the things I'm gonna write, 
interview is why...(audio cuts). </p>
</sp>

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>And you're ready? </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  I'll ask you a question, and then yeah.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>OK. OK.</p>
</sp>

<note type="handwritten">TK2 CR:93 SR.46</note>
<sp>
<speaker n="cameracrew"/> 
<p>SOUND SPEED. OK, SLATE NOW. MARKER. TWO.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. If you did uh tell me again what 
Malcolm asked you in terms of your solution 
to the so-called race problem.</p>
</sp>

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>OK. <note type="handwritten">[1041</note> Uh, <note type="handwritten">[</note>we were sitting across 
<note type="handwritten">BD 1043</note> this table at the Shabbaz Frosty Creme, and 
uh talking about race relations uh in 
America, and Malcolm at one point said, "OK. 
What's your solution?" And I don't, he was 
not asking me for advice he was uh, he just 
wanted to uh sort of put me on the spot for a 
moment, I think. And uh, I was uh, at the 
time under the spell of Dr. King and uh his </p>
</sp>
</div2>

<div2 type="page">
<pb n="13" facs="goldman-peter_0013.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	13
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritten">BD 1077</note>
<sp>
<speaker n="interviewee"/> 
<p>notion of the beloved society which would be 
color blind and which color would not be a uh 
disability for anybody, uh it wouldn't 
disappear but it wouldn't be a disability." 
Uh, and uh Malcolm uh just kind of looked 
back at me and said, "You're dreaming. I 
haven't got time for dreams."<note type="handwritten">]</note> And uh I think
that was the uh, I think that to me was the 
epiphany, that was the defining moment of the 
uh, of the whole interview I think. That's 
<note type="handwritten">BD 1121</note> what I went, that's what I came away with uh 
and with the c’, with the, with the sense
that I probably was dreaming.<note type="handwritten">]]1132</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Did it change how you saw the world after 
that? </p>
</sp>

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Uh, it was always in the back of my 
mind. I still uh when Malcolm had told me 
about uh I was dreaming uh after that as I 
covered the events of the Civil Rights 
Movement uh, it was always in the back of my
<note type="handwritten">BD 1164</note> mind, but <note type="handwritten">[1166</note> uh <note type="handwritten">[</note>I think I still was a believer, 
uh at least for a couple of the years. Uh, 
it was always in the back of my 
that we could somehow, we, we wouldn't 
achieve the beloved society any time so, </p>
</sp>
</div2>

<div2 type="page">
<pb n="14" facs="goldman-peter_0014.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	14
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>probably not in my lifetime, but that we 
<note type="handwritten">BD 1187</note> could keep make progress, and I could see 
progress being made. Uh, uh King was in 
motion. Civil rights legislation was getting 
passed, black people were voting for the 
first time, black people were admitted to 
places they had never been admitted to, and 
uh I was ca’-, I, I was, I was still 
spellbound by that and I still believed in 
it, and to a degree believe it and hope for 
it still.<note type="handwritten">]1223</note> Uh, but at the same time, in the 
<note type="handwritten">BD 1227</note> book,in my book I describe Malcolm X as 
having been a prophetic figure and my first 
glimpse had been that, had been over this 
formica table. Uhm, and part of the prophecy 
was that, that America was sitting on it, on 
uh, uh force stronger and more destructive 
than the atomic bomb. Uh, with the 
discontent and the anger of uh, uh black 
people in the urban ghettos. Uh, so at the 
same time, these wonderful events were going 
on in the Civil Rights Movement in the South 
<note type="handwritten">BD 1280</note> with the, northern ghettos began popping, 
Harlem in sixty-four, Watson in sixty-five, 
the prophecy was coming true.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="15" facs="goldman-peter_0015.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	15
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Can you give me a sense about how the 
Northern and Southern movement seemed 
different to you, and also how whites are 
reacting differently to those two movements.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>At the time.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  At the time.</p>
</sp>

<note type="handwritten">BD 1307</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Uh, the, the uh Southern movement, 
I think, engaged much of the white Americas 
conscious. Uh, it, the, the, it, it was, . 
it's hard to say it was the easy struggle,
because people were dying and people were 
going to jail and people were being injured 
and people were losing their livelihoods 
doing it. But the targets were the ones that
could be knocked down, uh starting with 
school desegregation in my own hometown, St.
Louis, it took uh, a year and it was done, 
done deal. Uh, in the uh, in the sixties, 
lunch <subst><del>(unintel)</del><add><note type="handwritten">counters</note></add></subst> uh a very, you know, 
<note type="handwritten">BD 1365</note> emotional symbol for both sides, but that 
could be, that could be achieved uh uh white 
people discovered they weren't gonna die if 
they if they sat next to black people are</p>
</sp>
</div2>

<div2 type="page">
<pb n="16" facs="goldman-peter_0016.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	16
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>Woolworth’s. Uh, hotels, restaurants, same 
way, even the voting rights act, which had 
been a last line of defense, it was, those, 
<note type="handwritten">BD 1396</note> those laws, the segregation laws and the Jim 
Crow voting laws were so clearly wrong to so 
much of white America that you cou’-, that 
the, the black people engaged in that 
struggle could capture our consciences, could 
make us unable to look at ourselves in the 
mirror and say, "W’-, uh, we can, we can, we 
as a nation can live with those injustices." 
<note type="handwritten">1429[</note> Uh, the uhm,_l think we were under the 
delusion, <note type="handwritten">[</note>those of us who lived in the North, 
uh white, liberals who lived in the North, uh 
<note type="handwritten">BD 1445</note> were under the delusion that things were fine 
where we were. Uh, didn't have uh white only 
uhm, uh bathrooms and drinking fountains, and 
lunch counters, and, and uh so on. Blacks 
had voted for ages, ha’-, were represented in 
Congress and so on,<note type="handwritten">]</note> Adam Powell for one 
locally famous example. Uhm, and <note type="handwritten">[</note>I think we 
deluded ourselves that things were, that uh 
this was the Promised Land, and of course it 
<note type="handwritten">BD 1491</note> wasn’t.<note type="handwritten">]</note> Uh, and I think uh, uhm we became 
aware of that, I think starting with the 
riots, and <note type="handwritten">[</note>Malcolm was the first voice to</p> 
</sp>
</div2>

<div2 type="page">
<pb n="17" facs="goldman-peter_0017.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	17
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>bring that to our attention in a National 
<note type="handwritten">BD 1511</note> Forum. Uh Malcolm with his great gift for 
media politics. Uh, a real genius at it,<note type="handwritten">]</note> I
think.<note type="handwritten">]1522</note> Uh...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Can you talk about, more about that, I 
mean that's now, but, what, what is this use 
of uhm, of the media? You mentioned he was 
the first master of the sound tra’-, of the 
sound byte. Can you talk about how he played 
with it?</p>
</sp>

<note type="handwritten">BD 1541</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Uh, Malcolm was, I think the first 
master of the sound byte. Uh, I think uh he 
had an instinctive gift for this uh that uh ,
uh he had, he had to be heard beyond uh, <note type="handwritten">[1566</note> he 
had to be heard south of a hundred and 
twenty-fifth Street, he had to be heard by a 
national audience, both of whites and blacks. 
Uh, he understood that the most powerful 
instrument of communication then as now, is 
television.<note type="handwritten">]</note> Television was at a more 
primitive state than, than it is now, but 
<note type="handwritten">BD 1592</note> that was a, uhm <note type="handwritten">[</note>the way to be heard was to be 
able to say something in ten seconds or 
thirty seconds, and the way to be, the way to</p> 
</sp>
</div2>

<div2 type="page">
<pb n="18" facs="goldman-peter_0018.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	18
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>attract the attention of the white media was 
<note type="handwritten">BD 1612</note> quite often uh unfortunately to be 
outrageous. And Malcolm used uh 
outrageousness as a weapon. He said things 
that were quite shocking to particularly, to 
a white audience particularly.<note type="handwritten">]]1632</note> But he was 
doing two things with that. He was teaching 
the white audience something it hadn't heard 
before. Uh, we, as I, as, as I've been 
saying, <note type="handwritten">[1647</note> we weren’t accustomed to being told 
that we were devils and that we were 
oppressors up here in our wonderful Northern
uh cities. Uh, two he was reaching a black 
<note type="handwritten">BD 1662</note> audience, and within that black audience, a 
lot of people who had been saying these 
things at home, but weren't gonna go out even 
down on the street corner and say them if 
there were any white folks around.<note type="handwritten">]</note> He was 
speaking for the, for the, uh for a silent 
mass of black people. Uh, and uh give, and 
saying it out front on the devil's own air 
waves and uh, uh and that was an act of war, 
<note type="handwritten">BD 1707</note> it was an act, it was a nonviolent act of 
war. Uh, Malcolm wouldn't appreciate me 
saying nonviolent uh because <note type="handwritten">[</note>I think words 
were weapons for him, and I think he </p>
</sp>
</div2>

<div2 type="page">
<pb n="19" facs="goldman-peter_0019.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	19
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>believed, he, he used them uh as a way of 
<note type="handwritten">BD 1728</note> causing white folks discomfort without 
drawing bloo’-, without drawing literal 
blood. But he was drawing some psychic 
blood, I think.<note type="handwritten">]]1740</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Uhm, you also mentioned how the media 
used him, and I'm wondering how you see them 
structuring of you an image of Malcolm?</p>
</sp> 

<note type="handwritten">BD 1754</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p><note type="handwritten">[1754</note> Uh, <note type="handwritten">[[</note>I think the media were not uh 
Very smart about Malcolm at the time. Uh,
the, the, <note type="handwritten">[</note>the price of this using words as 
weapons was to, and the price of his being 
outrageous to get that air time, to get the 
message out, uh was uhm uh that he became a 
caricature.<note type="handwritten">]1788</note> Uh, he nderstood that, I think 
later in his life after he had left the 
nation in his last years. But even then he 
couldn't let it go because it was, he, he, 
what he had discovered was he was a prisoner 
of that. He had become a prisoner of it. 
<note type="handwritten">1810[</note> Uh, <note type="handwritten">[</note>he had to be shocking or he was boring, 
<note type="handwritten">BD 1816</note> he wasn’t good television. Uh, so he kept on 
being shocking. <note type="handwritten">[</note>I think what uh the, the 
caricature was Malcolm the hate-monger and</p> 
</sp>
</div2>

<div2 type="page">
<pb n="20" facs="goldman-peter_0020.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	20
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>that dogged him all his life.<note type="handwritten">]</note> Uh, it wasn't 
<note type="handwritten">BD 1833</note> until after he was dead and after his uh uh 
autobiography appeared sh’-, uh within the 
same year, that began to understand the 
changes he had been going through and the, 
and the richness and the complexity of the 
man.<note type="handwritten">][</note> Not that he had suddenly become a black 
white liberal, but that his, <note type="handwritten">[</note>there was a lot 
more nuance to it than uh, than uh we had 
read in the tabloids or heard on television. 
<note type="handwritten">opening</note> <note type="handwritten">[</note>The public image of Malcolm, the, the, the
<note type="handwritten">BD 1873</note> the gross image of him was teacher of hate.<note type="handwritten">]]1879</note></p> 
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Do you think there was any way he could 
have changed within the media?</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>I think it's very difficult for him 
to uh get out of that box uh...</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Could you say Malcolm instead?</p>
</sp>

<note type="handwritten">BD 1894</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p><note type="handwritten">[[1893</note> I think it was very difficult for 
Malcolm to get out of that box, uh, uh, he 
understood the uhm, if, if he were going to 
use the media as a weapon, a weapon of war, 
uh, uh he had to uh, he had to do these </p>
</sp>
</div2>

<div2 type="page">
<pb n="21" facs="goldman-peter_0021.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	21
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritten">BD 1921</note> 
<sp>
<speaker n="interviewee"/> 
<p>things, he had to offer them red meat. And 
uh they gobbled up the red meat.<note type="handwritten">]]1927</note></p> 
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Why doesn't he just stop speaking to 
them? </p>
</sp>

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Uh the, the...</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Why didn't Malcolm stop speaking to them? </p>
</sp>

<note type="handwritten">BD 1937</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Uhm, <note type="handwritten">[[1936</note> Malcolm couldn't stop speaking 
to the media, I think, because/he would be
sacrificing his audience<note type="handwritten">]]1945</note> uh when he was 
holding meetings in Harlem after he had left 
uh, uh the nation of Islam, he started 
holding meetings at the Audubon Ball Roomand 
other ball rooms in uh Harlem. Uh, typically 
uh no more than a thousand people would uh, 
would attend. Uh, more often four, five 
hundred. The day he died, I think there were 
four hundred in the hall. <note type="handwritten">1987[</note> Uh, <note type="handwritten">[</note>he had in mind
a national, and indeed, in his last year or 
two a global audience, and his only access to 
<note type="handwritten">BD 1998</note> that audience was uh the mass media, and
television, especially, and he used it.<note type="handwritten">]]2011</note></p>
</sp>
</div2>

<div2 type="page">
<pb n="22" facs="goldman-peter_0022.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	22
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Great. Rolling out. All right. Perfect 
ending, I want you to know. Lovely.</p>
</sp>
 
<incident><desc>BEEP.</desc></incident> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  I'm going to ask you one uh... </p>
</sp>

<incident><desc>MISC </desc></incident>

<incident><desc>END OF SIDE ONE</desc></incident> 

<note type="handwritten">L# 2022</note>
</div2>

<div2 type="page">
<pb n="23" facs="goldman-peter_0023.tif"/>
<note type="handwritten">DATE: 06/24/92</note>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	23
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritte">BOX #42 BD2500-4474</note>

<incident><desc>BEGINNING OF SIDE TWO</desc></incident>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Answering some of them and saying 
he'd be glad to help. It was...</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>THIS WILL BE INTERVIEW WITH UH PETER GOODMAN 
ON CAMERA ROLL NINETY-FOUR, SOUND ROLL FORTY- 
SIX.</p>
</sp>

<incident><desc>MISC</desc></incident>

<note type="handwritten">TK3 CR:94 ST.46</note>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>And it's full of, it's full or 
type-o’s, but...(audio cuts).</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>SPEED. TAKE THREE.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Can you talk about the press conference 
where he announces the Muslim mosque being in 
formation?</p>
</sp>

<note type="handwritten">BD 2529</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p><note type="handwritten">2529[</note> Uh, <note type="handwritten">[</note>Malcolm uh, Malcolm's formal 
break with/the uh Nation of Islam uh came in 
uh the spring of 1964. <note type="handwritten">[</note>He called a press 
conference uh, it was interesting to those of 
us who had been around him, that he called, 
that he uh rented a downtown hotel uh meeting</p> 
</sp>
</div2>

<div2 type="page">
<pb n="24" facs="goldman-peter_0024.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	24
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>room, rather than have it up at the <subst><del>Terrace</del><add><note type="handwritten">Terasa</note></add></subst>, 
<note type="handwritten">BD 2565</note> which was where headquarters wa’-, was gonna 
be. He wanted, he, again, he was using the 
media as his, as his platform, as his 
megaphone, as his uh forum uh so that this 
would have a national and uh uh wor’-, even 
world exposure. Uhm, and uh that's, that, 
he, it was gonna be easier to draw a full 
contingent of the press to midtown than it 
was to be, to do it uptown.<note type="handwritten">]</note> Uh,<note type="handwritten">]2611</note> uh he showed 
up uh lugging copies of his statement, a 
couple of his, his uh friends and allies at 
his elbow. Uh, and he uhm, uh there was, 
<note type="handwritten">BD 2631</note> there was a, there was a room full of 
reporters and cameras as he an’-, had 
anticipated. And he did a long statement uh 
explaining that he was uh leaving the Nation 
of Islam, uh that he would uhm uh continue to 
follow it's basic principles, but try to 
bring them to a larger audience, and a larger 
following, uh that he would try to engage 
with the, with the uhm struggle of black 
people as it was going on then. The, the 
<note type="handwritten">BD 2673</note> Nation that always withdrawn from the 
struggle, stood back from it, uh, uh he 
wanted it, he wanted to uh engage with it,</p>
</sp>
</div2>

<div2 type="page">
<pb n="25" facs="goldman-peter_0025.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	25
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>and indeed to begin to make connections with 
at least elements of the Civil Rights 
<note type="handwritten">BD 2692</note> Movement of the day. <note type="handwritten">[[2696</note> He uh talked a little 
about uhm uh the need for black people to arm 
in, in situations where they were threatened 
with violence to arm their, arm themselves in 
self-dense, and even to form gun clubs uh to 
do that. Uhm, and uh in the question and 
answer period, that got the most attention. 
and in the newspapers and the television 
<note type="handwritten">BD 2738</note> accounts, that got the most attention. All 
the rest of the stuff was uh just kind of 
blown away by uh the acco’-, the excitement, 
I, I would even say agitation about this man 
who was talking about arming black people <note type="handwritten">]]2760</note>
uh... </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  And did he talk to you afterward about 
that? </p>
</sp>

<note type="handwritten">BD 2764</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Uh, that afte’-, uh that afternoon, 
the afternoon after the press confere'-, the 
afternoon of the press conference, I went up 
to uh, uh Professor Michoz’s bookstore in 
Harlem which uh was a kind of uh a, a place 
where Malcolm would occasionally meet the</p>
</sp>
</div2>

<div2 type="page">
<pb n="26" facs="goldman-peter_0026.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	26
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>press. In his Muslim days, he used to meet 
<note type="handwritten">BD 2791</note> you at a coffee shop, much like the Shabbaz 
Frosty Creme up on, up in Harlem uhm, no 
longer had access to that, so he would uh, he 
would uh, uh meet you in Professor Michoz’s 
basement, which, i’-, in which there was a 
tiny island of space surrounded by mountains 
of books. Uhm, and uh we talked again. Our 
conversation ran on for a couple of hours. 
Uh, I he was quite tired, it might have gone, 
it might have gone on the rest of the day and 
<note type="handwritten">BD 2834</note> night, I think. And during the course of 
that, I, I asked him uhm uh… (telephone 
rings).</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Cut.</p>
</sp>

<incident><desc>BEEP.</desc></incident> 

<incident><desc>MISC (talking on phone, etc.).</desc></incident>
<note type="handwritten">TK4 CR:94 SR:46</note> 

<sp>
<speaker n="cameracrew"/> 
<p>HERE'S THE MARK. TAKE FOUR. GO.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. So can you talk about going to 
Micho’-...</p> 
</sp>
</div2>

<div2 type="page">
<pb n="27" facs="goldman-peter_0027.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	27
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="cameracrew"/> 
<p>HOLD IT A SECOND. SOMEONE, GOOD, THEN CLOSE 
THE DOOR. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  to Michoz’s to uhm, to meet with Malcolm?</p>
</sp>

<note type="handwritten">BD 2865</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>All right. <note type="handwritten">2863[</note>Uh <note type="handwritten">[</note>after uh the press 
conference in which Malcolm announced this 
break, that afternoon I went up to uh meet 
with him uh and uh interview him at uh 
Professor Lewis Michoz’s African National 
Memorial Bookstore which was a, a, a landmark 
in Harlem.<note type="handwritten">]2890</note> Uh, uh Michoz, himself was an 
old Garvey eye and he had this incredible 
repository of books on black subjects. Uhm, 
Malcolm at that point uh didn't have any 
<note type="handwritten">BD 2908</note> other place to meet the press. He used to 
meet us at a coffee shop uh a Muslim coffee 
shop in Harlem, no longer had that available, 
so he would use Professor Michoz’s store uhm 
as uh as a substitute. And we met in a 
basement room, a little clearing, a little 
island of space surrounded by mountains of 
books of all, of all de’-, of all black 
descriptions. Every, I think every word in 
that story, uh in that store had to do with 
the black people and their struggle and uh uh</p>
</sp>
</div2>

<div2 type="page">
<pb n="28" facs="goldman-peter_0028.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	28
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>and we talked for a couple of hours. My, uh 
<note type="handwritten">BD 2959</note> uh, it might have gone on for hours more but 
Malcolm uh was quite visibly tired at that 
point. Uhm, <note type="handwritten">[2971</note> during the course of that we 
talked, I, <note type="handwritten">[</note>I asked him what he made of all 
the attention he had gotten at the press 
conference to the, the business about gun 
clubs, and uh armed self-defense, and uh he 
talked about the ideology of that. Uh, that 
uhm, uhm, uh that he, he, he was 
ideologically op’-, opposed to nonviolence as 
<note type="handwritten">BD 3006</note> a principle, that uh blacks had a right, and
indeed a duty to defend themselves against 
attack, but he also said uh, uh I know that 
the white media are gonna be unhappy with 
the, with the idea of, of black folks running 
around with guns, and he smiled a little as 
he said it. He knew wha’-, he knew precisely 
what he was doing in media terms. Uh, he 
<note type="handwritten">BD 3041</note> knew that would get attention and uh it did 
not displease him, I think.<note type="handwritten">]]3049</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Can you tell me about what the importance 
of his being based in New York? </p>
</sp>
</div2>

<div2 type="page">
<pb n="29" facs="goldman-peter_0029.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	29
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritten">BD 3055</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Well, I think uh probably a number 
of things. One, New York, I think...</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  I'm sorry. If you could just get a sense 
of...</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Uh, I think Malcolm uh liked being 
based in New York becau'-. uh for a number of 
reasons. One, he had lived here at a, at an 
<note type="handwritten">BD 3083</note> earlier, unhappier part of his life when he 
was a, he was essentially a street hustler 
before... </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Sorry. Let me rephrase that.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Right.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Specifically in terms of media context 
why would... </p>
</sp>

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Oh, OK. OK. <note type="handwritten">[3102</note> Uh, I think Malcolm 
<note type="handwritten">BD 3104</note> wanted, <note type="handwritten">[</note>I think Malcolm wanted to be in New 
York uh for two reasons. One is it's, Harlem 
I think is the capital of black America. 
Two, New York is the ca’-, is the media 
capital of America. He was close to the 
<note type="handwritten">CK 3136 <unclear reason="illegible">negative dirt</unclear></note></p>
</sp>
</div2>

<div2 type="page">
<pb n="30" facs="goldman-peter_0030.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	30
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritten">BD 3125</note>
<sp>
<speaker n="interviewee"/> 
<p>three networks are he’-, are headquartered 
here uh uh the largest, most important 
newspaper in the country uh is headquartered 
here,<note type="handwritten">]</note> the book publishing industry is 
headquartered here, uh this is the place that 
sort, then more than now I think, but then, 
even now, but then uh, uh even more uh, uh 
sets the news agenda for the rest of the 
country, uh that uh local newscasts and local 
newspapers follow New York's lead on what's 
<note type="handwritten">BD 3171</note> news, and <note type="handwritten">[</note>I think Malcolm with this sort of 
gift he had for understanding the media and 
the uses of the media uh understood that and 
wanted to be where the action was, wanted to 
be at the center.<note type="handwritten">]]3190</note></p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Do you think uhm, when you, you talked 
also about talking to him uh around the 
silencing, and I'm wondering if you can give 
a sense uh that when you're doing the story 
Newsweek and you think it's just going to be 
a short conversation?</p>
</sp>

<note type="handwritten">BD 3210</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Uh, Malcolm uh when he uh the 
ostensible reason for his having left the uh 
Nation of Islam was that he had made a remark</p>
</sp>
</div2>

<div2 type="page">
<pb n="31" facs="goldman-peter_0031.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	31
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>about uh the assassination of uh John F. 
<note type="handwritten">BD 3229</note> Kennedy saying it was a case of chi'—, uh 
chickens coming home to roost. <note type="handwritten">[3236</note> There were 
deeper reasons for his being put out of the 
Nation of Islam and for le'—, and for his 
breaking with them, but that was the
ostensible reason. <note type="handwritten">[[</note>I was working at Newsweek 
at the time still uhm and uh called him uh 
just for a routine uh response uh we were 
doing a lot of Kennedy stories, and there was 
going to be a little one talking about 
Malcolm having been suspended for uh for uhm 
<note type="handwritten">ND 3279</note> having made that remark,<note type="handwritten">]</note> and uh Malcolm, with 
his gift for the so’-sound byte, I was 
expecting to pick up the phone say, "Hello. 
Here's the question." I'd get a, I’get a 
quote and that would be it. Uh, and that was 
normally the way one did business with him. 
If you needed a quote for a round—up story. 
In this case, he held me on the phone for 
longer than I had expected uh, I don't 
remember precisely how long, I have my guess 
is it was around fifteen minutes or so. And 
<note type="handwritten">BD 3326</note> he asked me what I thought about a tend. 
That was the first time I had, he, he sounded 
upset. He sounded worried and it was the </p>
</sp>
</div2>

<div2 type="page">
<pb n="32" facs="goldman-peter_0032.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	32
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>first time I had ever sensed vulnerability in 
<note type="handwritten">BD 3349</note> this guy who I've had always been accustomed 
to thinking of as an extremely strong man. 
And so we talked a little about it and I said 
that I was very sorry about it because think 
that uh not only black people but white 
people needed his voice.<note type="handwritten">]</note> Uh, and uh, uh 
there I regretted it and uh he thanked me for 
that and we said goodbye and uh uh, but it 
was the first time I, I sensed uh any, any 
vulnerability and first and uh practically 
<note type="handwritten">BD 3403</note> the last time. I think toward the end of his 
life he knew his life was in danger.<note type="handwritten">]]3416</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  When you uhm, cut for a second.</p>
</sp>
 
<incident><desc>BEEP.</desc></incident> 

<incident><desc>MISC</desc></incident>
 
<sp>
<speaker n="cameracrew"/> 
<p>MOVING ON TO HUH SOUND ROLL FORTY—SEVEN ON 
CAMERA ROLL NINETY—FIVE. THIS IS UH 
BLACKSIDE’S MALCOLM X SHOW NUMBER EIGHT 
HUNDRED.</p>
</sp>
 
<incident><desc>BEEP. BEEP.</desc></incident> 
</div2>

<div2 type="page">
<pb n="33" facs="goldman-peter_0033.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	33
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritten">TK5 CR95 SR47</note>

<sp>
<speaker n="cameracrew"/> 
<p>SPEEDING. MARK FIVE.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  You mentioned that you thought that his 
uhm going public with uhm a log’-, Malcolm 
going public with a large indiscretion signed 
death warrant. Can you talk to me about 
that?</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Uh, oh, ha, ha, ha, ha, uh give me 
a second. I'm not quite sure where to begin 
on that one uhm, uhm.k In uh in his uh last 
uh year or two in the Nation of Islam uh 
<note type="handwritten">BD 3516</note> Malcolm discovered that uh Elijah Mohammed 
had been conducting uh, affairs with several 
of his secretaries uhm, Malcolm's word for it 
was a harem. Uh, uh his count was uh nine 
secretaries and that he had fathered six 
illegitimate uh children by them. Uhm, 
Malcolm's reaction to that was uhm uh shock. 
Uh, he looked on Elijah Mohammed as a, a 
having been the last messenger of Allah. Uh, 
Allah uh had personally commissioned Elijah 
Mohammed to be his messenger on earth. Uhm, 
<note type="handwritten">BD 3585</note> and had uh, and beyond that had a, had a real 
sort of father son relationship, Elijah, the</p> 
</sp>
</div2>

<div2 type="page">
<pb n="34" facs="goldman-peter_0034.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	34
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>father Malcolm, the son, uh uhm there were 
other forces working to pull them apart that 
<note type="handwritten">BD 3609</note> had nothing to do with this, but I think 
Malcolm's shock at the, at discovering this 
was genuine. Uh, he saw it as a, being a 
media conscious guy, saw it as a potential, a 
potentially terribly damaging thing for uhm 
the Nation of Islam if that got out. He 
called a few uh associates he could trust. 
Uhm, and uh alerted them that this might pop 
and that they were gonna have to have answers 
<note type="handwritten">BD 3655</note> ready. Uhm, those people reported him to uh 
to the Chicago headquarters of the, of the 
Nation of Islam <note type="handwritten"><unclear reason="illegible"/>/<unclear reason="illegible"/></note> uh and uh under their, one 
has to understand that under their rules uh a 
Elijah Mohammed was regarded as the messenger 
of Allah, he was regarded as perfect and that 
anybody who would say these things even 
within the family was blaspheming.</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>WE NEED TO CUT HERE.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. OK. All right.</p>
</sp>
 
<incident><desc>BEEP.</desc></incident>
</div2>

<div2 type="page">
<pb n="35" facs="goldman-peter_0035.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	35
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritten">TK6 CR:95 SR:47</note>

<sp>
<speaker n="cameracrew"/> 
<p>SPEEDING. MARK SIX. MARK.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Can you talk about how you and he would 
talk about uhm about Malcolm, t’-, talk about 
Elijah’s indiscretion and then uhm that 
signed his death warrant?</p>
</sp>

<note type="handwritten">BD 3725</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p><note type="handwritten">[3724</note> Uh,<note type="handwritten">[</note> Malcolm in the uh spring and 
early summer of uh 1964 was in a desperate 
situation with the Nation of Islam and the 
one weapon he had left was his knowledge of 
the messenger’s indiscretions with various 
women uh who were working for him as 
secretaries.<note type="handwritten">]]3753</note> Uh, he finally, Malcolm, as I 
wrote in the bo’-, uh as I wrote in the book 
was dangerous when he was in a co’-, when, 
when he was backed into a corner. Uh, he 
<note type="handwritten">BD 3772</note> would use whatever was at hand. Uh, that 
was, that was the weapon uh and in that 
period, he tried to use it. Uh, he called 
one guy at the New York Herald Tribune in the 
middle of the night uh, tried to interest him 
in the story. Uhm, uh the newspaper could 
not touch it because there was no 
<note type="handwritten">BD 3810</note> substantiation. Uh, it libelist to i’-, i’-, 
it was considered libelist at the time, and</p> 
</sp>
</div2>

<div2 type="page">
<pb n="36" facs="goldman-peter_0036.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	36
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>so they wouldn't do it. Uh, he did begin 
<note type="handwritten">BD 3825</note> getting on a coup’-, on, he did begin using 
it on two or three talk shows uh by early 
June. Uh, but to his surp’—, his great 
surprise, wasn't getting any mileage in the 
press out of it. Uh, again, <note type="handwritten">[3843</note> I think the 
print press was very conscious of uh, of uh 
the libel pos'—, the libel potential here. 
So, Malcolm finally used the tri’—, the 
trial. He was uh there was a civil trial in 
which <note type="handwritten">[</note>the Nation of Islam was trying to evict 
him from his house, ultimately succeeded.
<note type="handwritten">BD 3871</note> Uhm, or succeeded in winning the judgment. 
Uhm, and uh in uh, during a two day trial, 
Malcolm uh, uh told this story in open court. 
At the point, it was protected because it was 
a part of court testimony. Uh, it could be 
printed without the risk of libel and it 
began to be printed. It got out into the 
open. It didn't make quite as big a splash 
as he had expected it to. I think he was 
probably disappointed, and in fact I know he 
was disappointed in the outcome. Uh, but uh 
<note type="handwritten">BD 3922</note> it did make enough of a splash uhm to uhm uh 
bring down the full fury of the Nation of 
Islam on him. Uh, he was blaspheming the</p> 
</sp>
</div2>

<div2 type="page">
<pb n="37" facs="goldman-peter_0037.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	37
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>messenger of God and uh he knew it, and at 
<note type="handwritten">BD 3949</note> that point, the danger to his life that 
already existed uh intensified and in that, I 
think on that afternoon in court he had 
signed his own death warrant.<note type="handwritten">]]3970</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Let's cut here.</p>
</sp>
 
<incident><desc>BEEP.</desc></incident> 
<note type="handwritten">TK7 CR:95 SR.47</note>
<sp>
<speaker n="interviewer"/> 
<p>Q:  Great.</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>MARK. TAKE SEVEN.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Can you talk about public versus the 
private Malcolm?</p>
</sp>

<note type="handwritten">BD 3991</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p><note type="handwritten">[</note> The public Ma’—, Malcolm was a 
warrior. He was uh, as a I describe in, in 
the book, a witness for the prosecution, that 
was his calling. <note type="handwritten">[[4004</note> He was he man bringing the 
case, the black case against white America to 
public attention, and he would use literally 
anything that came to hand to do it.<note type="handwritten">]]4021</note> This 
one celebrated instance in which uh he 
rejoiced over a uh plane crash, a plane had </p>
</sp>
</div2>

<div2 type="page">
<pb n="38" facs="goldman-peter_0038.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	38
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritten">BD 4029</note>
<sp>
<speaker n="interviewee"/> 
<p>gone down uh full of white folks and he 
celebrated...</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  I wonder if you could hold, and just do 
it again without mentioning that, ’cause I 
may ask you that separately.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>OK.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  So what is the difference between the 
public and private Malcolm?</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>OK. <note type="handwritten">[[4046</note> The public Malcolm was a 
warrior <note type="handwritten">]]4049</note> as I, uh as I describe him in 
<note type="handwritten">BD 4052</note> the book, the witness for the 
prosecution. He was black America's
voice uh speaking to black and white 
America about the oppression that black 
people had uh endured in this country. 
Uh, he never relented from that role, 
not a’-, not even after his trip to 
Mecca and his discovery that there we’-, 
there were white Muslims out there. Uh, 
he was always, he always regarded uh 
<note type="handwritten">BD 4087</note> whites in the mass as the enemy of 
blacks in the mass. He, uh, by the end </p>
</sp>
</div2>

<div2 type="page">
<pb n="39" facs="goldman-peter_0039.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	39
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>of his life he might have found a few 
exceptions, but that was his rule. Uh, 
<note type="handwritten">BD 4103</note> he was quite pitiless about that. <note type="handwritten">[[4107</note> At 
one meeting uh he saw uh, uh, uh with
the black audience there was one white 
reporter present.<note type="handwritten">]]4116</note> Uh, Malcolm made a 
remark that I think probably might have 
been interpreted as anti-Semitic because 
he would use an heathen. Uh, <note type="handwritten">[4131</note> uh and <note type="handwritten">[</note>he 
pointed down at the white reporter and 
said, "Look at hi’-, look at him, he 
tha’-, that's the first notes he's taken 
this meeting. He's making notes on what 
<note type="handwritten">BD 4149</note> I just said." Uhm, and the, the, the 
room got very tense. Uh, the reporter, 
who I know, uh was a little scared uh 
and Malcolm defused it. Uh, Malcolm did 
his full brilliant smile, and he did 
have a brilliant smile, and he said, 
"Look at him, they don't even know how 
to smile, we can laugh." And he 
laughed, and the crowd, the tension came 
down like that. Malcolm knew how to 
<note type="handwritten">BD 4192</note> control a crowd. A, a crowd would never 
have gotten_out of hand in Malcolm's
hands <note type="handwritten">]]4199</note> uh, uh that was the pu’—, that was</p> 
</sp>
</div2>

<div2 type="page">
<pb n="40" facs="goldman-peter_0040.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	40
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>the uh public Malcolm. <note type="handwritten">[4207</note> Uh, <note type="handwritten">[</note>the private
<note type="handwritten">BD 4208</note> Malcolm called that same reporter a day 
or two later and apologized to him, and 
said, "You've got to understand when I'm 
up there on the stage I use whatever is
around." And he had done that.<note type="handwritten">]]42127</note> My own
experience with Malcolm which was 
covered, you know, many conversations 
uh, s’-, uh either sit—downs or 
telephone conversations, uh was that he
was never less than courtly. Uhm, <note type="handwritten">[[4253</note> I 
don't think we ever got to be friends, 
or ever could have, I think our 
<note type="handwritten">4261</note> respective skin colors and his view this 
great division would have prevented 
that, but I think we did get to uh, we 
moved from a relationship in which 
these, these encounters were interviews 
to a relationship in which they were 
conversations. Uh, and even, even at my 
first encounter, I never felt uh, uh 
it's weird to say this, but I never took 
it personally, uh even with my blue 
<note type="handwritten">BD 4303</note> eyes, and even with him talking about 
the blue—eyed devil. I never took it 
personally. I knew I was part of the</p> 
</sp>
</div2>

<div2 type="page">
<pb n="41" facs="goldman-peter_0041.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	41
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>indicted group, but he had a way of 
<note type="handwritten">BD 4316</note> making you feel comfortable, feel, feel 
as if you were talking man to man<note type="handwritten">]</note> with a 
peer, or maybe a superior.<note type="handwritten">]4329</note> And uh, and 
there was uh, uh, it, it was, it was 
entirely possible to get along with him, 
to be uh, to be civil, to be friendly 
with him.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  In terms of your relationship, you 
said he liked to debate you, or liked to 
debate.</p>
</sp>

<note type="handwritten">BD 4351</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Yeah. Yeah. I think in these 
conversations uh there were always 
fencing matches and the more if, if, if 
you were uhm, if you, if you came at him 
aggressively, he would get more 
aggressive with you. That wasn't my 
way. I was, you know, uh, uh a probably 
a more sym’—, sympathetic listener than 
some of the uh folks who were, who were 
interviewing him in those days, but he 
<note type="handwritten">BD 4382</note> still liked to fence. Uh, you know, I
think the conversation in which he told 
me I was dreaming was an example of</p>
</sp>
</div2>

<div2 type="page">
<pb n="42" facs="goldman-peter_0042.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	42
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>Malcolm fencing with me. Invit’-, e’—, 
even inviting me to say what my solution 
<note type="handwritten">BD 4399</note> for the uh race problem would was uh, 
was, I mean that was, that was like a 
faint in fencing, and I lunged and he 
touche’. You're a dreamer.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Can you describe him also 
personally, I mean how did you see him 
personally? You talk about his humor 
with you.</p>
</sp>

<note type="handwritten">BB 4428</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Malcolm had a marvelous sense 
of humor. Uhm, uh that showed itself in 
various ways, even in conversations with 
uh whites or in his warrior role he'd 
use, he'd do uhm, he'd do what uhm 
essentially were stand-up co’—, in fact 
Dick Gregory uh spoke to me about <note type="handwritten">out</note> how 
uh, you know, he could have been a 
stand-up comic. Uhm, if, if, fortune 
had led him that way.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Uhm...</p>
</sp>
 
<incident><desc>BEEP.</desc></incident> 

<note type="handwritten">L# 4474</note>
</div2>

<div2 type="page">
<pb n="43" facs="goldman-peter_0043.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	43
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 


<sp>
<speaker n="interviewer"/> 
<p>Q:  What I'm going to do uhm, is rephrase 
that.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>All right.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  And uh let you keep this part, and I'll, 
I'll ask you to uh talk about how he seemed
to you personally. ’Cause you mentioned at 
some point that you thought of him as an 
aristocrat and uhm then if you could talk 
about how, you know, he wrote you 
that...(audio cuts).</p>
</sp>
 
<incident><desc>END OF SIDE TWO --TAPE #4</desc></incident> 
</div2>

<div2 type="page">
<pb n="44" facs="goldman-peter_0044.tif"/>
<note type="handwritten">DATE: 06/24/92</note>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	44
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritten">BOX#43 BD5000-7025</note>

<incident><desc>BEGINNING OF TAPE 5</desc></incident>
<note type="handwritten">TK8 CR.96 SR.47</note> 

<sp>
<speaker n="cameracrew"/> 
<p>MISC: We are moving on to camera roll 96 on 
sound roll 47,
 
continuation of interview with Mr. Goldman.</p>
</sp> 
<incident><desc>BEEP.</desc></incident> 

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Okay. Well, do you want me go from 
the personal piece to my own sense of Malcolm 
as the, the person Malcolm, the private 
Malcolm. Okay.</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>MISC: Speeding. Take eight.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Can you give me a sense again about um ah 
the meeting where ah Alan, Alan Ellenberg 
did—-</p>
</sp>

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Eh. Uh.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Okay.</p>
</sp>

<note type="handwritten">BD 5028</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Um, I think the difference between 
the ah, the warrior Malcolm and the private 
Malcolm ah is is kind of pretty well</p> 
</sp>
</div2>

<div2 type="page">
<pb n="45" facs="goldman-peter_0045.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	45
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>illustrated by ah ah an incident in which ah 
he was addressing a uh a black audience in 
<note type="handwritten">BD 5051</note> New York. Ah, the only ah, the only white 
people there were reporters. Ah, one of them 
was uh a guy from the New York Post named Al 
Ellenberg. Ahm, Malcolm made ah, Malcolm the 
warrior ah used, would use anything. Ah, of 
whatever shock value. And in this case he 
uh, uh said something to the effect that ah 
everybody worried about the Holocaust; nobody 
worried about the hundred million uh black 
people ah who had died in slavery or in the 
Middle Passage. Ah, ah, that why is 
<note type="handwritten">BD 5112</note> everybody getting so wet—eyed about a handful 
of Jews who brought it on themselves, were 
his exact words. Ah, kind of an 
uncharacteristic line; maybe we'll get back 
to that. But um, ah the mood in the hall 
turned very tense. Ah, as Malcolm looked 
down at Al Ellenberg and said, Look at the 
devil down there. He's making notes on that. 
That's the only thing he's been writing in 
his notebook. Ah, Ellenberg could feel the 
crowd kind of rumbling and maybe moving 
<note type="handwritten">BD 5161</note> toward him, and was ah, was really quite 
nervous about it. And uh Malcolm broke it</p>
</sp>
</div2>

<div2 type="page">
<pb n="46" facs="goldman-peter_0046.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	46
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>eh, just broke the ah tension by saying ah, 
by flashing his brilliant smile--and Malcolm 
<note type="handwritten">BD 5179</note> did have a brilliant smile-—and saying, Look, 
he doesn't even know how to laugh. We know 
how to laugh from the belly. And he got, 
there began to be laughs in the hall and the 
tension was gone. Malcolm could control any 
crowd he ha- he ever stood in front of. 
There was no question of a crowd getting out 
of hand with Malcolm. Or of his letting it, 
encouraging it to get out of hand. But the 
private Malcolm called Ellenberg a day or two 
later and apologized for having done that, 
<note type="handwritten">BD 5221</note> for having put him on the spot like that and 
used him. And he said, You've got to 
understand, I use whatever is at hand. Ah, 
and to me, I think that defined the 
difference between ah, ah the public man and 
the private man. The public, the public 
warrior, the witness for the prosecution. 
<note type="handwritten">5248[[</note> The private man I knew, ahhh, can't say we 
were friends. It was impossible ah I think 
for Malcolm to have white friends to cross 
<note type="handwritten">BD 5263</note> this great divide between the races. But ah, 
he was ah, he was ah a man of um, courtly 
manners I think. Ah, almost an aristocrat, I</p> 
</sp>
</div2>

<div2 type="page">
<pb n="47" facs="goldman-peter_0047.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	47
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>think. His hearing was aristocratic. Ah, he 
<note type="handwritten">BD 5291</note> was, he was he was strong enough to be civil 
and even to be friendly with someone who 
could not be his friend.<note type="handwritten">]</note> Ah, at the t- 
after, <note type="handwritten"><unclear reason="illegible"/>/<unclear reason="illegible"/></note> after my first meeting with him I 
wrote him a letter, ah, ah asking him some 
further questions.<note type="handwritten">]</note> I was interested in 
trying to ah to a a possibly a magazine piece
about him and the Nation of Islam.<note type="handwritten">]5326</note> He was 
still with them at the time. And ah, I knew 
<note type="handwritten">BD 5334</note> writing the letter that he would answer it. 
There was just no question in my mind. And 
he did.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  And, why don't you um, this won't be 
on...the air. </p>
</sp>

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Fine.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  If you could s- talk about the letter 
again. that you wrote it....</p>
</sp>

<note type="handwritten">BD 5359</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Fine, fine. I had ah, sent Malcolm 
a letter with a few more questions about ah, 
uh--this was after my first meeting with him- 
-and the work of the Nation of Islam, but </p>
</sp>
</div2>

<div2 type="page">
<pb n="48" facs="goldman-peter_0048.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	48
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>particularly about his own conversion 
experience. Ah, I was hoping to do an 
<note type="handwritten">BD 5381</note> article about him, ah, ah, and ah, I knew, 
sending the letter, that ah, I knew he was 
going to respond because that, he was a 
courtly, mannerly man and you, if he got 
a letter, he was going to answer it. And I got 
a letter back ah, ah, plainly typed by 
Malcolm himself. In fact, at the bottom 
where one usually sees the initials of the 
sender and the secretary, it says "MX MX," 
indicating he was both. And there were a lot 
. of uh, ah, typos and overstrikes in it. Ah, 
but um, ah, he ah, he ah answered the 
<note type="handwritten">BD 5454</note> questions I had for him. Would you like to 
hear a little of it? Okay. <note type="handwritten">[5460</note> Ah, it's <note type="handwritten">[</note>"Dear 
Mister Goldman." Always formal. Ah, "I 
received your recent letter letter and was 
happy to know that our discussion and the 
radio program increased your knowledge of 
Minister Elijah Muhammed’s aims among the 
American so-called Negroes. Concerning your 
request for some background material on me 
<note type="handwritten">BD 5486</note> prior to my becoming a Muslim, I can sum up 
my pre-Muslim life in one sentence. Before 
being taught the religion of Islam by the</p> 
</sp>
</div2>

<div2 type="page">
<pb n="49" facs="goldman-peter_0049.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	49
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>Honorable Elijah Muhammed, I was nothing 
<note type="handwritten">BD 5502</note> intellectually, morally, and even 
spiritually." And he goes on to talk a 
little about his uh, conversion while he was 
in prison, by one of his brothers. And at 
the end he says, "so the only choice that <note type="handwritten">tilt up from letter to Peter</note> 
negroes have to make today is to accept God's 
solution and follow the Honorable Elijah 
Muhammed into some land of our own, where we 
can solve our own problems; or refuse God and 
<note type="handwritten">BD 5541</note> integrate with the white man and wait for the 
white man to solve these problems." Then he 
adds, "any time I can be of any service to 
you in giving you an objective picture of 
Minister Muhammed's aims, please feel free to 
call upon me. Sincerely, Malcolm X.”<note type="handwritten">]]5563</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Okay. Let’s cut. That's very nice.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>He's the real deal.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Yeah.</p>
</sp>
<note type="handwritten">TK9 CR:96 S.R.47</note> 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Okay, what w- what was Malcolm's um thing 
about time? Being on time.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="50" facs="goldman-peter_0050.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	50
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritten">BD 5580</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p><note type="handwritten">[</note> Ah, <note type="handwritten">5579[</note> Malcolm had a thing about being 
on time. He alwa- he was always unfailingly 
punctual. You never, you ah, you never 
waited for him. He was never late for a, an 
interview or a meeting. Ah, always had a 
watch, always followed it.<note type="handwritten">]]5604</note> Ah, I think 
ah...my own sense of it was that uh there had 
been a stereotype about black people being 
late and a saying among black people about 
CPT, colored people's time. Malcolm ah, was 
not going to be, was not gonna live up to any 
<note type="handwritten">BD 5631</note> of our stereotypes, if he could help it. And 
he didn't. And time was one of his things. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  You also had a story about um, his 
calling you after a Newsweek article and 
saying it's fair.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Right.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  What was that. Or, sorry, an aide 
calling.</p>
</sp>

<note type="handwritten">BD 5654</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Right. Um, Malcolm, I think, would 
never have ah directly complimented a white</p> 
</sp>
</div2>

<div2 type="page">
<pb n="51" facs="goldman-peter_0051.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	51
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>journalist on a piece of work. He would be 
friendly and civil to you. Your piece would 
<note type="handwritten">BD 5670</note> appear. Uh, normally you wouldn't hear from 
him. Ah, once in a while ah, you'd hear, but 
only indirectly, never from Malcolm himself. 
One time, it-—I think it was the day he uh 
held the uh, the the week he held the press 
conference breaking with the Nation of Islam 
and setting up the Muslim Mosque, 
Incorporated—-ah...day or so after that 
appeared, ah one of his senior folks, James 
Sixty—Seven X called me and said, Minister 
Malcolm ah thought that your piece was fair. 
<note type="handwritten">BD 5721</note> "Fair" was a very strong worked for...Malcolm 
to ah, to- a strong compliment for Malcolm to 
apply to the white press! Ah, I was very 
proud of it, but it was interesting that 
Malcolm uh, would not do it himself.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  You also mentioned that your wife had a 
similar experience.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>My wife had a similar experience. 
<note type="handwritten">BD 5748</note> She did a series in the—-she worked for the 
New York Post at the time--and she had done a 
series on Malcolm and on black nationalism.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="52" facs="goldman-peter_0052.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	52
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>Um, and ah, Malcolm ah, ah clearly liked it 
<note type="handwritten">BD 5768</note> and said so to Alex Haley who was 
collaborating with Malcolm on the 
autobiography. Ah, and asked Malcolm to call 
my wife and tell her that he had uh um....</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Sorry, if you could repeat, ’cause you're 
saying "he asked Malcolm to call," and you 
meant ask Alex, right?</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Sorry.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Did you just... </p>
</sp>

<note type="handwritten">BD 5795</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Slip of the tongue, yeah. Yeah. 
Okay. Ah, my wife had a similar experience. 
Ah, she had written a series on Malcolm, 
Elijah Muhammed, and black nationalism for 
the New York Post where she worked at the 
time. And Malcolm plainl- Malcolm plainly 
had uh enjoyed it and he said so to Alex 
Haley who was the writer collaborating with 
Malcolm on the uh, uh autobiography. And he 
asked Haley to call my wife and say that he 
<note type="handwritten">BD 5839</note> had uh enjoyed the series and and ah learned 
things that he hadn't known before. Haley</p>
</sp>
</div2>

<div2 type="page">
<pb n="53" facs="goldman-peter_0053.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	53
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>never did that, but he was kind enough to put 
<note type="handwritten">BD 5850</note> it in the epilogue to his book, and so the 
compliment reached a far wider audience than 
my wife's ears alone! It was much nicer in a 
way.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  You also talked about um Malcolm's hatred 
of whites was an acs— abstract principle. 
What did you mean? Could you talk about 
that?</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Yeah. <note type="handwritten">[</note>I think ah, Malcolm's um
hatred of whites, I think in his ah years as 
a black Muslim was a matter of theology for 
<note type="handwritten">BD 5895</note> him. I think afterwards it was an abstract
principle for him. And I th- eh ah <note type="handwritten">[5906</note> I think 
that he was able to encounter whites as 
individuals and to see them as individuals. 
I think that was one of the reasons one could 
sit down with him and have a discussion that 
was not a war. It might, it might be a 
fencing match, but it was not a war. Ah, you 
didn't feel as if you were hopelessly...that 
<note type="handwritten">BD 5934</note> that there was no middle ground on which you 
could talk.<note type="handwritten">]]5939</note> Ahm ah, I think he--not just my 
own experience, but others I think who ah,</p> 
</sp>
</div2>

<div2 type="page">
<pb n="54" facs="goldman-peter_0054.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	54
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>who ah, interview- other journalists who 
interviewed him, other white people who met 
<note type="handwritten">BD 5955</note> him--found him pleasant, even amiable ah in 
certain settings. And ah were always 
surprised by it because of his warrior image. 
Ah, but that was Malcolm and it led me to 
believe that ah, that ah the hatred was very 
real to him, but it was a politic- it was 
first a theological and then a political 
position. <note type="handwritten">out</note> Ah, he believed it uh, believed it 
ideologically, believed it theologically in 
his, and in an earlier time, but...</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Okay. yeah, we're rolling. Yeah, okay.</p>
</sp>
<incident><desc>BEEP</desc></incident>

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>I think I was repeating-- </p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>MISC: Yes, this is sound roll 48 on camera 
roll 97. BlacMside’s production of Malcolm X 
800 one K.Reference tone was recorded at 
Minus 8DB running speed at seven and a half 
IPS.</p>
</sp>
</div2>

<div2 type="page">
<pb n="55" facs="goldman-peter_0055.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	55
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritten">TK10 CR:97 3R:48</note>

<sp>
<speaker n="cameracrew"/> 
<p>MISC: Okay, take ten.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Um, explain the the whole Jewi- anti- 
semitism in terms of Malcolm.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>I never saw anti—semitism—-</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Kay..? Oh-kay! <vocal><desc>[laughter]</desc></vocal> Okay.</p>
</sp>

<note type="handwritten">BD 6054</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>I never saw anti-semitism as a 
defining issue with Malcolm, or as a major ah 
theme with him as it, as it may have been for 
some some of his ex- his successors in the 
Nation of Islam. Um, ah, he would say ah
things every now and then that could be 
interpreted as ah anti-semitic. But the 
message was really anti-white. Ah, and ah, I 
<note type="handwritten">BD 6092</note> never thought that it was central either to 
his theology or to his political position 
after he left the Nation of Islam. Um, the 
eh, the Jews within the Na- the, the Nation 
of Islam regarded black people in America as 
the lost tribe of Israel. <note type="handwritten">[6120</note> The tribe of 
Shabbaz which became Malc:lm’s eh surname ah, 
<note type="handwritten">BD 6128</note> ah, Shabbaz. Um, wh— that was the lost tribe 
of Israel so they felt a kin- they felt this</p> 
</sp>
</div2>

<div2 type="page">
<pb n="56" facs="goldman-peter_0056.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	56
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>ambivalent kinship with Jews, which I think 
<note type="handwritten">BD 6145</note> Malcolm felt and incorporated into his his ah 
theology. <note type="handwritten">[</note>The first time I met him, ah, when 
we were at the Shabbaz Frosty Creme, ah, he 
said to me ah, Jews are black people trying 
to become white and ah, given Malcolm's 
theological position at the time, I took that 
as half a compliment!<note type="handwritten">]6176</note> Ah, and he went on to 
explain that there were common r- that we had 
common roots in the um, in the Middle East. 
That our language had common roots and that 
we, we essentially were the same people. We 
<note type="handwritten">BD 6197</note> had- history had taken us in different ways, 
down different paths, but ah....So I don't 
really, I don't think of Malcolm as anti- 
semitic, although he would use it as part of 
his view that he would use anything that came 
to hand as Malcolm the Warrior, Malcolm the 
Prosecutor.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  You mentioned also that that got 
complicated by those who were running the 
businesses in Harlem, for example, and tho- 
those who are running some of the um, 
shopping- something-— </p>
</sp>
</div2>

<div2 type="page">
<pb n="57" facs="goldman-peter_0057.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	57
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritten">BD 6236</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Eh, I I think in, I think in 
Harlem, as in other ah ah ghetto 
neighborhoods around the country, there was, 
there has always been a kind of low grade 
anti-semitism that flows from having the only 
white- visible white people for many, many 
years, be Jews. They owned the- they owned a 
lot of the stores, ah, ah, the social workers 
were Jewish, the teachers were Jewish, the 
welfare workers were Jewish, sometime— some 
of the cops were Jewish. As Benjamin 
Goodman, one of Malcolm's aides, once told 
me, ah, ah, Jews ran the whole gamut of us, 
<note type="handwritten">BD 6308</note> was the way he put it. Ah, including writing 
books about them! Which I was then engaged 
in doing. Ah, so I think that the visible 
white people in the daily life of a lot of 
black people in this country- the visible 
white people were Jews. And I think there- 
that it got- that there began to be a strain 
of anti-semitism, but ah, and I think Malcolm 
may- Malcolm understood that and was picking 
<note type="handwritten">BD 6348</note> up bits and pieces of that. Again, I don't 
think it was central to his ah teaching.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="58" facs="goldman-peter_0058.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	58
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  And, what do you think his position is on 
white America, or white Americans, after he 
comes back from the Haj. Has it had changed? 
What is..... </p>
</sp>

<note type="handwritten">BD 6371</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>I think his, his ah, his position 
on ah white America, white Americans after he 
came back from Mecca—-</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Sorry. Um, if you could say "Malcolm."</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Sorry. I keep forgetting to do 
that, yeah. I forgot. I think Malcolm's ah 
attitude toward white people after he came 
back from the Hajj was more complicated than 
<note type="handwritten">BD 6401</note> it had been, and he needed it to be more 
complicated. Ah, ah he had been um, in all 
his years in the Nation of Islam, essentially 
a doomsday evangelist, ah, preaching that all 
white people were devils. That- I think he 
had been moving incrementally away from that 
position even while he was still in the 
Nation of Islam. There was a continuum 
happening in his mind. And he had to 
<note type="handwritten">BD 6443</note> rationalize what his own experience of the
world was. he was encountering white people,</p> 
</sp>
</div2>

<div2 type="page">
<pb n="59" facs="goldman-peter_0059.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	59
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>was beginning to differentiate among them. 
<note type="handwritten">BD 6454</note> Not to say I love them, just to differentiate 
among them, ah see different attitudes, ah, 
so that he could no longer say, They're all 
devils. On the other hand, <note type="handwritten">[[6471</note> a lot of white 
liberal ah ah analysis of the new Malcolm X, 
quote unquote, who came back from the Haj, I 
think it tended to sentimentalize him, to 
turn him into an integrationist, to turn him 
into a black white liberal. Ah, he was not 
that. When he talked about Islam when he 
came back, ah, he was talking about white
<note type="handwritten">BD 6502</note> people who happened to be Muslims, ah, and 
regarded them as colorblind. He said in, in 
Islam, it's like the fingers of the hand: 
they're different sizes but they're all part 
of the same hand. White, black, yellow, red, 
whatever.<note type="handwritten">]]6524</note> Ah, and he had experienced that on 
the Haj. He had newer experienced in the .
United States. <note type="handwritten">[6533</note> And ah he felt that the,
that the air we breathe in this country was 
essentially racist. Ah, that there might be 
some exceptions. Before black audiences he 
<note type="handwritten">BD 6547</note> would say, There might be some good ones; we 
don't have time to go looking for them.<note type="handwritten">]</note> Ah, 
trying to reach a larger audience, including</p>
</sp> 
</div2>

<div2 type="page">
<pb n="60" facs="goldman-peter_0060.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	60
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>the civil rights people who he hoped to 
<note type="handwritten">BD 6562</note> connect with, he'd be a little more nuanced 
than that, but the message was essentially 
the same. That ah, ah, white people may not 
be the devil, but you can comb the their 
history for angelic deeds and you won't find 
a whole lot of them.<note type="handwritten">]6589</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Why do you think that some white college 
students connect with him, at that time. 
Like, if you can give a sense of the 
difference in time on the colleges then.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Malcolm s- Malcolm saw white 
<note type="handwritten">BD 6606</note> college students as a potential audience and 
ah, really came to like them. Ah, his 
attitude toward them was that they were much 
more open ah, that they were younger, that 
they were as- eh as college, as students were 
opening their minds to all kinds of things 
that their parents would consider heresies. 
You could reach them. You could talk to 
them. You could make them understand eh the 
message. Ah, and ah, ah, a lot of Malcolm's 
<note type="handwritten">BD 6652</note> ah time on the lecture circuit, which 
occupied a lot of his- a fair amount of his</p>
</sp> 
</div2>

<div2 type="page">
<pb n="61" facs="goldman-peter_0061.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	61
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>life while he was in the Nation of Islam and 
practically all of it when he was out...a lot 
<note type="handwritten">BD 6668</note> of it was college audiences, and he really 
loved them. I think students just were more 
open to him. White students.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Okay. Let's cut right there. Yeah.</p>
</sp>

<note type="handwritten">TK11 CR:97 S.R.:48</note> 
<sp>
<speaker n="cameracrew"/> 
<p>MISC: ....eleven.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  You mention that um what interested . 
Malcolm most was the decolonization of the 
black mind. Can you talk about that?</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>I think Malcolm saw his role as a 
teacher and, beyond that, as as raising the 
<note type="handwritten">BD 6712</note> consciousness of uh black, eh black people in 
America. Ah, in the book I call it--a phrase 
I borrowed from, actually from one of my 
interviewees-—the decolonization of the black 
mind. Ah, ah, that ah, black people in their 
history here had been taught to accept a 
<note type="handwritten">BD 6747</note> subordinate position in the society, even to 
b— even ah, among too many black people, to 
accept it as somehow justified, as somehow</p> 
</sp>
</div2>

<div2 type="page">
<pb n="62" facs="goldman-peter_0062.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	62
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>God's judgment. Malcolm was gonna bust 
through that if he could. And he could do 
it, as he liked to say, by any means 
<note type="handwritten">BD 6771</note> necessary. And the means he used were 
verbal. That was his great gift. And ah, he 
wanted to make black people feel as if they 
were at the very least equal and possibly 
morally superior to white people.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Why was this such a threat, do you think, 
to white people? </p>
</sp>

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p><note type="handwritten">[6805</note> I think white people sort of 
preferred the set- the settled order of 
<note type="handwritten">BD 6813</note> things. Heh-heh, wh- which ah ah, I think 
there, <note type="handwritten">[</note>I think there's always been a dread 
among white people of ah, what's been called 
the black revenge. I think ah there's a lot 
of guilt in white America. Our relations 
with our black population have always been 
quite neurotic and part of the neurosis is ah 
the sense that someday these people who have 
been oppressed so long are going to exact a 
<note type="handwritten">BD 6860</note> terrible revenge. And to hear this guy stand 
on television and talk about ah white devils 
and later on about guns...ah, even though he</p> 
</sp>
</div2>

<div2 type="page">
<pb n="63" facs="goldman-peter_0063.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	63
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>was talking about self—defense, ah I think 
<note type="handwritten">BD 6881</note> was ah quite frightening<note type="handwritten">]</note> and it was a sense 
that, in the south, um ah, white segregation 
is always- eh segregationists always 
complained about outside agitators; well, 
Malcolm was an outside agitator on the 
national stage. <note type="handwritten">[</note>And there's always been this 
sense that blacks are an emotional people 
waiting for somebody to ah ah send them out 
with guns and swords and...so on and take 
this terrible revenge. And I think uh, 
<note type="handwritten">BD 6926</note> Malcolm was quite conscious of that. He used 
it, he used it every way he could.<note type="handwritten">]]6933</note> I talk 
about Malcolm in the book as having been a 
guy who believed in- that if you cocked your 
fist, you might not have to throw the punch. 
And ah, ah I believe that was so.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Where are you when you hear that he's 
been assassinated. And could you describe 
that whole thing for me.</p>
</sp>

<note type="handwritten">BD 6964</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p><note type="handwritten">[[6964</note> I was at home on a Sunday, the day 
Malcolm was assassinated. Ah, I was not 
n listening to ah radio or television, but 
someone called me immediately. And ah- I</p> 
</sp>
</div2>

<div2 type="page">
<pb n="64" facs="goldman-peter_0064.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	64
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>think somebody from my office called me at 
<note type="handwritten">BD 6986</note> home, knowing that- knowing my relationship 
with Malcolm, and told me about it. And uh 
my heart was in my shoes. Um, I f-find 
myself getting anxious even talking about it 
now. It was a very painful moment for me. 
And I think for many Americans.<note type="handwritten">]out]7014</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  What was the first thought that ran 
through your mind when you heard he was
assassinated.Sorry, hold that for one 
second.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Ah, do you mean <incident><desc>BEEP.</desc></incident>about who done 
it, or; or...?</p>
</sp>
<note type="handwritten">L# 7025</note> 
<sp>
<speaker n="interviewer"/> 
<p>Q:  No.</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>MISC: New roll.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  The future, in terms of Malcolm and-- </p>
</sp>

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Right.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  -—yeah.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="65" facs="goldman-peter_0065.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	65
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Kay.</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>MISC: ‘Ninety-eight. New roll.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q: Is that moment in your head?</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Yeah.</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>MISC: We are moving on to camera roll 98.</p>
</sp>
<note type="handwritten">BOX #44 BD 7500-8732</note>
<note type="handwritten">TK13</note> 
<sp>
<speaker n="cameracrew"/> 
<p>MISC: Okay, there is a marker here... 
thirteen.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Good. ’Kay. If you can describe the 
scene for me of finding out about Malcolm's 
assassination, and how you felt. </p>
</sp>

<note type="handwritten">BD 7534</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Okay. Um, I was at home on a 
Sunday afternoon, the Sunday afternoon that 
it happened.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Sorry, could you repeat it again? ’Cause 
they won't know what "it" is. Sorry.</p>
</sp>
</div2>

<div2 type="page">
<pb n="66" facs="goldman-peter_0066.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	66
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritten">BD 7561</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p><note type="handwritten">[7553</note> Ahm, <note type="handwritten">[</note>Malcolm died on a Sunday in 
February of nineteen sixty-five, and I was 
home. Didn't have the radio or the TV on, 
but a friend of mine from Newsweek called and 
told me about it. Ahhm, eh eh my, my heart 
sank right into my shoes. I I I've, I felt a 
a really terrible sense of loss for the 
country. I felt personal loss because there 
had been this connection; as I say, we 
weren't intimate, we weren't buddies, but, he 
was a man I had known very vividly for a 
couple of years, three years.<note type="handwritten">]</note> But I also 
felt a sense of loss for the country. A 
<note type="handwritten">BD 7633</note> greatly magnified version of what I had felt 
when he had been suspended by the Nation of 
Islam. <note type="handwritten">[</note>I felt we had lost a terribly, 
terribly, terribly important voice ah, that 
we all needed to hear. Black people, white
people needed Malcolm X. And ah, he was 
gone.<note type="handwritten">]]7658</note> Ah, I- with- I f—further remember 
being shocked but not surprised. Ah, ah, 
shocked because it was sudden. You know, 
when it happened it was sudden. Not surprised 
<note type="handwritten">BD 7681</note> because.<note type="handwritten">[</note>.<note type="handwritten">7683</note>.Malcolm”had been livin’ at the edge 
for an awful long time. Ahm, ah, there are 
various theories as to who did it and why,</p> 
</sp>
</div2>

<div2 type="page">
<pb n="67" facs="goldman-peter_0067.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	67
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>but I think if one rad the Muhammed Speaks, 
which was the newspaper of the Nation of 
<note type="handwritten">BD 7708</note> Islam weekly as I did in those days, ah, the 
ah, the language was inviting his death. It 
was becoming more and more violent. Ah, in 
one issue, Louis Farrakhan had filled more 
than four pages of a tabloid-sized newspaper 
with invective against Malcolm, saying he was 
worthy of death. Um, and ah, so one had the 
sense that it was comin'. You just didn't 
know when.<note type="handwritten">]]7764</note></p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  When you heard it, who did you think had 
done it? Or, who id you think had 
assassinated him?</p>
</sp>

<note type="handwritten">BD 7773</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p><note type="handwritten">[[7771</note> My first reaction, partly because 
of the climate at the time, was that the 
Nation of Islam was implicated, or that 
<note type="handwritten">put aside</note> elements of the Nation of Islam were 
implicated. Ah, um, ah that could have 
worked any o- any of many ways. It could 
have been an official act of the organization 
originating with Elijah Muhammad, or it could 
<note type="handwritten">BD 7808</note> have been some brothers in a mosque 
somewhere, who were reading this stuff,</p> 
</sp>
</div2>

<div2 type="page">
<pb n="68" facs="goldman-peter_0068.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	68
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>hearing invective from ah their ministers <note type="handwritten">pulled page</note>
every week about the hypocrite Malcolm. Um, 
ah and just did it as a freelance operation 
of Islam. It's known- my my initial 4
<note type="handwritten">BD 7838</note> to please their their superiors in the Fruit 
reaction was, however, that it, that the the 
impetus for it had come from the Nation of 
Islam because of Malcolm's ah, conflict with 
them. He was a heretic, he was he was a 
hypocrite, which was uh uh a crime uh 
punishable sometimes by death. And he died. 
Ah, ah, I continue to believe that the, the, 
that's where it— that's where it initia- eh 
<note type="handwritten">BD 7897</note> was initiated. Ah, I think there- I think 
the police and the FBI played a, an ignoble 
part, but probably a passive part. I don't 
think they were actively involved in plotting 
it. But, the police, as I wrote in my book, 
ah, had his- uh, had very sound intelligence 
that it was coming. They didn't know 
precisely where or when, but they knew that 
a, ah um, a Muslim assassination attempt was 
<note type="handwritten">BD 7939</note> actively in the works. Ah, and they ah did 
not try strenuously to stop it. Ah, the FBI 
8 had similarly good intelligence and ah, I 
think they- the FBI we now know tried to</p>
</sp>
</div2>

<div2 type="page">
<pb n="69" facs="goldman-peter_0069.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	69
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>inflame the ah the ah quarrel between Malcolm 
<note type="handwritten">BD 7968</note> and uh Elijah Muhammad and uh, while I think 
there was plenty of- plenty there for them to 
quarrel over without help, ah, I think even 
for the FBI to have played that role was ah 
reprehensible.<note type="handwritten">]]7988</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Do you think there were times also that 
the media played that kind of role? Times 
that they....</p>
</sp>

<note type="handwritten">put it aside</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>I think the media did not help by 
pai- by—<note type="handwritten">[8003</note> well, <note type="handwritten">[</note>I think the media ah ah played 
<note type="handwritten">BD 8008</note> a kind of doubly unhelpful role. One was the 
attention we gave Malcolm, which created 
jealousies against him. Now, that was 
Malcolm was partly culpable in that because 
we were his way of addressing the world. Ah, 
but I think that created jealousies that 
helped to put him in the bull's eye. But I 
think also the media 1- ah, sort of liked the 
idea that there was this family feud going 
on. And ah, you know, there were stories 
<note type="handwritten">BD 8067</note> about it and ah, ah it wasn't daily tabloid 
headlines, but there were stories and 
whenever there was a story it in- further</p> 
</sp>
</div2>

<div2 type="page">
<pb n="70" facs="goldman-peter_0070.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	70
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>inflamed relations between them_and eh, so I 
<note type="handwritten">BD 8084</note> don't think we helped.<note type="handwritten">]8086</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Can you talk about um, how Malcolm 
affected you personally? I mean, did you n- 
did your knowing him change you in any way?</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Ah, I would say uh, knowing Malcolm 
eh changed my life to a, a, to a--</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>MISC: Could you repeat um repeat that, I was 
I sort of off with the camera.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Okay.</p>
</sp>
 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Sure. <note type="handwritten">[8119</note> Ah, <note type="handwritten">[</note>knowing Malcolm, ah,
<note type="handwritten">BD 8123</note> changed my life in ah, in ah in very serious 
ways. Ah, in ah, when I knew him, ah, I was 
working at Newsweek. My, my beat was the ah 
civil rights movement and the black struggle 
generally. Um, I had brought to that a set 
of attitudes that were formed out of the 
civil rights movement and out of Doctor 
King's quest for the beloved society which I 
<note type="handwritten">BD 8166</note> believed in and believe in now. <note type="handwritten">[</note>Malcolm was 
the voice of reality. He was t- he was the</p>
</sp> 
</div2>

<div2 type="page">
<pb n="71" facs="goldman-peter_0071.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	71
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>counterpoint to what eh, to what eh uh Doctor 
<note type="handwritten">BD 8183</note> King was arguing. And, he uh changed the way 
I looked at the world and at and at my work. 
And eh, so I think he had a very quite 
transforming effect on me.<note type="handwritten">]</note> Eh, it was eh, I 
considered them both great men, and I don't 
think that, both Doctor King and Malcolm X,
and um I don't think it's, I don't think they 
should be seen as antithetical figures. <note type="handwritten">[</note>I 
think they should be seen as part of a whole. 
That Malcolm spoke of reality. That King 
<note type="handwritten">BD 8232</note> spoke of a dream that is still worth aspiring 
to. Ah, eh, but I think, I think it's 
possible to hold two ideas in one’s head at 
the same time. I can. You can. Black 
America can. I hope white America someday 
can.<note type="handwritten">]8255</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  And, last question. What was um, do you 
think the media reaction was to Malcolm's 
assassination? And I mean at that in p- 
particular, how they viewed him personally. 
That this was now somebody out of the way. 
And were there any personal, you know, any 
reporters that you want to mention--but not 
names-—you know, glad he's dead.</p>
</sp> 
</div2>

<div2 type="page">
<pb n="72" facs="goldman-peter_0072.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	72
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<note type="handwritten">BD 8291</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>I never heard a reporter say I'm 
glad he's dead. <note type="handwritten">[</note>Ah, <note type="handwritten">[8297</note> I do think there was 
some bad eh journalism about Malcolm's 
assassination. Ah it was treated as, you 
know, the death of the caricature Malcolm. 
Malcolm the teacher of hate, Malcolm the 
teacher of violence, both of which did 
terrible violence to his, to the reality of 
who Malcolm was. So I think while there 
wasn't rejoicing in the media, I think there 
was a kind of, there was an undertone of got- 
<note type="handwritten">BD 8339</note> what-he-deserved.<note type="handwritten">]8342</note> On the other hand, I think
there were a number of white journalists um, 
eh, including myself, but a number of others, 
who had eh gotten to know him and who 
felt...who saw a different Malcolm. Who saw 
Malcolm more nearly as a whole person. Were 
able to make the distinction between the 
public warrior, the private aristocrat. Ah, 
and ah, who generally- genuinely grieved at 
his death. I know I did. I know Mike 
<note type="handwritten">BD 8396</note> Handler at the Times did. I know other uh, I 
know other journalists did. So ah, no, I 
didn't eh- if anybody wa- if anybody in my </p>
</sp>
</div2>

<div2 type="page">
<pb n="73" facs="goldman-peter_0073.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	73
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>trade was celebrating, they wouldn't have 
said it in front of me.</p>
</sp>

<note type="handwritten">TK14 CR:99 S.R.49</note>
<sp>
<speaker n="cameracrew"/> 
<p>MISC: This’ll be continuation of interview 
with Peter Goldman. ...0kay, play that. 
Sound's rolling. Sound's rolling. And, 
here's marker fourteen.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Okay, if you can give me a sense of the 
botched assa- um, botched investigation and 
the impression there that some of the 
analysts gave you.</p>
</sp>

<note type="handwritten">BD 8455</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>All right. Ah, I- my own 
conclusion about the assassination was that 
two of the three guys who were arrested and 
convicted were most probably innocent. Ah, I 
think that has to be seen in the context of 
the times. <note type="handwritten">[8477</note> Ah there was ah, <note type="handwritten">[</note>there was fear
that ah, the assassination would lead to open 
warfare between Malcolm's people and Elijah 
Muhammad's people; that that would spread 
<note type="handwritten">BD 8492</note> into the streets. We had had riots in Harlem 
the summer before ah, that we were lookin’ at 
the possibility of that again.<note type="handwritten">][</note> So that there </p>
</sp>
</div2>

<div2 type="page">
<pb n="74" facs="goldman-peter_0074.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	74
CR 92 SR 45, CR 93 SR 46, CR 94 SR 46, CR 95 SR 47, CR 96 SR 47, CR 97 SR 48 CR 
98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>was intense pressure on the uh ah New York 
police and the District Attorney's office to 
<note type="handwritten">BD 8516</note> ah solve this crime. I think nobody who 
investigated the case believed that there 
were only three people involved, but they 
created a three-person theory, and I think 
two of the three people they uh found were 
the wrong guys.<note type="handwritten">]]8539</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  And, what would you- be your opinion of 
the investigation itself.</p>
</sp> 

<note type="handwritten">BD 8544</note>
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p><note type="handwritten">[[8544</note> I think one would have to say that 
the investigation was botched. Ah, was it 
uh, was it uh corrupt, was it, w-w-was this 
an intentional frame-up? I don't think so. 
Not from my conversations with the police who 
are the prosecutors involved. Uh, I think it 
was just hurried. It was a rush to judgment. 
We gotta have suspects. They went and found 
two guy- two guys who had been involved in an 
earlier case of, or had been suspected of an 
<note type="handwritten">BD 8583</note> earlier case of violence against a, a ah 
Muslim heretic. Threw ’em into the mix. 
The had arrested one guy at the scene. We</p>
</sp> 
</div2>

<div2 type="page">
<pb n="75" facs="goldman-peter_0075.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- PETER GOLDMAN(?) 	75
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98 SR 48, CR 99 SR 49 -- GLDMN4-5</head> 

<sp>
<speaker n="interviewee"/> 
<p>got our three guys; case closed. Ah, Harlem 
is quiet and everybody’s happy.<note type="handwritten">]]8604</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Do you think they particularly cared, one 
way or the other?</p>
</sp>

<note type="handwritten">BD 8609</note> 
<sp>
<speaker n="interviewee">GOLDMAN:</speaker> 
<p>Ahh. That's a good question. <note type="handwritten">8614[</note>It’s 
a good question as to whether they cared. 
Ah, my guess is not. <note type="handwritten">[</note>And my guess is that in 
certain quarters--not so much in the NYPD as 
in the ah the FBI--ah, I think there were at 
least some people who wouldn't have minded if 
this is had gone on- if the feuding had gone 
on and taken out Elijah Muhammad.<note type="handwritten">]8652</note></p>
</sp> 

<incident><desc>END OF INTERIVIEW </desc></incident>
<note type="handwritten">(letter - mos)</note>
<note type="handwritten">L# 8732</note>
</div2>
</div1>
</body>
</text>
</TEI>