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<title>Interview with <hi rend="bold">Jarvis</hi></title>
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Creation of machine-readable version and conversion to TEI-conformant markup: <date when="2018">2018</date> 
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<pubPlace>St. Louis, Missouri</pubPlace>
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<p>Material is free to use for research purposes only. If researcher intends to use transcripts for publication, please contact Washington University’s Film and Media Archive for permission to republish. Please use preferred citation given in the transcript.</p>
<p>© Copyright Washington University Libraries 2018</p>
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<title>Interview with <hi rend="bold">Jarvis</hi></title>
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<persName n="Jarvis" key="">Jarvis</persName>
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<series>Interview gathered as part of Malcolm X.</series>
<note>This interview recorded as formal filmed interview.</note>
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<front>
<titlePage>
<docTitle>
<titlePart type="main">Interview with <hi rend="bold"><name>Jarvis</name></hi></titlePart>
</docTitle>
<byline>
Interviewer:</byline>
<docImprint>
<docDate>
Interview Date:  
<date when="1992-04-30">April 4, 1992</date>
</docDate>
<pubPlace/>
<rs type="media">Camera Rolls: </rs>
<rs type="media">Sound Rolls: </rs>
</docImprint>
<imprimatur>
Interview gathered as part of <hi rend="italics-bold">Malcolm X</hi>. 
<lb/>Produced by Blackside, Inc. 
<lb/>Housed at the Washington University Film and Media Archive, Henry Hampton Collection. 
</imprimatur>
</titlePage>
<div1 type="editorial">
<head>Editorial Notes:</head>
<p><hi rend="bold">Preferred citation:</hi>
<lb/>Interview with <hi rend="bold"><name>Jarvis</name></hi>, conducted by Blackside, Inc. on <date when="1992-04-30">April 4, 1992</date>, for <hi rend="italics">Malxolm X</hi>. Washington University Libraries, Film and Media Archive, Henry Hampton Collection.</p>
</div1>
</front>
<body>
<div1 type="interview">
<div2 type="page">
<pb n="1" facs="jarvis_0001.tif"/>
<note type="handwritten">DATE: 04/30/92</note>
<head>BLACKSIDE, INC. "MALCOLM X" 	1
INTERVIEW WITH JARVIS 
CR68, SR 34,SR35, CR 69SR 36
CR76, SR 38 
<del><unclear reason="illegible"/></del></head>

<note type="handwritten">TK1 CR69 SR34</note>
<note type="handwritten">BOX#32BA 8544-9544</note>

<sp>
<speaker n="cameracrew"/> 
<p>MARK IT.</p>
</sp>
 
<sp>
<speaker n="cameracrew"/> 
<p>TAKE ONE.</p>
</sp> 

<sp>
<speaker n="cameracrew"/> 
<p>ONE SECOND.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q: So give me, give me a real kind of 
descriptive ah vision of Boston in those days 
when you were about seventeen-years-old?</p>
</sp>

<note type="handwritten">BA 8577</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[8577</note> Ah, you take me back that mostly 
Saturday nights when the city became alive on 
Saturday nights, ah, everybody was out 
drinking and having a good time and around 
twelve o'clock if you take a ride down Mass 
Avenue and park your car ah, the scenes of 
people being half-drunk and the poiice were 
knocking em around and pushin' them around
and arrestin‚Äô people for bein' drunk.There
was always a lot of action going on.<note type="handwritten">/</note> 
<note type="handwritten">BA 8618</note> Especially down on Mass and Columbus and you 
take me back to clubs like the Big M, and ah 
Wally's which was across the street, they</p>
</sp>
</div2>

<div2 type="page">
<pb n="2" facs="jarvis_0002.tif"/>
<note type="handwritten">pulled page</note>
<head>BLACKSIDE, INC. "MALCOLM X" 2
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<sp>
<speaker n="interviewee"/> 
<p>used to call it Little Dixie‚ they had the 
Savoy up near ah, up near the bridge there 
<note type="handwritten">BA 8641</note> and down below the ah-eh, the Savoy 
downstairs was the Big M. They used to have
a lot name groups.come in like Jimmy Smith, 
ah, I can't remen-call some of the other 
names that were down there. And then the
High Hat was on the corner of Mass and 
Columbus and down on Columbus Avenue there 
was another little club there called the 
<note type="handwritten">BA 8674</note> Four-Eleven Lounge ah, where I met Roy Elgis, 
the famous trumpet player, Roy Elgis, I met 
him in there one night. And he happened to 
be downtown Boston playing at the ah, Carrol 
Theatre, ah with Jean Cooper-and Anita O'Day. 
Anita O'Day was the singer with Jean Coopers 
band in those day. Then ah, you brings back 
memories to me about the old Pioneer Club 
that was just across the street almost from 
where Estel1e‚Äôs Restaurant is on Tremont 
street. That was a famous after-hours spot 
<note type="handwritten">BA 8718</note> for all musicians ah, that came into the 
area, they used to go down there to eat and 
have jam sessions, the place stayed open all
night. And it was live and then also there</p>
</sp>
</div2>

<div2 type="page">
<pb n="3" facs="jarvis_0003.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"3
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<sp>
<speaker n="interviewee"/> 
<p>were Slades .. was famous for their barbecued 
chicken and there ahm Shag Taylor's Drugstore
<note type="handwritten">BA 8744</note> on the corner that stayed open all night for
various reasons I won't, won't mention. So
you, you take me back to those days.<note type="handwritten">]]8757</note></p> 
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Remember, now talk to me about ah, and 
without referring to me taking you back just 
describe ah, the ah ... the Boston Black 
Community. Ah, there's Humboldt Avenue, 
Sugar Hill, it comes down to Mass Ave. Give 
me ah, a feeling and a flavor for that 
community.</p>
</sp>

<note type="handwritten">BA 8781</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, <note type="handwritten">8781[[</note> Humboldt Avenue from Balance
Street all the way up to Seaver Street, ah, 
in the days when I was a young fellow, was, 
used to be pr-dominantly Jewish, and ah, the 
blacks had more or less forced the Jewish 
people out and the Jewish people went out 
toward Brookline and Newton and they 
considered the, <note type="handwritten">[</note>the blacks that live up
<note type="handwritten">BA 8813</note> around Roxbury in those days of the better 
class, so-called blacks, which we used to
call them the four hundred group. Ah, more</p>
</sp>
</div2>

<div2 type="page">
<pb n="4" facs="jarvis_0004.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"4
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<sp>
<speaker n="interviewee"/> 
<p>or less well-to-do blacks.<note type="handwritten">]</note> Ah, I remember
<note type="handwritten">[</note>the famous Doctor Meyers who used to be right 
<note type="handwritten">BA 8832</note> down in there Humboldt Avenue and Lemuel
Street and um Doctor Ben who had a place up 
on up on Humboldt Avenue and then there as 
the famous Townsend Street Drugstore, St. 
Marks Church that used to be on Townsend
Street,<note type="handwritten">]</note> I believe the church is still there.<note type="handwritten">]8861</note>
Ah, Beau Bummell, he's located on the corner
on Munroe and Humboldt now but in the days of 
Beau Brummel was on the corner of Townsend 
<note type="handwritten">BA 8872</note> Street when he started off and he used to do 
a lot of famous musicians hair...that when
he came into town. Um.</p>
</sp>

<incident><desc>UNINTEL</desc></incident>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Am I getting carried away too much
on this?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  No um, um, you're giving me place give
me a sense of the people too.</p>
</sp>

<incident><desc>TAPE CUTS.</desc></incident>
</div2>

<div2 type="page">
<pb n="1" facs="jarvis_0001.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"5
INTERVIEW WITH JARVIS
CR69, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<note type="handwritten">TK2 CR69 SR34</note>

<sp>
<speaker n="cameracrew"/> 
<p>TAKE TWO. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Now you're seventeen. This is the Boston
and your seven-and-and your experience,
you're seeing this and you remember for me 
and describe the street scene. Um, what's 
going on. How happening are the clubs, what
is Saturday night in Boston like?</p>
</sp>

<note type="handwritten">BA 8914</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">8914[[</note> Well Saturday night was the most
exciting night of the week. Ah, that was the 
night when normal working day citizens would 
get in their car, drive down and park on Mass 
Avenue or on Tremont Street and catch the 
night club scene when the clubs were letting 
out between twelve and one o'clock and one- 
<note type="handwritten">BA 8943</note> thirty. And ah, it was something to see 
black people when they were half-drunk and 
how foolish they can act and some of the 
stupid things they could do. They really 
kept the police department busy and that's 
what the reason why people used to sit down 
there and park was to catch all the
<note type="handwritten">BA 8968</note> excitement. Um, I remember, I remember the
clubs like High Hat, the Big M, ah this is</p>
</sp>
</div2>

<div2 type="page">
<pb n="6" facs="jarvis_0006.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"6
INTERVIEW WITH JARVIS
CR69, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<sp>
<speaker n="interviewee"/> 
<p>where all the happenings were, right on Mass 
on Avenue<note type="handwritten">]</note> right where Wally's is located 
<note type="handwritten">BA 8985</note> today.<note type="handwritten">]</note> Ah, <note type="handwritten">8985</note> across the street where the Big M 
was, I think there's a store up there right 
now and they call where they High Hat is, the 
Harriet Tubman House. Now we can go back 
downtown, ah, not all the way downtown, down 
beyond ah West Newton Street, there was the 
club called the Four Eleven Lounge, ah, there 
wasn't too much happening there but a lot of 
musicians used to frequent there on Saturday 
nights to eat and ah, then sometimes they had 
<note type="handwritten">BA 9025</note> a band playing and I remember the old fat 
man, ah Robertson Oxtree used to play in 
there, that's where I met the late Roy 
Eldridge. He and Anita O'Day, I met them in 
there. Ah, going back up towards Slades, 
then we had the old Pioneer Club, there was 
Estelle's and there was Shagg‚Äôs um, drugstore 
and there was a little restaurant right next 
to the drugstore called Jimmy Christmas and 
between these places, this is where all the 
<note type="handwritten">BA 9069</note> blacks from up in Roxbury used to come and
frequent and hang out to the wee hours of the
morning on Sunday mornings, especially at the</p>
</sp>
</div2>

<div2 type="page">
<pb n="7" facs="jarvis_0007.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"7
INTERVIEW WITH JARVIS
CR69, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<sp>
<speaker n="interviewee"/> 
<p>Pioneer Club, you can go up there and after 
three o'clock they serve dinner and the 
<note type="handwritten">BA 9087</note> musicians would have a jam session, jam 
sessions lasted eight, nine o'clock Sunday 
morning. That's what they called having a 
good time. Now this also brings to mind 
that um, <note type="handwritten">[[9102</note> there was a gambling place, I don't 
think I should mention the name of where it 
was on Hammond Street. Very famous and ah, 
people wanted to gamble. They could go in 
there and gamble and they had some of the 
<note type="handwritten">BA 9122</note> professional prostitutes that used to work 
out of this gambling house and ah, they had 
rooms upstairs that they used to rent so all 
the happenings was right down between Hammond
Street, Mass Avenue and West Newton Street.<note type="handwritten">]]9141</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Now tell me about when you first meet
Malcolm. Describe him to me, ah, give me ah, 
your best description of-of how you met and
under what circumstances, what he was like,
and ah...</p>
</sp>

<note type="handwritten">BA 9161</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, <note type="handwritten">9162[</note>it... <note type="handwritten">[</note>it was going back when
ah I think I was about sixteen-and-a-half,</p>
</sp>
</div2>

<div2 type="page">
<pb n="8" facs="jarvis_0008.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X" 8
INTERVIEW WITH JARVIS
CR68, SR 34, SR35, CR 69 SR 36
CR76 SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<note type="handwritten">pulled page</note>

<sp>
<speaker n="interviewee"/> 
<p><note type="handwritten">[</note>not quite seventeen and I called myself a
<note type="handwritten">BA 9178</note> little hustler up in Roxbury in those days
and ah. I used to go in the pool room all the 
time up on Humboldt Avenue. And this 
particular day, you know, Malcolm X had come 
into his Boston and he had on his zoot suit 
with the wide-brimmed hat with the long 
three-quarter-length coat with the chain that 
went down to your anhles,<note type="handwritten">]</note> I don't know, the 
last time I recall Cab/Eallaway used that 
outfit for his stage uniform and Malcolm X 
was the first person that landed in Boston 
with this outfit and ah, <note type="handwritten">[</note>the girls all 
<note type="handwritten">BA 9229</note> marveled at him because he was different but
he was sharp. And I met him up in the pool 
room, shootin' pool. That's how I first got 
acquainted with him, what happened is I was 
shootin' pool against him and another fella 
and I had a hundred and twenty-five Hamilton 
wristwatch and the chain broke and the watch 
dropped on the table and somebody scooped it 
up. When I went to look for my watch it was 
gone and Malcolm X was standing next to me
<note type="handwritten">BA 9269</note> and I accused him. He and I almost got into
it. That's how we became friends but he<note type="handwritten">]</note></p>
</sp>
</div2>

<div2 type="page">
<pb n="9" facs="jarvis_0009.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X" 9
INTERVIEW WITH JARVIS
CR68, SR 34, SR35, CR 69 SR 36
CR76 SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<sp>
<speaker n="interviewee"/> 
<p>wasn't the one that the watch, later I found 
<note type="handwritten">BA 9279</note> out it was somebody else that took it. Now, 
that's how I got acquainted with him.<note type="handwritten">]]9285</note> And he
and I started to become very good friends at 
that. Ah, we both liked pool and I think I 
sort of_intrigued him because as a musician, a 
young musician in those days, I was 
affiliated with the Union, ab, and it was my 
job to escort the business agent into all the 
<note type="handwritten">BA 9314</note> clubs in Boston while all the name people in 
show business, they had to pay what we call 
traveling dues. And it was our job to go get 
it. And I used to be chauffeur for the 
secretary, so Malcolm X used to come along 
with me as my buddy, so therefore, I got him 
into all these different clubs, ah and he met 
anybody that was in town at the time. That's 
<note type="handwritten">BA 9348</note> how he got into to the people in the show 
business. That's how he and I became, started
becoming good friends.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  So you were talking about, you're talking 
about Malcolm in a zoot suit, now describe 
him to me, one time you talked, you described
him to me, you laid out the whole image in</p>
</sp>
</div2>

<div2 type="page">
<pb n="10" facs="jarvis_0010.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X" 10
INTERVIEW WITH JARVIS
CR68, SR 34, SR35, CR 69 SR 36
CR76 SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<sp>
<speaker n="interviewer"/> 
<p>suit, hair being conked, you know and just 
how the girls kind of responded.</p>
</sp>

<note type="handwritten">BA 9379</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Oh, eh, you know, <note type="handwritten">9381[</note>if you can go back
to the days when Frank Sinatra used to sing
and bobbysockers would swoon, well this is
what the black girls up in Roxbury and in
Boston did when they say Malcolm X. He was a
very tall, ah, attractive sort of a fellow. 
I don't know what it is but some guys, they
just attract women like this and they
marveled over him.‚Äò They marve-they'll knock
<note type="handwritten">BA 9417</note> you out, out, knock you down in the street to
get to him, just to shake his hand or
something like that, you know. It was a
funny thing how that happened. Um.<note type="handwritten">]9430</note> And ahm,
then he had a habit of changing clothes too.
He used to change clothes once or twice a 
day. That's another thing that had the girls
all in a tizzy. And ah, he couldn't walk 
down the street but to stop traffic with
people all up and down Humboldt Avenue. 
<note type="handwritten">BA 9456</note> That's how he got such a reputation between
Humboldt Avenue all up and down Humboldt
Avenue between Wambeck(?) Street and Bauer</p>
</sp>
</div2>

<div2 type="page">
<pb n="11" facs="jarvis_0011.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X" 11
INTERVIEW WITH JARVIS
CR68, SR 34, SR35, CR 69 SR 36
CR76 SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Street. <note type="handwritten">9467[[</note>He was very well-known. During the
<note type="handwritten">BA 9469</note> daytime all he had to do was just walk up the
street and everybody was around him wantin' 
to meet him just because of the way he was
dressed.<note type="handwritten">]9480</note> You don't see people do that today.
And I've seen some ah, weird outfits out here
today but people just don't do those things.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Describe, describe, give me-give me ah,
what, if I saw Malcolm walking down the
street. What is he gonna look like. What
is, give me this picture of this guy.</p>
</sp>

<note type="handwritten">BA 9506</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, in the first, in the first
thing about him, he was a type of person that
ah, his appearance would electrify you. And 
by that, when you, when you, when you walk
down the street, some people you can sense
them. You can feel them. And he was the
<note type="handwritten">BA 9529</note> type of person that when he walked down the
street, you could sense and feel there was
something going on with him.</p>
</sp>

<sp>
<speaker n="cameracrew"/>
<p>CAMERA JUST ROLLED OUT OF FILM</p>
</sp>
</div2>

<div2 type="page">
<pb n="12" facs="jarvis_0012.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X" 12
INTERVIEW WITH JARVIS
CR68, SR 34, SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>That's alright. You can refresh my
memory here. </p>
</sp>
<note type="handwritten">L# BA 9544</note>
<incident><desc>UNINTEL</desc></incident>

<incident><desc>[MISC]</desc></incident>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>I'm a little nervous at the moment 
ah.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Let's just call him Malcolm at this
stage, 'cause he's not Malcolm X yet.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>OK. Yeah. Yeah, they called him
Malcolm Little.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Yes, so.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>And he was...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  ... (unintel) Malcolm at the (unintel)</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well he was know more as Malcolm
Little but in those days before he got the X,</p>
</sp>
</div2>

<div2 type="page">
<pb n="13" facs="jarvis_0013.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X" 13
INTERVIEW WITH JARVIS
CR68, SR 34, SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<sp>
<speaker n="interviewee"/> 
<p>he didn't receive the X till he came out of 
prison. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  That's fine.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yeah.</p>
</sp>

<incident><desc>UNINTEL</desc></incident>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>I got to relax a little more so I
can talk a little more.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  No, you're doing fine.</p>
</sp> 

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>.., more straightforward ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  ... time to start ...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>To loosen up a little bit, yeah</p>
</sp>

<incident><desc>MISC</desc></incident>

<sp>
<speaker n="unknown"/> 
<p>F: You have very vivid descriptions, it's
really ah...I can see that suit.</p>
</sp>
</div2>

<div2 type="page">
<pb n="14" facs="jarvis_0014.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X" 14
INTERVIEW WITH JARVIS
CR68, SR 34, SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<incident><desc>LAUGHTER</desc></incident>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Oh.You got, you have a picture of 
it.</p>
</sp>

<sp>
<speaker n="unknown"/> 
<p>F: I think someone does ...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>You have a picture of of him in his
zoot suit in the scrap book, I believe. Now,
you look a the picture of him in the 
scrapbook in the zoot suit and then look at
the picture of him after he became a Muslim 
and then you see the ah difference. But the
quality of him himself was still there. That 
elegance. Whether it's a zoot suit or an 
ordinary straight dress suit, businesslike 
suit, the the quality of him was right there, 
if you know what I mean, that's what I mean 
when ah, when he's walking down the street, 
ah, he would spellbind by just looking at
himo Ah...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Real sharp (Unintel)</p>
</sp>
</div2>

<div2 type="page">
<pb n="15" facs="jarvis_0015.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X" 15
INTERVIEW WITH JARVIS
CR68, SR 34, SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yes. What you, what you would call
a dapper Dan.</p>
</sp>

<sp>
<speaker n="unknown"/> 
<p>F: Uhm um.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yes he was very clean-shaven and
neat. He didn't, didn't never thought of
wearing a beard in those days, no. But
another thing that used to fascinate the
girls, you see, when he conked his hair his
hair had a habit of turning red.</p> 
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  This is what I'm asking you to do when
you describe him, give me the whoie picture.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>And um. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Picture the hair, the clothes, the zoot
suit, the whole thing, give me the picture.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Uhm um. of course, you know, most 
of the young, black girls in those days, they 
never saw a black man with red hair. That
was...</p>
</sp>
</div2>
<!--page 16 is missing-->
<div2 type="page">
<pb n="17" facs="jarvis_0017.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X" 17
INTERVIEW WITH JARVIS
CR68, SR 34, SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head>

<note type="handwritten">BOX33 BB 0000-2010</note>

<incident><desc>BEGINNING OF SIDE B.</desc></incident>

<note type="handwritten">TK3 CR:70 SR:35</note>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Now, first, give me the-this 
description of Malcolm in a zoot suit and the 
impression he made on people, saw zoot suit,
his red hair, you know, it's like.</p>
</sp>

<note type="handwritten">BB 0042</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well I'd like to go back and say 
this, that ah, about the styles and how the 
zoot suit came into Boston. He was the first
one that wore one in Boston.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Malcolm was the first one.</p>
</sp>

<note type="handwritten">0060</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Beg your pardon.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Start again and let me know that Malcolm 
was, we're talking about Malcolm, Malcolm was
the first one who wore.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Alright. Ah, Malcolm was the first
person that ever came to Boston in what we 
<note type="handwritten">BB 0077</note> call a zoot suit. Ah, the style was, they
claimed in those days, was about twenty years
ahead of its time ah, as he walked down</p>
</sp>
</div2>

<div2 type="page">
<pb n="18" facs="jarvis_0018.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"18 
INTERVIEW WITH JARVIS 
CR68, BR 34,8R35, CR 69 SR 36
CR76, BR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>Humboldt Avenue with this particular suit on, 
he'd look like a man from Mars. The way he 
<note type="handwritten">BB 0098</note> astonished all the girls and the fellows too. 
Ah, and then again, <note type="handwritten">[[0106</note> the girls were marveled 
more over him because of his hair being red 
from conking it. They had never seen a black 
man with red hair, even though his skin was 
light, he was still considered a black man. 
Well, for him to walk down the street with 
this red hair, ah, that was really 
fascinating to all the young girls. Ah, he 
<note type="handwritten">0140</note> was very sharp and neat and clean. He, in 
fact, they used to call him Dapper Dan of the
hill.<note type="handwritten">]0150</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Um. Now. when you first meet 
Malcolm, ah, describe that meeting, how you 
first meet. And describe the Malcolm that
you meet at fourteen-years-old.</p>
</sp>

<note type="handwritten">BB 0171</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, you see I had heard a lot
about him ah, in Boston.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  ...I heard a lot about Malcolm.</p>
</sp>
</div2>

<div2 type="page">
<pb n="19" facs="jarvis_0019.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"19 
INTERVIEW WITH JARVIS
CR68, SR 34,8R35, CR 69 BR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Alright, ah, I heard a lot about 
Malcolm and ahm, I had no idea I was gonna 
<note type="handwritten">BB 0189</note> meet him but one day in the pool room we were 
shooting pool and I was playing pool with him 
incidentally, Malcolm and the band of my 
watch broke and it fell on the table and 
somebody scooped it up and I accused him not 
seeing it but because he was closest one to 
me I accused him of taking my watch.. So, he 
later took me outside and told me it wasn't 
him that took it, there was somebody else 
that took it. So that's how he and I first
became acquainted to start to be friends, I
<note type="handwritten">0238</note> apologized for accusing him falsely. Ah, and
then he and I got friendly gettin' into the 
music scene. when I was ahm, a delegate for 
the Union and I had to take and go to collect 
what we call the Union dues, traveling dues 
from the musicians, they come to this area 
and played in all nightclubs in Boston and I 
was the chauffeur and Malcolm came along with
me as a friend so naturally if I went in the
<note type="handwritten">BB 0280</note> clubs, he went in the clubs and that's how he
started to get familiar with all the people
in show business, not to mention people like</p>
</sp>
</div2>

<div2 type="page">
<pb n="20" facs="jarvis_0020.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X" 20
INTERVIEW WITH JARVIS 
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>Lionel Hampton and fellows from Duke 
<note type="handwritten">BB 0295</note> Ellington, Jimmy Lundsford‚Äôs band, we go back 
to the days of Jimmy Lundsford. Um, I said
Lionel Hampton.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  That's good enough.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Count Basie.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  No you, you at one point said that ah 
Malcolm, even back then could talk and
although he had this kind of per-you know 
physical kind of image that was attractive, 
he was also talkative and he could, he-he, 
attracted. Talk to me about Malcolm X then
as ah as a young kid. How was his rap...?</p>
</sp>

<note type="handwritten">BB 0342</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ha-ha, he was a jive artist, so-to-
speak when it comes to speaking, that's what 
we called it those days. Ah, Malcolm X was a 
jive, not Malcolm X, he was a jive artist, he
could talk. Um.</p>
</sp>
</div2>

<div2 type="page">
<pb n="21" facs="jarvis_0021.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"21 
INTERVIEW WITH JARVIS 
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  I'm gonna start you all over again. 
‚Äôcause we, we got mixed up there. Start 
again, Malcolm could talk. </p>
</sp>

<note type="handwritten">BB 0370</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yeah, <note type="handwritten">BB0371[</note> Malcolm really could talk. 
Very smoothly and that's what fascinated the 
women, he was such a smooth talker. And 
that's what got him by with most of the 
women. I never saw a black man with so many 
girlfriends that he, in Roxbury. He must
have had about six of them, to tell you the
truth.<note type="handwritten">]0402</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Uh now, was there another part, 
there seemed to be another piece this 
package, you guys hang out at the clubs and 
just talk about Malcolm and ah, you know 
going down to the Roseland and clubs like 
this and he was into dancing, he was into, he 
could, he could ... he was quite a sight on
the floor. Ah, talk about that.</p>
</sp>

<note type="handwritten">BB 0435</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>He was quite a dancer ah, ‚'cause he
used to go what, what was that bar over in
New York he used to go down to Burland.</p>
</sp>
</div2>

<div2 type="page">
<pb n="22" facs="jarvis_0022.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"22 
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Start again ... start again ... It's 
like um, it's like um, give me Malcolm what's
that he's remember to keep Malcolm still.</p>
</sp> 

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Say that again, I'm sorry.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Instead he, saying he, say Malcolm for
me. </p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yeah, OK.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Let's start again. Talk to me about
Malcolm and dancing, as ah, as a dancer then.</p>
</sp>

<note type="handwritten">BB 0473</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ah-ah Malcolm was quite a dancer. 
Ah, he had his training form dancin‚Äô in New 
York at the club called Burland. Ah,see 
what happened with-with him is <note type="handwritten">[[0489</note> when he was 
thirteen or fourteen years old being as he 
was six foot two inches tall, he looked a lot 
older than the actually was. And if you 
looked at his face real good, you could tell
<note type="handwritten">BB 0504</note> he was young, but being tall and dressing the
way he dressed with these big box coat and</p>
</sp>
</div2>

<div2 type="page">
<pb n="23" facs="jarvis_0023.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"23 
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>lookin' like a boxer more or 1ess,nobody 
questioned his age. So, that's how he got in 
<note type="handwritten">BB 0522</note> and out of these clubs and ahm, un-being 
under age.<note type="handwritten">]]0528</note> Ah dancing, ah, I've taken him 
down to the ahm, oh goodness, the state 
ballroom right here that used to be on Mass 
Avenue, I've taken him to the Taunton 
ballroom in Taunton, they used to have dances 
there every Friday night and, in fact, we go 
back to the days and I can remember ah‚Äîah, 
the old Father Hynes and Fats Naveau(?) and 
Billy Ekstine, Malcolm X met all those people 
<note type="handwritten">0566</note> through me, because I had to collect the
Union dues with the Union from these people.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Um.</p>
</sp> 

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>I'm sorry. Ah.</p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Let's cut for a second.</p>
</sp> 

<note type="handwritten">BB 0587</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>I said Malcolm x, I gotta be
careful. I don't mean to be goof...</p>
</sp>
</div2>

<div2 type="page">
<pb n="24" facs="jarvis_0024.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"24
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Don't-dont' be/eelf-conscious about it. 
You knew that's alright. What I do, what I 
would like you to do is say Malcolm instead
of he....</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>I will.I gotta loosen up a
little more here.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Say Malcolm X and we have, we have to 
just, people still know that you're talking
about Malcolm </p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yeah, alright.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  ..but saying he is really. Um.</p>
</sp>

<incident><desc>TAPE CUTS </desc></incident>

<incident><desc>SPEAK </desc></incident>

<incident><desc>TAKE FOUR</desc></incident>

<incident><desc>MARKER</desc></incident>
</div2>

<div2 type="page">
<pb n="25" facs="jarvis_0025.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"25
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<note type="handwritten">TK 4 CR.70 SR:35</note>
<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Now paint a picture, of, ah, Malcolm 
on the floor dancin' what was he like?
Describe him for me so that we can we can all
see it too.</p>
</sp>

<note type="handwritten">BB 0609</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>He was a young energetic very
enthusiastic young man. Ah, <note type="handwritten">[0624</note> Malcolm enjoyed 
meeting people and having a good time with 
them. Ah, this was the greatest opportunity 
in the world for him and he thrived on it, 
going places and meeting people, especially 
people in show business. To him, people 
that, that were actors or dancers or
musicians, they were very exciting people to
<note type="handwritten">0655</note> him. He just loved them. Ah, something,
something that he got from ah, from being 
around these type of people, ah, I-I'm I 
don't think I can find words to express it, 
it was like food is to a hungry body. This 
is the way these people were to him. He
lived off 'em. And if he wasn't around these
<note type="handwritten">BB 0693</note> type of people, he was miserable individual.<note type="handwritten">]0698</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. So, so, you and Mike and Malcolm are
... are hanging out and ahm, you're you're</p>
</sp>
</div2>

<div2 type="page">
<pb n="26" facs="jarvis_0026.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"26
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>going to a lot of the clubs, talk ah, at one 
point you-you told me a story once about ah, 
how you and he would, would, in-in your way 
you kind of protect the women who were in the
clubs, that you had this way about you.</p>
</sp>

<note type="handwritten">BB 0736</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ha-ha-ha, yes you bring...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Gimme... give me a sense of that?</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>... You bring, you bring to mind, 
<note type="handwritten">BB 0749</note> you bring to mind me ahm one Saturday night,
one of the famous Saturday nights, ah, we
were down at Wa11y's and ah, this, this black
woman had gotten drunk and it was a white
<note type="handwritten">0762</note> police officer on duty on the corner at that
time and I guess the woman, had cre-created a disturbance and Wally went out to call the 
cop. So when this white cop come into, in 
into the club, he grabbed this woman and
pushed her and she fell. And when she did,
he reached down to pick her up by her hair
and when he did, that's when Malcolm X and I
<note type="handwritten">BB 0805</note> stepped up to him and Malcolm told me, he
says "Turn her loose." And the cops went to</p>
</sp>
</div2>

<div2 type="page">
<pb n="27" facs="jarvis_0027.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"27
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<note type="handwritten">pulled page</note>
<sp>
<speaker n="interviewee"/> 
<p>reach back like this for his gun and when he
did, Malcolm X put his hand in there and I
<note type="handwritten">BB 0818</note> was standing there right beside him and
Malcolm said to him, "Hey," he said, "they 
made more than one when they made 'em." Then 
the cop got nervous and then Malcolm said to 
him, "If that was your mother or your sister, you wouldn't man-handle her like that," he 
says, "Leave her be." Then the cop got 
nervous 'cause he figured we both had guns 
then he stepped outside, in those days they 
didn't have the old walkie-talkies, he
stepped outside to go down to the call box to
<note type="handwritten">0859</note> call the police and when he did, we picked
the woman up and put her in the cab right 
outside and give the cab driver five dollars 
and told him to take her home and we got in 
my car and we left before the police got 
there because if they had gotten there we'd 
a-all been in-in trouble.
Now that's a good example of what happened on
Saturday nights down there. And there was
<note type="handwritten">BB 0887</note> another incident that you bring to mind, ah,
one Saturday night when we were at the Savoy,
ah, Malcolm was sittin' at the table with ah,</p>
</sp>
</div2>

<div2 type="page">
<pb n="28" facs="jarvis_0028.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"28
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>with this girl, Bea, and her sister, Joyce 
<note type="handwritten">BB 0907</note> and myself ah, just Malcolm and I and Bea and 
Joyce, and, and Bea was in love with Malcolm 
and she had a puff, and Malcolm had his 
thirty-two under the table or some kind of 
way in his pocket, when the cops came in.
And when he did he passed it to Bea and Bea 
put the gun in her puff. So naturally, being 
that she was a white girl, the cops weren't
gonna bother her but they made Malcolm stand
up and pat him down and when they did, he was
<note type="handwritten">0952</note> clean and they, they didn't say anything.
But Bea, this'll show you how crazy she was,
she had the gun out under the table, she said 
if they was gettin' ready to take him away, 
they would shoot, gonna shoot the cop. Ha- 
ha-ha. You imagine that? That's how close
we came. We used to have many close calls
<note type="handwritten">BB 0977</note> like that I'll tell you. Saturday night
specials.<note type="handwritten">]]0984</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  So did ... did you and Malcolm, did you, 
did Malcolm have kind of a rep, in ah, in ah- 
in-in Roxbury in Boston and ah, around town
as ah, did he have kind of a reputation?</p>
</sp>
</div2>

<div2 type="page">
<pb n="29" facs="jarvis_0029.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"29
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<note type="handwritten">BB 1001</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ah more or less people thought he
was a hustler. Not so much a pimp. Because 
he used to bring marihua<note type="handwritten">out</note>na in from New York 
and he used to package it up himself and sell
it.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Wait a second ... we just roll out ... we just rolled ... we'll pick this up again ...
...so we'll start.</p>
</sp> 

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yeah ... I'm going back ... he
used, but I'm going back, he used to bring
marihuana in sometimes when...</p>
</sp>

<incident><desc>TAPE CUTS</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Ah about bringing marihuana up and things
like that.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>OK.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Um, you said you (unintel)</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yeah ...</p>
</sp>
</div2>

<div2 type="page">
<pb n="30" facs="jarvis_0030.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"30
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  (Unintel)</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Alright ‚ I got you covered, I gotta
shift again see that's OK.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Unintel</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Beg your pardon.</p>
</sp>

<incident><desc>WE'RE ROLLING</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Whenever you shift, he shifts with you.</p>
</sp>
<note type="handwritten">TK5 CR 71 SR:35</note>
<sp>
<speaker n="cameracrew"/> 
<p>MARK.</p>
</sp>

<incident><desc>TAKE FIVE</desc></incident>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Ah, talk to me about Malcolm's 
reputation as ahm, as ... as a hustler.</p>
</sp>

<note type="handwritten">BB 1071</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[[1070</note> Ah, Mal-Malcolm X was into marihuana 
in these days and what he used to do, he'd go 
to New York, I don't know where his
connection was there but he would come back</p>
</sp>
</div2>

<div2 type="page">
<pb n="31" facs="jarvis_0031.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"31
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>with marihuana sewed into the lining of that
big, heavy overcoat that he used to wear.
<note type="handwritten">BB 1099</note> And I've seen him take a needle and break the
lining open and take the stuff out. Ah, 
sometimes he had as much as a quarter to a 
half a pound of it and then he would take and 
package it up himself, roll it up into joints 
and sell them for a dollar a piece and that's 
where he got known on Humboldt Avenue as the 
hustler because all the young ki-youngsters 
that were smoking marihuana, they used to
come to him to get it. He was more or less
<note type="handwritten">1138</note> their supplier and he did it so smooth and so
cool that the law couldn't catch up with him. 
Most of the time he never carried it on him. 
Ah, what he would do, sometimes he would have 
it hidden in different places and you would
pay him and he'd tell you where to go get it
<note type="handwritten">BB 1164</note> and you'd go pick it up so all he kept in his
pocket was money.<note type="handwritten">]]BB 1169</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. And so on the street, what kind of
reputation did he have?</p>
</sp>
</div2>

<div2 type="page">
<pb n="32" facs="jarvis_0032.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"32
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<note type="handwritten">BB 1178</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well <note type="handwritten">[1178</note> he had the reputation as being
a hustler and he was a street person, but he 
was a hustler, he was not ah, a gangster in 
the sense that he would take a gun and hold 
people up, no. He carried a gun but more or 
less for his own personal protection but he
was a street-wise hustler.<note type="handwritten">]1204</note> In other words he
ah, wh-what was that word you call it, um, 
ah, when somebody fleeces you out of 
something ah, I forgot the word. Con man. 
<note type="handwritten">1223</note> <note type="handwritten">1223[[</note> He was a con man. Yeah con artist. They call 
him an artist. 'Cause he was, he was
perfection-perfection. <note type="handwritten">]]1234</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Um. Now you-you said that there was 
something about him, he-he was the law was 
always after him but he seemed to always be 
able to stay, just ahead of ‚ 'em. Talk about, 
talk about that with, you know, how was he
able to....</p>
</sp>

<note type="handwritten">BB 1254</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>See. See you seen when he walked up
and down the street...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Talk about Malcolm.</p>
</sp>
</div2>

<div2 type="page">
<pb n="33" facs="jarvis_0033.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"33
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>... <note type="handwritten">[1260</note> Malcolm when he walked up and 
down the street he had this ah, look of being
a gangster. And the law looked at him, he-he
<note type="handwritten">BB 1272</note> had that suspicious look about him and they
all, even the private detectives, that used 
to ride around in Roxbury in their cars out 
of station Nine, like the McLean brothers 
they always kept an eye on him. But they 
could never catch him doing nothin'. Once or 
twice they'd stopped and pat him down. He 
didn't have a thing on him. Not even his 
gun. He never carried that all the time.
Just from time to time he carried that for
<note type="handwritten">1306</note> his own personal protection, depending on
where he was going, like on a Saturday night 
and when he's going in town where there's a 
lot of action, now he had his gun with him. 
Ah, nights when he went gambling, like up-up 
to the gambling place on Humboldt Avenue, he 
had his gun on him. Or if he went to the
gambling place down on ah, Hammond Street, he
<note type="handwritten">BB 1333</note> had his gun on him. And a lot of these, a
lot of these professional prostitutes that
associated with him in those days, they knew</p>
</sp>
</div2>

<div2 type="page">
<pb n="34" facs="jarvis_0034.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"34
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>he carried a gun. So this is how his
<note type="handwritten">BB 1347</note> reputation went with him in the underworld in
Boston.<note type="handwritten">]]1352</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Now. Malcolm, Malcolm had a ah, you said
he hung out with this woman, Bea and she was 
a white woman. What did that mean for him to 
have a white woman, and to have ah, this 
woman as his, people to see on this street,
that was his, his lady in a sense?</p>
</sp>

<note type="handwritten">1375</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, to him.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  To Malcolm.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[[1389</note> To Malcolm, white women had the
money and the black ones didn't. And that's 
why his preference was, in those days, more 
to the white, because he figured they had the 
money. They could afford to give him some of 
the things that he wanted and show him a good
<note type="handwritten">BB 1403</note> time. Now he was very respectful of the 
black women, I will say that. But he
frequented the white ones because of that.
Money.<note type="handwritten">]]1420</note></p>
</sp>
</div2>

<div2 type="page">
<pb n="35" facs="jarvis_0035.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"35
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  So how did, how did you and he begin to 
ah, ahm, move into more ah, riskier kinds of
hustles and things like that, how, where, how 
did you and he break down this hustle, how'do
you get into it, the riskier kind of
behavior?</p>
</sp>

<note type="handwritten">BB 1439</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[1437</note> Well, these three white girls that
he was affiliated with at the time ah, one of 
them lived in Belmont and had ah, they were 
very well-to-do and ah, she had a nice home 
out there and her husband was some sort of 
salesman that traveled, he was gone from home 
three or four weeks out of the month. And
this particular night, we were down at the
Savoy and she invited all of us to go over to
<note type="handwritten">1474</note> her house to have drinks after the club
closed. And this is how we started gettin' 
friendly with the girls, so two weeks of 
partying over at this girl's house, one 
night, somebody made the suggestion, let's go
out and break in somebody's house for
<note type="handwritten">BB 1498</note> excitement. Now, you see, we weren't what
you call thieves in the sense we'd go out and</p>
</sp>
</div2>

<div2 type="page">
<pb n="36" facs="jarvis_0036.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"36
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>rob people but someone, one of the girls made
<note type="handwritten">BB 1507</note> that suggestion. So, we said, "Yes, we'll do
it." And there was the old house of ah, 
remember Proctor and Gamble soap, we went 
into Mr. Gamble's house and ah, a couple of 
nights later there was, there at the home out 
in Belmont from Ester Brook and Eaton 
Fountain pen, we went into Mr. Eaton's house. 
Ah, because this girl knew that these people 
were down in Florida at that time of the 
year. There was nobody home, so we broke
into the house and we'd get some of their
<note type="handwritten">1554</note> valuables and ah, Malcolm would take most of
the stuff and pawn it and get money for his 
gambling habit. Ah, after two weeks of doing 
this, that's when the case broke when he made 
the mistake of going to the pawn shop to 
retrieve a watch with over a thousand dollars 
that came out of one of the houses and, and 
it was already listed from the police
department, as, as a stolen article. So when
<note type="handwritten">BB 1589</note> he went back to retrieve it, that's when he 
was arrested by three policemen.<note type="handwritten">]]1594</note> Detectives,
I should say.</p>
</sp>
</div2>

<div2 type="page">
<pb n="37" facs="jarvis_0037.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"37
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Now, I'm gonna shift back for a
second because there is something that you 
and Malcolm both do just before that. You 
both get out of the draft. War breaks out, there's a draft and you both decide you're
not going...How does that happen and for what
reasons do you not go into the draft?</p>
</sp>

<note type="handwritten">BB 1622</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ah. I think Malcolm ah more or less 
dodged the draft because of his age. Ah, but 
they caught me right in the middle of it, and 
what got me out of it is because I went in 
the shipyard and became what you call an 
expert welder and I was vital to what they 
call defense. Ah, good, good welders were 
very scarce and hard to come by. So what 
they did is they placed me on Classification
<note type="handwritten">1661</note> One A, deferred. So every four to six
months, I had to go back and be re-deferred. 
As long as I had that job in the shipyard, 
they wouldn't put me in the service because I 
was more important to the government building 
ships than I was to be over there fighting.
<note type="handwritten">BB 1683</note> And so until the whole war ended, I stayed 
one A. Ah, the only thing I can say about</p>
</sp>
</div2>

<div2 type="page">
<pb n="38" facs="jarvis_0038.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"38
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>Malcolm, the only way I can say he stayed out
<note type="handwritten">BB 1694</note> was more or less because of his age.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Malcolm, Malcolm avoided the draft.
He-he was drafted and he, he ah, he went, in
New York, and he ah..</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>They drafted him in New York?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Yeah.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>I wasn't aware of that.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  And ahm, he went down for a check up and
got classified, what four F.</p>
</sp>

<note type="handwritten">BB 1720</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Four F, well, do you think, do you
think it could've been because of his feet?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  No.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Thinking he had bad (?) feet.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  No, 'cause he said he wanted to kill
white people.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="39" facs="jarvis_0039.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"39
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Beg your pardon.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  No, it's because he said he wanted to
kill white people.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>What do think they, they...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  This is what he said, it's about, in his
file.</p>
</sp>

<note type="handwritten">BB 1742</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Did you think they figured it was
mental. He was mental.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  That was the um.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well if that was the case then he
acted that way purposely, to give them that 
impression. See, he did something stupid or
foolish in there presence to give them the,
the im-pression that he was crazy so they
<note type="handwritten">BB 1764</note> wouldn't take him. Ha. That's probably what
happened.</p>
</sp>
</div2>

<div2 type="page">
<pb n="40" facs="jarvis_0040.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"40
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Now do, do you remember going down and
picking up Malcolm when he was in ah, in New
York?</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yes.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Talk about that ah, and ah, what ah, what
had happened and ah and ah describe what he,
what he was doing with West Indian Archie
and, and all that was going on at that time.</p>
</sp>

<note type="handwritten">BB 1798</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[1798</note> Ah, West Indian Archie ah, eh-er it
was some kind of a number writer in New York
as far as I can remember. And I think he's
the one that Malcolm used to have to answer
to when he was ah, pickin' up numbers. In
others, in other words, West Indian Archie
had the d-direct contact with the Mafia,
whoever it was that was backin' the numbers.
Malcolm X was just a small time runner. It
looked like one night somebody hid for two
thousand dollars and Malcolm was given' the
<note type="handwritten">BB 1844</note> money by West Indian Archie and he was
supposed to pay him off and he didn't pay the
people off and the people must have got back</p> 
</sp>
</div2>

<div2 type="page">
<pb n="41" facs="jarvis_0041.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"41
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>to Archie, saying that they didn't get their
<note type="handwritten">BB 1858</note> money and Archie reported it back to the
syndicate and then there was a contract put 
out on him. And he was staying at Sammy
McKnight's house and Sammy called me up and
said, "Jarvis, you better come and get your
boy out of town," he says, "Ah, they got a
contract on him." And he says, "You better
come right away." so that's when I drove
down to New York and when I got to Sammy's
house, Sammy didn't know where he was, Sammy
says, "Listen the LaMarcharie (?) is right
down on the corner. I think it was on the
<note type="handwritten">1903</note> corner of Edgecomb, and St. Nicholas Avenue
ah, he said ah, "Stick around down there
where you might see him." And sure enough I
went down there and he popped up. And got in
the car, he didn't even take the time to go
get his clothes, he was that shaky, he was
just movin' from one place to other to keep
out of the way in case somebody was lookin'
for him. So he got in the car and said,
<note type="handwritten">BB 1935</note> "Jarvis, just the highway." And Gone.<note type="handwritten">]</note> He
left his clothes and everything at ah, ah at
McKnight's house.<note type="handwritten">]1946</note></p> 
</sp>
</div2>

<div2 type="page">
<pb n="42" facs="jarvis_0042.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"42
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  So, when you get back this is when ah,
not long after you, ah, you guys get um.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Alright. When we got back to
<note type="handwritten">BB 1957</note> Boston, it wasn't too long after that that we
met the girls that I was just telling you the
situation about the girls where we broke into
the houses and started stealing. That-that
was after I had gone back and got him.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. So we've told that, we-we understand
that you-that the stealing that Malcolm gets
caught. Ahm ah, describe for me ahm, ah
your-your convic-you're arrested and you go
to trial. Describe for me this trial.</p>
</sp>

<note type="handwritten">BB 1995</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Alright.</p>
</sp>

<incident><desc>UNINTEL</desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>WE'RE GONNA ROLL OUT IN A SECOND.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Out of film again? </p>
</sp>
</div2>

<div2 type="page">
<pb n="43" facs="jarvis_0043.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"43
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="cameracrew"/> 
<p>YEAH</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>OK. They don't last very long do
they?</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>TEN MINUTES</p>
</sp>

<note type="handwritten">L# 2010</note>
</div2>

<div2 type="page">
<pb n="44" facs="jarvis_0044.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"44
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<note type="handwritten">BOX 34 BB 2500-</note>

<sp>
<speaker n="cameracrew"/> 
<p>MOVING ONTO SOUND ROLL 36 ON CAMERA ROLL 72.
THIS IS THE MALCOLM X PROJECT ON BLACKSIDE.
ONE K REFERENCE TONE RECORDED AT MINUS 8DB
RUNNING SPEED SEVEN AND A HALF IPS</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>SOUND SPEED MARK</p>
</sp>
<note type="handwritten">TK6 CR.72 SR 36</note>
<sp>
<speaker n="cameracrew"/> 
<p>TAKE SIX</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Talk to me about coming back from Newton
at that time and (unintel) and ah explain to
me what ah what impressed you about Malcolm?</p>
</sp>

<note type="handwritten">BB 2529</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[2529</note> Well, this, <note type="handwritten">[</note>this particular night 
was around Christmastime of the year and ah,
we were out at Bea's house partying and
somebody suggested we go out and break into
somebody else's house again or we'd been in
about four houses at that time. So we went
out to Brookline, we got outta Belmont and
went out to Brookline and ah I went into this
house with Malcolm, what we did was we'd ring
the doorbell first to make sure there was
<note type="handwritten">BB 2567</note> nobody in and once we made sure nobody's
home, then we broke in. And we had ah, a</p> 
</sp>
</div2>

<div2 type="page">
<pb n="45" facs="jarvis_0045.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"45
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>case of scotch, we took some jewelry and she,
<note type="handwritten">BB 2583</note> bed linen and sheets which was hard to get in
the days of the war goin' on, linen. <subst><del>Achem,</del><add><note type="handwritten">(cough)</note></add></subst>
excuse me. And we loaded the car up, ah, had
all the backseat was loaded. So there was
Malcolm, myself and I think it was just one
of the girls that was in the car and we were
headin' back, it was late at night, oh around
eleven o'clock I'd say to -to Newton and you
know and out there all the wealthy people
live and they don't usually see no blacks
cruisin' around at that time of the night, if
<note type="handwritten">BB 2629</note> they do the cops will stop you and check you
out. And this particular night, to show you
how fast Malcolm thinks, we were cruisin‚Äô
down toward the ah, West Roxbury highway, on
the edge of Newton, and the police car saw us
and they were headin' for us so instead I
stopped and Malcolm says back up and stop the
car and get out and ask which way is it back
to Roxbury because they were about to stop
and check and if they had they would've
caught us dead to right with all this stolen
<note type="handwritten">BB 2672</note> merchandise in the back of the car. So I
stopped and asked the cop I said, "Sir can</p> 
</sp>
</div2>

<div2 type="page">
<pb n="46" facs="jarvis_0046.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"46
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>you tell us how to get into Roxbury?" He
says, "Well, where are you coming from?" And
<note type="handwritten">BB 2687</note> I told him, well we just came in from New
York, we were headin' into Roxbury, well
we've got lost. We came off in Dedham and we
got lost." So, the cop says, "Well, you go
this way and you go this way and you go down
to take a right you right into Roxbury." So
that's what saved us, was Malcolm's quick wit
of thinking to approach the cop before he
<note type="handwritten">2715</note> approached us. That's an example of the way
he thought.<note type="handwritten">]]2722</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Ahm, talk to me about, now, you-you ahm,
you get busted and ah and ah you go to trial
um, talk to me about the trial and ah paint a
scene and give me ah a picture of that scene
in the courtroom, what happened?</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>I see...ah, <note type="handwritten">[[2754</note> we were held in the
Middlesex County Jail for almost sixty days
and we finally went to trial in the middle of
<note type="handwritten">BB 2767</note> February if I recall correctly. Now when
we're ... the day we went to trial and all my
family was in the courtroom, my mother not my</p>
</sp>
</div2>

<div2 type="page">
<pb n="47" facs="jarvis_0047.tif"/>
<note type="handwritten">pulled page</note>
<head>BLACKSIDE, INC. "MALCOLM X"47
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p><note type="handwritten">[</note>father, my aunt, Malcolm's sister Ella and I
think his sister Hilda was there. Now at ...
<note type="handwritten">BB 2792</note> they had a cage in the Middlesex County
Courtroom there's ... they always brought the
so-called prisoners out and locked in this
cage. hnd they had bars about this far wide
where you get arm through about up to certain
points. And one of the detectives because
the girls were white in the case, they were
all prejudiced. He comes out and says well
if we had you niggers down South he said we'd
lynch you and when he said that the blood
<note type="handwritten">2827</note> rose to my head and Malcolm's head and both 
of us reached through that bar tryin‚Äô to grab
the detective and he just got out the way
because if we had we didn't care, we were
already goin-, locked up and gonna go to jail
anyway, wo we woulda try to do him in right
then and there. But uh ... it so happens he
got out of our way. Now when we get into the
courtroom, the judge turns around and
sentenced the three girls to something like a
year probation. Then they got the girls out
<note type="handwritten">BB 2867</note> of the courtroom. Then when it come time to
sentence us he gave us each eight to ten</p>
</sp>
</div2>

<div2 type="page">
<pb n="48" facs="jarvis_0048.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"48
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>years in the State Prison which means you
<note type="handwritten">BB 2880</note> have to serve sixty months which is five
years before you're eligible for parole.
That was pretty rough for a first offender.<note type="handwritten">2893]]</note>
A first offender normally never gets over
two-and-a-half to three years and we were
first offenders but because they were
prejudiced they sentenced us to eight to ten.
<note type="handwritten">2908[[</note> Then they had the unintimidated gall to ask
the girls before they took ‚Äôem outta there to
press charges against us for rape. The girls
wouldn't do it because they knew better,
<note type="handwritten">2927</note> right away when they sentenced us, uh I went
outta my mind. I reached up and grabbed the
bars of the cage and I shook ‚Äôem, I almost
shook ‚Äôem right up off the floor, and I
hollered at the judge. I says to him, "You
might as well kill me as to give me ten years
in jail"<note type="handwritten">]</note> I thought that meant when they
call these sentences off, which were supposed
to be concurrently, that they meant 10 for
this and 10 for that, and 10 for that. when
you add it up you got 100 years. That's more
<note type="handwritten">BB 2964</note> or less what I thought. But not knowing it
was a concurrent thing. So anyway, uh <note type="handwritten">[</note>when I</p>
</sp> 
</div2>

<div2 type="page">
<pb n="49" facs="jarvis_0049.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"49
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>yelled, I started some commotion and the
<note type="handwritten">BB 2980</note> judge says, "clear the courtroom." Because
all the blacks started gettin' a little
nervous with some of the whites in the 
courtroom, and that same detective that had
made that remark to Malcolm and I, went up 
and grabbed his sister Ella by the arm to
usher her out, and she was a big healthy 
strappin' woman and she just broke, shhh, and
she with one fling and he bounced straight
off the wall, and when he did then the judge
<note type="handwritten">3018</note> says, "Call out the riot squad." They called
the riot squad out and they cleared the 
courtroom. They were so nervous they didn't
dare take us out through the front door.<note type="handwritten">]]3031</note>
They got a door behind the judge's desk,
which is ... which goes down to a tunnel, the 
judge's private entrance. They took us out 
through the judge's tunnel over back in
<note type="handwritten">BB 3047</note> through the Middlesex County Jail.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  So how were you ... so you're then taken
to Charlestown Prison. </p>
</sp>
</div2>

<div2 type="page">
<pb n="50" facs="jarvis_0050.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"50
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<note type="handwritten">BB 3056</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yes. We were taken to Charlestown.
And they, that, that hit the front page news
on every newspaper in Boston.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  What? You got...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>The Herald. The Globe and the Daily
Record.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Starting again. Tell me. What, what did
the front page...</p>
</sp>

<note type="handwritten">3075</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ah. The front page. The front page
was about the case itself. "Near riot almost
in Middlesex County Jail." And it mentioned
our names and the fact that we were sentenced
to eight to ten years and sent to Charles,
ah, Charlestown State Prison for eight to ten
years.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  So, ah. Describe for me Charles, what
is, what is Charlestown like? The prison
that you were sent to? </p>
</sp>
</div2>

<div2 type="page">
<pb n="51" facs="jarvis_0051.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"51
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<note type="handwritten">BB 3106</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Oh. You really want to hear the 
description of that? Heh, heh. Alright.
You asked for it. Ha, Eah. Ah. It's not
really a joke. Ah. I wouldn't wish prison
life on my worst enemy. Ah. They needed to
do somethin‚Äô to clean up the prison system in 
the State of Massachusetts. I'm gonna tell 
you something. which they have done, I
believe, since those days. But...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, start again ... Just tell me, tell me
about Charlestown.</p>
</sp>

<note type="handwritten">3144</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">3144[[</note> Charlestown was built basically out
of granite blocks, ah, and the prison cells
were damp, very wet, and they had lice
crawling around inside. When, ah, in warm 
weather the stone would sweat, and, and lice 
was in the place, and all you had in in this 
little cell that you were in was a cot, a 
bucket, and wash basin, all right?<note type="handwritten">]</note> Now the 
system was in those days, they didn't have 
toilets in there, and they had these buckets,
<note type="handwritten">BB 3196</note> and you had to use the bucket, and every time
you went to use the bucket and you lift the </p>
</sp>
</div2>

<div2 type="page">
<pb n="52" facs="jarvis_0052.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"52
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>cover off from the bucket bein' so many weeks 
old, or months old, the odor would knock you 
<note type="handwritten">BB 3125</note> down, just like a poison gas. But you had to 
stomach it. If you had just gotten through 
eating your food, you would put it all in the 
bucket. That's how bad it was. And, um, the
... the bed was nothin‚Äô but a cot with a
little thin mattress like this on the
springs. You couldn't rest comfortably. Ah,
it was just pure hell.<note type="handwritten">]3251</note> And bein' locked up 
seventeen to eighteen hours a day, that was 
<note type="handwritten">3258</note> enough to drive anybody crazy, 'cause you,
you went within yourself. You talked to 
yourself. Usually they say when people talk
to themselves they're crazy. Hah, well,
maybe you had to be crazy in order to become 
sane. Hah, hah. That's the way it went in
there. So that's all I can tell you about
that place. It was terrible. Not to
mention. Don't ask me to tell you about what
<note type="handwritten">BB 3290</note> death row was like. If you want to hear that 
I'll tell you that also.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  But you, you weren't on death row.</p> 
</sp>
</div2>

<div2 type="page">
<pb n="53" facs="jarvis_0053.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"53
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<note type="handwritten">BB 3299</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>No. I wasn't on death row, but I
knew a lot of the fellows that were, and
there was one fellow, his...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Um, let, let's just pass on that one... </p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>OK.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: ...film, but tell me about, um, so you 
leave...you're in Charlestown for ... for how 
long ... almost a year, right?</p>
</sp>

<note type="handwritten">3323</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>I was there a year and a half.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  A year and a half. And then you were
transferred to...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>To Norfolk.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  To Norfolk.</p>
</sp>

<note type="handwritten">BB 3330</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ya. </p>
</sp>
</div2>

<div2 type="page">
<pb n="54" facs="jarvis_0054.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"54
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  So, ahm, give me an idea of, of, of
Norfolk and uh what happens when you, when
you go there.</p>
</sp>

<note type="handwritten">BB 3342</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, Norfolk...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Now, you, both you and Malcolm were both
in this prison, so bring Malcolm into the
story...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>No. No. Malcolm didn't go to
Norfolk when I did. No. See, they sent him
<note type="handwritten">3361</note> to the Concord, they sent him to the Concord
Reformatory. Ah...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Now. OK. then, picking up where you and
Malcolm are together in Norfolk then, OK?</p>
</sp>

<note type="handwritten">BB 3376</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ah, that was after he had spent ah,
oh, I don't know how many months he spent in 
Concord, and then they, I think his family
had him, shifted down to Norfolk. But when
he came to Norfolk, I, I had been there a
good year or more.</p>
</sp>
</div2>

<div2 type="page">
<pb n="55" facs="jarvis_0055.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"55
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  ....I see.</p>
</sp>

<note type="handwritten">BB 3402</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ya. Ah, when I got sent, he wa, he
sent, they sent him to Concord Reformatory.
The reason why they sent him to the Concord 
Reformatory because of his age. See, they
considered Concord a reformatory, not a
prison.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  I have to kind of condense some of this.</p>
</sp>

<sp>
<speaker n="unknown"/> 
<p>VOICE: Beg pardon?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  I have to condense some of this story.
Ya. So I'm gonna ask ou to pick me up later
in the, in the chronology. OK. Pick me up
when Malcolm comes to Norfolk. Start me off
by telling me that, "I'd been in Norfolk a
year, and Malcolm is brough to Norfolk,"
and, and then describe Norfolk prison to me.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>OK. OK. Norfolk. OK.</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>(MISC) Ready? This is four? Screening.
Three? Take Seven. </p>
</sp>
</div2>

<div2 type="page">
<pb n="56" facs="jarvis_0056.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"56
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<note type="handwritten">TK7 CR:72 SR:36</note>
<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Um when Malcolm does get to Norfolk,
and then describe the prison to me...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ya. He, he, after they sent him to
Concord Reformatory ...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Give me Malcolm's name.</p>
</sp>

<note type="handwritten">BB 3444</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[[3438</note> After they sent Malcolm to the
Concord Reformatory, he served about a year
there and then they shifted him to Norfolk
where I had been there, I'd say, close to a
year before he got there. I was more than
glad to see him, and just by coincidence they 
put him in the same dormitory that I was in
<note type="handwritten">BB 3471</note> and his room was right across the hall from
my room.<note type="handwritten">]]3475</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Can I stop you for a second?</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ya.</p>
</sp> 
</div2>

<div2 type="page">
<pb n="57" facs="jarvis_0057.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"57
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  See, I'm not, I don't think I'm going to 
be able to use the Concord reference,
because...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>That's why I cut it short.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  'Cause then, OK. So. Just start me.
‚ÄúWhen Malcolm comes to Norfolk, I'd been
there a year." Start me that way, OK?</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>OK. Ah.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Start again.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>OK. Ready?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Yes.</p>
</sp>

<note type="handwritten">BB 3500</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Alright. When Malcolm came to
Norfolk, I was glad to see him, <note type="handwritten">[out</note> and by
coincidence they happened to put him in the
same dormitory.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  We just rolled out ... we just rolled
out. </p>
</sp>
</div2>

<div2 type="page">
<pb n="58" facs="jarvis_0058.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"58
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Beg pardon?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  We just rolled out ...</p>
</sp>

<sp>
<speaker n="unknown"/> 
<p>I'm sorry OK.</p>
</sp>

<incident><desc>[MISC]</desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>MARK</p>
</sp>
<note type="handwritten">TK8 CR73 SR37</note>
<sp>
<speaker n="cameracrew"/> 
<p>TAKE EIGHT</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, des-describe Malcolm coming to
Norfolk before he gets back ...</p>
</sp>
 
<note type="handwritten">BB 3544</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ah, I was at the Norfolk prison
colony about a year before Malcolm got there
and by strange coincidence they happened to 
place him in the same dormitory that I was
in, and in fact his room was right across the 
hall from mine. Ah, to explain to you what 
Norfolk prison colony was like, uh, it was 
<note type="handwritten">BB 3576</note> briefly a college dormitory with a wall
around it. Now the wall was 33 feet high and </p>
</sp>
</div2>

<div2 type="page">
<pb n="59" facs="jarvis_0059.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"59
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>it had uh, electric wires on the top. God
knows how many thousands of volts of
electricity goin' through em‚Äô at night. Then
<note type="handwritten">BB 3599</note> you had uh a wire fence that was something
like 10 feet between the wall. They call
that death zone. Any time a man' is caught 
between the wire fence and and that brick
wall the guards have a right to shoot ya.
And shoot ya dead. <note type="handwritten">3623[</note>Uh, <note type="handwritten">[</note>now Malcolm X enters
Norfolk and he and I started to visit the
<note type="handwritten">BB 3631</note> library. They had a lota uh recreational
things up there for the men. Ah. We could
go to the ball park. We could walk around
the huge quadrangle. Ah, then they had a 
beautiful library, or you could even keep a 
garden, and then surprisingly enough he made
a garden, and he used to grow some vegetables
in the summertime too. But the main thing
that we did. We started visitin' the library
and we started taking out books on
Egyptology, hieroglyphics, psychiatgy, and 
<note type="handwritten">BB 3677</note> psychology and ancient history.<note type="handwritten">]]3679</note> And these
books were on the top shelfs in that lib, God 
knows they had a half inch of dust on 'em.
Uh, they had never been taken out of the</p>
</sp>
</div2>

<div2 type="page">
<pb n="60" facs="jarvis_0060.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"60
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>library, I don't think, from the time they
were put there, but there was a wealth of 
<note type="handwritten">BB 3697</note> knowledge in ‚ 'em, and these books started to
open his eyes, his eye and my eye, as to what 
the world is all about and what makes it
tick.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, now, I'm gonna, I'm gonna back you up
a little bit, and I want you to ... you
remarked, you talked to me one time about the 
sta.., your state of mind and Malcolm's state
of mind, when you both go into Charlestown.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>MmHmm.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  ... the feeling about what has happened
to you. You know and what it means and in
its own way it begins to define the rest of
your li.., the rest of, at least the rest of 
your life and the rest of Malcolm's life in 
terms of, of what the rest of your life is 
about. Talk about your state of mind after 
you've been convicted of a crime, received a 
sentence and felt that a lot ... some of it
had to do with the um uh, the fact that you </p>
</sp>
</div2>

<div2 type="page">
<pb n="61" facs="jarvis_0061.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"61
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>were there with these white women, has to do 
with racism.</p>
</sp>

<note type="handwritten">BB 3772</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ah we were both full of hatred, a
lot of hatred. And, um,</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Startin' again. Tell me when you're 
talking about, OK?</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ya. Well Malcolm and I were both
full of hatred.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Start again. Start again.</p>
</sp>

<note type="handwritten">BB 3792</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[[3793</note> Malcolm and I were both full of a
lot of hatred.Racial hatred. Ah. We 
couldn't believe that society had put us away 
the way they had, and we were just two people 
that were out to rebel against it. In our
own way. Now the only way we knew how to 
rebel against that was to cram some knowledge
into our brains so when we went back to
<note type="handwritten">BB 3832</note> society we wouldn't have to worry about ever
going back to prison because we'd know too
much and be too smart for that,<note type="handwritten">]]3842</note> which really</p>
</sp>
</div2>

<div2 type="page">
<pb n="62" facs="jarvis_0062.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"62
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>happened to be the case in later years. As
you could see uh, Malcolm Little became the
<note type="handwritten">BB 3851</note> famous Malcolm X, and he went on to fame, not
so much fortune. And he might have been even
a greater man had he had lived longer.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. So, I, you have...</p>
</sp>

<sp>
<speaker n="unknown"/> 
<p>(MISC) Lyn, just write that down?
MmHmm. Take nine.</p>
</sp>

<sp>
<speaker n="cameracrew"/> 
<p>SPEEDING -- MARK IT</p>
</sp>
<note type="handwritten">TK9 CR73 SR36</note>
<sp>
<speaker n="interviewer"/> 
<p>Q:  You ... you have access to library. Uh,
you and Malcolm are Muslims coming in to 
Norfolk. Talk to me about this community of 
Muslims that begins to grow in Norfolk and
the kind of things you're doing. How do you 
begin to get identified as ... as something 
special within the the larger population?</p>
</sp>

<note type="handwritten">BB 3901</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>All right.All right. You see, when
the prison system shifted Malcolm down to 
Norfolk they were, they were tryin' to figure
out a way to appease us from the days of</p>
</sp>
</div2>

<div2 type="page">
<pb n="63" facs="jarvis_0063.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"63
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>Charlestown, and <note type="handwritten">[[3921</note> this thing about Islam and
us bein' Muslims as beginning to grow and 
<note type="handwritten">BB 3927</note> escalate. So, we formed another group in
Norfolk with Charles O'Neill and we picked up 
another, another recruit named Boise
Phillips, who was a young black boxer from 
Youngstown, Ohio, and there was another young 
fellow who was a singer from New Jersey. And 
what we used to do instead of forming 
circles, we would meet in one fellows room in 
today, or we'd go across the quadrangle to 
<note type="handwritten">BB 3966</note> somebody else's room tomorrow. We never 
congregated in the same room too many times, 
and we isolated ourselves from the general 
population of the prison. We just didn't
have anything to say to anybody unless it was 
business or to do with work, especially if
they were white.<note type="handwritten">]]3990</note> Now you see the warden took
notice of this ... this and ah, they didn't
like it, but the only way they could get at
us, they had to needle at us, so they told us 
<note type="handwritten">BB 4005</note> again in Norfolk that we had to shave. The 
prison rules were you had to shave three
times a week. So I, I will use myself as an
example. The warden called me up to his </p>
</sp>
</div2>

<div2 type="page">
<pb n="64" facs="jarvis_0064.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"64
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>office one day and says, "Jarvis, you've got
to shave." And I said, "I'm, I'm not going
<note type="handwritten">BB 4029</note> to shave now." I asked the warden, I said,
"You know you've got 680 Catholics that go to 
the Catholic Church every Sunday morning and 
worship Jesus Christ as their God." I said,
"We Muslims don't have any, any place to go
to worship, so we do our worship, that means
do, doing what comes naturally. We refuse to 
shave the hair from our head or the hair from 
our face because it acts like an antenna.
Like ... it's the same purpose like an
<note type="handwritten">BB 40474</note> antenna is to a radio is to our brain. so
we're payin' tribute to Allah as our God."
And I asked the warden, I said, "What right
have you to put yourself above that of God or 
Allah?" And he got highly insulted. He told
me, "You get out of my office, but I still 
didn't shave." See, so, and he didn't say 
anything or threaten me because you see I had
family visiting me every week. And ah this
could become a a a very nasty thing on the
<note type="handwritten">BB 4115</note> outside if my family wanted to take it to the 
news media. So to keep it quiet they did
nothing.</p>
</sp> 
</div2>

<div2 type="page">
<pb n="65" facs="jarvis_0065.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"65
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  So as a group you, you had ah, kind of
isolated yourselves.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>We isolated ourself.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  What things did you do, and how did the
rest of the population kind of respond, I'm 
talking about the prison population...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ya. The prison population.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  ...respond to this small group that
begins isolating itself.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ah. They feared us.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Well, talk, it, put it in a...</p>
</sp>

<note type="handwritten">BB 4149</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ah. the, the, the, <note type="handwritten">[[4149</note> most of the
prison population started to fear us because
we were loners. We stayed to ourselves. We
were very, very seclusive, ah, we didn't want
to be bothered with ‚Äôem. Uh, we had no
arguments or no words, or no socializing with </p>
</sp>
</div2>

<div2 type="page">
<pb n="66" facs="jarvis_0066.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"66
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>them whatsoever. They couldn't figure us

<note type="handwritten">BB 4173</note> out.
<note type="handwritten">]</note> We had ‚ 'em puzzled.<note type="handwritten">]4175</note> That's the big
word. We had 'em puzzled.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  What kind of things did you do that were 
contrary to the normal things everyone else
did? Talk to me about that.</p>
</sp>

<note type="handwritten">BB 4187</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[[BB 4187</note> Number one we wouldn't eat any pork.
If they served pork on the menu for any meal,
we left it. Ah, we, we did a lot of fasting 
while we were in prison and we understand
that fasting is good for ya. So we did a lot
of fasting and it helped to improve the 
complexion of your skin, it kept our weight 
down which was good for our health, and we
<note type="handwritten">BB 4221</note> did walks, we played handball. But we stayed
away from the general population.<note type="handwritten">]]4231</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Now.. Wh, what, how, how often, or how 
regularly would you end up using the library
and, and um, how did other prisoners ...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Every day. </p>
</sp>
</div2>

<div2 type="page">
<pb n="67" facs="jarvis_0067.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"67
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  especially the...how did, how did the, 
especially the other black prisoners respond
to this group of young black men in the
library all the time.</p>
</sp>

<note type="handwritten">BB 4255</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, you see we we were very ah
slick about how we did this. <note type="handwritten">[4264</note> We were taking 
these books out of the library, gettin'
gettin‚Äô knowledge out of 'em, I'd say from
nine months to a year before the prison got
wise to it. And when, as soon as they got
wise to what we were seeking, they 
confiscated those books out of the library, 
<note type="handwritten">BB 4284</note> took every one of 'em out. Because we were
seeking the true knowledge about religion and
people of the world. And they did not want
us to know these things.<note type="handwritten">]]4298</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  So, how, how did they get, how did they
find out what you were getting out of it? </p>
</sp>

<note type="handwritten">BB 4306</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Because of the letters that Malcolm
was writing out to Elijah Mohammed and to his
sister Hilda. </p>
</sp>
</div2>

<div2 type="page">
<pb n="68" facs="jarvis_0068.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X" 68
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q: OK. Start again and put that in a 
complete sen- sentence...The letters that
Malcolm was writing out to...and talk about
the letters, Malcolm as the letter writer,
and what happened to those letters, OK?</p>
</sp>

<note type="handwritten">BB 4328</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Uh, Malcolm did a lot of letter
writing, uh, especially to his sister, Hilda,
and uh to his sister Ella. And he had other
friends, like Baisley Perry, people that he
knew, he wrote. <note type="handwritten">[[BB 4348</note> He always wrote about the
righteousness of the world, and the goodness
of the heart, and the purity of heart that a 
person should advocate in life. And all this
knowledge was really coming out of the books
<note type="handwritten">BB 4368</note> that we had been reading, and when he started
getting into racial things, and started
putting it in these letters, you see, they
used to casework your letters, you see, they
used to casework your letters, and he had a
casework record that high, from just letters
that he wrote out of the prison. Uh, that's
how they learned what our intentions were and
<note type="handwritten">BB 4395</note> what we were learning, was through the
casework department.<note type="handwritten">]]4399</note></p>
</sp>
</div2>

<div2 type="page">
<pb n="69" facs="jarvis_0069.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"69
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Talk about the correspondence of Elijah
Mohammed; how regularly was Malcolm 
corresponding with letters, and were you
writing as well, but...talk...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  ...talk about Malcolm's correspondence
(unintel)</p>
</sp>

<note type="handwritten">BB 4412</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, as you know, as has been said
many times, <note type="handwritten">[[4417</note> the true knowledge of this world
is not written in books. It's passed down
from generation to generation, from mouth to
ear. And uh...Elijah Mohammed used to convey
certain things of knowledge to his sister
Hilda, and Hilda would bring it down and
convey it to him from mouth to ear. But they
used to also write letters, but there was 
<note type="handwritten">BB 4448</note> nothing that could be taken from the letters,
unless you could read between the lines.<note type="handwritten">]]4456</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Uh...(garbled)...you gotta say that
again for me, OK. 'Cause you can't use </p>
</sp>
</div2>

<div2 type="page">
<pb n="70" facs="jarvis_0070.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"70
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>'casework', people don't know what you mean.
And when you say uh...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: , You said it! You said Elijah Mohammed to
his sister, they'll think it's Elijah
Mohammed's sister. Malcolm's sister, and
then from Hilda to Malcolm.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, what they...when you, when you
say ‚ 'casework',</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  No, start the whole thing again, tell me
that whole thing again.</p>
</sp>

<incident><desc>[UNINTEL]</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, start again.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Uh...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Let's cut. Let's cut. Jarvis, I think
I'm not being clear. </p>
</sp>
</div2>

<div2 type="page">
<pb n="71" facs="jarvis_0071.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"71
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<incident><desc>[AUDIO CUTS OUT]</desc></incident>

<incident><desc>[END OF SIDE A]</desc></incident>
<note type="handwritten">L# 4513</note>
</div2>

<div2 type="page">
<pb n="72" facs="jarvis_0072.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"72
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<incident><desc>SIDE B -- TAPE 3</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Those letters, which uh he censored,
would be read by the prison, and that's how
they understood what he as thinking, what he
was saying, and and became concerned about
it.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Mmm, that's whe they confiscated
his books out of the library.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Let's pick up there, OK, 'cause I'm 
interested in how that information comes in,
and how it goes out afterwards. OK, ready to
roll?</p>
</sp>

<incident><desc>[UNINTEL]</desc></incident>
<note type="handwritten">BOX#35 TK10 CR74 SR37</note>

<incident><desc>ROLLING.</desc></incident> <note type="handwritten">BB 5000-7062</note>

<sp>
<speaker n="cameracrew"/> 
<p>MARK IT</p>
</sp>
<sp>
<speaker n="interviewer"/> 
<p>TAKE TEN.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, talk to me about Malcolm and uh his
re1ationship...his relationship with Elijah</p>
</sp>
</div2>

<div2 type="page">
<pb n="73" facs="jarvis_0073.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"73
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Mohammed in prison, and how mat- information
is coming in to him, and how he's letting,
how he's writing, getting it out...</p>
</sp>
 
<note type="handwritten">BB 5039</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Uh, <note type="handwritten">[[5040</note> from ... what you bring back to 
my mind at this moment is at the time that
Malcolm was in prison, his family had tried
to interest him in Islam for many years when
he was at free, uh had his freedom and he's
in the street, but they couldn't, because he
was too taken up with the external things of 
life. But now that he was confined to the 
prison, they figured this would be the best 
opportunity to instill Islam into him. So
<note type="handwritten">BB 5078</note> that's when his sister Hilda came to the
prison, and she was the first one that
started talking about Islam to him, giving
him knowledge about it. And one of one of
the first things that she left with him was
the key to our success lies within your own
soul.<note type="handwritten">]5101</note> Then she gave him a lot of quotations
<note type="handwritten">BB 5105</note> from the Bible, and told him that uh uh was
the Holy Koran, not the Bible, I'm sorry, it
was the Holy Koran. And I think that she
arranged to have the Holy Koran sent to the</p>
</sp>
</div2>

<div2 type="page">
<pb n="74" facs="jarvis_0074.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"74
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>prison to he and I. Uh, I'd like to say
this, <note type="handwritten">[5129</note> that you know the true knowledge of the 
<note type="handwritten">BB 5131</note> world is not written in books, that as his 
sister says, it's passed down from generation
to generation from mouth to ear. And Malcolm
and I were playing the part of like Solomon
in the Bible; we were seeking knowledge and 
wisdom of the world. And that's what had us 
going into these books of Egyptology, uh the 
hieroglyphics, uh psychiatry, psychology, 
theology, uh...we studied Shintoism...we
<note type="handwritten">BB 5177</note> studied many things out of these books that
we had at the library, 'cause were just
seeking basic knowledge of what makes the
world tick.<note type="handwritten">]]5186</note> Now, through his letters that he 
wrote out, which were censored, <note type="handwritten">[[5197</note> every letter
he ever wrote was censored, sometimes they 
even photostated them, uh they learned what
we were trying to do to our minds. We were 
trying to acclimate our minds into thinking
<note type="handwritten">BB 5217</note> on a much higher level than that of the
average person. They knew what we were
advocating. Even the prison psychiat-
psychiatrist uh must musta warned them about</p>
</sp>
</div2>

<div2 type="page">
<pb n="75" facs="jarvis_0075.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"75
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>this. Next thing I knew, they confiscated
the books out of the library. <note type="handwritten">]]5235</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, and uh, were you ever...were you and
Ma1colm...I mean Malcolm was a voracious
writer, he wrote lots of letters.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yes, he did.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Uh, talk to me about his letter-writing,
and then talk to me how, talk to me about how 
then the prison began, once they started 
confiscating his letters and reading them,
began to have to to to hassle him about his
thinking...the psychiatrist, and those kinds
of things.</p>
</sp>

<note type="handwritten">BB 5272</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, well, letter-writing was an
outlet for him. That's where he let his
frustrations out from within himself.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Start again. Malc- letter-writing was a
was a outlet for Malcolm. </p>
</sp>
</div2>

<div2 type="page">
<pb n="76" facs="jarvis_0076.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"76
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<note type="handwritten">BB 5287</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">5288[[</note> Malcolm's letter-writing was an
outlet for his inner frustrations. 
Uh...other than that, he woulda he woulda
went berserk.<note type="handwritten">]5301</note> Uh, that was the habit that 
the prison had, of reading any letter that
came in or went out of the prison. They knew
what your people were thinking by what they 
read coming in, and they knew what you were 
thinking by what went out.And they knew 
what we were trying to tell the people on the 
outside by what went out. So they were 
reading us coming and going. But they still 
<note type="handwritten">BB 5339</note> lost the real true meaning of what we were 
advocating, behind all the things that we 
were saying. Because we used to 
write...write letters that you'd have to read
between the lines. We'd say one thing here,
say one thing there, and it meant something 
else in the middle. And what you get out of 
the middle is the true thing. And that that 
is a true example of the way Malcolm X used
to think. The same thing took place the
<note type="handwritten">BB 5378</note> night of the cops, when the po1ice...uh, he
had me to approach the police, the same thing</p>
</sp>
</div2>

<div2 type="page">
<pb n="77" facs="jarvis_0077.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"77
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>took like that...what you call, quick wits.
Very quick wit.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, uh, so, did uh...you...at this point,
you are uh beginning your your you...youíre
very much involved in in Muslim theology, and
the ideas of Elijah Mohammed. Uh, how is the
prison responding to those ideas, and those
ideas being expressed in your letters.</p>
</sp>

<note type="handwritten">BB 5424</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Uh, the prison the prison walked
walked a chalk line. They had to be very
careful what they said or did. The only
thing they could do, which they had to stay
within the realms of the law, was they had
the right, like I say, to photostat or copy
or take pictures of everything that was read
or sent out. They kept record of the books
that we...type of books that we were reading.
<note type="handwritten">BB 5460</note> Uh, what they wanted to do was to keep us
stupid. So the only way they could do that
is take the books out of the library, and
that's what they did. </p>
</sp>
</div2>

<div2 type="page">
<pb n="78" facs="jarvis_0078.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"78
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, Talk to me now...as as a result of 
your reading, though, uh, you and Malcolm 
become part of this prison debate team.</p>
</sp>

<note type="handwritten">BB 5485</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Debating class.I remember that
very well.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  The debating class begins to take on uh
university debate teams.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yes, it did.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  ...BU, Harvard, MIT, places like that... </p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>They took turns. </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Describe this debate uh challenge that
you that you and Malcolm were involved in, 
and give me a sense of what it was like, and 
how strong (unintel)...</p>
</sp>

<note type="handwritten">BB 5514</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, you see, Malcolm was the more
outgoing, more of the outgoing of the two of
us. Uh, and uh <note type="handwritten">[[5525</note> we joined the debating
classes to get practiced on using our wits</p>
</sp>
</div2>

<div2 type="page">
<pb n="79" facs="jarvis_0079.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"79
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>against those of the people of the world, 
<note type="handwritten">BB 5537</note> such as the college students that were coming 
in.<note type="handwritten">]]5540</note> We had 'em come there from Harvard, 
Yale, uh...what's that other college up here? 
There's another one, I forget the name of it. 
Boston University. Uh, they sent 'em 
down...they used to take turns every other 
week. <note type="handwritten">[[5560</note> Now, what we used to do, they would be 
debating different things on race, religion, 
<note type="handwritten">BB 5517</note> and Malcolm would back 'em to the wall with 
his questions and answers, and then while he 
was talking, I would be jotting down 
questions and what they say to him. I'll be 
jotting down a rebuttal, and shove it under 
under his hand, and he'd look down and then 
he'd take over. This way, he got his 
practice about debating, and talking as an 
orator. And he used to...he used to 
<note type="handwritten">BB 5606</note> captivate the audiences out there. Now that
was his that was his foundation for later in
life.<note type="handwritten">]]5617</note></p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  Describe this this orator in prison. 
Give me a give me a...I I've never seen him
in prison...</p>
</sp>
</div2>

<div2 type="page">
<pb n="80" facs="jarvis_0080.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"80
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<note type="handwritten">BB 5626</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[5625</note> Well he was he was he was over-
dramatic when he talked. Malcolm was over- 
dramatic, very much so. Uh, he was...he 
emphasized things, just like the famous 
picture where he pointed his finger, like 
that, that's the way he talked. Uh, 
demanding...very demanding. But he got 
across. And as you see, when he talked to 
people, he always stressed his point and made
<note type="handwritten">BB 5665</note> people see the light of truth.<note type="handwritten">]]5670</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, uh so...uh,how did the prison 
population respond to this success of the of
the debate team?</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, out of about eight hundred 
prisoners all totalled, we only had about two 
hundred that used to attend the debating 
c1ass...they thought that was exceptionally 
large. Uh, they thought it was very 
<note type="handwritten">BB 5703</note> interesting. But you see, now again, the 
prison was trying to find out where we were 
coming from. They wanted to find out what
type of brains or knowledge that we had, so</p>
</sp>
</div2>

<div2 type="page">
<pb n="81" facs="jarvis_0081.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"81
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>now they bring these students in, and then 
while the students were fighting against us, 
<note type="handwritten">BB 5723</note> the prison officials sat on the sideline
taking it all in. See? So now they'd know
how to handle us.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Did uh...did you ever get a sense that
that they felt that Malcolm was uh somewhat
dangerous within the prison (unintel)?</p>
</sp>

<note type="handwritten">BB 5746</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yes! Definitely! Definitely! They
thought they thought that he was very
dangerous. Uh, that's why they sent he and I
both to see the psychiatrist, before we went
up for parole. They thought he was extremely 
dangerous. And then he opened his mouth and 
said he's going to devote the rest of his 
life, excuse me, for getting back to those
<note type="handwritten">BB 5775</note> people for what they had did to him. So
hey...that went against him.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, start this again. Do that again for
me. Did they feel that um...when did you
recognize that the prison understood, and saw</p>
</sp>
</div2>

<div2 type="page">
<pb n="82" facs="jarvis_0082.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"82
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>Malcolm as somewhat dangerous, and give me 
that story again, and use Malcolm's name.</p>
</sp> 

<note type="handwritten">BB 5800</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[5801</note> When he started taking on notoriety 
as a speaker, from speaking at the debates at 
the debating class, uh that's when Malcolm's 
name and fame started spreading amongst the 
prison population, and that's when the uh the 
population started to grow at the debating 
classes. Most of the fellows used to come 
over out of curiosity, just to hear him 
speak. Now you see, the prison officials sat 
on the side, and they would listen to where 
Malcolm was coming from and they'd listen to 
what was going on with the college students
<note type="handwritten">BB 5847</note> that came there, and then they could judge
where we were coming from and what we were
after.<note type="handwritten">]]5855</note></p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  So what were the consequences of that?
(unintel) </p>
</sp>

<note type="handwritten">BB 5860</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, they didn't they didn't...it 
was no consequences. They didn't look at us
as being uh vicious criminals or anything</p>
</sp>
</div2>

<div2 type="page">
<pb n="83" facs="jarvis_0083.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"83
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>like that. They knew that we were after
something extraordinary that was gonna 
<note type="handwritten">BB 5880</note> escalate when we got out of prison. They
knew this, they felt it. They're not stupid, 
now! See? That's why they were monitoring
us and watching us very closely.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. _So just before you go to parole, the 
prison brings you and Malcolm before the 
psychiatrist. Tell me what that means,and
what is the impact of that in terms of both
of your paroles.</p>
</sp>

<note type="handwritten">BB 5913</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Alright. Uh, before I I get into
that, I'd like to say this. <note type="handwritten">[[5918</note> There's the old 
saying goes ‚ÄòA thinking man is a dangerous 
man,‚Äô and they knew from the letters that we 
were writing out and the way we were talking 
at these debating classes that we were 
thinking. And when we were thinking we 
became dangerous. Dangerous to the 
population o-of the prison and society, from
<note type="handwritten">BB 5942</note> what we were thinking.<note type="handwritten">]]5943</note> And the things that
we were thinking could be detrimental to the 
people of uh of bureaucracy, once we got out,</p>
</sp>
</div2>

<div2 type="page">
<pb n="84" facs="jarvis_0084.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"84
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>even while we were in prison, the bureaucracy 
was worried about us, before we got out. Now 
<note type="handwritten">BB 5965</note> you talk about going to the psychiatrist, 
uh...I went to see the psychiatrist first, uh 
they sent Malcolm up I think about two weeks
after me. And I can recall, the psychiatrist
looked at me and says, "Mr. Jarvis, what what
why do you think you're in prison?" And I 
looked at him back square in the eye, I said, "Because I think the world is crazy, and the 
<note type="handwritten">BB 5798</note> world thinks I'm crazy, and because the 
majority out there rules," I said, "I'm in
here. <note type="handwritten">[out</note>They put me in here." And he just
looked at me.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. We just rolled out ... and we'll 
pick that up, and then you can tell me about
Malcolm visiting the psychiatrists. But do
you...</p>
</sp>

<incident><desc>[AUDIO CUTS OUT BRIEFLY]</desc></incident>

<incident><desc>[MISC]</desc></incident>
</div2>

<div2 type="page">
<pb n="85" facs="jarvis_0085.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"85
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 
<note type="handwritten">TK11 CR75 SR37</note>

<incident><desc>TAKE ELEVEN.</desc></incident>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Uh, now let's pick up in talking
about Malcolm and uh, it's just before parole 
he goes to the people or psychiatrists. What 
does he say and what happens? What was the
consequences of his visit as well?</p>
</sp>

<note type="handwritten">BB 6062</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>When uh Malcolm went before the 
parole uh board...not the parole board, the 
psychiatry...they...see, that's the prison 
rule. <note type="handwritten">[[6073</note> You have to visit the psychiatrist 
about a month before you're considered for 
parole. Then you have to go before the
parole board. Uh, I went before the parole
<note type="handwritten">BB 6087</note> board, and I made it, a month or two before
Malcolm did. Now it was his turn to go, he
had to go to the psychiatrist first. Now 
when he went to the psychiatrist, the 
psychiatrist's opinion of Malcolm was that he 
was not eligible to be let out at that time
<note type="handwritten">BB 6110</note> because he'd be a threat to society. They
considered him dangerous. Knowledge-wise and 
otherwise, religious-wise. Uh, he would've
been like a rotten apple in a barrel of a</p>
</sp>
</div2>

<div2 type="page">
<pb n="86" facs="jarvis_0086.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"86
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>thousand, he was gonna spoil many.<note type="handwritten">]]6131</note> So
therefore, they tried to contain him as long
<note type="handwritten">BB 6136</note> as they could, in prison, which they did,
that's why they refused him. And by refusing
him, they burnt the hatred to his soul more
so. And that was the foundation of his
enthusiasm and determination to become great
when he got out.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Now, what what does he say to the 
psychiatrist? And what do they uh...what is
the consequence of...</p>
</sp>

<note type="handwritten">BB 6164</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, he he made a remark to the uh
to the prison warden before going
to...Malco1m made a remark to the prison
warden.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  But you're talking on top of me and we
can't do that. Start again.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>I'm sorry ... </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Now</p>
</sp>
</div2>

<div2 type="page">
<pb n="87" facs="jarvis_0087.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"87
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<note type="handwritten">BB 6183</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Malcolm made a re- a remark to the
prison warden...uh...I forgot the deputy's
name, it doesn't matter. Uh...that he would
devote...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  The pause we won't be able to use,
so...I'm sorry.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>I was thinking of the deputy's name,
there for a second. I'm sorry. Uh, Malcolm
made a a a remark to the to the warden that
<note type="handwritten">BB 6214</note> he would devote the rest of his life to
getting even with the white race of people
for putting him in prison. Now, when he went 
before the parole board, he made that same 
statement, boldly, and that went against him. 
They figured he was full of hate. If they
kept him there more a little longer, he'd get 
some of that hatred out of him, but it didn't
<note type="handwritten">BB 6251</note> work that way. I think it made it worse.</p>
</sp>
 
<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Uh...now...I'm gonna go back to
something. Um, when did...how did Malcolm uh
approach you or talk to you about Islam, and </p>
</sp>
</div2>

<div2 type="page">
<pb n="88" facs="jarvis_0088.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"88
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>how did you react when he first talked to you
about it?</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Uh, he firs- he first started...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Malcolm...</p>
</sp>

<note type="handwritten">BB 6281</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[[6281</note> Malcolm sta- first approached me
about the food that I ate. The first thing
he said was Jarvis, he had that long uh
Midwestern drawl uh don't eat anymore pork.<note type="handwritten">]]6297</note>
Uh, then we watched...we wouldn't eat
anything that came out of the water that
didn't have fins and swim. Anything that
walked on land that did not divide the hoof
<note type="handwritten">BB 6315</note> and chew the cud...uh, lobsters and stuff
like that, we wouldn't eat. Clams,
crabs...we wouldn't eat. So, we wound up
eating, more or less, chicken, which they
said was not good, but we did eat some
chicken. Uh, lamb, and beef. Were our main
main meats that we...eat a lot of vegetables.
<note type="handwritten">BB 6353</note> In fact, we both had a garden, and we grew
vegetables. We had a nice garden in the
summertime. A lot of vegetables.</p>
</sp>
</div2>

<div2 type="page">
<pb n="89" facs="jarvis_0089.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"89
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Now, were you receptive to the teachings
of lslam, and and his ideas when he first
approached you, and how did you respond when
he first came to you?</p>
</sp>

<note type="handwritten">BB 6375</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Uh, we were into the Bible at that
time. We had the Bible and and a Webster's
Unabridged Dict- Dictionary. And we used to
go through the Concordance of the Bible,
jumping from one end of the Bible to another,
trying to understand what was meant here and
what was meant there. Then his sister Hilda
introduced us to the Holy Koran, which was
<note type="handwritten">BB 6407</note> the Muslim Bible. Then we started to get
into that. They they they claim, which I
don't know how true it is, that it is more or
less uh the writings of the Bible written in
Arabic, but there is a difference. There is
a difference.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  If you were to think back into prison
days, and uh and you have a memory of Malcolm
in prison that sticks in your mind, a moment,
uh an event, something that happened that</p>
</sp>
</div2>

<div2 type="page">
<pb n="90" facs="jarvis_0090.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"90
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>sticks with you, that you've never let go,
what is that, what is that moment that best
helps all of us to see him as well, in terms
of who he was and what he fought for?</p>
</sp>

<note type="handwritten">BB 6463</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Uh, one one afternoon, I was
listening to the TV, and uh this white fella
jumped up in my face and wanted to turn the
channel...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  There was a TV in..</p>
</sp>

<note type="handwritten">BB 6484</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>We had a TV in in pris- in the off
our prison colony yes, in the common room.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>We had what was known as a common
room, where you could sit there during
recreation time and play dominoes or play
cards. Now they had a television in the
corner, 'cause we didn't have any TVs in the
<note type="handwritten">BB 6507</note> room, and I uh this fella wanted to change
the channel, and he and I got into a fight.
And when he did, three or four of the other</p>
</sp>
</div2>

<div2 type="page">
<pb n="91" facs="jarvis_0091.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"91
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>fellas wanted to jump in, and Malcolm stood
up with a knife in his hand, and he said,
<note type="handwritten">BB 6536</note> "Let the baddest man jump in there," he said,
"and I'll take 'im down!" And this boy and I
fought, and I beat the boy, and I had to go
and do eight days in the dungeon on bread and
water for fighting, which was against the
rules and regulations of the prison. That
<note type="handwritten">BB 6547</note> remark uh stands mostly in my mind, because
he was more or less protecting me from the
multitude that wanted to jump in on the
fight.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Is this something that Malcolm was always
like, that he was he was he was there that
way uh a lot...</p>
</sp>

<note type="handwritten">BB 6567</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Not always. But he was that day!
He was that day.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Uh...what was the...I I...someone
someone described that uh as a group,
sometimes you could find even beyond the
debates that you had in the class, in in as a
part of the class, that in the yards and</p>
</sp>
</div2>

<div2 type="page">
<pb n="92" facs="jarvis_0092.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"92
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>before curfew, you could find uh uh people in
a circle, talking, and Malcolm in the center
of it at times.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Right.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Now describe one of those scenes for me,
and how that was...what kind of things you'd
talk about, and describe the scene, so I can
get a picture in my mind.</p>
</sp>

<note type="handwritten">BB 6615</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, in Norfolk, when we used to
form the circles up there, uh Malcolm would
more or less be like a teacher, as a guidance
for the rest of us. Uh, he considered
himself like that. Even when we, when he was
in uh...before he went to prison, he
<note type="handwritten">BB 6641</note> considered himself the leader of the gang,
just automatically. So automatically in
prison, he considered himself the leader of
the group. And he would always try to
convince us of his way of accepting things
pertaining to Islam. Well, like, what we
<note type="handwritten">BB 6663</note> shouldn't eat, and the habits that we should
perform, and the fact that we should say uh</p>
</sp> 
</div2>

<div2 type="page">
<pb n="93" facs="jarvis_0093.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"93
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>face the East and say prayers five times a
day to Mecca. Those are the sort of things
<note type="handwritten">BB 6680</note> he used to try to, you know, convince us of.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  And how how did other uh inmates respond
to Malcolm,...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>They were very receptive. Very
receptive. He occupied their minds and gave
<note type="handwritten">BB 6700</note> them something to do and uh to occupy their
time while they were in prison. Keep their
minds occupied.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Give it to me in a full statement. Who
we're talking about, and what they're talking
about.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, he he gave them something to
do.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Malcolm.</p>
</sp>

<note type="handwritten">BB 6722</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>...things. Malcolm gave them
something to do and things to to study,</p>
</sp> 
</div2>

<div2 type="page">
<pb n="94" facs="jarvis_0094.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"94
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>learn, and remember, trying to better
themselves, in their ways of thinking.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, that's good, except Malcolm gave
other inmates, 'cause we don't know who we're
talking about, so start again. Malcolm gave
other inmates.</p>
</sp>

<note type="handwritten">BB 6744</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Malcolm gave other inmates something
to do, something to think about. Things to
do that they would remember to make them a
better person on the outside.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Uh, now...Once you're released,
Malcolm's released a year later. When do you
first see each other again? What is that
what is that reunion like?</p>
</sp>

<note type="handwritten">BB 6775</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Uh, he was released in June, but he
was not allowed to leave the State of
Massachusetts. Uh, I don't think he...he had
to get special permission if he was gonna
leave [DOORBELL RINGS] and...[DOORBELL
RINGS]. </p>
</sp>
</div2>

<div2 type="page">
<pb n="95" facs="jarvis_0095.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"95
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<incident><desc>[MISC]</desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>SPEED. 
MARK
TAKE TWELVE.</p>
</sp>
<note type="handwritten">TK12 CR75 SR37</note>
<sp>
<speaker n="interviewer"/> 
<p>Q:  Um, tell me about uh when you first uh
meet Malcolm after prison. This is the first
time you meet him (unintel)</p>
</sp>

<note type="handwritten">BB 6820</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Oh,<note type="handwritten">[[6820</note> it was about two weeks after he 
was out of rison. We held our first Muslim
meeting. Uh, it was in Claremont Park, at
one of the brothers who had been released
earlier. Uh, I remember at that meeting was
the person known as Ferguson, I remember
Charles O'Neill, and Lewis X, who's known as
Farrakan today, I remember him, he didn't
have his X in those days, though. I forgot
what his last name was, but he was there.
<note type="handwritten">BB 6866</note> And uh Malcolm presided over those first few
meetings. Automatically, he just figured he
was the teacher, like he did in prison. So
he took over the meetings.<note type="handwritten">]6883</note></p>
</sp>
</div2>

<div2 type="page">
<pb n="96" facs="jarvis_0096.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"96
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Now tell me, how did Malcolm...How
had Malcolm changed uh after he came out of
prison. Talk about the change that you saw
in him.</p>
</sp>

<note type="handwritten">BB 6894</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yeah, <note type="handwritten">[6894</note> there was a big difference in
Malcolm's attitude once he was released. He
was different man altogether. He was very
cool, very calm, and very collective. And
uh...his main interest was to get his X. And
he had to wait, I think, three or four months
<note type="handwritten">BB 6921</note> before they would give him permission to
leave the state to go to Detroit.<note type="handwritten">]]6926</note> or was it
Chicago? I'm sorry, Chicago, to visit Elijah
Mohammed. And I recall we got a cavalcade
together. There was about three cars, and
there was thirteen or fourteen people, and we
left Boston together to go to Chicago. Uh</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  [MISC] OK. Uh, now, at that...when you
took that Cavalcade, when you all went to to
Chicago together, did Malcolm get his X?</p>
</sp>

<note type="handwritten">BB 6978</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Malcolm got his X from Elijah
Mohammed.</p>
</sp> 
</div2>

<div2 type="page">
<pb n="97" facs="jarvis_0097.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"97
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  When we went to Chicago, Malcolm got his
X, and what happened for you, you didn't.</p>
</sp> 

<note type="handwritten">BB 6987</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Uh, you see, Malcolm and I, when we
were in prison, we used to always argue the 
point about uh of the Ten Commandments, which 
says Thou shall not bow before a graven
image. Well, naturally, I had been raised as
a Christian most of my life, and I believed
in the Ten Commandments, where he was
believing in uh Islam. And uh he believed in
<note type="handwritten">BB 7018</note> bowing to the East five times a day saying 
saying alms or prayers, as you wish to say
it, to Mecca. So I told him that well,
if you bow to Mecca, that's bowing to a graven
image, <note type="handwritten">[out</note> and that is against one of the Ten 
Commandments, and I was going to bring this
up to Elijah Mohammed. But you see, he
figured he figured that question was gonna be 
<note type="handwritten">BB 7046</note> very embarrassing to to Mr. Mohammed, and
much rather than to embarrass the man, the
man ignored me. That's why I didn't get the
X when I went to Chicago.</p>
</sp>
</div2>

<div2 type="page">
<pb n="98" facs="jarvis_0098.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"98
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Let's let's change.</p>
</sp>

<incident><desc>END OF SIDE B </desc></incident>
<note type="handwritten">L# 7062</note>
</div2>

<div2 type="page">
<pb n="99" facs="jarvis_0099.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"99
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 
<note type="handwritten">Box 36 CR.76 Sr.38 TK13</note>
<incident><desc>TAPE 3</desc></incident>
<note type="handwritten">BB 7500-8521</note>
<incident><desc>TAPE 4</desc></incident>

<incident><desc>BEGINNING OF SIDE A</desc></incident>

<incident><desc>SR 38</desc></incident>

<sp>
<speaker n="cameracrew"/> 
<p>THIS'LL BE UH SOUND ROLL THIRTY-EIGHT,
MALCOLM PROJECT UH FOR BLACKSIDE.
CAMERA ROLL SEVENTY-FIVE. CONTINUATION OF
INTERVIEW WITH MALCOLM JARVIS.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>READY? WE'RE OUT IN THE HALL.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>TAKE THIRTEEN.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, talk to me about the person you saw
uh when you're at the Intervale Mosque and
the change that you saw in Malcolm at that
time.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Uh, I hadn't seen him for a while.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, start again like we talked about(?).</p>
</sp>

<note type="handwritten">BB 7544</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>I hadn't seen Malcolm for quite a
while, and I heard that he was in Boston, uh </p>
</sp>
</div2>

<div2 type="page">
<pb n="100" facs="jarvis_0100.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"100
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>and I he was at the Intervale mosque,
Intervale Street Mosque, and I went there and
I asked for him, but they would not admit me
<note type="handwritten">BB 7565</note> to the mosque ‚'cause I was not a Muslim. Uh,
but they did give him the message, and he
came to the front door, and I'll never
forget. He had uh the black Oldsmobile that
he owned when he was assassinated, and I had
an Oldsmobile sitting right behind his car,
which was doing, and he was so proud to let
me know that he was successful and had a nice
car, he says, Jarvis, how do you like my new
<note type="handwritten">BB 7600</note> car over there? I said, "Well, how do you
like the one behind it?" I said, "That's
mine." (laughter)And we laughed and joked 
about that. But uh, the next time I saw him
was down at the John Quincy Hancock Hall when
Elijah Mohammed spoke, a few weeks later on a
Sunday. And when he saw me come through the
door, he ushered me down and gave me a front-
row seat, right behind the Fruit of Islam.
<note type="handwritten">BB 7633</note> Now, my opinion of of Malcolm's attitude from
the days I knew him in prison and at the time
I saw him then, when he was a very cool, calm
and collected individual. And uh...in fact,</p>
</sp>
</div2>

<div2 type="page">
<pb n="101" facs="jarvis_0101.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"101
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>it worried me, personally, that he was so
quiet. Because you know, they say underneath
<note type="handwritten">BB 7662</note> all the calm is the storm, and his storm came
later, as you all know.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, you you mentioned that that uh when
he came out that day, you're out on the
steps, that you remember him being much more
thoughtful, that a lot of the wildness had
disappeared.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Mmm-hmm...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Uh, talk to me about that. What did you
see, and...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, I didn't see any hatred in
him, and that puzzled me. His hatred
actually was gone, and uh that's why he
talked about the cars. Uh, but I think he
<note type="handwritten">BB 7711</note> was withholding his frustrations mentally,
that's what :1 thought that day. In other
words, he had learned to subdue his passions
in life. </p>
</sp>
</div2>

<div2 type="page">
<pb n="102" facs="jarvis_0102.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"102
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  when uh...and I'm I'm gonna move back
now, to another time, when you're back in
prison. Uh, you were with Malcolm when when
uh uh he asked he was asking for cells that
faced East.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>That was in Charlestown.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  In Charlestown.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yeah, not in Norfolk.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Yes. OK. Talk about that uh, about that
experience. What happened then, describe it
to me, help me understand what that was all
about.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, see uh...in the days that he
went to the warden and insisted on having a
cell facing the East, the warden, you see,
says to him, "You have to take what we give
<note type="handwritten">BB 7782</note> you." But when he injected religion into it,
now this is where he started to upset the 
prison system, with religion.They didn't
know how to take it. So ... </p>
</sp>
</div2>

<div2 type="page">
<pb n="103" facs="jarvis_0103.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"103
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  I need you to restart I'm sorry. Let me
start you again. Let me know that we're
talking about Malcolm.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Beg your pardon?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Let me know that we're talking about
Malcolm. Malcolm goes to the warden...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>OK.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  And uh...te1l me the story. Ready?
{MISC}</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK talk to me about the time when Malcolm
goes to the warden to request a cell facing
the East.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yeah, he went to the warden in
uh...Malco1m went to the warden in
Charlestown and insisted on having a cell
<note type="handwritten">BB 7859</note> facing the East, and the warden asked him
why. He said so he could face Mecca and pay
... and pay tribute to Allah, as his God,</p> 
</sp>
</div2>

<div2 type="page">
<pb n="104" facs="jarvis_0104.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"104
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>five times a day. And the warden says
"Well," he says, "I don't think you should 
have a cell facing the East. You take what.
comes along, like everybody else." But the
warden was nervous. So to keep things quiet 
<note type="handwritten">BB 7892</note> and to keep him happy, they gave him the
cell facing the East. That's when Malcolm 
shook up the prison system about Islam being
in Charlestown. They didn't know what to do.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Let's cut a second.</p>
</sp>
<note type="handwritten">CR 76 SR 38 TK 14</note>
<sp>
<speaker n="cameracrew"/> 
<p>MARK 
TAKE FOURTEEN</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. (unintel)</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>You asked me about describing the
<note type="handwritten">BB 7926</note> zoot suit. Well, let's start from the head,
as we say, we'll go from the head to the toe.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Tell me again. You can't...Don't say my
question. Say the zoot suit was...</p>
</sp>
</div2>

<div2 type="page">
<pb n="105" facs="jarvis_0105.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"105
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, I'm gonna bring Malcolm's name 
in. But now you asked me to de- describe the 
<note type="handwritten">BB 7947</note> zoot suit. Malcolm X was the first person,
as I said before, to come to Boston with the
Zoot Suit.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Malcolm was the first person...they might 
not hear my question, or...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yeah, I'll leave the X out.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q: Or...and leave the 'as you said before'.
Malcolm was the first per...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ready?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Ready. </p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">7977[</note> Malcolm was the first person to come
to Boston with a Zoot Suit. I would like to
describe him from head to toe. First, the 
<note type="handwritten">BB 7990</note> hat was the like uh a cowboy hat, they called 
it, a ten-gallon hat, wide-brimmed, a
Stetson. Then, they had...the sports jacket
came down almost to his knees, three-quarter</p>
</sp>
</div2>

<div2 type="page">
<pb n="106" facs="jarvis_0106.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"106
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>length. The trousers were made something 
like thirty-five inches in one leg, and they 
tapered down to sixteen inches at the ankle, 
<note type="handwritten">BB 8029</note> taking on the effect of a balloon. And then 
they had what we call the knob-toe shoes, 
that slightly pointed up, almost like a 
Dutch, Dutchman's shoe. And then he had the 
long chain from his waist that went from his 
waist down to his ankle and back up to his 
hip. And then when he was dancing on the 
floor, and he was floating around, those 
<note type="handwritten">BB 8063</note> pants were like he was a floating balloon. 
With th-, and that coat was like a wing, the
way he'd be dancing and flying around with
that big ten-gallon hat on and the chain
flinging. And this used to really shake up
<note type="handwritten">BB 8079</note> the girls. (laughter).<note type="handwritten">]]8082</note></p> 
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Good.Uh...Let's stop a second.</p>
</sp>
<note type="handwritten">CR 76 SR 38 TK 15</note>
<sp>
<speaker n="cameracrew"/> 
<p>TAKE FIFTEEN
MARK</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yessir.</p>
</sp>
</div2>

<div2 type="page">
<pb n="107" facs="jarvis_0107.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"107
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, talk to me about this ... this um ... 
what Malcolm was like when he's debating and 
how it's translated into this concept of 
being a crazy nigger.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, the prison officials thought 
that Malcolm was too smart to be stupid. So 
<note type="handwritten">BB 8124</note> they ca11ed...they said he was a crazy nigger 
because he was so smart. Uh...</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. Let's start again. You started by 
talking about...in the debates, Malcolm was 
was was...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>My mind my mind did a trick on me
just then... </p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  I understand.</p>
</sp> 

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>(laughter) Uh, I forgot the way I
put it to you before.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK. </p>
</sp>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>I'm thinking of too many things. Go
ahead, I'm listening.</p>
</sp>
</div2>

<div2 type="page">
<pb n="108" facs="jarvis_0108.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"108
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Well, let's pick it up. Because you're 
talking about the debate, and how he was, he 
was quick on his feet, and he was able to
outsmart these college students.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Yes, he did.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  ...supposedly smart people. Stop me 
there and follow it up with that how that was
translated to authority.</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>OK. Ready? Uh, Malcolm was a very 
smart person. Uh, the college people thought 
he was too smart, much smarter than the
<note type="handwritten">BB 8199</note> average, so they'd say he was a smart nigger,
and a smart nigger‚Äôs a crazy nigger. That's 
the way they'd refer to him in prison. I'm
lost again.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Well, you did so good before. (laughter)</p>
</sp>

<incident><desc>[MISC]</desc></incident>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Ready?</p>
</sp>
</div2>

<div2 type="page">
<pb n="109" facs="jarvis_0109.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"109
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<note type="handwritten">CR 76 SR 38 TK16</note>
<sp>
<speaker n="cameracrew"/> 
<p>TAKE SIXTEEN </p>
</sp>

<note type="handwritten">BB 8223</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[[8223</note> I tried to get in touch with Malcolm 
the day before he was assassinated, ‚Äôcause I 
had a premonition about him the week before. 
And the premonition was a death premonition. 
And I sent a message down to his headquarters 
at the Theresa Hotel on a Saturday, and I 
understand he never did receive my message.
<note type="handwritten">BB 8253</note> I wanted him to take his family and come to 
Connecticut to visit me that Sunday. That 
anything he had going. Evidently, he didn't 
get the message. So when I didn't get a 
phone call late Saturday night that he was 
coming, I went to Boston the next day, which 
was Sunday, and I was sitting in a friend of 
mine's house at three o'clock in the 
afternoon when a flash came across the TV.
Malcolm X has just been assassinated at the 
Audubon Ballroom. I was flabbergasted, man,
<note type="handwritten">BB 8292</note> I could've passed out. Because I said, "Oh
My God," I said, "If he had only gotten in 
touch with me and listened to me and came to
my house, he would've still been alive." I</p>
</sp>
</div2>

<div2 type="page">
<pb n="110" facs="jarvis_0110.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"110
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>was sick. That's the only way I could
describe the way I felt. I was actually
<note type="handwritten">BB 8316</note> sick. And I felt bad for his family.<note type="handwritten">]]8328</note></p>
</sp> 

<sp>
<speaker n="interviewer"/> 
<p>Q:  Uh, remembering that, go back to uh this 
image of Malcolm, you know, in prison, before 
the prison population, debating uh other uh 
university scholars and and students. Who is 
this person and how is he perceived among, 
not just peers, but those who were in 
authority...tell me that story.</p>
</sp>

<note type="handwritten">BB 8367</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>Well, the only way the only way I 
could describe Malcolm in the days of his 
being in the debating class is like it 
reminds me, I made the remark to a newspaper 
reporter recently, had Malcolm had lived, my 
opinion of him today would have been, he had 
he would've been a black Adolf Hitler. Now, 
when I make that statement, I mean he 
would've been a great orator, because he got 
his practice at it during these debates. Uh, 
<note type="handwritten">BB 8411</note> he admired Adolf Hitler because of his 
ability to spellbound an audience, not not
getting involved with the Nazism, no. But he</p>
</sp>
</div2>

<div2 type="page">
<pb n="111" facs="jarvis_0111.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"111
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="interviewee"/> 
<p>admired the man's ability to speak and 
spellbound thousands of people at the same
time.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  But he was also incredibly smart, and 
intellectual, and uh uh had a quick wit about 
him, and people saw that as somewhat 
dangerous, especially coming from a black 
man. What does that mean, and talk about
that as of deb- Malcolm as a debator that
way.</p>
</sp>

<note type="handwritten">BB 8459</note>
<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p><note type="handwritten">[8459</note> I think this is one of the things 
that Malcolm really scared people with, was
his quick wit. Uh, and as he went around the 
country, debating in various places, as fast 
as people could throw one question at him, he 
had three answers. And uh, that's just the 
way his mind had been developed over the 
years. And it made him a unique individual, 
different from anybody that was out here.<note type="handwritten">8500]]</note>
<note type="handwritten">BB 8501</note> That's the only way I could describe him.</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  OK, now with that with that same...go
back to the debate again, uh...</p>
</sp>
</div2>

<div2 type="page">
<pb n="112" facs="jarvis_0112.tif"/>
<head>BLACKSIDE, INC. "MALCOLM X"112
INTERVIEW WITH JARVIS
CR68, SR 34,SR35, CR 69 SR 36
CR76, SR 38
<del>JENNY WASHINGTON -- CELIA LEE???</del></head> 

<sp>
<speaker n="cameracrew"/> 
<p>WE JUST ROLLED OUT ...</p>
</sp>

<sp>
<speaker n="interviewee">JARVIS:</speaker> 
<p>You run out again?</p>
</sp>

<sp>
<speaker n="interviewer"/> 
<p>Q:  Yeah.</p>
</sp>

<incident><desc>END OF SIDE A</desc></incident>
<incident><desc>SIDE B IS BLANK</desc></incident>
<incident><desc>END OF TAPE 4</desc></incident>
<note type="handwritten">L# 8521</note>
</div2>
</div1>
</body>
</text>
</TEI>