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<title>Interview with <hi rend="bold">Gordon Parks</hi></title>
<title type="gmd">[electronic resource]</title>
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<publisher>Washington University in St. Louis</publisher>
<distributor>Washington University Libraries</distributor>
<authority>Special Collections and Archives, Film and Media Archive</authority>
<pubPlace>St. Louis, Missouri</pubPlace>
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<p>Material is free to use for research purposes only. If researcher intends to use transcripts for publication, please contact Washington University’s Film and Media Archive for permission to republish. Please use preferred citation given in the transcript.</p>
<p>© Copyright Washington University Libraries 2018</p>
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<title>Interview with <hi rend="bold">Gordon Parks</hi></title>
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<persName n="" key="">Gordon Parks</persName>
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<series>Interview gathered as part of Malcolm X.</series>
<note>This interview recorded as formal filmed interview.</note>
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<front>
<titlePage>
<docTitle>
<titlePart type="main">Interview with <hi rend="bold"><name>Gordon Parks</name></hi></titlePart>
</docTitle>
<byline>
Interviewer:</byline>
<docImprint>
<docDate>
Interview Date: undated
<date/>
</docDate>
<pubPlace/>
<rs type="media">Camera Rolls: </rs>
<rs type="media">Sound Rolls: </rs>
</docImprint>
<imprimatur>
Interview gathered as part of <hi rend="italics-bold">Malcolm X</hi>. 
<lb/>Produced by Blackside, Inc. 
<lb/>Housed at the Washington University Film and Media Archive, Henry Hampton Collection. 
</imprimatur>
</titlePage>
<div1 type="editorial">
<head>Editorial Notes:</head>
<p><hi rend="bold">Preferred citation:</hi>
<lb/>Interview with <hi rend="bold"><name>Gordon Parks</name></hi>, conducted by Blackside, Inc., for <hi rend="italics">Malxolm X</hi>. Washington University Libraries, Film and Media Archive, Henry Hampton Collection.</p>
</div1>
</front>
<body>
<div1 type="interview">
<div2 type="page">
<pb n="1" facs="parks-gordon_0001.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 1
PARKS-7.DOC</head> 

<sp>
<speaker n="cameracrew"/> 
<p>MISC: This’ll be interview with ah Gordon 
Parks on camera roll 100, sound roll 49.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>...parks, parks and tennis courts, 
and all that sort of thing are available. 
You walk a few blocks away. You didn't see 
that here. So White Plains was closer to 
what they were used to. Maybe I shou1d’ve 
let them get more of a taste of it.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Everyone else is trying to get their 
families out of, you know, my family moved 
out of Baltimore to New Hampshire.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Mmmm.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  The idea to get——I think they felt they 
were losing us, you know. So... </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Mmm—hm.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Take ’em off to the country.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="2" facs="parks-gordon_0002.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 2
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yeah. Yup. What part of New 
Hampshire.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Ah, southern. Around Nashua.</p>
</sp> 
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Mmm-hmm.</p>
</sp> 
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  But for me to get down--like fifteen, 
there's a big difference between northeast 
Baltimore and...</p>
</sp> 
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>» Yes. It's true. [noise] I'm sure 
it rounds you out. Let's see what the rest 
of America was like. Different things.</p>
</sp> 
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Now I think what you know, what I would 
have done if I'd stayed there, you know, if 
we stayed in Baltimore . You know there would 
have been a whole lot of different choices.</p>
</sp> 
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>MM-hmm. I had a taste of it all. 
Ah, Kansas with its discrimination and 
discriminatory practices and segregated 
schools, which, although it had been a free 
state. There was that, we went to mixed sch- </p>
</sp> 
</div2>

<div2 type="page">
<pb n="3" facs="parks-gordon_0003.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 3
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>mixed high school, but segregated grade 
school and I expect the high school would 
have probably been segregated had the town 
fathers had enough money to build another 
high school! But even though we went to high 
school, we weren't allowed to play on the 
football teams, the basketball team. Nor was 
we allowed to attend any of the class parties 
or anything of that sort. Pretty horrible. 
Of course they have made amends now. They 
made me Kansan of the Year twice. And 
we’ve..caused a halt to the hostilities. So. 
h I'm kind of hero back there now. They called 
this morning and want to do something on my 
next birthday. State of Kansas. So, as I 
say, there's big changes there. Yet and 
still there's still people sufferin you know, 
the same thing I suffered. Not as flagrantly 
in the schools and things. In those days the 
1 teachers actually told you to forget a 
college preparatory course ’cause all black 
people were gonna be were maids and porters. 
That was, was the attitude. If you wanted to 
accept that, that was up to you. But they 
certainly told you. </p>
</sp>
</div2>

<div2 type="page">
<pb n="4" facs="parks-gordon_0004.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 4
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  That's exactly the same experience 
Malcolm had in school.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Mmmm? </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: That's the same experience Malcolm had in 
school.</p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yeah.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  He wanted to ah—— </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Malcolm wae born in ah.... </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Twenty-five.</p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Where?</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Oh, he was born in in Omaha.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Omaha, yeah.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  And for example-- </p>
</sp>
</div2>

<div2 type="page">
<pb n="5" facs="parks-gordon_0005.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 5
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Wasn't too much different. Wasn't 
too much difference.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  No, about the same.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yeah. Yeah.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  It's interesting ’cause Kansas ah, is, 
was founded by the Free Soilers. The 
movement with John Brown out there with all 
those people.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Mmmm.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Part of that early history.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yeah. Yeah.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  How much more?</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>MISC: Standing by. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Okay. Let's do this, let's, what I plan 
on for us to start with is um, let me go over</p>
</sp>
</div2>

<div2 type="page">
<pb n="6" facs="parks-gordon_0006.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 6
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>the book here and see, cause I'll start with 
ah the first um, when you first hear—-</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Are you gonna question me?</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  I'm gonna ask you-—let me, let me--pause 
the tape. My questions don't appear on 
camera.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yeah.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  So, what I, we we ask is that uh, the
answers are incorporate the question.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Mm-hm.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  When we talk about Malcolm we name him. 
We don't say "he," "it," things like that, 
because the audience won't know what we're 
talking about unless we name people.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>when is- eh, what what year does 
Malcolm emerge in Harlem?</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Fifty—two.</p>
</sp>
</div2>

<div2 type="page">
<pb n="7" facs="parks-gordon_0007.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 7
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Fifty—two? </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Fifty-three.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Mmmm? </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Fifty—three.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Fifty—three.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Fifty-two was the year he came to New 
York. He came in as a minister for——</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>MISC: Rolling. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Let’s hold on for a second.</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>MISC: Holding.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Hello, grandson.</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>MISC: Speeding. One.</p>
</sp>
</div2>

<div2 type="page">
<pb n="8" facs="parks-gordon_0008.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 8
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<note type="handwritten">BOX 45 TK 1 SR 49</note>
<note type="handwritten">CR 100 BF-0000-2021</note>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Okay. Give me your first um, experience 
with Malcolm. How do you first remember him. 
Impression that you.... </p>
</sp>

<note type="handwritten">BF 0035</note>
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>If I remember right, ah, the first 
time I saw Malcolm was on television program 
in Paris where I was living at the time. And 
ah, I sensed that something ah, pretty 
exciting was happening back in America. I'd 
been living in Paris for about two years. 
So...I...had a a great desire to meet this 
young man who so blatantly telling people 
<note type="handwritten">BF 0090</note> off. And I think in the in Europe who were 
watching the same television show- program. 
They were news shots you know, that you would 
see come over. And so, I- Life Magazine at 
the time was wanted very much to make contact 
with Malcolm and with the Muslims. But, they 
had avoided asking me to do it after I came 
by. They sent in a couple of white 
photographers, reporters.And of course they 
<note type="handwritten">BF 0140</note> got promises ah, but no action. So it eh, 
nearly three years passed before-- ah two 
years at least before they asked me if I</p> 
</sp>
</div2>

<div2 type="page">
<pb n="9" facs="parks-gordon_0009.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 9
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>thought I could do it. A story on Malcolm, 
<note type="handwritten">BF 0160</note> on on the Muslims and- with a white reporter. 
I said of course not,I can't do that. Ah, 
they would never accept it. That's why you 
haven't gotten in so far.And eh, I agreed 
if—-and they agreed with me——that if if I had 
the chance, that I would have to write the 
story myself because I didn't particularly 
trust white reporters reporting on my 
coverage of the black Muslims. And they 
<note type="handwritten">BF 0204</note> agreed to that. So they so Okay, let's go. 
So I set off and uh, <note type="handwritten">[[0216</note> I saw Malcolm for the 
very first time in person on the corner of 
hundred and twenty-fifth street and Seventh 
Avenue, which is now Adam Clayton Powell, eh 
and he was telling off about four hundred 
white cops with guns on their hips, heh heh, 
at what he thought of them. The, and I said
eh, ah how long this young man's gonna live 
like that. Because eh, there were a lot of 
'guns around him.<note type="handwritten">]0261</note> And ah, I approached him 
after the speech and eh said, he...knew who I 
<note type="handwritten">BF 0277</note> was. And he said well let's go over to the 
restaurant on, the Muslim restaurant on Lenox 
Avenue and ah, have rose tea. I said fine.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="10" facs="parks-gordon_0010.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 10
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>So the first thing I ask him was about the 
<note type="handwritten">BF 0298</note> possibility of my covering the black Muslims. 
And he said, Well, the Honorable Elijah 
Muhammad would have to decide that. And I 
said would you...intercede for me. He said 
yes, I'll call him; he's in Phoenix, Arizona 
for his health. And ah, so he'll, Elijah 
Muhammad said, Come on out. And Malcolm flew 
with me. First thing Elijah Muhammad said to 
me was, Why you working for the white devils. 
<note type="handwritten">BF 0346</note> I said, Well, y—you know, you ever heard of 
getting behind the iron horse and finding out 
what's going on? He said ah, I don't buy 
that, and then heh heh heh, and in any case, 
after Malcolm and I flew to Phoenix Arizona, 
the interview lasted hardly more than fifteen 
minutes with Elijah Muhammad. And ah, 
Malcolm and I were on our way to the airport, 
he said, I think he likes you. I said well 
he has a damn fool way of showing it 
hehhahah! You know! But ah, I was invited 
<note type="handwritten">BF 0402</note> back. This time I ah, I got the same 
I was, sort of treatment up until the last moment 
before I was ready to leave. I think it was 
ten minutes this time! And ah, Elijah </p>
</sp>
</div2>

<div2 type="page">
<pb n="11" facs="parks-gordon_0011.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 11
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>Muhammad offered me a half million dollars if 
I would do a film and a st- a story on the 
black Muslims for the black Muslims. And I 
said, Well! I was very honored, however I 
<note type="handwritten">BF 0445</note> was a reporter and I was afraid he’d...try to 
have some too much influence with my 
coverage. He says well you can bet your life 
if I gave you half million dollars I would 
try to have some influence! Said I 
understood that. But just as as Malcolm and 
I were getting ready to get in the car, he 
said, But just a minute, young man. He said, 
I'm going to give you a try. He says and 
Brother Malcolm's going to escort you to the 
world of Islam and if I like what you do, ah, 
I'll send you a big box of cigars. If I 
don't like what you do, we'll be out to visit 
<note type="handwritten">BF 0505</note> you. Heheh! And that's the way Malcolm and 
I got started. And ah, Malcolm was very 
amused at that retort.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Okay. Let me take you back to where when 
you said you first saw him at hundred twenty- 
fifth street and ah, ah, and um, Seventh 
Avenue. Um, describe for me what it's like.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="12" facs="parks-gordon_0012.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 12
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Those street corner, ah, speeches that 
Malcolm would give. Give me a descriptive 
idea of what it would be like.</p>
</sp>

<note type="handwritten">BF 0546</note> 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Well, it it was amazing. Ah, there 
seemed to be hundreds of black 
people...standing there. And Malcolm was on 
top of a platform, ah, and thy, they were 
giving forth a lot of a—mens, amens, and th- 
th— the white police were just ringing the 
whole black crowd. And uh, it was a rather 
<note type="handwritten">BF 0598</note> warm day, hot day, and uh, people were 
listening to him very intently and he was 
letting them have it. And and uh there, 
course Harlem was in the throes of what it's 
in the throes of now, which is poverty and 
all sorts of social problems and...Malcolm 
was lashing at- out at them. And ou— ah, 
lashing out at all the ills of the community, 
like prostitution, dope, numbers, and all 
that sort of thing. And he would point at a 
<note type="handwritten">BF 0645</note> white policeman and say, And you're part of 
it! ’Cause you're getting paid as a rip—off. 
You know. And uh, they just stood there and 
listened with their hands on the butts of</p> 
</sp>
</div2>

<div2 type="page">
<pb n="13" facs="parks-gordon_0013.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 13
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>their guns, y’know. And I thought c- 
certainly there was going to be some sort of 
<note type="handwritten">BF 0668</note> problem. They tried to move the crowds on. 
But they restrained themselves.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  some people say that that at ti- they 
restrained themselves, also that Malcolm had 
an interesting way of controlling the crowd. 
That you felt he had it all under control all 
the time. No matter how-- </p>
</sp>

<note type="handwritten">BF 0933</note>
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><del> ....took a night plane. And, he was 
uh sleepy, and he leaned over on my shoulder 
and said, Well brother, you know , I read A 
Choice of Weapons. I think that perhaps one 
should read that book several times, think 
about it. And went to sleep. Dropped his 
head on my shoulder. Andso the next- when 
we reached New Yurk, I said eh. You called me 
<note type="handwritten">BF 0969</note> brother" for the first time. And he said, 
Well, for the first time you deserved it» 
Heh-heh-heh. Because I had been through the</del></p>
</sp>
</div2>

<div2 type="page">
<pb n="13A" facs="parks-gordon_0014.tif"/>
<head>BLACKSIDE, INC.
MALCOLM X
GORDON PARKS
CR 100, SR 49, TK 1</head> 
<note type="handwritten">13A -Missing part of TK 1</note>

<note type="handwritten">BF 0694</note>
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Well, he seemed to have it under 
control. Uh, I think that uh, I often think 
that i’-, <note type="handwritten">[0705</note> in cases of a riot that possibly 
only two people that I knew of at the time 
could have walked in, and sort of stopped it. 
And that was possibly Adam Clayton Powell and 
possibly Malcolm X. They would have done it 
in different ways. I think Adam would have 
say, to the cops, "OK, I'm going to make a 
deal." Uh, Malcolm wouldn't of said no make 
a deal, he would, he said, "We're gonna run 
over you." Just like that, if you don't get 
out of the way. That was the difference, you 
<note type="handwritten">BF 0761</note> know, uh in the two men, I think.<note type="handwritten">]0766</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Mm hm. Talk to me about you and, and 
Malcolm coming, you know, getting together. 
I mean, you're, you're coming from a whole 
different world than Malcolm. How is 
relating to you, uhm Malcolm would lash out 
at what his considered black bourgeoisie 
people, black people who were on the other 
side. People who, who had friends that they 
considered, that they have white friends and</p>
</sp>
</div2>

<div2 type="page">
<pb n="13B" facs="parks-gordon_0015.tif"/>
<head>BLACKSIDE, INC.   
MALCOLM X
GORDON PARKS
CR 100, SR 49, TK 1</head> 
<note type="handwritten">13B</note> 

<sp>
<speaker n="interviewer"/> 
<p>they co’—, if they have whites they consider 
friends, he would come out at people that you 
have to, did he, did he confront you on these 
things? Did you talk about him? How did, 
how did you work?</p>
</sp>

<note type="handwritten">BF 0810 P:</note> 
<sp>
<speaker n="interviewee"/> 
<p>Well, no, we never had any 
confrontations. In fact he told me that he 
noticed a lot of my, that some of the 
stories, I think he'd seen the Harlem gang 
story that I did in Harlem, and some stories 
I had done on poverty, eh, in Washington DC 
with the foreign security administration, so, 
uh as he came to, as close as admiration eh 
would afford him, uh under the circumstances. 
Not totally accepting me, uh bec’-, since I 
work for a white organization which was Life 
Magazine. Uh, he but <note type="handwritten">[[0874</note> there was always a, uh 
Mr. Parks. It was never brother. I, I 
would, I tried brother with him several 
times, but it never worked. It was always, 
"Yes, Mr. Parks." It was always that 
aloofness, calling sir. Not hostility, just 
sort of aloofness, you know? Uh, and uh not 
<note type="handwritten">BF 0910</note> until a year or so later, that one day on, on </p>
</sp>
</div2>

<div2 type="page">
<pb n="13C" facs="parks-gordon_0016.tif"/>
<head>BLACKSIDE, INC.   
MALCOLM X
GORDON PARKS
CR 100, SR 49, TK 1</head> 
<note type="handwritten">13C</note> 

<sp>
<speaker n="interviewee"/> 
<p>a plane uh coming betwee’-, between uh Los 
Angeles and New York, we took a night plane 
then he was uh sleepy, and he leaned over on 
my shoulder, and said, "Well brother, you 
know, I read a "Choice of Weapons," I think 
<note type="handwritten">BF 0948</note> that perhaps one should read that book 
several times and think about it." And went 
to sleep. Dropped his head on my shoulder. 
And so the nex’-, when we reached New York I 
said uh, "You called me brother for the first 
time." And he said, "Well, for the first 
time you deserved it." ’Cause I had been 
through the fire with him when, during that, 
the killing out there of one of the Muslims 
in Los Angeles.<note type="handwritten">]0990</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  I'm going to ask you about that.</p>
</sp>
 
<incident><desc>END OF INTERVIEW. </desc></incident>
</div2>

<div2 type="page">
<pb n="14" facs="parks-gordon_0017.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 14
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>fire with him during that~ these, killing out 
there of one of the Muslims in Los Angeles.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  I'm going to ask you about that. 
[mumble] I want to talk specifically about 
that. Okay, we'll rechange. BEEP What I'd 
like to talk, what I'd like to ask--</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>MISC: Oh. That was the, that was the end of 
s— camera roll 100. We're moving on to 
camera roll 101 on 49. Continuation of 
interviewwith Mr. Gordon Parks.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  How many rolls of film did you shoot on 
Leadbelly?</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Heh—heh, I don't know. Got a lot of 
them. A lot-- </p>
</sp>

<note type="handwritten">TK2 CR100 SR49</note>

<sp>
<speaker n="cameracrew"/> 
<p>MISC: Mark. Two. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  So, so tell me when you first meet
Malcolm: how, how, does he challenge you?</p>
</sp> 
</div2>

<div2 type="page">
<pb n="15" facs="parks-gordon_0018.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 15
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Do you feel challenged in his presence? In 
what ways? </p>
</sp>

<note type="handwritten">BF 1042</note>
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">1040[</note> Well, I, I'm sure- <note type="handwritten">[</note>I was looking deep
into Malcolm when I first met him. I was 
possibly looking for flaws of some sort. Ah, 
and exaggerated instances eh of his feelings 
ah about whites and so forth and so on. And 
I'm sure he was looking just as deeply into 
me because I was doing fashions for Vogue 
magazine, working for Life magazines and I'm 
<note type="handwritten">BF 1084</note> sure he was wondering what's, what is this 
guy all about. And uh, and now he wants to 
associate with...our organization and and is 
he prepared to do it. Ah. And, I was just 
as determined as I suppose to prove to him 
that this was my way of doing things and I 
respected his way of doing things. But I had 
my own way and he wasn't gonna change me one 
way or the other. And I think he sensed 
that. <note type="handwritten">[</note>And I certainly sensed that I wasn't 
<note type="handwritten">BF 1132</note> gonna change him any way. I didn't want to. 
And uh, he never seemed to want to change me.<note type="handwritten">]</note>
He never challenged eh my way of life uh, <note type="handwritten">]1145</note> my
work, my- I— in fact, when I uh, finally got</p>
</sp>
</div2>

<div2 type="page">
<pb n="16" facs="parks-gordon_0019.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 16
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>on the story, he came to me and he said the 
<note type="handwritten">BF 1167</note> people at Life Magazine want to talk with me. 
They want to have me up for luncheon. Do 
you- h—how do you want me to handle that? I 
says, Give 'em hell. I said, Act the same 
way you act when you're on a hundred and 
twenty-fifth street and Seventh Avenue. 
Don't change. He said, I admire that. Just 
like that. I said, Well fine. So. He did. 
He, he gave them hell. And uh, and he came 
<note type="handwritten">BF 1208</note> out smiling when I s- you know. So, we never 
had any problems that way. Eh he...he 
respected what I did. And I respected what 
he did. There were instances ah, when he was 
softened eh eh<note type="handwritten">[</note>...<note type="handwritten">[1237</note> I remember a a white girl
coming in to t e—restaurant in Harlem, 
offering her help to the Muslims in some way 
because she sympathized with them. And uh, 
he said, Thank you sister, but no. And later 
in the car he said to me, eh, with a sort of 
<note type="handwritten">BF 1271</note> touch of melancholy in his voice, eh, I 
didn't like doing that. He said. The young 
lady was sincere. But, this is the way it 
is.<note type="handwritten">]]1288</note></p>
</sp>
</div2>

<div2 type="page">
<pb n="17" facs="parks-gordon_0020.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 17
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Tell me, when you when you go to s- to 
meet Elijah Muhammad the first time with 
Malcolm, what is their relationship like? 
How do they...describe what you sense between 
them in terms of relationship. At that first 
meeting, when you first-— </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>I watched their first meeting very 
closely, as long as it lasted.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  You have to tell me what meeting we're 
talking about, too, so—- </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Pardon? </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Tell me, include what meeting we're 
talking about so the audience’ll know we're, 
what we're talking about.</p>
</sp> 

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Well. <note type="handwritten">[[1329</note> When ah Malcolm accompanied me 
s- to see Elijah Muhammad for the first time 
<note type="handwritten">BF 1339</note> in Phoenix, Arizona, I watched very— I 
watched eh the relationship very closely, for 
as long as it lasted with with me there. And 
it was a father-son sort of relationship.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="18" facs="parks-gordon_0021.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 18
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>One of great ah, you could see that Malcolm 
<note type="handwritten">BF 1365</note> had a tremendous admiration for this man. 
Respect for him. And uh, he was very ah, 
kind with Malcolm. Stern. But kind and 
spoke to him in a way that he'd speak to one 
of his sons. And uh, I sensed a a very 
sincere relationship between the two.<note type="handwritten">]]1398</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  So, when you go back the second time, ah, 
ah, this is when Elijah Muhammad says it's 
okay to do this, and tell me that again? How 
does- how does that meeting go again?</p>
</sp>

<note type="handwritten">BF 1416</note> 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Ah, when we went back, uh Elijah 
Hammad, eh Muhammad eh, gave me a a going 
over again. You know, he didn't s- he wasn't 
all that nice and he was still more or less 
eh condemning me for working for white 
organizations. And that's when ah he offered 
me the half million dollars to do ah, a film. 
And a story on the black Muslims for the 
black Muslims. And that's eh, and Malcolm 
<note type="handwritten">BF 1473</note> watched me very closely when he asked me. I 
could feel his eyes on me, you know. 
Thinking about, this guy's being offered a</p> 
</sp>
</div2>

<div2 type="page">
<pb n="19" facs="parks-gordon_0022.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 19
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>half million dollars to do something—that’s
not bad. And uh, I’d, I think that eh deeply
within Malcolm he felt, when I refused it, 
<note type="handwritten">BF 1505</note> that he felt a respect growing fro me. He 
never admitted it. But, I could tell by the 
look on his face.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Did um, what year was this in, um that 
You went, this was in...?</p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>This must have been in...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Sixty-one?</p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>It was a- s- what?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  What, what year was this?</p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>It it it oh it had to be in the 
sixties, ah...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Sixty-one oh-the-the- latest was sixty-
two</p>
</sp>
</div2>

<div2 type="page">
<pb n="20" facs="parks-gordon_0023.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 20
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>’Cause I I'd been living in Paris for 
fifty-one, fifty-two, and uh...</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Okay. Okay, I'm only asking because, 
tell me, um, Elijah Muhammad's in Phoenix 
'cause of his health. What kind of—- </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>What's that?</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Because of his health.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yeah. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  How, what kind of um, what shape is he in 
when you meet him, talking about this-- </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Oh, I met- I eh he h—he was suffering 
from ah, I think attacks of bronchial asthma.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Okay, let's start again. Tell me Elijah 
Muhammad was suffering from.... </p>
</sp>

<note type="handwritten">BF 1587</note>
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yes. <note type="handwritten">[1586</note> Ah, <note type="handwritten">[</note>we went out to see him. 
Elijah Muhammad was suffering from attacks of 
bronchial asthma. H-he seemed a little weak, </p>
</sp>
</div2>

<div2 type="page">
<pb n="21" facs="parks-gordon_0024.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 21
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head>
 
<sp>
<speaker n="interviewee"/> 
<p>but uh, eh he was walking sturdily and uh, ah 
he sat down immediately and motioned for us 
to sit down. Both of us were s- remained 
<note type="handwritten">BF 1622</note> standing until he gave us the permission to 
sit down! And uh, h—he was s- coughing a 
little bit, wheezing a little bit. And I 
and why he was in Arizona for 
his health.<note type="handwritten">]]1654</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  When um, so, once your- you get the go- 
ahead to do this, this uh, the project, um, 
you then begin to go- get inside the Nation 
of Islam and take and do a photo essay of of 
them. Were you...surprised by what you saw? 
Talk about some of the things that you saw 
and some of the things you put in the 
pictures. ’Cause we'll use some of the 
pictures. Talk about that.</p>
</sp> 

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>I was a..<note type="handwritten">^supposed</note>. not altogether <note type="handwritten">^surprised</note> what I 
found. Ah, I I I knew from talking to 
Malcolm on the plane what Elijah Muhammad and 
<note type="handwritten">BF 1714</note> the Muslims in general were trying to do 
about, especially black people in prisons and 
people who were going downward, trying to</p>
</sp> 
</div2>

<div2 type="page">
<pb n="22" facs="parks-gordon_0025.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 22
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>restore their faith in in themselves and in 
their hopes and building their hopes and 
things of that sort. And, <note type="handwritten">[[1745</note> I found in in the 
<note type="handwritten">BF 1748</note> mosque such order, sternness but order; 
everybody neatly dressed. Ah, and uniformity 
in just about everything.<note type="handwritten">]</note> It was ah almost 
semi—military, in a sense. And uh, Malcolm 
would go up with a long stick and point to a 
blackboard and explain what ah Elijah 
Muhammad expected of...Muslims and so forth.<note type="handwritten">]</note> 
And he talked about ah,<note type="handwritten">]1803</note> the good and bad 
that's that was happening with the black 
families and what the Muslims and Mus— life 
could do about it. And he talked about 
prisoners, eh, the prisoners’ life and on 
<note type="handwritten">BF 1831</note> drugs and how they aimed to get them all out 
and...make a better life for them and, and he 
was very good. Ah, and they all held a 
tremendous respect for him. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  You had a, you have one photo that I 
think was um pretty surprising to everyone: 
the the the training with the police dog?</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>What's that? </p>
</sp>
</div2>

<div2 type="page">
<pb n="23" facs="parks-gordon_0026.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 23
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  The training that they had with the eh 
German shepherd where they—— </p>
</sp>

<note type="handwritten">BF 1875</note>
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">1868[</note> Oh, yes. Well, that- ah, <note type="handwritten">[</note>I was ah 
surprised eh to see them training German 
shepherd dogs for attack dogs and things of 
that sort. And I was surprised to see- they 
had their arms bandaged so that the, when the 
dog attacked they wouldn't be injured. And 
it, it was amazing. Eh, to watch that. And 
uh, ah Malcolm would look at me and smile. 
And he says ah, the brothers are not of the 
<note type="handwritten">BF 1915</note> attack in the street. If they can face that 
dog with its vicious fangs, they can face a 
lot of other things; mheh, you know. So ah, 
that, then I I was surprised and I went into 
some of, couple of the Muslim families; the 
intimacy of it. Ah, the...the faith that 
they had in Elijah Muhammad and in Malcolm. 
I asked one father in Brooklyn—-he had three 
young sons—-I said, suppose your son came 
<note type="handwritten">BF 1966</note> home one day and told you that he was 
renouncing the Muslim religion. The kid was 
only about eleven, twelve years old. He </p>
</sp>
</div2>

<div2 type="page">
<pb n="24" facs="parks-gordon_0027.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 24
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>said, I would turn him from my door and would 
<note type="handwritten">BF 1982</note> never allow him in again. Just like that. 
So I asked Malcolm about that. He says, He 
meant it. And he would do it. I says, not 
worry about what happen to his son? No, he 
wouldn't worry about what happened to him. 
His allegiance was with Elijah Muhammad.<note type="handwritten">]]2013</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  That's good. BEEP What I'd like to do 
is pick up now with ah the trip to um Los 
Angeles. Talk about the Los Angeles 
incident. What you see there and how Malcolm 
is responding to it. Um, what they do, were 
actually doing--</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>What was, what was the name of the 
man that was killed?</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Um. There are, the man in Los Angeles 
was killed, um-- </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Shot.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Briefly, Stokes.</p>
</sp> 
</div2>

<div2 type="page">
<pb n="25" facs="parks-gordon_0028.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 25
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Hmm?</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Stokes. Louis- Ronald Stokes.</p>
</sp> 
<note type="handwritten">L# 2021</note>
<sp>
<speaker n="cameracrew"/> 
<p>MISC: This’1l be continuation of ah Gordon 
Parks interview, on camera roll 102, sound 
roll 50.</p>
</sp> 
<note type="handwritten">BOX 46 TK3 CR102 SR50</note>
<note type="handwritten">BF 2500-4210</note>
<sp>
<speaker n="interviewer"/> 
<p>Q:  Sixty—two. </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yeah.</p>
</sp> 

<sp>
<speaker n="cameracrew"/> 
<p>MISC: Speeding. Mark. Three.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Okay, talk to me about going to Los 
Angeles. How do you, how does that happen?</p>
</sp>

<note type="handwritten">BF 2531</note>
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">[[2529</note> I was in New York when I got a call 
from Malcolm. He had just reached the uh Los 
Angeles airport. By that time we had become 
rather friendly and uh, he was still calling</p> 
</sp>
</div2>

<div2 type="page">
<pb n="26" facs="parks-gordon_0029.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 26
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>me Mister Parks. But, he called me and said, 
eh, can you get out here and I said uh why, 
<note type="handwritten">BF 2562</note> yes. And he said, you know, I I f- I think 
there's gonna be a lot of trouble, or a few, 
eh there's trouble so, I don't have to talk. 
And h—he sounded uh a little worried a—about 
something. Says, get out as quickly as you 
can and he told me where I could reach him. 
I said fine.<note type="handwritten">]]2591</note> And uh, two days later I was, I 
got out there. And s—sure enough, things had 
<note type="handwritten">BF 2606</note> really had happened. Police had gone into 
the mosque and there’d been some 
confrontation with the young Muslims out in 
ah, in front of the mosque about...I don't 
know if it was something the cops were saying 
that...something was stolen or something and 
and there probably wasn't but they were just, 
they wanted some reason to get something s- 
started. And, Keep the pot boiling, y’know.And
they wound up in the mosque eh ah where they 
entered and, that's when Ronald Stokes was 
<note type="handwritten">BF 2666</note> shot. And uh, Malcolm and I got up there 
late, a—after Ronald was was shot. Ah. 
Fact, Malcolm got there before I did, and uh 
and er, when I got there it'd all happened </p>
</sp>
</div2>

<div2 type="page">
<pb n="27" facs="parks-gordon_0030.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 27
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>and I remember next day a Malcolm was going 
to the morgue, I think, to get shoot pictures 
himself of Ronald Stokes. And uh, those 
pictures he he used, eh, either he took them 
or someone else took them. He had the 
pictures he used it outside the trial in Los 
<note type="handwritten">BF 2733</note> Angeles when the cops were put on trial for 
the the shooting of M— of the Stokes 
gentleman. And um. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Now, in in Los Angeles there was a lot of 
um, ah ah excitement le- fervor in the- 
excitement in the community around it because 
other, even other groups kind of joined in to 
to protest what had happened.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">[2770</note> Eh, that was, <note type="handwritten">[</note>there was was a lot of 
excitement, lot of agitation on the streets 
and and ah...Malcolm was walking the streets 
with the newspaper, Muhammed Speaks. And ah, 
<note type="handwritten">BF 2801</note> a lot of the young Muslims were with him and 
just walking up and down the streets, showing 
the paper to people. Selling it sometimes, 
but sometimes giving it away so that they 
could--if a white person wouldn't buy it,</p>
</sp> 
</div2>

<div2 type="page">
<pb n="28" facs="parks-gordon_0031.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 28
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>they'd say, no, take this, read it. I saw a 
little white lady take the paper and hurry 
down the street.But ah, it was a very, 
there was very tense out there. And the cops 
were patrolling the streets and Malcolm was 
<note type="handwritten">BF 2849</note> laughing at them. And would every now and 
then say something to a squad car or 
something that passed. They'd just look at 
him and go on. <note type="handwritten">]]2864</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Did Malcolm ever talk to you—-</p>
</sp> 

<sp>
<speaker n="cameracrew"/> 
<p>MISC: Excuse me, could ah, Mr. Parks, 
you scoot a little closer to the table? An 
inch or two.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Did ah, Malcolm- did Malcolm ever say 
anything to you about what he wanted to do 
with this incident. I mean um, I he saw it 
as an incident of police brutality. What was 
his intent; what did he want to, to get out 
of it or to do about it? </p>
</sp>

<note type="handwritten">BF 2908</note>
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">[2906</note> Well, <note type="handwritten">[</note>it it it was very ah plain 
that...police had used a lot of force that</p>
</sp> 
</div2>

<div2 type="page">
<pb n="29" facs="parks-gordon_0032.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 29
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>they shouldn't have used. <note type="handwritten">2926[[</note> They they didn't 
find anybody armed insidei he mosque and they 
did the shooting, and ah, Malcolm wanted to 
<note type="handwritten">BF 2944</note> use this as a point to show the rest of the 
world that these guys were using ec— excess 
brutality, especially against the Muslims.<note type="handwritten">]</note>
Not only black people, but especially the ah 
Muslims they were using ah force against.<note type="handwritten">]2968</note>
And ah, eh he had something to further his 
cause certainly. <note type="handwritten">[[2982</note> Because there Ronald Stokes 
was dead. And the cops were now admitting 
that he was not armed. So it looked as 
<note type="handwritten">BF 3003</note> though they had a very...cut and dried case 
against the cops.<note type="handwritten">]3010</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Was this the Malcolm X you experienced 
out in L.A.: was it was it, was this a new 
Malcolm for you? Had you ever seen him like 
this before? And describe what he was like 
when he, while he was there. What wh— when 
you—-</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>He was terribly angry. Ah, terribly 
angry at that time. Uh.</p>
</sp> 
</div2>

<div2 type="page">
<pb n="30" facs="parks-gordon_0033.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 30
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Tell me who we're talking about. </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Ah at, about this, as were all of us, 
as were a lot of black people who were not 
Muslims. Because the cops had gone into the 
mosque——</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  I'm sorry about this stopping. Start 
again, okay? Because we don't know who um, 
who you're talking about. So: Malcolm was 
terribly angry. </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Pardon?</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  You said "he was very terribly ang-" I 
mean, you just, you have to tell—-</p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Oh yeah. Oh, I see. <note type="handwritten">[[3067</note> Well Malcolm, 
ah, Malcolm was terribly angry. As as were a 
<note type="handwritten">BF 3073</note> lot of black people who were not Muslims. 
Because it was very obvious that the cops
 ah...did this out of hatred for the Muslims. 
And uh, entered the mosque, shot up people. 
And I was angry myself. Terribly angry at 
what I what I heard immediately afterwards.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="31" facs="parks-gordon_0034.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 31
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>When I got there they w- they were taking s- 
<note type="handwritten">BF 3113</note> people out the ambulances and things of that 
sort. Some other people had been shot, but 
Ronald Stokes was the only one who had died. 
And Malcolm was furious. You know. He was 
furious. And I expected that particular 
moment something really explosive eh ah taken 
over. The whole black community, I thought 
it was. But uh, Malcolm sort of kept things 
under control. I could see then h— his power 
<note type="handwritten">BF 3157</note> amongst people. ’Cause a lot of young men 
wanted to...do damage and uh, he kept them 
cool.<note type="handwritten">]]3172</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Malcolm, Malcolm always talked about um, 
you know, if you mess with us we'll mess with 
you, and—-</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>If what?</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  If you mess with us—-if you put a hand on 
us-—we put a hand on you.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yes. </p>
</sp>
</div2>

<div2 type="page">
<pb n="32" facs="parks-gordon_0035.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 32
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Um, and in a certain sense that was a 
part of what was—-</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>MISC: Just hold on. It's coming.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  That's fast. BEEP I'm having a good time 
heh—heh—heh! which ro1l- how many rolls have 
we done so far?</p>
</sp> 
<note type="handwritten">TK4 CR.103 SR.50</note>
<sp>
<speaker n="cameracrew"/> 
<p>MISC: Moving on to camera roll 103 on ah 
sound roll 50. Continuation of interview 
with Mr. Gordon Parks.</p>
</sp> 

<sp>
<speaker n="cameracrew"/> 
<p>MISC: Speeding. Mark. Four.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  So talk to me about the the the ah the 
challenge that Malcolm has facing him here in 
terms of what he's he he's been he preaches 
and what he's he's confronted with there and 
how do you feel— how do you see him working 
that out? </p>
</sp>
</div2>

<div2 type="page">
<pb n="33" facs="parks-gordon_0036.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 33
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Well, it was always, you know, the 
<note type="handwritten">BF 3237</note> eye for eye sort of thing. Ah, you do this 
to us, we're going to do this to you. That 
sort of thing. I often wondered about that 
myself. Ah, you know, after all, here you 
are confronting a police force 
that’s...loaded to the hilt.What are you 
gonna do about it? I think that ah although 
he meant what he...said, there's only so much
<note type="handwritten">BF 3281</note> he could do against a police force. <note type="handwritten">[[3287</note>And I 
think he was uh waiting the word from Elijah 
Muhammad as to what the next move was. What 
they should do about it. And uh, <note type="handwritten">[</note>we flew 
back through Phoenix and Elijah Muhammad told 
him very definitely: if you had reacted the 
way you should have reacted, if you'd have 
had more faith in Allah Ronald Stokes would 
be alive.<note type="handwritten">]]</note> That was it.<note type="handwritten">]3343</note> He gave him- he 
really gave him an upbraiding, you know. He 
was not the least bit sympathetic. And
<note type="handwritten">BF 3354</note> Malcolm said nothing about, well there was 
nothing we could do or anything of that sort.
He just listened. But. <note type="handwritten">[3365</note> I do remember Elijah 
Muhammad saying that <note type="handwritten">[</note>if you'd had more faith 
in Allah this would not have happened.<note type="handwritten">]3379</note></p>
</sp>
</div2>

<div2 type="page">
<pb n="34" facs="parks-gordon_0037.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 34
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  What t- what did he mean by that?</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>I don't know what he meant by that. 
I often wondered what he meant by that. And 
I expect Malcolm wondered what really he 
meant by that. I don't- I didn't know 
<note type="handwritten">BF 3396</note> whether he meant, you should have fought more 
ah at that particular moment eh, how do you- 
an unarmed group of people fight with guys w- 
with guns on their hips. You know. It 
was...eh, the philosophy fell weak for a 
moment as far as I was concerned.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  How did um, going- after that meeting 
with Elijah Muhammad, how was Malcolmmmm ah 
what is what is his...spirit. What is his 
action? </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>He was rather contrite.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Talk to me about them.</p>
</sp>

<note type="handwritten">BF 3449</note> 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">[[3446</note> After the meeting with Elijah 
Muhammad, Malcolm was rather contrite. We</p> 
</sp>
</div2>

<div2 type="page">
<pb n="35" facs="parks-gordon_0038.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 35
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>flew back to Chicago. Ah, he stopped there 
for a meeting, if I remember, and he was 
rather fiery on the streets then.<note type="handwritten">]</note> He was 
<note type="handwritten">BF 3468</note> really..the eh, the most I'd I'd ever seen 
in him shake his fist at crowds and try to 
bring the people to a a real pitch against 
the the white police force there in Chicago. 
You know, he was saying the thing that- and 
th- and_they there's a lot of police around, 
too.<note type="handwritten">]3511</note> He let them have it even worse than he 
had let them have it in New York. Because I 
suppose what he was trying to do was live up 
to the speech he'd just received from Elijah 
<note type="handwritten">BF 3529</note> Muhammad. About the Muslims not having 
enough faith in Allah to...have prevented 
Ronald Stokes from being killed.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  So, ho- I mean, you're viewing from the 
outside and and your listening to faith being 
the the um the element that's going to 
protect you against attacks and stuff. How 
are you responding to this. What do you...?</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Me personally? </p>
</sp>
</div2>

<div2 type="page">
<pb n="36" facs="parks-gordon_0039.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 36
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  You personally.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>I never took ah self—protection into 
consideration when I was with Malcolm. I 
always felt a part of him. And I think he 
felt that. I was with him. I I was- I felt, 
frankly, like a Muslim at times, y’know. I 
<note type="handwritten">BF 3612</note> never thought of uh- I knew if something 
happened, that it ah, I I would be in the 
firing line. Same way I was when I was with 
the Black Panther. I rode with them. I- 
never separated myself from them in terms of 
being a reporter or photographer, whatever. 
I realized I was a part of that eh ah feeling 
that they had.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  So, not long after that, you you want to 
take, you want to finish up your article and 
you want to do a picture of the leadership of 
the Nation of Islam. Talk to me about 
inquiring about that picture and what what 
happens and what you take from that.</p>
</sp> 

<note type="handwritten">BF 3684</note>
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">3685[[</note> After I finished the story on on the 
Muslims, I thought I had wrapped the story up</p> 
</sp>
</div2>

<div2 type="page">
<pb n="37" facs="parks-gordon_0040.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 37
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<note type="handwritten">pulled page</note>
<sp>
<speaker n="interviewee"/> 
<p>and was ready to go to press, ah Life 
Magazine asked me for one more picture. Says 
<note type="handwritten">BF 3703</note> could I do a something about photographing 
the leaders in the group. And I said, well, 
Elijah Muhammad is still in Phoenix, Arizona. 
They would all have to go out there. And so 
I called up Malcolm. And eh...he said I 
think it can be done, ah, but eh why don't 
you call Herbert, who was Elijah Muhammad's 
son, and ask him to set it up. So, I said 
<note type="handwritten">BF 3750</note> fine and I called up Herbert in Chicago. And 
Herbert says, Yes, I can arrange it. And I 
said well I will fly out with Brother 
Malcolm. And he said, you know, he said, you 
don't have to bring Brother Malcolm. And I 
said but, w-we want the leaders. And he 
said, well I still say you don't have to 
bring Brother Malcolm. Just like that. So I 
cut it off. And I called Malcolm back and 
Malcolm said, that's fine. That's the way it 
should be. Ah, and do me one favor. I said 
what's that. He said, eh eh print the story, 
<note type="handwritten">BF 3808</note> please ah, you know, give Elijah Muhammad 
full due and see that he is the main part of 
the your story, and not me. You know. Eh-I</p> 
</sp>
</div2>

<div2 type="page">
<pb n="38" facs="parks-gordon_0041.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 38
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>said well it's going to be very difficult, 
but I will try. I'll work on that. And 
that's why Elijah Muhammad's picture was used 
full page at the beginning of the story. 
<note type="handwritten">BF 3854</note> It's bec- at Malcolm's request that I do 
that. And I felt I owed Malcolm that.<note type="handwritten">]]3861</note> And 
uh, I ah argued with the editors for s- the
first picture that they had laid- in the lay- 
out was of a very s— s- strong picture of 
Malcolm that has been published of him, 
speaking to a crowd. With ah like that, with 
his hands up. And um, I said no. I don't 
want to use that picture there. I rather 
have Elijah Muhammad's picture there, full 
<note type="handwritten">BF 3910</note> page. And finally they agreed with me after 
I told them why I wanted it there and that I 
felt Malcolm deserved to be listened to on 
this particular subject.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Now, the um, your your editor, the people 
at Life and most people in the media, they 
saw, basically they saw Malcolm as--</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>They saw...</p>
</sp> 
</div2>

<div2 type="page">
<pb n="39" facs="parks-gordon_0042.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 39
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  -—the uh, the leader. </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>As the main focus. They were they 
<note type="handwritten">BF 3947</note> were they were really focusing on Malcolm. 
They wanted to focus on Malcolm </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Talk about the press. How did the press 
see it. When the press saw the Nation of 
Islam they saw who?</p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">3959[</note> Well, <note type="handwritten">[</note>M-Malcolm was a big voice. 
There really was no doubt about it. The pr- 
the general press like his...fo1lowing him 
and hearing him saying that, what they 
considered to be blasphemous things—heh-heh- 
heh! You know, against whites and so forth. 
They ate it up. Ah, it was n- good for the 
seven o'clock news. Or six o'clock news. 
Ah, I'm sure Life Magazine wanted to exploit 
<note type="handwritten">BF 4012</note> his ah actions as well. Ah, and they wanted
to make him the centerpiece for the article.<note type="handwritten">]]4026</note> 
And eh I did fight for Malcolm so this Elijah 
Muhammad was placed there as the the iron 
man. And they finally gave in because I got 
a little miffed hah-heh at some of the </p>
</sp>
</div2>

<div2 type="page">
<pb n="40" facs="parks-gordon_0043.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 40
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>sessions as to when we were laying out 
stories. No. I want the, want Elijah 
Muhammad's picture there.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  What did you- so what did you take from 
the conversation about who would be in 
picture of the leadership. And Malcolm's 
request that Elijah Muhammad be placed 
forward. Was this- did you s- feel that 
there was something changing here, or 
something that was—-</p>
</sp>

<note type="handwritten">BF 4077</note>
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">4076[</note> I think there were elements within 
the Muslims who felt that ah, in case of 
Elijah Muhammad's death that Malcolm would be 
chosen as leader. Ah I don’t— I never heard- 
had anyone to say that to me, ah, I never 
overheard anything of that sort but one got 
the feeling and...even through Malcolm's 
talking to me the- you know, he was not 
capable, he'd say, of become leader leader of 
the the Nation. He would say things of that
<note type="handwritten">BF 4133</note> sort. Which indicated to me that he was 
thinking about it. That people were thinking 
about it. And he wanted no parts of it. He</p>
</sp> 
</div2>

<div2 type="page">
<pb n="41" facs="parks-gordon_0044.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 41
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>just wanted to be one of the soldiers. That 
was his word. <note type="handwritten">]]4153</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  And and do you think the people- there 
were people who ah...ah, did not want to see 
him take the the the the heir apparent 
or...was that what was going on at that time, 
or? </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Well, there were certainly people who 
ah...expected him to become the heir apparent 
<note type="handwritten">BF 4181</note> in case of eh Elijah Muhammad's death. Ah I
think it was a natural assumption, frankly.<note type="handwritten">out</note>
His was a voice people were listening to. </p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>MISC: We just Rolled out ...voice BEEP </p>
</sp>
<note type="handwritten">L# 4210</note>
<sp>
<speaker n="interviewer"/> 
<p>Q:  We're getting close to the end ...</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Mmmm</p>
</sp>
 
<incident><desc>LONG PAUSE</desc></incident>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>... like that thing about eating ...</p> 
</sp>
</div2>

<div2 type="page">
<pb n="42" facs="parks-gordon_0045.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 42
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PARKS-7.DOC</head> 

<incident><desc>[MISC]</desc></incident>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Denise what're you doing hidin’ 
behind there.</p>
</sp>

<sp>
<speaker>DENISE:</speaker> 
<p>Trying to keep still. Trying to 
keep losing your face.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>(laughter) </p>
</sp>

<sp>
<speaker>DENISE:</speaker> 
<p>Who is that on that postcard behind 
you?</p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Mmhm </p>
</sp>

<sp>
<speaker>DENISE:</speaker> 
<p>Who is that on that postcard behind 
you? </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Postcards.</p>
</sp>
 
<sp>
<speaker>DENISE:</speaker> 
<p>It looks like a card. </p>
</sp>

<incident><desc>[TAPE ENDS]</desc></incident> 
</div2>

<div2 type="page">
<pb n="43" facs="parks-gordon_0046.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 43
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PARKS-7.DOC</head> 
<note type="handwritten">BOX 47 TK 5 CR 104 SR 51</note>
<note type="handwritten">BF 5000-7024</note>
<incident><desc>BEGINNING OF SIDE ONE -- TAPE 7</desc></incident>

<incident><desc>MISC</desc></incident>
 
<sp>
<speaker n="cameracrew"/> 
<p>UH THIS IS SOUND ROLL FIFTY-ONE ON CAMERA 
ROLL ONE OH FOUR. BLACKSIDE’S PRODUCTION OF 
MALCOLM X. EIGHT HUNDRED, CONTINUATION OF 
INTERVIEW WITH MR. GORDON PARKS.</p>
</sp>
 
<incident><desc>BEEP. BEEP.</desc></incident> 

<incident><desc>MISC</desc></incident>
 
<sp>
<speaker n="cameracrew"/> 
<p>SPEEDING. MARK. FIVE.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Uhm, was Malcolm seen at the center of 
the organization by most people in the press, 
especially for your people?</p>
</sp>

<note type="handwritten">BF 5032</note> 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">[[5032</note> I think the general press uh thought 
of Mal olm as the central figure in the mo’—, 
in the Muslims. Uh, no doubt about it. Uhm,
it was impossible not to think so, ’cause his 
voice is being heard on the news everyday and 
he was the one who was issued statements uh</p>
</sp>
</div2>

<div2 type="page">
<pb n="44" facs="parks-gordon_0047.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 44
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>for the Muslim hierarchy eh but he would 
always say the Honorable Elijah Muhammad, 
<note type="handwritten">BF 5079</note> he'd always put that first, you know.<note type="handwritten">]</note> He 
always did that.<note type="handwritten">]</note> He never uh, you know, 
presented a philosophy without at’-, 
attributing it to that Elijah Muhammad. And 
<note type="handwritten">[</note>he was very sensitive about that suspicious. 
He seemed to be aware that people felt that 
he was uh, a threat in, in the terms of 
leadership to take over and there some 
Muslims in, inside the movement who probably 
<note type="handwritten">BF 5137</note> did feel that way. No doubt they did.<note type="handwritten">]</note> No 
doubt about it.<note type="handwritten">]5143</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Uhm, so, it's interesting ’cause uh you, 
you were, you published the uhm article. How 
does Malcolm feel about the article once it's 
published?</p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Uhm, Malcolm liked the article.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  He told you this?</p>
</sp>

<note type="handwritten">BF 5162</note> 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>He liked the article, but again, he 
said, I asked him, “Well, how’d you like it?"</p>
</sp> 
</div2>

<div2 type="page">
<pb n="45" facs="parks-gordon_0048.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 45
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>He said, "Well, I'm waiting on word from the 
Honorable Elijah Muhammad." as to whether he 
liked it. I didn't get my cigars but uh I, 
<note type="handwritten">BF 5184</note> he gave me a pleasant nod, uh on the story on 
the Muslims, itself.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  You, uhm, you and Malcolm become closer 
friends through all of this, and uhm, uhm, 
even uhm actually become a god father for one 
of his children. Did that surprise you when 
he did that?</p>
</sp> 

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Uh, <note type="handwritten">5208[[</note> it surprised me when I was uh
selected as uh Quibella’s god father, that's 
his daughter, one of the younger daughters. 
Uh, and it surprised me recently when Betty 
was on the su’-, su’-, uh at the essence uh 
awards done for prominent women, and she said 
<note type="handwritten">BF 5245</note> that I'd been foremost in s’—, uh befriending 
her and her daughters after Malcolm was, 
died. Uh, and uh I was a little surprised to 
hear that, although I've been very close to 
Quibella and my younger daughter's very close 
to one of Malcolm's daughters. They went to 
school together in Westchester. So there's </p>
</sp>
</div2>

<div2 type="page">
<pb n="46" facs="parks-gordon_0049.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 46
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>sort of a c'-, c’-, close family association 
with them now. But uh I, Malcolm and I 
<note type="handwritten">BF 5288</note> really felt like brothers near the end.<note type="handwritten">]</note> In 
fact, he came to my house unannounced about 
two days or three days before he was, was, 
was uh assassinated, and invited me to the uh 
meeting that Sunday afternoon. I didn't have 
a chance to get there,<note type="handwritten">]5321</note> but he had sent me 
postcards from all over Europe where he had 
<note type="handwritten">BF 5336</note> gone and just about every place he went, I'd 
get a postcard from him.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Mm hm. How did you feel when you heard 
that uhm Malcolm had been silenced? Uhm, 
what, did it surprise you or did you feel 
something like this was going to happen? How 
did you respond? </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Well, I was shocked. But I, I was 
shocked when Malcolm X was uh assassinated 
but I do’—, I, I, I must say...</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Let's try again, because you said 
assassinated and we're talking about when he 
was silenced. </p>
</sp>
</div2>

<div2 type="page">
<pb n="47" facs="parks-gordon_0050.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 47
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Oh, si’-, oh silenced. That's right.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  when he's, when he's told...</p>
</sp>

<note type="handwritten">BF 5386</note> 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Uh<note type="handwritten">[</note>,<note type="handwritten">[5386</note> I was surprised when he was 
silenced by uh Elijah Muhammad and I felt 
that something was wrong. But, Malcolm was 
the type to accept it if he felt that Elijah 
Muhammad was right. And he'd, had not given 
up faith that he would be restored to 
Malcolm, uh to Elijah Muhammad's confidence. 
Eh, we talked for a little bit about that, 
and he said, "Oh, all be back. And 
everything’s fine. And I possibly deserved 
what I'm getting in some way or another. But 
<note type="handwritten">BF 5446</note> we'll get to the bottom of it." Just like 
that. That's about the most he said to me 
about it. But he wasn't angry, at first.<note type="handwritten">]]5459</note></p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  When uhm, uh down the line uhm uh when he
found he actually announced that he's leaving 
uhm are you in touch with him them? And how 
is he at that stage when he decides that he's</p> 
</sp>
</div2>

<div2 type="page">
<pb n="48" facs="parks-gordon_0051.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 48
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>not going to get back in, that he's going to 
have to go off on his own?</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Uh, I didn't see him im'—, 
immediately after that because I ha’—, had to 
go to Europe for something if I remember. 
And uhm, when I got back we’-, uh, that's 
<note type="handwritten">BF 5510</note> when the real trouble had started. Eh, <note type="handwritten">[[5515</note> he 
felt that uh his house was being fire bombed 
and things of that sort and uh I realized he 
was in a lot of trouble. So I'll ask him, I 
said uh, "Well, what about police 
protection." And he, he said that, "Listen, 
I help uh put some of the rules of the 
Muslims into practice myself. No police can 
protect me." Just like that. Those were his
words to me.<note type="handwritten">]]5565</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  So uhm, you, you were away in, in Europe 
and when you come here, this is right after 
his house had been bombed?</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>I, I, I know, I think I've, I think I 
<note type="handwritten">BF 5582</note> was, had been back by then, uh by the time 
his house was bombed, uh fire bombed.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="49" facs="parks-gordon_0052.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 49
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  So how, how did you uhm, when you heard 
that his house had been fire bombed, what, 
what is your respo’—, what is your reaction? 
What do you feel has happened? </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">5599[[</note> <subst><del>As soon as</del> <add><note type="handwritten">When I heard</note></add></subst> his house had been fire 
bombed, I realized that uh Malcolm was in 
<note type="handwritten">BF 5606</note> very deep trouble. I was very uh concerned 
about him and Betty and the kids uh and uh I 
tried to get in touch with him, but uh he was 
on the move, and we never talked about that. 
The next time I saw him was when he came to 
my house up in White Plains, New York. I 
think it was on, on a Sun’-, I don't know 
whether it was on a Friday, Thursday or 
Friday. He just drove into the dri’—, into 
my drive and came in and uh my wife fixed him 
<note type="handwritten">BF 5656</note> a cup of tea. And we sat upstairs and 
talked. And he told me that, you know, that 
he was in serious trouble.<note type="handwritten">]]5670</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  He said so’-, I think that's, that's the 
time when he said something to you like uhm, 
uhm, "Your time for mar’-, martyrs." and uh,</p> 
</sp>
</div2>

<div2 type="page">
<pb n="50" facs="parks-gordon_0053.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 50
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>so talk to me about, a’-, and he also kind of 
talks about his time in the Nation. What is, 
what is the, what are the things that he 
talks about, that you guys talk about when 
he, when he comes up to see you that time?</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">[5696</note> Uh, <note type="handwritten">[</note>strangely enough, we didn't talk
too much about his problems uh when he came 
<note type="handwritten">BF 5705</note> to see me uh a few days before he was 
assassinated. We talked about family life, 
we talked about uh our friendship, and how 
nice it'd been working together, and he said 
to me, "Brother, you know, I have a lot of 
respect for you, you know?"And that's all. 
And I said, "Well, I have a lot of respect 
for you." And we consolidated our friendship 
I think more than anything else on his last
that's the last time I saw him.<note type="handwritten">]</note> And uhm<note type="handwritten">]5753</note>, and 
I don't remember him going on about the
<note type="handwritten">BF 5766</note> danger he was in. He sort of brushed over 
it. He mentioned it, the fact that, the fact
that his house had been fire bombed and 
things of that sort.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="51" facs="parks-gordon_0054.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 51
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Did you express concern of your own 
towards him and suggesting to him, well maybe
 things that he could do to... </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>What? </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Did you express co'—, your own concern 
for him and what you thought he could do to 
maybe avoid some of the problems?</p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">[[5801</note> No, <note type="handwritten">[</note>there’s, <note type="handwritten">[</note>there's nothing that, 
there was nothing that I could say about ’em, 
<note type="handwritten">BF 5812</note> a'—, about the, the problem that he was 
having. Uh, I didn't know what to say, and I 
didn't know the depth of it. I just knew 
that he was in trouble. And uh I had no 
suggestion to offer him. I would like to 
have, you know. Said well, "If you finished 
with the kids, or something like that, if 
they're in trouble, they can come here and 
sta’-, to my house and live." or something, 
or something like that. Particularly uh eh a 
<note type="handwritten">BF 5858</note> situation that he was in would not have 
helped the kids then. If they wanted to get 
somebody, they were get them, you know, have</p> 
</sp>
</div2>

<div2 type="page">
<pb n="52" facs="parks-gordon_0055.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 52
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>a look at what, uh I was very concerned for 
them after he had left. I walked out to the 
drive with him and uh, and uh I just said, 
<note type="handwritten">BF 5884</note> "Good luck, brother!" just like that. And 
uh he said, "OK. Don't worry." uh...<note type="handwritten">]]5896</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  When he said this, when he, when he 
started talking about time for martyrs and 
stuff, how did you, what had your response?</p>
</sp> 

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">[[5902</note> Well, he just said is, you know, 
“It's a time for martyrs." And, which meant 
<note type="handwritten">BF 5914</note> uh he was one of ’em, and uh, he believed in 
that. He has the way of, of, of looking at 
things was, what he was going to pursue and 
he was not going to back down for Elijah 
Muhammad, the Muslims, or anyone else. He 
knew the way he wanted to go, having been to 
Mecca, he had formed his own ideas, and made 
his own uh conclusions as to about how he 
wanted to live the rest of his life and his 
<note type="handwritten">BF 5963</note> followers, and he was very definite about it. 
Even if he, still didn't show any fear. 
Might have shown concern, but no fear.<note type="handwritten">]5983</note></p> 
</sp>
</div2>

<div2 type="page">
<pb n="53" facs="parks-gordon_0056.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 53
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Uhm, so where...let's cut.</p>
</sp> 

<incident><desc>BEEP.</desc></incident>
 
<sp>
<speaker n="cameracrew"/> 
<p>ONE OH FIVE, UHM, TAKE SIX.</p>
</sp> 

<incident><desc>MISC.</desc></incident>
<note type="handwritten">TK 6 CR 105 SR 51</note> 
<sp>
<speaker n="cameracrew"/> 
<p>MARK. SIX.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Uhm, so uhm, tell how you uhm learned of 
the assassination. You weren't there, but 
where were you, and how did you find out?</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>How did I find out?</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Mm hm.</p>
</sp>

<note type="handwritten">BF 6040</note> 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Well, uh, I was shocked when I heard
 the fas’-, assassination I heard over the 
rad’-, over the radig, I think it was. And I 
saw it on TV news. <note type="handwritten">6053[</note>And I think I was riding 
along my car, and I heard it on the radio. 
And then I got home and turned on the news, 
and uh I tried to reach Betty, and I </p>
</sp>
</div2>

<div2 type="page">
<pb n="54" facs="parks-gordon_0057.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 54
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>couldn't. Uh, so I came into, I was out in, 
<note type="handwritten">BF 6081</note> possibly out in Westchester when I heard it, 
up near White Plains. I had an apartment 
down in the city. I we’-, I drove down there 
and then I just drove on up to Malcolm's home 
to be with Betty and the kids. And uh they 
was sitting around uh watching you know, the 
television. It was all over the news, and 
the two fellows were there who broke one of
the guys legs when he, after he sho’-, shot 
<note type="handwritten">BF 6135</note> Malcolm. They were there. <note type="handwritten">[[6136</note> And uh Betty was 
uh naturally upset, the kids were, the 
younger kids didn't really realize what had 
happened. They knew something terrible 
happened. They were sort of pulling on 
Betty, you know, and she was distraught, 
naturally.<note type="handwritten">]]6163</note> And uh, the, two of the fellows
asked me f I would take them home with me, 
they didn't want to go back to Harlem. So I 
wasn't going back up to Westchester that 
night, and I little s’-, sports car, it was a 
two-seater. And both of ’em were big, pretty 
<note type="handwritten">BF 6197</note> big men, and I said I'd, "I don't think 
either one, one of you could get into this 
car." And I was driving a little XKE. They</p> 
</sp>
</div2>

<div2 type="page">
<pb n="55" facs="parks-gordon_0058.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 55
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>said, "Oh, we'll get in all right. We do’-, 
we don't want to go back to Harlem. It's too 
<note type="handwritten">BF 6213</note> hot tonight." I had an apartment down on 
So, Bickman Place at the time, which is a very 
exclusive little street. Sort of a lily 
white, as they would call it. And uh, I took 
them there, and uh I notified Life Magazine 
uhm, eh it's just the manager that they were 
there, and uh I knew that they would expect 
me to, and I said, "Fine." Uh, I just start 
<note type="handwritten">BF 6258</note> writing a story on it, and uh both of the 
fellas that told me that they needed money, I 
think they wanted to get out of town for a 
while. So, I got Life Magazine's in the uh, 
an advance, and they did. And they were 
rather nervous, they was telling me all this, 
that parts of the story and what had 
happened. Uh I got all the information from 
them, and uh they slept in my bed, and I sat 
<note type="handwritten">BF 6311</note> up all night in the living room, writing. 
And the next I, I gave them money, you know, 
‘cause they needed it, and then they left. 
And I never sa’-, saw them after that.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="56" facs="parks-gordon_0059.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 56
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  You had a story, you were talking about 
the uh, the uh children and it's interesting 
that they were all there, and uh at the, at 
the ball room, and you were saying that they 
didn't really grasp what had happened and you 
were talking them seeing the incident on TV 
and do you remember what you were, at that 
time...?</p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Well, I, I don't at the, <note type="handwritten">6357[[</note> the house, 
<note type="handwritten">BF 6364</note> that, that it really see’-, settled in that 
their dad was dead and, and they were just 
sort of hanging on to their mother. And the 
mother was crying and so forth it was very
tense, sad situation. And you know, there's 
not one, not much you could say, you know? 
You sit there and, and one, there's one 
reporter after another. Uh, and uh there was 
someone there switching the st’-, the 
television just different stations, you know. 
<note type="handwritten">BF 6406</note> And uh, Betty would just start shaking her 
head now and then and crying and walking back 
to her kitchen, and one of the kids would 
have her hand, you know, and it was very sad</p> 
</sp>
</div2>

<div2 type="page">
<pb n="57" facs="parks-gordon_0060.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 57
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>situation. Very emotional moment for all of
us.<note type="handwritten">]6435</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Did uhm, there were uhm, how did Ha’-, 
how did Harlem respond, I mean in terms of 
the, the community, in general? How did New 
York kind of respond to this, uh especially 
Harlem, in your own mind, people in this 
town? </p>
</sp>

<note type="handwritten">BF 6464</note>
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">[6459</note> I remember Harlem as being shocked
over the assassination. <note type="handwritten">[</note>A lot of people 
loved Malcolm and even some people within the 
movement uh, uh, and I heard resign, uh left 
the movement because of it.<note type="handwritten">]6489</note> And uhm, I never 
talked to anyone about it, particularly. 
Stayed clear of it. I just, when I had to 
wrote my piece for, on his death, what had 
happened, uh how we had met a few days 
before, and of course, Life was very eager 
for me to finish the story so it could hit 
<note type="handwritten">BF 6530</note> the stands the following week. And I did, 
and I wrote consistently for all day, and the 
next night. And we closed our stories 
usually about three or four o'clock in the</p>
</sp>
</div2>

<div2 type="page">
<pb n="58" facs="parks-gordon_0061.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 58
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>morning, and uh lawyers and things are around 
<note type="handwritten">BF 6555</note> to check out your stories, and uh I suppose I 
turned my story in about twelve o'clock that 
night. The managing editor read it, eh but 
there were names listed on a list that Betty 
took off of Malcolm when he was shot, it had 
blood on it. And there were names on it. I 
had included those names in the story, and uh 
I talked to a so’-, a source close the 
Muslims and read the story, and they advised 
<note type="handwritten">BF 6612</note> that I take those names out, that it would 
only cause more problems. And I agreed with 
him. Uh, the managing editor, who was George 
Hunt at the time, said, "No, this Life 
Magazine and we print what we feel is news. 
And that's news." But the three lawyers 
agreed with me, and I said uh, "Look." He 
says, "Well, we'll put marines around your 
house." I said, "I don't want any marines 
around my house, uh and want the names taken 
if, uh, I thi’-, I think it's advisable that 
<note type="handwritten">BF 6668</note> they talk them off." And all the lawyers at 
Time Life agreed with me. So we took them 
off, and uh that was that.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="59" facs="parks-gordon_0062.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 59
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Explain eh uh, now tell me about this, 
where did you get those names from to give me 
the access. Where did these names, where did 
you get the names from, so that I know what 
you're talking about.</p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>I got the names off the list that, 
that... </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Tell me who the names were and where 
you...</p>
</sp> 

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>The names I got, I got, the names 
that came off the list that Betty, that Betty 
<note type="handwritten">BF 6706</note> took off of Malcolm, and uh I don't know 
exactly what those names meant, but it was, 
it was li’-, sort of like a hit list, I 
suppose, I don't know. And just, I 
retaliate, in retaliation if anything 
happened to Malcolm, I suppose that's what 
they were all about. Anyway, I fe’-, I felt 
that, and the lawyers felt at Time Life to
<note type="handwritten">BF 6742</note> use them would only cause more problems and 
uh things were bad enough. And so the story 
went to press that night, it went to Chicago.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="60" facs="parks-gordon_0063.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 60
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>I checked it out thoroughly to see if there 
was anything in it I, I, I didn't want in 
<note type="handwritten">BF 6769</note> there. And uh that's when I learned that 
Life Magazine had, had three bomb threats 
that day, while I was writing at least. I 
didn't know about that, I wasn't told about t
hat till about three o'clock in the morning. 
And uh, the story came out uh Life uh 
Magazine called me and said that FBI was 
there, and that they had uh said that uh I 
<note type="handwritten">BF 6806</note> was to be assassinated and that uh they had 
gotten on a plane with uh one gentlemen who 
was supposed to lead the group of four, who 
was supposed to assassinate me and they sat 
down beside him on a plane in Chicago and 
asked him where he was going. He said, “New 
York." And they said, "Well, we're going 
with you." And he got up and left. And he 
tried again the next day, and he got up and 
left again. so de’—, Life Magazine decided 
immediately to send m’—, m’-, my family with 
<note type="handwritten">BF 6856</note> me out of the country, which they did, they 
put us on a jet. My grandson, my children, 
and everyone else, and flew us out of the 
country right away, ‘til things cooled down.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="61" facs="parks-gordon_0064.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 61
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee"/> 
<p>I developed a toothache because if anything 
<note type="handwritten">BF 6875</note> was going to happen to me oh uh I didn't want 
to be, want it to happen around my family, 
around my grandson, so I got on a plane and 
came back to New York, and Life uh Magazine 
moved me to the, a suite in the Hotel Plaza, 
and put bodyguards on both ends of my suite. 
And that was a, and I went and roamed the 
halls, and I went through that for a month or 
<note type="handwritten">BF 6922</note> so, and got tired of it, and I said, "Well, 
if anybody wants to kill, they gonna kill 
me.", and I got my sports car, drove up to 
Harlem by myself, slipped away from the 
detectives and had tea with Brother Joseph 
who was the head of the, more or less of the, 
uh b’-, Fruit of Islam. And, we talked about 
tea, we talked about the weather, we talked 
about family life, everything, everything but 
Malcolm. And I got up, bade him goodbye, I 
<note type="handwritten">BF 6980</note> got in my car, went back to Life Magazine, 
told them call off the police and they did. 
And that was the end of that.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Were you ever uh subpoenaed to testify in 
the investigation?</p> 
</sp>
</div2>

<div2 type="page">
<pb n="62" facs="parks-gordon_0065.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 62
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PARKS-7.DOC</head> 

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>No, I was, I wasn't.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  You were never questioned? </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>I was never que tioned about the 
investigation or <note type="handwritten">out</note> anything of that sort. And 
in fact, I didn't know anything about it. I, 
I was...</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. We run out?</p>
</sp>
 
<incident><desc>BEEP.</desc></incident> 

<incident><desc>END OF SIDE ONE</desc></incident> 
<note type="handwritten">L# 7024</note>
</div2>

<div2 type="page">
<pb n="63" facs="parks-gordon_0066.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 63
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PARKS-7.DOC</head> 

<note type="handwritten">BOX 48 TK 7 CR106 SR 52</note>
<note type="handwritten">BF 7500-8273</note>

<incident><desc>BEGINNING OF SIDE TWO</desc></incident> 

<incident><desc>MISC</desc></incident>
 
<incident><desc>BEEP.</desc></incident> 

<sp>
<speaker n="cameracrew"/> 
<p>THIS IS UH BLACKSIDE’S PRODUCTION OF MALCOLM 
X SHOW NUMBER EIGHT HUNDRED ON SOUND ROLL 
FIFTY-TWO, CAMERA ROLL ONE OH SIX. 
CONTINUATION OF INTERVIEW WITH UH GORDON 
PARKS.</p>
</sp>
 
<incident><desc>BEEP. BEEP.</desc></incident> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Mr. Parks were there when, when uhm, 
they're carrying the body out, also, at the 
mosque, at the LA mosque?</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>The what?</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Are you there when they're carrying some 
of the uhm...</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yeah. </p>
</sp>
</div2>

<div2 type="page">
<pb n="64" facs="parks-gordon_0067.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 64
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PARKS-7.DOC</head>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Yeah. </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Mm hm. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  When they carry the body out? </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Mm hm. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Yeah. </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Out of the mosque. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Uh huh. Oh, OK. Is that right after 
he's shot. </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yeah. Shortly afterwards. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Seemed like one scene. </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yeah. I, when they, when they were 
doing the shooting...(audio cut). </p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>MARK. SEVEN. </p>
</sp>
</div2>

<div2 type="page">
<pb n="65" facs="parks-gordon_0068.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 65
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PARKS-7.DOC</head>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Uhm, Mr. Parks uhm talk to me about, 
you, you are unseen at the uh, in LA when the 
body's brought out, describe what that scene 
was like, when they brought it out?</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yes. I arrived after it all 
happened. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Tell me where we are. </p>
</sp>

<note type="handwritten">NF 7548</note>
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">[7547</note> Oh, <note type="handwritten">[</note>I was, I arrived at the mosque in 
Los Angeles after uhm, the shooting took 
place, and uhm, there were <subst><del>nasty</del> <add><note type="handwritten">naturally</note></add></subst> police cars
all over the place, you know, and they were 
bringing them, some of the people out on 
stretchers, and things of this sort. And 
uhm, the, one of the Muslims who was killed,
he was covered up and they brought him up, 
and there was great sadness amongst people, 
you know, Malcolm was walking back and forth 
<note type="handwritten">BF 7598</note> shaking his head saying, "They're gonna pay 
for it, they're pay for it, they're gonna pay 
for it, uh they're gonna pay for it." You 
know.<note type="handwritten">]]7608</note></p>
</sp>
</div2>

<div2 type="page">
<pb n="66" facs="parks-gordon_0069.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 66
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PARKS-7.DOC</head>

<sp>
<speaker n="interviewer"/> 
<p>Q:  So was Malcolm there inside when this 
happens? </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Not when this, no, Malcolm arrived 
<note type="handwritten">BF 7619</note> later. Malcolm was not there for the 
shooting. No.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  How, what's, what's the uh, the mood, 
what's the communi’4, uh the people in the 
streets, people from the communities other 
than Muslims there at the time? </p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>There were people who have come from 
all, all over, and the squad cars and things 
started coming in, you know, and the people 
started gathering. And I, I thought there 
was going to be some problems uhm, and I 
<note type="handwritten">BF 7656</note> think the police did, too, But it never 
happened and uhm Malcolm, I think, again, 
started keeping people cool, you know. 
Keeping things from happening. He just kept 
saying, "They'll pay for it, they pay for it, 
the things. Take it easy.Take it easy."</p> 
</sp>
</div2>

<div2 type="page">
<pb n="67" facs="parks-gordon_0070.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 67
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PARKS-7.DOC</head>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Now, when you hand in your story, you, 
you write that the police officers guilt uh 
Donald Weiss. Talk to me about what happens 
when you hand it in, how you uh, what happens 
with your editors when you, you hand this in.</p>
</sp>

<note type="handwritten">BF 7709</note>
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">[7708</note> Well when I, <note type="handwritten">[</note>I wrote this story uh 
for Life Magazine, and Donald Weiss, I think 
his name was, a cop, who was shot by Ronald 
Stokes, uh I practically say he was, he was 
guilty, practically a <subst><del>land slide</del> <add><note type="handwritten">man slaughter</note></add></subst>. And uh, uh
the editors thought that was too much, I 
<note type="handwritten">BF 7749</note> couldn't say that. Uhm, but I insisted upon 
it because I had uh already gotten his uh, 
the, the court records, where he said that, 
he was asked if uh, did, if he knew the 
Muslims were not armed, and he said, "Yes.", 
he, he, something to that extent and again 
they <subst><del>went on</del> <add><note type="handwritten">wasn't armed</note></add></subst>.They said, "Well, you shot the
man. Did you shoot to kill." He said 
something like, "Yeah. I'm not Hop-a—long 
<note type="handwritten">BF 7797</note> Cassidy. I don't do this and do that. I, I, 
I shot to ki’-." Then I expected that the 
boy was, as much to say that I expected he 
would be killed. Something of that sort.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="68" facs="parks-gordon_0071.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 68
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PARKS-7.DOC</head>

<sp>
<speaker n="interviewee"/> 
<p>And uh finally uh the assistant managing 
editor agreed with me, and says, "Well, it's 
<note type="handwritten">BF 7822</note> Gordon's right, you know, they're the court 
records. Right here it says it, so." Uhm,, 
Life went with it, they said it, you know.<note type="handwritten">]]783</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Uhm, I want to jump ahead uhm, I remem’-, 
uhm when uhm the day of the assassination 
uhm, and you're in the house uhm, you're uhm, 
I think Atswa and one of the other daughters 
are discussing their father, whether he's 
coming home or not. What happens there and 
uh, uh in that scene, and, and I think uh 
Betty kind of handles it uh...</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Well, Betty's uh... </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Tell me what ta’-, what we're talking 
about.</p>
</sp>

<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Uh Be, a’-, <note type="handwritten">[[7887</note> after the assassination 
<note type="handwritten">BF 7890</note> of Malcolm, I was at the house uh and uh it 
was a very emotional period for everybody, 
Betty and the children. I don't think the 
younger children, the youngest was really</p> 
</sp>
</div2>

<div2 type="page">
<pb n="69" facs="parks-gordon_0072.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 69
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PARKS-7.DOC</head>

<note type="handwritten">pulled page</note>
<sp>
<speaker n="interviewee"/> 
<p>sensed what had happened and that, that dead, 
<note type="handwritten">BF 7913</note> their father was dead an that they weren't 
going to see him again, uh, and it was sort 
of taken a hold of Betty's hand and she was 
walking from the living room to the kitchen, 
back and forth, watch a little bit on TV, go 
back to the kitchen, and she was, wa’—, 
naturally sobbing and uh every now and then, 
and then I said, one of the kids said, "Well, 
Mama is Daddy comin’ home?" Just like that, 
<note type="handwritten">BF 7952</note> she said. So she said, "No, sweetheart, bu’- 
Daddy won't be comin’ home." Just like 
that, but very tough on them, you know. I 
don't know which one of the kids, but it was 
one of the younger kids, so I just sensed 
that the kid could not have realized that at 
that moment that their father would never 
come home again.<note type="handwritten">][</note> And I had been around 
Malcolm when he had been around his family. 
He was a good father. He treated the girls 
beautifully. He was, he treated beautifully. 
<note type="handwritten">BF 7993</note> He was not the fiery monster at home. He was 
always on the street corner. He was a 
gentle, sweet guy, you know, very sweet. And X 
sometimes we had moments when he was awfully,</p>
</sp>
</div2>

<div2 type="page">
<pb n="70" facs="parks-gordon_0073.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 70
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PARKS-7.DOC</head>

<sp>
<speaker n="interviewee"/> 
<p>awfully gentle, sweet, you know, and so, we 
developed sort of a brotherhood amongst the 
<note type="handwritten">BF 8023</note> two of us, you know, I liked him, just got to 
be like my brother. And I'm sure I got to be 
like his brother.<note type="handwritten">]]8034</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Uhm, at the, at the uhm, at the scene of 
the assassination, Betty had gotten a list 
off of Malcolm that he had written as a sa’-, 
’cause I think he, he was coming there to 
talk about who he felt was after him.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p>Yeah.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Can you talk to me about that?</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">[8061</note> I think that, that if that was a 
list, <note type="handwritten">[</note>the list that he, that Betty took off 
of him after he was assassinated, possibly 
had the names of men who were after him, and 
<note type="handwritten">BF 8088</note> are perhaps uh felt that if, if anything 
happened that they were ones to be retaliated 
against. You know, that's, I mean, that's 
sort. I never got that clear, the fact of 
it, you know. I just knew that, you know,</p> 
</sp>
</div2>

<div2 type="page">
<pb n="71" facs="parks-gordon_0074.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 71
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PARKS-7.DOC</head>

<sp>
<speaker n="interviewee"/> 
<p>when the story was published I had decided 
that the names should not be used, and it 
would only cause more trouble.<note type="handwritten">]8122</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Let's cut.</p>
</sp>
 
<incident><desc>BEEP.</desc></incident> 
<note type="handwritten">TK 8 CR.106 SR 52</note>
<sp>
<speaker n="cameracrew"/> 
<p>MARK. EIGHT.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  I know this is hard, but talk to me about 
that moment when you, you just explaining to 
me about Betty and how she's dealing with uhm 
at this moment.</p>
</sp>
 
<sp>
<speaker n="interviewee">PARKS:</speaker> 
<p><note type="handwritten">[8150</note> Well, after the, at, at, at Malcolm's 
home af er he was assassinated uhm, it was 
very emotional uh, uh feeling running through 
the place. We were watching excerpts from 
the news flashes on Malcolm. Betty would 
<note type="handwritten">BF 8186</note> look at them for a while, as long as she 
could, and then cover her eyes and turn and 
then she'd just look at, look at the wall, or 
stare at the wall a minute. And she glanced 
back at it, and then probably go toward the</p>
</sp> 
</div2>

<div2 type="page">
<pb n="72" facs="parks-gordon_0075.tif"/>
<head>BLACKSIDE -- "MALCOLM X" -- 800 -- GORDON PARKS 72
CR 99-SR 49/CR 100 SR 49, CR 101 SR 49, CR 102 SR 50, CR 103 SR 50, CR 104 SR 51, CR 105 SR 51, CR 106 SR 52. 
PARKS-7.DOC</head>

<sp>
<speaker n="interviewee"/> 
<p>kitchen again, for no reason whatsoever, just 
to go toward the kitchen. Uh, one of the 
little girls reached up, put her hand in 
Betty's and says you know, "Mamma, is Daddy 
<note type="handwritten">BF 8231</note> comin' home?" She says, "No, honey, Daddy's 
not coming home." You know, just like that. 
And uh then she's coming back and watch some 
more, ’til the news finished.<note type="handwritten">]]8259</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. That's good.</p>
</sp>
 
<incident><desc>BEEP.</desc></incident> 

<incident><desc>END OF INTERVIEW ON SIDE TWO.</desc></incident> 

<note type="handwritten">L# 8273</note>
</div2>
</div1>
</body>
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